{"id":183039,"date":"2014-08-03T08:35:01","date_gmt":"2014-08-03T08:35:01","guid":{"rendered":"https:\/\/siteproxy.ruqli.workers.dev:443\/http\/recordcollectormag.com\/reviews\/live\/afghan-whigs"},"modified":"2020-04-08T09:14:47","modified_gmt":"2020-04-08T09:14:47","slug":"afghan-whigs","status":"publish","type":"post","link":"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/reviews\/live\/afghan-whigs","title":{"rendered":"The Afghan Whigs"},"content":{"rendered":"<p>Afghan Whigs&rsquo; on-off status over the 16 years between 1965 and this year&rsquo;s Do To The Beast sees them undeniably &ldquo;on&rdquo; before a sell-out crowd. Their triple-guitar threat makes an incendiary noise, with frontman Greg Dulli at the eye of the storm, ranging from overcharged admonitions to husky confessions.&nbsp;<\/p>\n<p class=\"p2\">&ldquo;Good, I get to dress up and play the assassin again,&rdquo; he crooned on When We Two Parted, in a set revisiting 1993 breakthrough Gentlemen, 1965 and covers of all sorts from The Beatles to Andrew Lloyd Webber, all given the Whigs&rsquo; scorched-earth treatment. But it&rsquo;s no nostalgia-fest: live, Do To The Beast&rsquo;s songs surpassed their studio counterparts, with Matamoros exploding like a Molotov cocktail and Royal Cream building into a unholy cacophony before Dulli stalked the the front of the stage and took to a tom-tom, making the tribal-gathering connection explicit: everyone here was looking for transcendence, not least Dulli himself.&nbsp;<\/p>\n<p class=\"p2\">The Whigs&rsquo; songs &ndash; all backstreets and barflies, comedowns and come-ons &ndash; offer an escapist trip. If the consummate showman revelled in the role of tour guide, he did so with a wink and a smile.&nbsp;<\/p>\n<p class=\"p1\">&nbsp;<\/p>\n<p class=\"p1\">&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"post-excerpt\">Afghan Whigs&rsquo; on-off status over the 16 years between 1965 and this year&rsquo;s Do To The Beast sees them undeniably &ldquo;on&rdquo; before a sell-out crowd. Their triple-guitar threat makes an incendiary noise, with frontman Greg Dulli at the eye of the storm, ranging from overcharged admonitions to husky confessions.&nbsp;<\/p>\n","protected":false},"author":8023,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[20,16],"tags":[],"issue":[10038],"class_list":["post-183039","post","type-post","status-publish","format-standard","hentry","category-live","category-reviews","issue-september-2014"],"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.7 (Yoast SEO v26.7) - https:\/\/siteproxy.ruqli.workers.dev:443\/https\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Afghan Whigs - Record Collector Magazine<\/title>\n<meta name=\"description\" content=\"Afghan Whigs&rsquo; on-off status over the 16 years between 1965 and this year&rsquo;s Do To The Beast sees them undeniably &ldquo;on&rdquo; before a\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/reviews\/live\/afghan-whigs\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Sue Matiz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/reviews\/live\/afghan-whigs#article\",\"isPartOf\":{\"@id\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/reviews\/live\/afghan-whigs\"},\"author\":{\"name\":\"Sue Matiz\",\"@id\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/#\/schema\/person\/988db10ab37234551492d43e5936245e\"},\"headline\":\"The Afghan Whigs\",\"datePublished\":\"2014-08-03T08:35:01+00:00\",\"dateModified\":\"2020-04-08T09:14:47+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/reviews\/live\/afghan-whigs\"},\"wordCount\":204,\"publisher\":{\"@id\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/#organization\"},\"articleSection\":[\"Live\",\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/reviews\/live\/afghan-whigs\",\"url\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/reviews\/live\/afghan-whigs\",\"name\":\"The Afghan Whigs - Record Collector Magazine\",\"isPartOf\":{\"@id\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/#website\"},\"datePublished\":\"2014-08-03T08:35:01+00:00\",\"dateModified\":\"2020-04-08T09:14:47+00:00\",\"description\":\"Afghan Whigs&rsquo; 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