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especally or the show achieved a level of recognition fom
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ArtistSpotlight
Nanako Saikari
A2year-old illustrator from the US who creates
beautiful manga imagery, Nanako started using digital
art programs in her teens, saying: "Its been five anda
halt years since I started with digital art. But I've been
anartist from childhood”
Having been drawing and panting for as tong as
shecan remember, Nanako ismost comfortable
wha penal inher hand She doe er sachs
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raw scenes ofthe daily life ofthe people who live ina fantasy
proton of Tetra and exited her
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Nanako defintely has her eye on theindusry. Herambiion sto
become a book iustrator
Discover more of Nanako's work at
nnkartistswanted.org
I like to draw scenes of the
daily life of the people who live in
a fantasy worldShare your passion. With millions of brilliant, high-quality images,
Shutterstock helps you realize your creative vision.
shutterstsck™
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Whether you're designing one critter,
a gryphon, a goblin or a whole race of aliens,
Poz Watson discovers that anatomy is the answer
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www.imaginesubs.co.uk/art SN eR ahTutorial | Design original robot mechs
Design ori
robot mec
Israel A Carrion paints a sci-fi mech
illustration, taking inspiration from
classic Western movies
iex Mechs
heist thing Ilva ask myself when erating
‘seit ilustration show [can make this stand
‘ut from the other wore thas ou there, Mixing wo
themesisa great way to create something familar
but uniqueatthe same time. For this sc llustration
1m ging to ad robot mechs tothe Wil West. Both
ofthese gente are poplar atthe moment an both
‘have strong good erss-evl nama
‘When think about Wester movies, the classe
scene where the good and the bad fan occasionally
{the ugiy| face each other before they pull out thet
guns comes to mind, with plenty of tension and
expectation. But another inspiration for this piace
comes from the classic sel scones of giant robots
Aghting ora huge creature attacking a city - think of
Transformers, Godeila or Tor versus The Destroyer
Thave three man elements then; the hero, the
villain and the town where the action takes place.
First pain thumbnalsn Photoshop oexplare
uring the development
from ahuman ora yborgto
‘nother big mech contlled by a hums nse and
‘the enemy appears in diferent ies, to, although
‘notice the bigger version isthe more intimidating.
There are different possible moments of action and
storyline hee. Did the attack over the tov statist,
owe can see people running away? Orare the two
robots fighting and the town just unlucky
ae A
"ARRION
Artist info
deserted street antiipating the action as
{hiscreates more tension so the viewer can
Imagine whats going to happen later
‘Once know what want for the
companies in oer
coxntes,specaling
a acorcept ast br
the etetanmart stration star the rset forthe
ircusty rasan ‘mechs. enw dont want anything too
IMystalr ong stories stylised with curves or omanieshapes, 1
trough my work” ‘want to keep them abig mass of meal wt straight
shapes and ol, rough textures. To understand the
9
al
functional part ofthe robots, ts very important ta
look a the real world Segmented Insects o ther
‘animals can provide great references fr the way
‘bos and imagined machines might move. Aspder
‘excavator, for example, sa fantasti reference. also
{ake a loka the book Mechania by Doug Chiang,
(one ofmy favourites fortis subjec.,
Looking at how other designers solved problems
like joints and weopon integration is useful as wel
Cassi japanese big inspiration, but theyDesign original robot
WuTutorial Design original robot mechs
© Be open to changes in your
work so if there is something
wrong or something you don’t
like you can just redo it 99
shibwCase
. fri ona layer to check tif necessary and leven
rotate the image bring it back to horizontal if ind
the ange of my composition too award to draw
something comet arin a way that's comfortable.
then quickly ada some more value at tis tage too.
havea very unique style so Tals look at mechs rom
the Wes to make sure my image has a unique tis.
For the fina ilustration Ita the sketch by
Tookingat my favourite composition thumboals To
Living Statues, or the hero design | go with light body,
Fighting Statues Pnumanold an top but with an ankmal aspect tothe
208 FHP agen eto moelneeting an robot ad the
cee stccaueecte, _bocterforthe gunn the ight eg For the head
raw shape toremind the viewer fa cowboy bat. 1
lace ts lege on ether side of some houses to ave a
‘sense of proportion and sale. Showing a med
alongside humans and human sized structures
snetantly shoves the viewer how igs
‘Te design ofthe enemyisharder: thas more
prominenceso it must be even mare visually
interesting and ea the viewer’ eve up to his hea,
‘oo to represent the desert and totaly contrast with
the hero, using big cannon onthe alto shoot. But
Theme lvethe oahu nd
Dean ergs e0| paral
fares yh eran reat
bonga hr spree thse
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tered eae
sunset with the warm colours of twillght, really
bringing out the Wild West landscape Monument
alley in Colorado isa good relerence fr this. The
‘our variation in the sky is challenging. but can
‘use a very common custom brush to paint in the
clouds. ladda big moon to pvea sc look
Tean now adel the main colours tothe rest of the
piece with Color or Overlay ayers then continue
panting on normal layers. paint witha Charcoal, a
Chalkand a ragged custom brush go percent ofthe
time. The Sie iter s eto Fen Pressure forthe
(Charcoal variant, bat forte other two Is se 0
Fuge etre mado imer a
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2013, Photoshop ‘veri ler The
Tirade my onnerson othe tale ct
thetres boar satin th tr th
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‘natecoktaauing Spanh ates
Create metallic effects pai
‘Opacity ter. use 10-2 layers and frequently merge
‘them as this keeps my workdow organised and aso
Jeeps the fle size down, but complex pleces ke this
can requireme to use quit alot onetime.
pain the mech nthe foreground mainly with red
keeping the values darko give t mpact. For the
‘own environment, fis paint the basi shapes of
‘the buldings and then add some texures of wood on
(vel layers and desaurate them ifnecessry
‘Then Yad another one forthe road. Make sure the
textures mateh the perspective by using the
‘Transform too to warp them into place. The design of
research ofreal Western owns to avoid distracting
the viewer from the two mechs. The cast shadows
‘and the values over the walls are very important here
to gate mood ofthe place ight.
(© creck ou vas. To ghe a gtr seao eth,
‘ood and sca he gat ebo needs be gre U
int realistic surface
tng 2 spe
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Design original robot mechs | Tutorial
‘Then 1 workcon the giant mech. The process here is
slmar othe hero's mech, but this designs more
‘complex. As I workup Led some fog and use
lighter values ogivea sense of depth. The ight
source son the right ofthe scene so, with Overlay
and Color Dodge ayers highlight height sie of
themechs, expecially the faces, arms and weapons,
bbeease these are the focal points Aer a been to
refresh my eyes, Inotce the big robots slhouete
rot interesting enough. I's to state, sol tart
thinking logically about itand ow can improve
him. Heis holding a huge Gating gun that looks hard
to eoad once itis out of ammo, so what wll he do
with sch abi useless thing? I's ood tobe apen to
‘hangs in your work so if theres something wrong,
‘ar somethingyou dont ke you can just redo it
I draw a new sketch over the big robo, change the
pose to ve ta more interesting sllhouete and
Integrate the Gatling onto the arm, which sa
common design in sh ploces, but works beter.
With the rightarm balance the eontast forthe
‘heavy weapon, and now the four legs are more
isle, One ofthe reasons failed with the previous
‘version s Because | was fo cancered withthe tit
perspective. Now I ty tobe more flexible and go with
‘what ooks best | pc the colours fram the previous
‘mach and keep painting with my three most ured
brushes n just couple of ayers.
Tadd textures to both mechs using custom brushes
{have created for direand ast, Forme the best way
to dothis sto paint sporadically here and there
without fear ona new Overlay layer, then add a mask,
Inver itand paint with my Charcoal brush onthe
areas where want the texture tobe added.
Tofinsh the design ol the mechs, Lada few more
ements to givea sense of sealed det ke
labels and stickers ona new Overlay ayer tis
important to keep the worn-out look tote in with he
‘overall theme and really nal te concep.
ith the design finished, work onthe sense of
epth and atmosphere. make a Levels adjustment
on the big obot to lower the conrast add moe fog,
‘between the diferent elements on the sky and the
‘oad and adda few more highlights witha Curves
adjustment and Color Dodge layer.
@
Develop
the body
How to render the larger mech,
from sketch to detailing
Rough sketch Fst crawarcughsttch
problems awinghbwspespecie tae themage
Block colours prio
‘overhetinestghes 3D aspect wren warking
‘Add details tissitchluselasagain
‘ocrawnonon shapes ardsta aging design
cements hi 2 he same process tere gn
Pushthedesign' borat otsocomatves
andintice eerie laments the he csc
shape andthelghis athe cablesto ceaTutorial |i: ‘space scene
Painta
space scene
John Malcolm shows how to take
advantage of 3D when creating
complex structures
Peruder Es rt, ( Yeisiter gi ae
WorkING
PROGRESSTutorial | Paint a space scene
> Design the station
Adjusteettings
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PHOTOSHOP
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cWelcome to the Art
Skills section where
you'll learn quick
ways to source,
sketch and compose
ise fantasy elements
Let ‘our: experts helpyou
Cae ‘creative au
%& 76 anatomical tips for
i magical hand gestures
pe (oan recy ith
78 designa
fantasy landscape
oy) 80r yale lineart
5 82 Add atmosphere
with sunset effects
acer corponin
fh reve sce tng
ea
&) action in comics
Briere tocavered cae bt
86 Map out
afantasy city
pda
Oncor
88 Evolution ofan
h d Dragon
| 90 tow to draw
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‘modern methods wh
panting, and usualy use
Slaige colour plete
and igh saturation.Askuson Twitter or Facebook 004 ren Goowemex Fantasy Art Skills
‘1d us
aS ead
Secs
How to draw
dragon wings
Learn the basic anatomy, structure and sources of
dragons wings so you can paint a realistic and
believable creature of the skies
Dragon wings come inall shapes, sizes and styles, Winganatomy
‘bu serve a similar baste function = fight How your Webcedvwingsarebult
dragon is designed to fy can determine whether pet wthatota
thelr wings are thin and membranous ike bats, \whorethemetacarpas the
feathered, broad fn or insectld, so consider the
size and weight of your dragon when designing this
crcl part. Aeavy dra
wings fr extreme, wh
‘oul have smaller wings wi
fotation that allows fr lester Sapping
Western dragons are often drawn with bat like
webbed wings. When designing these types of
‘wings, you need look no further than your own hand
lengthened. Imagine your own fingers stretched out Foldedwing\nes
‘with membranes connecting them and you have a notinse, membranous
‘asleguldelin for dragon wings. dragon wngscan oki duoto
‘Dragone with feathered orskethered fcaled ‘har ecrome ait. Thoskin
feathers) wings have more in common with
birds. The way your feathered dragon es wi
dictate what birds will make the best eerences for
you ous. Gliding dragons would have wings lke an
Albatros wile fs, maneuverable ones may have
‘wings more ikea falcon, so consider these details.
Weean also goback in time tothe ancient
pterodace for inspiration, whose wings provided
een villodardbendtetieen
Iheborestiorolsolloaber
both fight and walking functions. The design of the tide core
‘wing extended frm a ong fourth finger on the front Sacosedumbeaa,
limbs tothe hind gs, ging te dinosaur a kite ike
‘appearance. Wing Ike this could belong toa dragon Openwingaiuy
that designed to spend most of ks time soaring on
‘currents of aio gain it.
spe cagon weg
hata wing bones ae
lanctne membrane
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(© Uc an nt ster nen pl cal aa
‘cecing oyou baagedl bone and mu rele forannmiating
XLFantasy. Need help? Ask us on Twitter or Facebook ©. 004 oxi GP oisiasnsix
Anatomical tips for ;
magical hand _._
gestures .
Learn how the
basic anatomy of
the hand in
perspective can
help simplify
drawing magical
hand gesturesama settaugtt digit
‘ats gin Cora,
2nd speedainingFantasy, Need help? Askus on Twitter or Facebook 04 40
Grosarnax
Designa
fantasy
landscape
Compose and paint a fantastical
environment for your characters
We love a good fantasy plece and the landscape is often
rl, What
supernatural elements
thet ebeen in
grep of lor theory and your ret ,
Svelables ial to achew a covin ,
ag
Tata ene ue
Ly Cn t
aT
Sketch, set
values and
colour ascene
Lead the viewer through
yourworldwith
composition and toneFantasy Art Skills
"Tweaks, detailsand
adjustmentY ce Need help? Askus on Twitter or Facebook F204 oxi GF oisiaaisv«
Fairytale
line art
Gareth Barnes shows you
how to create a scene froma
fairytale ideal for a children’s
colouring book
Fairytales are everywhere atthe moment, and with fack the
‘lant Killer set for release next year, we thought it would be the
perfect subject fora plece of linear just walting for kids to dive
{nto the story, crayons in hand, and colour for themselves.
‘reat way to makea colouring book page appealing sto exagacrate
and as recut can appear fa, but witha lite attention pa to
composition and detall, the scene wil realy capture the viewers
se only traditional mediums, dig
There are five ctinct tages that
‘the basic contentall the way through to completion ofthe final
ie some useful insight and
art of your ownFantasy Art Skills
Createyour Top techniques for fairytale art
own line art Te =
Backgroundand composition
r joreciteent
J @ Don't be afraid to try a look that is a bit
z unusual, it will be refreshing 99
‘ww garetibames.com
|e to produce at thatPVC Unrsvers)o)tts1¢ ae
with sunset effects
Stage your composition and paint dazzling sunset... {
images using these simple guiding principles
ANASTASIA
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tas ofc OverlaystocreatehalolightFantasy Need help? Askus on Twitter or Facebook (204 Aoi GJ oianvoux
Learn to use techniques such as panel
layout, speed lines and dynamic poses
to create a fight scene
use Explosive
f¥ action inFantasy Art Skills
in which
d tnaracter is
Hhrowing a puic or, in
this instance, falling
beyond the fram
add brig 4 excitement
STomach-Hhrow by the hNeed help? Ask Twitter or Facebook @DA April Digital Artist
Fantasy. ee
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Design and lay out a convincing wor abigatdekercom
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imaginary city with three- aceon
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lta out i's much ease o use your unvoval perspectives,
a fantasy word
the design ofa city, doa litle research about the
function ofthe places you are adsing and what requirements they
right have that would affect their placement in elation to each
other. Your fantasy city wil have certain requirements based on
the worl thats etn =the kind of bulding and shops may be
‘magle focused and include unusual cations ikea potion maker or
village witch. Making things fantastic yet believable is ey
In this plece for example, we added the harbour on thetopeft
side the map. Fish markets arecften located near harbours, so
‘we drew the mare within easy reach othe pot. The apothecary
was placed nearby, as the commercial areas of towns tenet be
Chose oer Then there's forest ear the apothecary asitscems Tf dbout why your
il tenon myo cnet ey gs bua a
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Consider te story oF your cy,
how ct began, how t developed
and what fhe geole who occupy
itave lite, acing greater
enghasis on certain buildings
gies ues fo the structore oF
our Fantasy society
Aig ronds, sels a
sts ques an even greater
can ofa wath
melroali. Inching roads that
branch off beyord the map
ues a sense cF ihe wider wold
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‘Add depth,
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About Red Dragon
My intention was to create a huge dragon coming out of his
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is not here to face the beast, but to share something, as ifhe 3" Copa
is communicating with him. My aim was to give the viewer the
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How to draw
combat poses
In this tutorial we'll explain how to make your
fighting scenes as lively as possible
‘Every muscle, every vin, every line of
force i pure expression. So, starting
‘oom there, you might ask how wecan
1 correct representation vill enrich your
mages and make it easier forthe observer
nit laments,
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‘As with facial expressions, the body is
able a communicate feelings and moods
‘through its pose. Frthis razon choosing
the right pose for your cha
cevtemely importants every single
‘movement and body stance wil enhance
the visual sense oftheir personality. na
fighting scene, minute body details can
help the viewer understand who's
alternatively potas and images fromthe
{neerbet oat and anatomy books. ts
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&@S| Fantasy Need help? Ask us on Twitter or Facebook © 208 Aoi Gowiarnsux
Combat poses
Understand the different y
Poses characters can take in
‘combat scenes
ere we'l show you haw to draw afew basie
figting poses and how to give them character and
expressivity. We have sx sketches, each witha
dierent pose ana diferent heme: punch, kick,
far, sword atacand mac atacks
‘Theseare imple setches without details or
ernaments and backgrounds but the
fexpresivethanksto few lines nd oe crucial
lement all the sketches are dawn on lines f force
‘imaginary lines that fll the gure shape and
rection ving each the necessary boos to make
‘he imple pen version ell come alive
@ All the sketches
are drawn on lines
of force - imaginary
lines that follow a
figure’s shape
and direction 99 s x
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Behind the scenes
Behind the scenes of your free video tutorial
ye
Paintafantasy )
cover illustration ~~”
Jaclyn Haviak, executive producer at The Art Department,
reveals what's in store in this issue's five-hour video tutorial
exploring the entire illustrative process, from brief to end result
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Seria, Greenwich ‘lytration from inital consieration ofthe project Familarity yields lvourable working relationships
‘Workshop, Penguin to tackling new projec.
tandidaiscusions from
the perspectives af both
‘heart director andthe
artist working on theVideo tutorial | seins tre scenes
See every thought,
consideration, decision
and step involved in
banhas worked wih TorBoote art arecoriene iS Creative process
consistently succesful mettodolog
‘experience, something Dan Dos
abundance. Follow his meticulw
uring the inital plan
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ality product ata
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