50 patches from bank A through E are created by Michael Amott.

50 patches from bank F through J are his favorite sounds selected from G2.1Nu original presets.
We recommend you to adjust the Noise Reduction parameter according to your guitars, amps and recording or performance situation.

Mich ael Amott Signature Editi on

PATCH NAME

PEDAL SETTING
VOLUME

Rhythm1

Lead1

Arch Enemy style, lead tone patch with delay effect.

VOLUME

Lead2

Arch Enemy style lead tone patch, with chorus effect added.

VOLUME

Lead3

Arch Enemy style lead tone patch, with Wah and delay.

PedalCry : Freq

Lead4

Wah and Chorus Arch Enemy style lead tone.

PedalCry : Freq

Lead5

Chorus and a PP delay makes this huge sound.

VOLUME

Lead6

Flanger and delay. So metallic, its like chewing aluminum foil!

VOLUME

Spacey smooth but filthy tone in a cave. The scooping of the mids and high mids leaves bottom movement and a fuzzy top.

VOLUME

Cream

Great warm sound for lead. Even if you turn the FX you can get a simple raw drive sound.

VOLUME

Chalk

Mid-rangy semi-dirty tone with many peculiar anomalies and dimensions.

VOLUME

Wowmen

Talking patch good as a semi clean FX sound with an FD Combo. Semi-clean,

VOLUME

Synthish

Low octave synth sounding patch with some grit and attack. Cool for doubling a bass line.

VOLUME

Leading

Squeak distortion. Warm usable lead tone with heavy fattening FX. Very lush melody playing.

VOLUME

Grossnes

Grotesque tone with heavy scooping and pitch shifting. Play "Frankenstein" type riffs with this patch.

VOLUME

Angus

Arena style rhythm. HW Stack and some slight delay. If you double rhythms with Simphryt and then triple with Angus it's cool.

VOLUME

Juice

Straight ahead crunchy rhythm tone with slight pitch shift for fatness. Good for chunky 5ths.

VOLUME

Clean, warm acoustic tone with rich reverb. Good stand-by for clean strumming.

VOLUME

Midrangy lead tone with a long delay. Great for building harmonies in time.

VOLUME

Clean1

Vintage Chorus and Delay on this patch. A similar clean tone to what I use on Revolution Begins (ARCH ENEMY - Rise Of The Tyrant, 2007).

VOLUME

AC house

Clean2

Clean sound with PP Delay. Blends very well together with patch A8 in recordings.

VOLUME

May

Clean3

Chorus and PP Delay. Sounds great in headphones!

VOLUME

Clean4

Phaser and analog style Delay, another cool clean sound.

VOLUME

Clean5

Chorus and analog style Delay. Perfect for stuff like Snow Bound (ARCH ENEMY Wages Of Sin 2001). Also great for Jazz style
chords and leads.

VOLUME

Clean6

Step effect and analog style delay. Great patch patch for droning, almost Sitar like riffs and leads.

VOLUME

Woosh

Z-Clean tone with step for a rhythmic waterfall effect. Reminiscent of Zappa "Ships Ahoy".

VOLUME

Wet Head

Dark and clean with wow resonance. Good for dynamic, clean lead playing.

VOLUME

Wackjob

Phased and clean with sharp attack that's good for smacking rhythms.

VOLUME

Dreamdrg

Clean tone with delayed attack and heavy FX dimensioning.

VOLUME

Milkyway

Long, rich, cavernous kind of clean tone. Acoustic simulator. Stare into the night sky and play descending double stops in a Lydian sharp 5 scale.

VOLUME

Clean warm sound with folding reverse echoes in a lush hall. Good for background chords.

Hall : Mix

This has the "kitchen sink!" Auto Wah, StereoChorus, Hall, etc. Play a solo with jumping intervals on every note.

VOLUME

Wet wet wet, lush clean tone with forever delays in all directions. Try playing tension chords with sight whammy bar vibrations.

VOLUME

A heavy rhythm tone reminiscent of Arch Enemys early albums.

VOLUME

Lead7

Early Arch Enemy style lead tone with Delay.

VOLUME

Oceans

Lead8

Early Arch Enemy style lead tone with Delay and Chorus.

VOLUME

Wreckles

Lead9

Early Arch Enemy style lead tone with Delay and Wah.

PedalCry : Freq

Waves

Rhythm3

5
6
7

PEDAL SETTING

Sc00ps

VOLUME

Rhythm2

COMMENT

My main Arch Enemy style rhythm tone patch with a Noisegate. This is a similar type of sound to the one that I use in the verses of My
Apocalypse (ARCH ENEMY Doomsday Machine, 2005).

LeadRif

A useful patch for hardrock/metal riff and leads!

VOLUME

Oceanflr

Heavy phased and revered delay melody tone. Good for legato type Holdsworth riffs.

VOLUME

LeadRif2

The same great sound as the B8 patch but with some room style reverb.

VOLUME

FdComp

Fender Twin Reverb and compressor. Great for clean funk rhythm guitar.

VOLUME

Rhythm4

A brutal patch for heavy riffs! Reminiscent of the rhythm tone on Carcass Heartwork album.

VOLUME

FullVx

Lead10

A lead tone patch reminiscent of my lead tone on Carcass Heartwork album.

VOLUME

TexasMan

Lead11

My Carcass style lead tone with Wah.

PedalCry : Freq

BgLead

Rhythm5

Classic Rock riff patch, a very lively and inspiring sound!

VOLUME

HwCrunch

Fat crunch sound of HIWATT CUSTOM 100. Great rock crunch sound.

TiledRoom : Mix

Rhythm6

A much dirtier classic rock riff patch. A great sound if you wish to add some dirt and grit to your recording!

VOLUME

Wah, chorus and delay. A perfect sound for the shred hungry player!

McCrunch

Lead12

TiledRoom : Mix

PedalCry : Freq

Marshall 1959 classic crunch sound. Feel the dynamics of this sound.

Lead13

Flanger and an analog style delay, this is a really cool sound and you can control the amount of delay effect with the expression pedal.

AnalogDLY : Mix

MdRhythm

Marshall JCM2000 rhythm sound. Heavy, but the sound still has a classic Marshall sound.

Lead14

Octave, ensemble Chorus, delay, spring reverb Beautiful and chaotic!

VOLUME

PvRhythm

Peavey 5150 rhythm sound. Great for metal rhythm guitar.

VOLUME

Lead15

Vibrato and delay. Great sound for huge, slow melody lines!

VOLUME

DzRhythm

Diezel Herbert heavy rhythm sound. Great for heavy riffs with tuned down guitars.

VOLUME

Lead16

A spaced out mind explosion!

VOLUME

BdRhythm

MESA/BOOGIE Rectifier rhythm sound. Great for the progressive metal.

Swell sound, slow attack, can be useful to add some textures and sound effects to a recording.

VOLUME

FatOd

Early Swedish Death Metal rhythm tone, very bass heavy and extreme!

VOLUME

Lead17

Rhythm7

Overdriven Vox AC30 with room reverb. The reverb adds a unique closed back type sound.
Texas blues sound of a Fender Bassman volume at 10. The sound responds to the guitar volume. Great sound for blues.
MESA/BOOGIE MKIII mild drive sound. Great for sustained leads.

Natural overdriven sounds like OD-1 with EQ. Great for both lead and rhythm.

Room : Mix
EarlyRef : Mix
Echo : Mix

EarlyRef : Mix

VOLUME
TiledRoom : Mix

TsDrive

Sounds like Tube Screamer overdriven. Great for blues to rock.

VOLUME

GvDrive

Guv'nor pedal is great for hard rock sound.

VOLUME

dist+

MXR distortion drive sound.

VOLUME

Lead18

Early Swedish Death Metal lead tone.

Lead19

A sound inspired by the Painkiller era JUDAS PRIEST lead tone

VOLUME

Lead20

A really cool and demonic sounding swell sound! Play single string notes have fun!

VOLUME

DS1

DS-1 pedal sound with some extra low end.

Lead21

A great sound for some psychedelic and spaced out leads, or try it for some funky riffs!

RAT

Well sustained lead sound of RAT.

AnalogDLY : Mix

Acousti1

Acoustic sound with phaser, it doesnt get much more 70s than this!

TiledRoom : Mix

Acousti2

COMMENT

This is my main Arch Enemy style rhythm tone patch. This sound is along the lines of the main rhythm tone on Yesterday Is Dead And
Gone (ARCH ENEMY Khaos Legions, 2011).

G2.1Nu Original

Michael Amott Original

PATCH NAME

Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective owners and do not indicate any affiliation with ZOOM CORPORATION.
All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product.

VOLUME

VOLUME

VOLUME

PedalVox : Freq

FatFace

Great fuzz sound using FUZZ FACE with added some low end.

Acoustic sound with flanger and an analog style delay.

VOLUME

MuffDrv

BIG MUFF high gain sound.

Room : Mix

Clean7

Another strange clean sound that could be used for something experimental and 70s sounding!

VOLUME

M World

Classic Metal Zone shrapnel shred sound.

Echo : Mix

Clean8

A clean sound similar to the one I used on the instrumental track Fejee Mermaid (SPIRITUAL BEGGARS On Fire, 2003).

VOLUME

HOT DRV

VOLUME

Lead22

Psychotic harmonizer madness!

Mild driven sound made by a tube saturation. Even though it is hard driving it still has a strong melodic core in the sound.

VOLUME

Z CLEAN

Crystal clean sound based on Z CLEAN with chorus and delay. Great for arpeggio.

VOLUME

Lead23

An 80s style Metal lead tone with plenty of room reverb.

VOLUME

Z MP1

Lead24

I love playing with the modulation filter while shredding!

CombFLTR : Freq

Z DREAM

Lead25

This is on of my fave patches, a nice warm tone with analog style delay.

The same nice warm tone with analog style delay as the E3 patch but with added Wah on the expression pedal.

Lead26

Lead27

Awesome 80s arena rock style lead tone!

Lead28

Another huge sounding lead guitar patch that you can solo on forever (with Wah of course)!

Clean9

A semi clean tone that works really well for 70s style riffs and leads!

Lead29

Lead tone with tremolo effect you can control with the expression pedal.

Rhythm8

Yet another rhythm sound patch that can work well on its own or blending together with some of the other rhythm tones when recordings
several guitar tracks.

VOLUME
PedalCry : Freq
VOLUME
PedalCry : Freq
VOLUME
Tremolo : Rate
VOLUME

The sound combination of ADA MP1 and Marshall JCM800.

VOLUME

ZOOM's original high gain sound. Great for 7 strings or tuned down guitar. Great progressive metal sound.

Spring : Mix

Z NEOS

Modified VOX AC30 crunch sound. Responds well to the guitar's volume.

Room : Mix

EXT DS

Hard saturated distortion sound. Great sound for technical lead.

Reso

PDLPitch

Vibrato

TapeEcho

Reverse

Resonance. Best sound to play long sustained chords.

VOLUME
Resonance : Sense
PDL Pitch : Bend
Vibrato : Rate
TapeEcho : Time
ReverseDL : Bal
G2.1MA -PatchList-E-1