Back to Issue 475
Album, Reviews

Saturday Night Special

Not since Graham Bond’s own Organisation had the Mellotron’s icy strings entered into such delicious battle with the rich tones of a baying Hammond as on this cult fusion classic plucked from the vaults of Detroit’s Strata Records, precursor to New York’s Strata East. Long a priceless collectable, 1975’s Saturday Night Special caught Motor City organ wild card Lyman Woodard at the peak of a career that started in the 60s and continued at Detroit’s most perilous nitespots nearly up to his 2009 death.

Joined by mellifluous guitar-bassist Ron English, drummer Leonard King, percussionist Lorenzo Brown and – on the sonorous reflection of Joy Road – cool saxophonist Norma Jean Bell, Woodard cuts grooves hot enough to fry a henhouse, translating auto factory clang on the title track, delving into smouldering Latin on Cheeba and conscious vocals on Creative Musicians. Inevitably his day-job backing Motown stars The Undisputed Truth or Martha & The Vandellas informs his playing, but the gritty jazz vamps bottled here are more reflective of the ruined city night-crawling scene that spawned them.

Working with DJ Amir’s 180 Proof, BBE excel themselves on the lavish double album package, including bonus tracks and sleeve design/notes from Woodard’s 60s roommate John Sinclair. Impossibly cool.

BBE | BBE414 (2LP/CD)
Reviewed by Kris Needs
Back to Issue 475

Carmel

If ever a gig could be called a curate’s egg, this was it. Carmel arrived on stage at 8:15pm and, because of a club night following, announced at 8:55 that her number was up. With two encores, she was done within in an hour, but managed to run through 10 songs in that time. And albeit short and sweet, her performance was superb.

Cassie

 Mega stardom beckoned for Cassie when this self-titled debut hit the US No 4 in 2006. The former model had the backing of P Diddy’s Bad Boy Entertainment and had just scored a massive R&B hit with the accompanying Me & You. Yet none of her follow-up singles charted; despite a growing cult reputation and a list of influential adm…

Hope & Glory Festival

With much hype surrounding this new festival, it had a lot to live up to. Headliners James and the recently-formed Hacienda Classical were promised highlights, but Day One did not prove a pleasant experience, with overcrowding, queues and inadequate facilities. Still, it showcased noughties indie with the likes of Razorlight, The View, Pigeon Detec…

Anthology One: 1989-91

Featuring samples and unique
sound-making devices created
by the band and its
collaborators, this double-album
revisits Voice Of Eyes’ early
cassette releases, examining
what they called “organic sound
sculpturing”. This involved
layering a stream of sonic
shapes on a bed of drones – a
combination of instrumental
…

Diamond Publishing Ltd., 7th Floor, Vantage London, Great West Road, Brentford, TW8 9AG.
Registered in England. Company No. 04611236