{"id":193406,"date":"2018-01-04T13:49:10","date_gmt":"2018-01-04T13:49:10","guid":{"rendered":"https:\/\/siteproxy.ruqli.workers.dev:443\/http\/recordcollectormag.com\/reviews\/album\/guitar-machines"},"modified":"2020-04-08T09:34:13","modified_gmt":"2020-04-08T09:34:13","slug":"guitar-machines","status":"publish","type":"post","link":"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/reviews\/album\/guitar-machines","title":{"rendered":"The Guitar And Other Machines"},"content":{"rendered":"<p class=\"p2\">Though often unfairly derided as Factory boss Tony Wilson\u2019s pet project, Vini Reilly (aka The Durutti Column) quietly established his credentials with a series of exquisite, instrumentally-inclined LPs such as <i>LC <\/i>and <i>Another Setting <\/i>during the early 80s.<\/p>\n<p class=\"p7\">Based on these initial titles, few would have expected the talented, yet introspective guitarist\/ composer to follow his label mates New Order\u2019s lead and embrace electronic music. Yet after Wilson gifted him an assortment of electronic gizmos, Reilly \u2013 with help from new producer Stephen Street \u2013 liberally laced 1987\u2019s <i>The Guitar And Other Machines <\/i>with synths and beats.<\/p>\n<p class=\"p7\">In retrospect, the results were a mixed blessing. Thirty year on, the (then) cutting edge drum machines have dated and while electronica enhances the suite-like LFO Mod, several tracks are nigh-on destroyed by juddering sequencers. Indeed, it\u2019s telling that the LP\u2019s best tracks \u2013 USP, Pol In B \u2013 are unadorned outings for Reilly\u2019s intricate, neo-classical guitar.<\/p>\n<p class=\"p7\">Fortunately, this new edition\u2019s bonus discs raise <i>The Guitar\u2026\u2019s <\/i>stock somewhat. Disc Two ropes in the four achingly elegant instrumentals from the rare, Italy-only <i>Greetings 3 <\/i>EP, while the third disc\u2019s consistent live set from New York\u2019s Bottom Line finds Reilly, percussionist Bruce Mitchell and future Peter Gabriel\/Coldplay strings maestro John Metcalfe executing sublime versions of back catalogue highlights including Prayer and Ian Curtis tribute The Missing Boy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"post-excerpt\">Though often unfairly derided as Factory boss Tony Wilson\u2019s pet project, Vini Reilly (aka The Durutti Column) quietly established his credentials with a series of exquisite, instrumentally-inclined LPs such as LC and Another Setting during the early 80s.<\/p>\n","protected":false},"author":8023,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[17,16],"tags":[],"issue":[10093],"class_list":["post-193406","post","type-post","status-publish","format-standard","hentry","category-album","category-reviews","issue-january-2018"],"apple_news_notices":[],"yoast_head":"<!-- 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