{"id":193537,"date":"2018-01-05T09:40:17","date_gmt":"2018-01-05T09:40:17","guid":{"rendered":"https:\/\/siteproxy.ruqli.workers.dev:443\/http\/recordcollectormag.com\/letter\/dear"},"modified":"2018-01-05T09:40:17","modified_gmt":"2018-01-05T09:40:17","slug":"dear","status":"publish","type":"post","link":"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/letter\/dear","title":{"rendered":"WHY SO DEAR?"},"content":{"rendered":"<p class=\"p2\"><b><\/b>I have a problem or two. Firstly, I attended a record fair in London and saw dealers asking ludicrous prices for well-worn LPs. \u00a3600 for a Velvet Underground LP is but one example. I would have rated the cover Poor! But it was described as VG and others claimed NM for equally suspect LPs. All 50 years old and showing the natural signs of a 50-year life. Shame on you.<\/p>\n<p class=\"p4\">Second. The price\/valuation of a small coterie of artists continues to rise. The Beatles\/Stones\/Hendrix to name three, but I was around when these records were released and I don\u2019t understand why these original albums command such a premium when (for example) CSN, The Lovin\u2019 Spoonful, The Byrds, Jefferson Airplane \u2013 and lots more are all available, original copies in good nick for \u00a330-ish and were released at the same time. These artists commanded the same respect at the time as the holy trinity. Please tell me what I am missing. (Influence won\u2019t do. Beefheart\u2019s first album outsold everything at at least one central London store on release.)<\/p>\n<p class=\"p4\">I guess the same logic (illogic?) applies in the memorabilia market. I understand why a guitar Hendrix used is sought after, but I see nothing related to Duke Ellington or Miles Davis for example.<\/p>\n<p class=\"p3\">To quote a dear departed: \u201cIs it me?\u201d<\/p>\n<p class=\"p3\"><b>Andy Andrews, by email <\/b>RC <i>and the <\/i>Rare Record Price Guide <i>offer a reckoner so people can calculate roughly what a record should be priced at if it isn\u2019t Mint. Some sellers think the price in the RRPG is what the record is worth in any condition (a few charity shops labour under this <\/i><i>unfortunate misunderstanding). But other dealers simply put records at a high price at first to see it it\u2019ll sell; if not, the price goes down. If I understand you properly, your second point is basically wondering why there were millions of Beatles\/Stones\/Hendrix albums sold, so they\u2019re not rare yet command a high price, yet other acts\u2019 records sold fewer and are worth a fraction? Well, the influence of these artists <\/i>is <i>a part of it, but the real factor is because people always want original Beatles (for example) albums. They provide a basis of many a (sadly unimaginative) new collection and collectors feel they have to have them. The same doesn\u2019t apply to Lovin\u2019 Spoonful or Beefheart, unfortunately. There are lots of rare records nobody wants: they sell for pennies, if at all. Rarity is not the prime factor when it comes to price: it\u2019s how many people want them. This is basic economics: supply and demand. <\/i><b>IM <\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"post-excerpt\">I have a problem or two. Firstly, I attended a record fair in London and saw dealers asking ludicrous prices for well-worn LPs. \u00a3600 for a Velvet Underground LP is but one example. I would have rated the cover Poor! But it was described as VG and others claimed NM for equally suspect LPs. All 50 years old and showing the natural signs of a 50-year\u2026<\/p>\n","protected":false},"author":8023,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[15],"tags":[],"issue":[10093],"class_list":["post-193537","post","type-post","status-publish","format-standard","hentry","category-letter","issue-january-2018"],"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.7 (Yoast SEO v26.7) - https:\/\/siteproxy.ruqli.workers.dev:443\/https\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>WHY SO DEAR? - Record Collector Magazine<\/title>\n<meta name=\"description\" content=\"I have a problem or two. Firstly, I attended a record fair in London and saw dealers asking ludicrous prices for well-worn LPs. \u00a3600 for a Velvet\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/letter\/dear\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Sue Matiz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/letter\/dear#article\",\"isPartOf\":{\"@id\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/letter\/dear\"},\"author\":{\"name\":\"Sue Matiz\",\"@id\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/#\/schema\/person\/988db10ab37234551492d43e5936245e\"},\"headline\":\"WHY SO DEAR?\",\"datePublished\":\"2018-01-05T09:40:17+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/letter\/dear\"},\"wordCount\":444,\"publisher\":{\"@id\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/#organization\"},\"articleSection\":[\"Letters\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/letter\/dear\",\"url\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/letter\/dear\",\"name\":\"WHY SO DEAR? - Record Collector Magazine\",\"isPartOf\":{\"@id\":\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/#website\"},\"datePublished\":\"2018-01-05T09:40:17+00:00\",\"description\":\"I have a problem or two. 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