J.J. Connington, author of my latest Forgotten Book, 1931's The Sweepstake Murders, was a major figure of the Golden Age and this excellent novel displays his talents at full stretch. Wendover, a country squire who regularly plays Watson to Sir Clinton Driffield's Holmes, takes centre stage here, as member of a nine-man syndicate which wins a sweepstake ticket that proves to be worth almost a quarter of a million pounds.
The death in an air crash of one member leads to litigation from his estate which delays payment of the winnings. The survivors agree that the money should be shared out between those who are alive at the date of the pay-out. This is, needless to say, remarkably unwise, since it provides a compelling motive for someone to start killing off syndicate members.
One member dies - seemingly by accident, and that is the inquest verdict - afte falling down a cliff at the nicely named Hell's Gape. (I'm sure this fascinating geographic feature must have been based on a real place - does any reader have any ideas where it might be? The Chasms on the Isle of Man is the only similar spot I know.) Then another man dies - and again, it seems to be an accident, but we know better, don't we?This is a clever and gripping "who will be next?" whodunit of great complexity, with countless red herrings and gimmicks including faked photographic evidence and forged letters.
I really enjoyed this one, and I'd rate it as probably the best Connington I've read. Because he beleived in "fair play" plotting, he could on occasion be a rather plodding writer, but here the story is packed with incidents and characters, and it does not become bogged down in a morass of detail. The police inspector who does most of the detection needs to investigate photorgraphic and typewritten evidence - in a nice touch, which I very much liked, the culprit's approach to punctuation also plays a part in the unmasking. Strongly recommended for Golden Age fans.
Showing posts with label Wendover. Show all posts
Showing posts with label Wendover. Show all posts
Friday, 23 November 2012
Friday, 10 February 2012
Forgotten Book - Murder in the Maze
For today's journey into the past of detective fiction, I'm again looking at a book by J.J. Connington, a writer who continues to grow on me. This time, the spotlight is on Murder in the Maze, which introduced Sir Clinton Driffield and his chum Wendover, a likeable 'Watson' figure.
Two equally unpleasant brothers are found dead in the maze of the country house where they live, and Driffield leads the hunt for the killer. Off-hand, I can't think of any other series where a Chief Constable is the main sleuth, but I'd be glad to learn of any I've forgotten or ignored.
Driffield here is just 35 years old (something I hadn't realised when reading his later adventures) and a pretty dynamic - and tough - character. The story is a very good exercise in "fair play" detection, and my admiration for Connington continues to increase. I first read his most famous book, The Case With Nine Solutions, many years ago, and felt a bit let down. I must try it again, to see whether I ought to revise that judgment.
A maze is a great, if obvious, image to use in mystery fiction. I used it myself in Eve of Destruction, and I must say I find mazes fascinating. Connington makes good use of the setting here, and the finale in the maze is quite chilling. A notable book, which helped establish him in the top tier of detective novelists.
Two equally unpleasant brothers are found dead in the maze of the country house where they live, and Driffield leads the hunt for the killer. Off-hand, I can't think of any other series where a Chief Constable is the main sleuth, but I'd be glad to learn of any I've forgotten or ignored.
Driffield here is just 35 years old (something I hadn't realised when reading his later adventures) and a pretty dynamic - and tough - character. The story is a very good exercise in "fair play" detection, and my admiration for Connington continues to increase. I first read his most famous book, The Case With Nine Solutions, many years ago, and felt a bit let down. I must try it again, to see whether I ought to revise that judgment.
A maze is a great, if obvious, image to use in mystery fiction. I used it myself in Eve of Destruction, and I must say I find mazes fascinating. Connington makes good use of the setting here, and the finale in the maze is quite chilling. A notable book, which helped establish him in the top tier of detective novelists.
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