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Album, Reviews

Of Course You Are

With a workrate verging on the obsessive, Guided By Voices frontman Robert Pollard has reputedly written around 1,700 songs to date and with the release of Of Course You Are his tally of 24 solo LPs has outstripped the 23 he’s helmed with GBV to date. 

Naysayers have frequently quibbled about quantity overwhelming quality where Pollard’s singular career is concerned, but recent studio LPs Blazing Gentlemen (2013) and last year’s Faulty Superheroes were precisely-recorded, state of the art alt rock records which almost entirely avoided the spotty, lo-fi traits inherent in GBV’s early work. 

Cut from similar, well-tailored cloth, Of Course You Are is another of Pollard’s hallmark, brevity-fuelled excursions. The 12 tracks clock in at a breezy 33 minutes and, as most long-term disciples would expect, hooky anthems such as Little Pigs and the punchy, riff-smart My Daughter Yes She Knows largely dominate the agenda. 

Much of it, admittedly, treads familiar, fanbase-appeasing ground, though the beautifully-crafted, Jeff Lynne-esque Losing It has broader mainstream potential and even the uninitiated are advised to heed the title of the atypically graceful, string-kissed Come And Listen. 

Fire America | FAME 004 (CD/LP)
Reviewed by Tim Peacock
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Second Love

The five years since second album Virtues have seen Emma-Lee Moss dipping her toe into soundtrack work with Austenland and carving out a side-career in cultural reportage. Second Love sees her make an emphatic return to the day job. It’s the kind of record that reveals depths over many listens; a meticulously crafted and presented, subtle and ma…

Secret Voyage

Mixing traditional European
tunes with newer fare, Ritchie
and Candice present another
dozen of their Renaissance folk-rock
tunes, which will provide a cushioning, relaxing backdrop to
any medieval banquet. Opening
with the harpsichords, pipes,
strings and brass of God Save
The Keg (along with some
monastic chanting), we’re off
down…

Green Twins

Shimmering with the heady atmosphere of a first date somewhere suitably hot, this loopy, atmospheric groove of an album will draw you in as seductively as a first drag on a… well, you get the picture. Influences as diverse as Portishead, 10CC, Marvin Gaye and Massive Attack contribute for certain, but Green Twins’ charm lies in an absolute refu…

Rubberband

In 1985, Miles Davis did the unthinkable and quit Columbia, stunning both his label and the jazz world. He had been with the company for 30 years but their refusal to fund and release his album, Aura, combined with the attention they were lavishing on rising trumpet star, Wynton Marsalis, galled the then 59-year-old horn player, who moved to Warner…

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