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Live, Reviews

Take Root Festival

Groningen, Netherlands

04th November, 2017

Spread over five rooms of a city-centre arts complex, Take Root packs a lot of music into a small time-window by means of quite seamless efficiency. Opening up, Tift Merritt enjoyed throwing Tori Amos shapes at the grand piano, while Cactus Blossoms are a modern version of The Everly Brothers, with captivating harmonies.

Hurray For The Riff Raff challenged the audience’s country sensibilities and triumphed, while Margo Price’s huge lungs were enhanced by a handy Theremin – surely a first for country music. A charming solo Andrew Combs offered a welcome relief from all the twanging electric guitars and entranced the nomadic audience with his new tree-hugging tune, Dirty Rain. As things cranked up to the climax, Chuck Prophet & The Mission Express set the bar nearly impossibly high for Jason Isbell and his crack sessioneers to rise above. They succeeded, with a panoramic 90-minute set, but it was a close thing.

Tags
Various Artists

Reviewed by Oliver Gray
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Elmer Gantry’s Velvet Opera

Elmer Gantry’s Velvet Opera emerged from R&B/soul act The Five Proud Walkers after experiencing a conversion to psych following a support slot beneath Pink Floyd. Well… who wouldn’t? Their upbeat blend of the new scene with the primal beats of their earlier work got them noticed.

Live At Montreux 2001

When Run-DMC were stopped in
their tracks the day Jam Master
Jay was shot in New York, October
2002, anything bearing the logo of
one of the great names in hip-hop
took on a new historical
significance. Live At Montreux
2001 is no exception. Released as
both a DVD and CD, it documents
the trio’s sole appearance at
Montreux…

The Singles And EPs

Most subsistence-level indie outfits sent John Peel demos on a wing and a prayer, but North Londoners BOB inadvertently hit the jackpot. They bumped into Peel in person in London’s Rough Trade shop and gave him a copy of their first EP: a self-released flexi disc helpfully titled Flexi. Peel’s patronage led to crucial exposure and three…

Circus

Released in 1975, Argent’s first post-Russ Ballard album coincided with a period when progressive rock, let alone concept albums, was becoming old hat – yet the lack of Ballard’s concise, commercial songwriting nous meant that fellow composer and bandleader, Rod Argent, took centre-stage on Circus. With keyboards given free rein, …

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