{"id":215510,"date":"2026-06-02T16:46:47","date_gmt":"2026-06-02T15:46:47","guid":{"rendered":"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/?p=215510"},"modified":"2026-06-11T15:37:10","modified_gmt":"2026-06-11T14:37:10","slug":"10-of-the-best-yoko-ono-albums","status":"publish","type":"post","link":"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/essential-records\/10-of-the-best-yoko-ono-albums","title":{"rendered":"10 of the Best Yoko Ono Albums"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"215510\" class=\"elementor elementor-215510\">\n\t\t\t\t<div class=\"elementor-element elementor-element-cceec52 e-flex e-con-boxed e-con e-parent\" data-id=\"cceec52\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-acc59ee elementor-widget elementor-widget-text-editor\" data-id=\"acc59ee\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Yoko <\/strong><strong>Ono<\/strong>\u2019s catalogue has long outgrown the reputation of a historical footnote or an avant-garde curiosity, and her albums across decades of solo work, collaborations, and constant reinvention reveal a body of music that moves between pop songwriting, performance art, noise, and danceable experimental rock\u2014often within the same record. This list, written by <strong>Jeremy Allen<\/strong> for <a href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/shop.recordcollectormag.com\/product\/record-collector-february-2024-issue-554-2\" data-wplink-edit=\"true\"><strong><em data-start=\"377\" data-end=\"395\">Record Collector<\/em> 554<\/strong><\/a>, gathers some of her most compelling releases, tracing the full range of her restless, boundary-pushing output.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e43508a e-flex e-con-boxed e-con e-parent\" data-id=\"e43508a\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-bf1c99b e-con-full e-flex e-con e-child\" data-id=\"bf1c99b\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-5673ec3 e-con-full e-flex e-con e-child\" data-id=\"5673ec3\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-30ab75a e-con-full e-flex e-con e-child\" data-id=\"30ab75a\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-74d17f3 elementor-widget elementor-widget-image\" data-id=\"74d17f3\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"490\" height=\"500\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/41sFx2TTEyL._AC_.webp\" class=\"attachment-full size-full wp-image-215512\" alt=\"Cover of Unfinished Music No. 1: Two Virgins, one of the most controversial Yoko Ono albums, created with John Lennon in 1968.\" srcset=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/41sFx2TTEyL._AC_.webp 490w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/41sFx2TTEyL._AC_-294x300.webp 294w\" sizes=\"(max-width: 490px) 100vw, 490px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d08be70 e-con-full e-flex e-con e-child\" data-id=\"d08be70\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7640044 elementor-widget elementor-widget-text-editor\" data-id=\"7640044\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div style=\"line-height: 1.1;\"><h4 style=\"color: #a9181d; font-weight: bold; margin-bottom: 4px;\">1. John Lennon And Yoko Ono<\/h4><h4 style=\"font-weight: bold; font-style: margin: 0;\"><em>Unfinished Music No. 1: Two Virgins<\/em><\/h4><p style=\"margin-top: 4px; font-size: 14px;\">(Apple APCOR 2, LP, mono, black inner, no tracklisting, UK, 1968)<\/p><\/div><p>There\u2019s a case to be made for <em data-start=\"30\" data-end=\"43\">Two Virgins<\/em> being the most controversial record ever made. The first of three experimental albums by <a href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/?s=John+Lennon\"><strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">John Lennon<\/span><\/span><\/strong><\/a> and <strong><a href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/?s=Yoko+Ono\"><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Yoko Ono<\/span><\/span><\/a><\/strong> \u2013 then the most hated woman in Britain \u2013 it features no discernible hits and came in a brown paper bag on account of the couple\u2019s nakedness. <em data-start=\"354\" data-end=\"380\">I Want To Hold Your Hand<\/em> it isn\u2019t. To steal a quote from <a href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/?s=George+Harrison\"><strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">George Harrison<\/span><\/span><\/strong><\/a>, it\u2019s more \u201cavant-garde a clue\u201d than avant-garde, though what comes through clearly is the mutual adoration between its creators.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b54233a elementor-widget elementor-widget-html\" data-id=\"b54233a\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/open.spotify.com\/embed\/album\/24Ew6JT72Or0QX4hI17uZa?utm_source=generator&theme=0\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d69e1ca elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"d69e1ca\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9205d1f e-con-full e-flex e-con e-child\" data-id=\"9205d1f\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-5a9c415 e-con-full e-flex e-con e-child\" data-id=\"5a9c415\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-e41599a e-con-full e-flex e-con e-child\" data-id=\"e41599a\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9c23f5d elementor-widget elementor-widget-image\" data-id=\"9c23f5d\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/61RwQubXgYL._AC_.webp\" class=\"attachment-full size-full wp-image-215513\" alt=\"Yoko Ono \/ Plastic Ono Band, a landmark in Yoko Ono albums featuring avant-garde vocal experimentation and collaboration with John Lennon.\" srcset=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/61RwQubXgYL._AC_.webp 500w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/61RwQubXgYL._AC_-300x300.webp 300w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/61RwQubXgYL._AC_-150x150.webp 150w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/61RwQubXgYL._AC_-200x200.webp 200w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/61RwQubXgYL._AC_-400x400.webp 400w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-970496c e-con-full e-flex e-con e-child\" data-id=\"970496c\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-8221875 elementor-widget elementor-widget-text-editor\" data-id=\"8221875\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div style=\"line-height: 1.1;\"><h4 style=\"color: #a9181d; font-weight: bold; margin-bottom: 4px;\">2. Yoko Ono\/Plastic Ono Band<\/h4><h4 style=\"font-weight: bold; font-style: margin: 0;\"><em>Yoko Ono<\/em><\/h4><p style=\"margin-top: 4px; font-size: 14px;\">(Apple SAPCOR 17, LP, UK, 1970)<\/p><\/div><p><em data-start=\"0\" data-end=\"10\" data-is-only-node=\"\">Yoko Ono<\/em> \u2013 the album \u2013 emerged out of impromptu sessions in between takes for <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">John Lennon<\/span><\/span>\u2019s self-titled, primal therapy-inspired solo record, with <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Yoko Ono<\/span><\/span> capable of screaming too, her larynx producing several sounds at once, which she uses to striking effect in a tonal conversation with <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Ornette Coleman<\/span><\/span>\u2019<\/strong>s horn on \u201cAOS,\u201d while <a href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/?s=The+Plastic+Ono\"><strong>The Plastic Ono<\/strong><\/a> Band push sonic abstract expressionism on tracks like \u201cWhy?,\u201d with the rhythm section of <a href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/?s=Ringo+Starr\"><strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Ringo Starr<\/span><\/span><\/strong><\/a> and <a href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/?s=Klaus+Voormann\"><strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Klaus Voormann<\/span><\/span><\/strong><\/a> sounding not unlike Can at times.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e9ec180 elementor-widget elementor-widget-html\" data-id=\"e9ec180\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/open.spotify.com\/embed\/album\/0DFYbYCcHCEJPcN1hODG6K?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10cab65 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"10cab65\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-08c2c97 e-con-full e-flex e-con e-child\" data-id=\"08c2c97\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-7ca4e64 e-con-full e-flex e-con e-child\" data-id=\"7ca4e64\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-7b00260 e-con-full e-flex e-con e-child\" data-id=\"7b00260\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-eece59d elementor-widget elementor-widget-image\" data-id=\"eece59d\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"623\" height=\"608\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/screen-shot-2017-03-22-at-9-20-47-pm1.webp\" class=\"attachment-full size-full wp-image-215515\" alt=\"Fly, a sprawling double album in the Yoko Ono albums catalogue blending danceable tracks with experimental sound and performance art.\" srcset=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/screen-shot-2017-03-22-at-9-20-47-pm1.webp 623w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/screen-shot-2017-03-22-at-9-20-47-pm1-300x293.webp 300w\" sizes=\"(max-width: 623px) 100vw, 623px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d273014 e-con-full e-flex e-con e-child\" data-id=\"d273014\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b634f4e elementor-widget elementor-widget-text-editor\" data-id=\"b634f4e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div style=\"line-height: 1.1;\"><h4 style=\"color: #a9181d; font-weight: bold; margin-bottom: 4px;\">3. Yoko Ono<\/h4><h4 style=\"font-weight: bold; font-style: margin: 0;\"><em>Fly<\/em><\/h4><p style=\"margin-top: 4px; font-size: 14px;\">(Apple SAPTU 101\/2, 2LP, gatefold, poster &amp; postcard UK, 1971)<\/p><\/div><p>The first two sides of <em data-start=\"23\" data-end=\"28\">Fly<\/em> offer music to dance to, then comes the abstraction: the 22-minute title track, which takes up all of side three, doubles up as the soundtrack to an art film of the same name, with a fly traversing the naked body of a sleeping woman as <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Yoko Ono<\/span><\/span> personifies the insect with alien gabble, while for the more conventionally minded \u201cMind Train\u201d is impossible to resist, and \u201cMrs Lennon,\u201d a mournful piano ballad, was surely an influence on <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Big Star<\/span><\/span>\u2019s \u201cHolocaust.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2a39d14 elementor-widget elementor-widget-html\" data-id=\"2a39d14\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/open.spotify.com\/embed\/album\/5BNeApBGugQscJkFq42Lxf?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ce21113 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"ce21113\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9f37193 e-con-full e-flex e-con e-child\" data-id=\"9f37193\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-5bd191b e-con-full e-flex e-con e-child\" data-id=\"5bd191b\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-25833ca e-con-full e-flex e-con e-child\" data-id=\"25833ca\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-92f06d4 elementor-widget elementor-widget-image\" data-id=\"92f06d4\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"522\" height=\"522\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/71vRrc92UbL._AC_SX522_.jpg\" class=\"attachment-full size-full wp-image-215517\" alt=\"Approximately Infinite Universe, a more conventional rock-influenced entry in Yoko Ono albums with strong melodic songwriting and eccentric lyrics.\" srcset=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/71vRrc92UbL._AC_SX522_.jpg 522w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/71vRrc92UbL._AC_SX522_-300x300.jpg 300w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/71vRrc92UbL._AC_SX522_-150x150.jpg 150w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/71vRrc92UbL._AC_SX522_-200x200.jpg 200w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/71vRrc92UbL._AC_SX522_-400x400.jpg 400w\" sizes=\"(max-width: 522px) 100vw, 522px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-20f1a64 e-con-full e-flex e-con e-child\" data-id=\"20f1a64\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ab84f14 elementor-widget elementor-widget-text-editor\" data-id=\"ab84f14\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div style=\"line-height: 1.1;\"><h4 style=\"color: #a9181d; font-weight: bold; margin-bottom: 4px;\">4. Yoko Ono<\/h4><h4 style=\"font-weight: bold; font-style: margin: 0;\"><em>Approximately Infinite Universe<\/em><\/h4><p style=\"margin-top: 4px; font-size: 14px;\">(Apple SAPDO 1001, 2LP, UK, 1973))<\/p><\/div><p>Many modern art fans never forgave <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">John Lennon<\/span><\/span><\/strong> for breaking up Fluxus, and they may have been even more bemused by <em data-start=\"141\" data-end=\"174\">Approximately Infinite Universe<\/em>, where <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Yoko Ono<\/span><\/span> <\/strong>leans into conventional rock (albeit with her ineluctable eccentricities), with her third solo album proving that writing pop songs is probably easier than what she does normally: \u201c<strong>Move On Fast<\/strong>\u201d and \u201c<strong>Waiting for the Sunrise<\/strong>\u201d are immediate and infectious, while her more idiosyncratic songs, \u201c<strong>I Felt Like Smashing My Face in a Clear Glass Window<\/strong>\u201d and \u201cW<strong>hat a Bastard the World Is<\/strong>\u201d, are truly unforgettable.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a0b58dd elementor-widget elementor-widget-html\" data-id=\"a0b58dd\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/open.spotify.com\/embed\/album\/6XlfyEBqz0yNG2tYJ3iwpj?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bd6b0d9 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"bd6b0d9\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-3dbd95b e-con-full e-flex e-con e-child\" data-id=\"3dbd95b\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-de3757a e-con-full e-flex e-con e-child\" data-id=\"de3757a\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-2c900f6 e-con-full e-flex e-con e-child\" data-id=\"2c900f6\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-50a7020 elementor-widget elementor-widget-image\" data-id=\"50a7020\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1080\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/SC286_Yoko_Ono_Season_of_Glass_Album_Art.webp\" class=\"attachment-full size-full wp-image-215518\" alt=\"Season of Glass, a deeply personal Yoko Ono album recorded after John Lennon\u2019s death, known for its stark emotional tone and iconic cover.\" srcset=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/SC286_Yoko_Ono_Season_of_Glass_Album_Art.webp 1080w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/SC286_Yoko_Ono_Season_of_Glass_Album_Art-300x300.webp 300w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/SC286_Yoko_Ono_Season_of_Glass_Album_Art-1024x1024.webp 1024w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/SC286_Yoko_Ono_Season_of_Glass_Album_Art-150x150.webp 150w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/SC286_Yoko_Ono_Season_of_Glass_Album_Art-768x768.webp 768w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/SC286_Yoko_Ono_Season_of_Glass_Album_Art-200x200.webp 200w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/SC286_Yoko_Ono_Season_of_Glass_Album_Art-400x400.webp 400w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/SC286_Yoko_Ono_Season_of_Glass_Album_Art-800x800.webp 800w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d5991e5 e-con-full e-flex e-con e-child\" data-id=\"d5991e5\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2628f83 elementor-widget elementor-widget-text-editor\" data-id=\"2628f83\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div style=\"line-height: 1.1;\"><h4 style=\"color: #a9181d; font-weight: bold; margin-bottom: 4px;\">5. Yoko Ono<\/h4><h4 style=\"font-weight: bold; font-style: margin: 0;\"><em>Season Of Glass<\/em><\/h4><p style=\"margin-top: 4px; font-size: 14px;\">(Geffen K 99164, LP, UK, 1981)<\/p><\/div><p>The sense of voyeurism with <em data-start=\"28\" data-end=\"45\">Season of Glass<\/em> was unavoidable, probably why it\u2019s still <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Yoko Ono<\/span><\/span><\/strong>\u2019s bestselling record, as the first LP after the assassination of her husband became an event in itself, with the unwarranted hatred towards the Japanese dissipating with every heart-wrenching stanza; Yoko is subdued and even sedated, with occasional bellicose outbursts on \u201c<strong>I Don\u2019t Know Why<\/strong>\u201d and \u201c<strong>No, No, No,<\/strong>\u201d while the greatest provocation is the artwork, with a picture of the blood-splattered glasses<strong> <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">John Lennon<\/span><\/span> <\/strong>was wearing on the day he was murdered.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2badcfb elementor-widget elementor-widget-html\" data-id=\"2badcfb\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/open.spotify.com\/embed\/prerelease\/3FQ9BuBhkjvkzyRthm3aA8?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-273aa83 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"273aa83\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-34004c7 e-con-full e-flex e-con e-child\" data-id=\"34004c7\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-2588e80 e-con-full e-flex e-con e-child\" data-id=\"2588e80\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-b8a0fd8 e-con-full e-flex e-con e-child\" data-id=\"b8a0fd8\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-0c7f00e elementor-widget elementor-widget-image\" data-id=\"0c7f00e\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"640\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/yoko-ono.webp\" class=\"attachment-full size-full wp-image-215519\" alt=\"Rising, a collaborative entry in Yoko Ono albums featuring electronic, industrial, and remix reinterpretations with Sean Ono Lennon.\" srcset=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/yoko-ono.webp 640w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/yoko-ono-300x300.webp 300w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/yoko-ono-150x150.webp 150w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/yoko-ono-200x200.webp 200w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/yoko-ono-400x400.webp 400w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5894a60 e-con-full e-flex e-con e-child\" data-id=\"5894a60\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e5eff92 elementor-widget elementor-widget-text-editor\" data-id=\"e5eff92\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div style=\"line-height: 1.1;\"><h4 style=\"color: #a9181d; font-weight: bold; margin-bottom: 4px;\">6. Yoko Ono \/ IMA<\/h4><h4 style=\"font-weight: bold; font-style: margin: 0;\"><em>Rising Mixes<\/em><\/h4><p style=\"margin-top: 4px; font-size: 14px;\">(Capitol SPRO-11219, Promo LP, US, 1996)<\/p><\/div><p>Want to know what <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Yoko Ono<\/span><\/span><\/strong> might have sounded like fronting a rap-metal band? Look no further than <strong><em data-start=\"128\" data-end=\"136\">Rising<\/em><\/strong>, recorded with IMA and featuring a young <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Sean Ono Lennon<\/span><\/span><\/strong>; it\u2019s surprisingly enjoyable, and the remix album from the following year elevates the material to new heights thanks to artists such as <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Ween<\/span><\/span>, <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Thurston Moore<\/span><\/span><\/strong> and <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Adam Yauch<\/span><\/span><\/strong>, with the best of all being \u201c<strong>Where Do We Go from Here?<\/strong>\u201d featuring <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Tricky<\/span><\/span> growling alongside Yoko.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-19c6bd0 elementor-widget elementor-widget-html\" data-id=\"19c6bd0\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/open.spotify.com\/embed\/album\/4iC6ClVMn8I3VndDYMOpDh?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f0649a7 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"f0649a7\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-3c02e9a e-con-full e-flex e-con e-child\" data-id=\"3c02e9a\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-d4b4fa7 e-con-full e-flex e-con e-child\" data-id=\"d4b4fa7\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-d2eae66 e-con-full e-flex e-con e-child\" data-id=\"d2eae66\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-88434f2 elementor-widget elementor-widget-image\" data-id=\"88434f2\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"597\" height=\"600\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/R-148403-1141101346.webp\" class=\"attachment-full size-full wp-image-215520\" alt=\"Walking on Thin Ice, a standout track in Yoko Ono albums history that gained renewed success through dance remixes in the early 2000s.\" srcset=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/R-148403-1141101346.webp 597w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/R-148403-1141101346-150x150.webp 150w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/R-148403-1141101346-200x200.webp 200w\" sizes=\"(max-width: 597px) 100vw, 597px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d40f844 e-con-full e-flex e-con e-child\" data-id=\"d40f844\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1e412bd elementor-widget elementor-widget-text-editor\" data-id=\"1e412bd\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div style=\"line-height: 1.1;\"><h4 style=\"color: #a9181d; font-weight: bold; margin-bottom: 4px;\">7. Ono<\/h4><h4 style=\"font-weight: bold; font-style: margin: 0;\"><em>Walking On Thin Ice<\/em><\/h4><p style=\"margin-top: 4px; font-size: 14px;\">(Twisted America 72435-82669-1-7, 2 x 12\u201d, US, 2003)<\/p><\/div><p>Shortly before his death, <strong>John Lennon<\/strong> told <strong>Yoko Ono<\/strong> that she had her first No 1 with \u201c<strong>Walking on Thin Ice<\/strong>\u201d, and although he\u2019d be proven right eventually, not long after his death the single scraped into the US and UK charts, before in 2003\u2014when the world seemed to catch up with Ono\u2014she topped the US dance chart with an extended 12\u201d version featuring remixes by <a href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/?s=Pet+Shop+Boys\"><strong>Pet Shop Boys<\/strong><\/a>, <a href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/?s=Danny+Tenaglia\"><strong>Danny Tenaglia<\/strong><\/a> and <strong>FKEK<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c6028e3 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"c6028e3\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-eb4674f e-con-full e-flex e-con e-child\" data-id=\"eb4674f\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-0f7efe5 e-con-full e-flex e-con e-child\" data-id=\"0f7efe5\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-c77e5a4 e-con-full e-flex e-con e-child\" data-id=\"c77e5a4\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f73eb5e elementor-widget elementor-widget-image\" data-id=\"f73eb5e\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"225\" height=\"225\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/images-9.webp\" class=\"attachment-full size-full wp-image-215521\" alt=\"Between My Head and the Sky, a late-period Yoko Ono album continuing the Plastic Ono Band legacy with electronic and experimental textures.\" srcset=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/images-9.webp 225w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/images-9-150x150.webp 150w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/images-9-200x200.webp 200w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-eacab07 e-con-full e-flex e-con e-child\" data-id=\"eacab07\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-88d5cca elementor-widget elementor-widget-text-editor\" data-id=\"88d5cca\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div style=\"line-height: 1.1;\"><h4 style=\"color: #a9181d; font-weight: bold; margin-bottom: 4px;\">8. Yoko Ono &amp; Plastic Ono Band<\/h4><h4 style=\"font-weight: bold; font-style: margin: 0;\"><em>Between My Head And The Sky<\/em><\/h4><p style=\"margin-top: 4px; font-size: 14px;\">(Chimera Music Release Number One, 2LP, Japan, 2009)<\/p><\/div><p>The<strong> Plastic Ono Band<\/strong> was always a moveable feast, so on <strong><em data-start=\"56\" data-end=\"85\">Between My Head And The Sky<\/em> <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Ringo Starr<\/span><\/span><\/strong> and <a href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/?s=Eric+Clapton\"><strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Eric Clapton<\/span><\/span><\/strong><\/a> make way for <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Sean Ono Lennon<\/span><\/span><\/strong>, <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Yuka Honda<\/span><\/span> <\/strong>and <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Cornelius<\/span><\/span> <\/strong>with nobody feeling too offended; released in 2009, swamp blues and slide guitars are eschewed for bleepy electronica on tracks like \u201c<strong>The Sun Is Down!<\/strong>\u201d, and if <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Yoko Ono<\/span><\/span> <\/strong>was enjoying a renaissance thanks to remixes at this point, then a new album of sharp material proved she could stay relevant even at age 76.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e7d5c8a elementor-widget elementor-widget-html\" data-id=\"e7d5c8a\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/open.spotify.com\/embed\/album\/4BpAwcuCB5GAykJqbHjWjx?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-775ccfa elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"775ccfa\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-cbe45a7 e-con-full e-flex e-con e-child\" data-id=\"cbe45a7\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-1874a9b e-con-full e-flex e-con e-child\" data-id=\"1874a9b\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-38de220 e-con-full e-flex e-con e-child\" data-id=\"38de220\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-36a244b elementor-widget elementor-widget-image\" data-id=\"36a244b\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/R-5169673-1386409274-1568.webp\" class=\"attachment-full size-full wp-image-215522\" alt=\"Yokokimthurston, a noisy experimental collaboration in Yoko Ono albums featuring Kim Gordon and Thurston Moore.\" srcset=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/R-5169673-1386409274-1568.webp 600w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/R-5169673-1386409274-1568-300x300.webp 300w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/R-5169673-1386409274-1568-150x150.webp 150w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/R-5169673-1386409274-1568-200x200.webp 200w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/R-5169673-1386409274-1568-400x400.webp 400w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-ab959da e-con-full e-flex e-con e-child\" data-id=\"ab959da\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4720e5a elementor-widget elementor-widget-text-editor\" data-id=\"4720e5a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div style=\"line-height: 1.1;\"><h4 style=\"color: #a9181d; font-weight: bold; margin-bottom: 4px;\">9. Yoko Ono\/Kim Gordon\/Thurston Moore<\/h4><h4 style=\"font-weight: bold; font-style: margin: 0;\"><em>Yokokimthurston<\/em><\/h4><p style=\"margin-top: 4px; font-size: 14px;\">(Chimera Music CHIM 010CD, 3LP box set, 600 ltd ed. US, 2013)<\/p><\/div><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-6a1ee9c7-6184-832a-8ead-85e5720956d9-3\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a1ee9c7-6184-832a-8ead-85e5720956d9-3\" data-turn-id-container=\"request-6a1ee9c7-6184-832a-8ead-85e5720956d9-3\" data-testid=\"conversation-turn-18\" data-scroll-anchor=\"false\" data-turn=\"assistant\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"><div class=\"flex max-w-full flex-col gap-4 grow\"><div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1\" dir=\"auto\" tabindex=\"0\" data-message-author-role=\"assistant\" data-message-id=\"a9d0284c-3476-4eff-929b-98e5fd80d125\" data-message-model-slug=\"gpt-5-3-mini\" data-turn-start-message=\"true\"><div class=\"flex w-full flex-col gap-1 empty:hidden\"><div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"><p data-start=\"0\" data-end=\"699\" data-is-last-node=\"\" data-is-only-node=\"\">This collaboration would confound the expectations of even the most ardent <a href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/?s=Sonic+Youth\"><strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Sonic Youth<\/span><\/span><\/strong><\/a> fan, generally an open-minded bunch; on \u201c<strong>I Never Told You, Did I?<\/strong>,\u201d <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Yoko Ono<\/span><\/span> <\/strong>performs a lubricious mea culpa to some amp hiss and the tinkling of strings in the guitar headstocks, while \u201c<strong>Mirror Mirror<\/strong>\u201d is nine minutes of wailing and noise, and although not for everybody, <strong><em data-start=\"414\" data-end=\"431\">Yokokimthurston<\/em> <\/strong>is a purging experience for the listener and\u2014one assumes\u2014the performers, too; unfortunately, <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Kim Gordon<\/span><\/span> <\/strong>and <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Thurston Moore<\/span><\/span> <\/strong>parted not long after its release, and the vinyl version is extremely scarce, hence the price.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/section><\/div><\/div><div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\">\u00a0<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ea60c26 elementor-widget elementor-widget-html\" data-id=\"ea60c26\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/open.spotify.com\/embed\/album\/1Y254TIuLJysTRUOMTAy3L?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cba2aa4 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"cba2aa4\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e6ec3ff e-con-full e-flex e-con e-child\" data-id=\"e6ec3ff\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-e72d5df e-con-full e-flex e-con e-child\" data-id=\"e72d5df\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-7b8e212 e-con-full e-flex e-con e-child\" data-id=\"7b8e212\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-78264e4 elementor-widget elementor-widget-image\" data-id=\"78264e4\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"1276\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/yoko-ono-yes-i-m-a-witch-uk-promo-cd-r-acetate-cdr-acetate-678621_1280x1276.webp\" class=\"attachment-full size-full wp-image-215523\" alt=\"Yes, I\u2019m a Witch Too, a remix-driven Yoko Ono album featuring reinterpretations by various artists across experimental and electronic music.\" srcset=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/yoko-ono-yes-i-m-a-witch-uk-promo-cd-r-acetate-cdr-acetate-678621_1280x1276.webp 1280w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/yoko-ono-yes-i-m-a-witch-uk-promo-cd-r-acetate-cdr-acetate-678621_1280x1276-300x300.webp 300w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/yoko-ono-yes-i-m-a-witch-uk-promo-cd-r-acetate-cdr-acetate-678621_1280x1276-1024x1021.webp 1024w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/yoko-ono-yes-i-m-a-witch-uk-promo-cd-r-acetate-cdr-acetate-678621_1280x1276-150x150.webp 150w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/yoko-ono-yes-i-m-a-witch-uk-promo-cd-r-acetate-cdr-acetate-678621_1280x1276-768x766.webp 768w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/yoko-ono-yes-i-m-a-witch-uk-promo-cd-r-acetate-cdr-acetate-678621_1280x1276-200x200.webp 200w, https:\/\/siteproxy.ruqli.workers.dev:443\/https\/cdn.recordcollectormag.com\/wp-content\/uploads\/2026\/06\/yoko-ono-yes-i-m-a-witch-uk-promo-cd-r-acetate-cdr-acetate-678621_1280x1276-400x400.webp 400w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e69dd24 e-con-full e-flex e-con e-child\" data-id=\"e69dd24\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b539579 elementor-widget elementor-widget-text-editor\" data-id=\"b539579\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div style=\"line-height: 1.1;\"><h4 style=\"color: #a9181d; font-weight: bold; margin-bottom: 4px;\">10. Ono<\/h4><h4 style=\"font-weight: bold; font-style: margin: 0;\"><em>Yes, I\u2019m A Witch Too<\/em><\/h4><p style=\"margin-top: 4px; font-size: 14px;\">(Manimal Vinyl Records MANI-LP-066, 2LP, UK, 2016))<\/p><\/div><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-6a1ee9c7-6184-832a-8ead-85e5720956d9-3\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a1ee9c7-6184-832a-8ead-85e5720956d9-3\" data-turn-id-container=\"request-6a1ee9c7-6184-832a-8ead-85e5720956d9-3\" data-testid=\"conversation-turn-18\" data-scroll-anchor=\"false\" data-turn=\"assistant\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"><div class=\"flex max-w-full flex-col gap-4 grow\"><div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1\" dir=\"auto\" tabindex=\"0\" data-message-author-role=\"assistant\" data-message-id=\"a9d0284c-3476-4eff-929b-98e5fd80d125\" data-message-model-slug=\"gpt-5-3-mini\" data-turn-start-message=\"true\"><div class=\"flex w-full flex-col gap-1 empty:hidden\"><div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-6a1ee9c7-6184-832a-8ead-85e5720956d9-4\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a1ee9c7-6184-832a-8ead-85e5720956d9-4\" data-turn-id-container=\"request-6a1ee9c7-6184-832a-8ead-85e5720956d9-4\" data-testid=\"conversation-turn-20\" data-scroll-anchor=\"false\" data-turn=\"assistant\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"><div class=\"flex max-w-full flex-col gap-4 grow\"><div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1\" dir=\"auto\" tabindex=\"0\" data-message-author-role=\"assistant\" data-message-id=\"0ebcc8ed-da42-47f7-850e-3a1792812eb3\" data-message-model-slug=\"gpt-5-3-mini\" data-turn-start-message=\"true\"><div class=\"flex w-full flex-col gap-1 empty:hidden\"><div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"><p data-start=\"0\" data-end=\"720\" data-is-last-node=\"\" data-is-only-node=\"\">2007\u2019s <strong><em data-start=\"7\" data-end=\"25\">Yes, I\u2019m a Witch<\/em> <\/strong>continued the spree of <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Yoko Ono<\/span><\/span> updates with contributions from <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Hank Shocklee<\/span><\/span><\/strong>, <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Porcupine Tree<\/span><\/span><\/strong>,<strong> <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">The Polyphonic Spree<\/span><\/span><\/strong> et al., while <em data-start=\"249\" data-end=\"271\">Yes, I\u2019m a Witch Too<\/em> was even better and released on vinyl where its predecessor only made it to CD; the follow-up includes polyrhythmic collaborations with <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Ebony Bones<\/span><\/span><\/strong> and <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">tUnE-yArDs<\/span><\/span>\u2014the latter on the proto-feminist \u201c<strong>Warrior Woman<\/strong>\u201d\u2014while <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Sparks<\/span><\/span>\u2019 duet with<strong> <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Yoko Ono<\/span><\/span><\/strong> on \u201c<strong>Give Me Something<\/strong>\u201d from <strong><em data-start=\"658\" data-end=\"674\">Double Fantasy<\/em><\/strong> could have been custom-written for the Maels.<\/p><\/div><\/div><\/div><\/div><div class=\"z-0 flex min-h-[46px] justify-start\">\u00a0<\/div><\/div><\/div><\/section><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><\/div><\/div><div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\">\u00a0<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0e02187 elementor-widget elementor-widget-html\" data-id=\"0e02187\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/open.spotify.com\/embed\/album\/7KR27qboV8wZdFCIvb4JEI?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d783a0f elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"d783a0f\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5344b9e e-flex e-con-boxed e-con e-parent\" data-id=\"5344b9e\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1c971d9 elementor-widget elementor-widget-text-editor\" data-id=\"1c971d9\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>This article appears in\u00a0<a href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/shop.recordcollectormag.com\/product\/record-collector-february-2024-issue-554-2\"><strong><em>Record Collector<\/em> Issue No 554<\/strong><\/a>.<br \/>Each month,\u00a0<em>Record Collector<\/em>\u00a0highlights the very best albums, rare collectables and essential releases \u2014\u00a0<a href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/shop.recordcollectormag.com\/subscribe?source=FEATURESWEBSITE&amp;utm_source=Social&amp;utm_medium=website&amp;utm_campaign=FEATURESWEBSITE\"><strong data-start=\"235\" data-end=\"253\">subscribe here<\/strong><\/a>\u00a0to never miss an issue.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p class=\"post-excerpt\">Yoko Ono\u2019s catalogue has long outgrown the reputation of a historical footnote or an avant-garde curiosity, and her albums across decades of solo work, collaborations, and constant reinvention reveal a body of music that moves between pop songwriting, performance art, noise, and danceable experimental rock\u2014often within the same record. This lis\u2026<\/p>\n","protected":false},"author":27567,"featured_media":215525,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"apple_news_api_created_at":"2026-06-11T14:36:47Z","apple_news_api_id":"6351046d-cf43-48a7-99c3-ad5bd5450737","apple_news_api_modified_at":"2026-06-11T14:37:10Z","apple_news_api_revision":"AAAAAAAAAAAAAAAAAAAAAA==","apple_news_api_share_url":"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/apple.news\/AY1EEbc9DSKeZw61b1UUHNw","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[13728],"tags":[165,13722],"issue":[9636],"class_list":["post-215510","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essential-records","tag-john-lennon","tag-yoko-ono","issue-february-2004"],"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.7 (Yoast SEO v26.7) - https:\/\/siteproxy.ruqli.workers.dev:443\/https\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>10 of the Best Yoko Ono Albums<\/title>\n<meta name=\"description\" content=\"A short guide to the essential Yoko Ono albums, tracing her experimental and pop-influenced music across decades of boundary-pushing releases.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/siteproxy.ruqli.workers.dev:443\/https\/recordcollectormag.com\/essential-records\/10-of-the-best-yoko-ono-albums\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Federica Fusco\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" 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