AFV Modeller - 2013 07-08
AFV Modeller - 2013 07-08
71
July / August 2013
£6.50 UK $14.95
www.afvmodeller.com
BLITZKRIEG
ROUTE MARCH
STUNNING GROUP BUILT DIORAMA
CONTENTS
2 Blitzkrieg Route March
Roberto Aguilera directs a team of leading modellers in this
fall of France diorama project.
12 T-62 Mineroller
Andy Gulden teams up a Mig Productions mine roller with the Trumpeter T-62.
44 Keeping Track
More new releases
ROUTE MARCH
4TH PANZER DIVISION FRANCE 1940
3
Perhaps everything began with a scene in life. He is a fantastic painter, no doubt
my head, a classic scene. After returning among the best in the world, so the rest of
from my first visit to Euromilitaire, I was so the project had to be top quality. I needed
inspired by all that I had seen, that I wanted something in the diorama that would focus
to build a landscape somewhere. I had attention besides dust and grass, and I was
acquired a beautiful Dragon Panzer I Bison looking for a bridge or a building. I had also
from my friend Michael Rinaldi, plus another acquired a wide selection of grass tufts,
good friend and great builder, Daryl Dancik flowers, and summer bushes from
who was finishing a Panzer IB that Michael MININATUR from Germany, I wanted
would paint for me. These early war tanks contrast between the military colours and a
may not be very fashionable right now with beautiful coloured environment surrounded
the trends to the ‘paper panzers’ and late by flowers. And then I found the piece I was
war kits. I wanted a dirt road to match the looking for, a European windmill MDP043
Bison’s finish as Michael had painted the from MONROE PERDU, in my opinion one of
Bison with a dusty and dirty look, so I could the best if not the best scenic model
see it in a column of tanks on a road, now I manufacturers.
needed the troops. So the scene was set, France 1940, 4th
I found great range of German infantrymen, Panzer Division. I started sketching layout
early war period, from the outstanding drawings that I sent to my buddy Torlap
Russian figure maker TANK MODEL. Five Intarangason in Malaysia, to get some help
sets T-35075 - T -35080, perfect for that I with the basic layout in Styrofoam, while I
had in mind, so the shipment went all the was finishing another project and started
way to Korea for Sang Eon to bring them to the windmill construction and painting.
The base was cut into shape from foliage of France, 15 different sets of
Styrofoam, although the road was corrected Mininatur, summer bushes, turf, turf with
twice to fit the infantry, the bridge was made leaves, late summer turf, and yellow and
out of balsa wood. The stream was made purple flowers, all scattered on bits and
mixing Vallejo still water 26230 and Vallejo pieces carefully glued one by one, it took
acrylic colours interior green and sand about 5 weeks, 4 hours a day to do the job,
yellow. Pouring several layers, making sure then hundreds of leaves and branches
every layer was fully cured before adding where glued on. WOODLAND SCENICS
the next. Torlap did a Great Job on the initial rock debris, Talus rock debris where added
grass layer, using a Noch Grass-master to the road, all of which was airbrushed with
60131 and Noch static grass. I got the base Tamiya Buff, and the base was heavily
and started by adding depth to the summer covered with MIG pigments.
4
THE WINDMILL
What a beautiful piece this is, cast in fine light grey resin, it
comes with a sheet of laser-cut high impact cardboard, coloured
in wood brown. I started with the top section and the tiles, After
the initial coat of Tamiya primer, a coat of Tamiya flat black was
airbrushed, each tile was painted in a different colour using a
wide range of Polly S acrylics that I had in a drawer for a long
time so I decided to use them, I was very happy with the results
of my old paints, smooth, great colours and nice finish. Then
layers of MIG pigments where applied very subtly on top of each
tile. A thin coat of Humbrol satin varnish was airbrushed to obtain
some fresh mud look. A second round of pigments was applied.
The wheel, blades and wood rail where painted with different
shades of brown using Polly S acrylics, the effect is great on this
amazing cardboard, and the result is a very realistic. MIG
pigments again, on top the acrylic paints, using earth tones,
after a couple of days, Winsor & Newton oils Raw Umber thinned 5
with Humbrol thinners where applied using a fine brush on the
panel lines, scratches and wood grain.
The base of the windmill was primed using
Tamiya grey primer, then a mix of Tamiya
Buff acrylics and desert yellow was
airbrushed recreating stucco finish. Moisture
spots were heavily accentuated around the
base, then three different hair spray coats
each one airbrushing the Tamiya mix over
again. Chipping on this was different than
tanks, these are damp spots in old paint
over the stucco, using the references that I
had, I tried to match the peeling paint by
rubbing the paint in a very subtle way,
shaping the stains and peeled paint.
Award winner and Master Painter Sang Eon Lee From Korea did the job, the
THE FIGURES figures where primed and the airbrushed flat black. The details are beautifully
painted using Sonja’s acrylics. This is one of the finest paint jobs I have ever seen.
6
7
PZI AND BISON
Michael Rinaldi built the Bison, from the Dragon
kit. He added some PE and Fruil tracks, I
always speak highly of my collaborators but
Mike deserves a special respect and
admiration when appreciating his art, without
doubt Mike did a great job with this one as
usual. After a coat of primer the model was
base coated with a mix of Medium Blue XF 18,
Nato Black XF 69, German grey XF 63, to
create the panzer grey, extensive washes and
pigments were added. The Pz I was delivered
to me half finished, as Mike could not finish it,
so I had to copy his style and add final touches
to this one. Not an easy task when you have to
match Mike’s style! The only basic difference
was that the Pz 1 had a red primer base coat
and I leave it to you to judge my success!
8
The different components were now all complete and could be brought
CONSOLIDATION together on the base and final adjustments made to the composition. The
Alpine motorcyclist was added to the scene as part of the traffic jam and he
contrasts nicely with the marching infantry.
9
10
11
T-62 mineroller
Modelled by Andy Gulden Modern Russian vehicles have always been a subject that I have
found very captivating. I always pick up the newest kits and the
new photo-etch and resin conversions find a way into my work
shop. Since painting and weathering a vehicle in combat
conditions is my favorite part of modelling, most modern Russian
subjects get pushed to the back of the work bench as I build and
paint the newest WW II project. A shinny T-72 on parade in
Moscow just won’t do it for me.
12
13
Construction
The base for this project is the Trumpeter T-62,
model 1972. I planned on using the many
aftermarket sets I had collected over the last few
years. The following sets where used on this model:
Turret
I decide to use the SP Design turret as it
already had the canvas tarp molded on
around the gun mantlet. Most of the kit
parts were used on the turret and
additional details from the Voyager set
finished things up. The RB Productions
barrel mated up perfectly with the turret
opening. It was now on to the slat armour.
The Voyager Slat armour set provides
turret and hull sections, thankfully my
reference vehicle only sports the turret
sections. Constructing the slat armour
sections proved to be fairly straight
forward. I soldered the outermost vertical
and horizontal rails to create a strong
frame and filled in the rest, securing with
thin cyano glue. Mounting the panels to
the turret was another story. To keep
everything straight and plum, I mounted
the turret to a thin piece of wood with blue
tack and scribed a reference line for the
top mounting points with a drafting
compass. This allowed me to secure the
top arms level and could now install the
slat panels being careful to allow them to
16
T-62
Miscellaneous
I finished the assembly by installing the
road wheels from Miniarm, track from Furil
and replacing the kit DSK-M with one from
the Tamiya T-55. One of the kit fuel drums
was built and secured using one strap from
Voyager and replaced the other with a
heavy chain from AK Interactive.
Painting
Painting started with a good coat of primer
from Vallejo. The base coat started with a
deep pre-shading of Tamiya Nato Black in
all the corners and recesses. My green was
made from a mixture of Tamiya Nato
Green, Sky Green and white. I applied a
few thin coats to let the pre-shading show
through. A few drops of white were
progressively added to the base colour and
applied to the center of large areas as a
type of modulation. A splash of Tamiya
Dark Earth was sprayed along the running
gear to begin the weathering process. A
good coat of Tamiya clear sealed the paint
job for decals and weathering. A MIG
Productions set of dry transfers for
Chechnya was used to add unit numbers
and symbols.
17
Weathering
I started the weathering at the mine roller and worked my way around the whole
tank by adding chips and scratches using Vallejo SS Camo Black Brown. I applied
them randomly with a sponge on all the exposed edges and areas of high crew
traffic. Although this achieves good results I always go over the areas with a 000
brush and add some refinements. I purposely went heavy on the rollers themselves
to create a good base for the metallic effects to come. With that step complete I
applied a few green and brown filters from MIG Productions with a wide flat brush
making sure they dried completely between coats. To create some depth on a
boring green base I added many little dabs of blue, green and yellow oil paint and
blended them in using a wide brush dampened with mineral spirits. Once
everything was dry a round of pin washes was applied using MIG Productions Dark
wash. I used it right out of the bottle for the running gear the lower part of the hull
but thinned it quite a bit for the top surfaces. Some random rust washes on the bar
armour finished up process. With my air bush filled with heavily thinned Tamiya
Buff, I began adding dusty areas and rain streaks around the entire tank, especially
the running gear and lower hull. Before moving to mud splatter and general
dirtiness, I covered the face of the mine rollers with Humbrol Metal Cote and
polished it to a nice shine.
Mud and more mud… I had a pretty good looking model at this
point and I could have easily assembled all the components
and called this one finished but not yet. I had recently
purchased the AK Interactive “Heavy Mud” set and was eager
to use it. Combining the ingredients with water and adding
some gloss from the Vallejo range, I mixed up a thick mud
paste. I laid down a think foundation of wet mud by splattering
the mix from the tip of an old brush with blasts of air from my
airbrush. Two or three more applications of mud were applied
but adding some lighter colors to the mix to get a good
contrast between wet and dried material. The mixture was
scrubbed from areas of ware such as the face of the rollers and
road wheels with a short stiff brush.
18
Final weathering was completed with a few
applications of “Streaking Grime” and
“Light Rust” from AK. A quick pass of
graphite power applied with a cotton bud
added some metallic sheen. The track got
the same mud treatment as the tank after
a quick dip in “Blacken it” and the contact
points were scrubbed off with 800 grit sand
paper.
Conclusion
This was a very enjoyable project that
allowed me to try some new techniques
and became a good platform for the many
aftermarket bits I had collected. I think a
war wary veteran T-72 may be in the frame
soon!
19
H O B B Y B O S S
The Leopard 2 MBT, in its various In many cases these tanks have been upgraded and
forms, is one of the most widely changed with local systems and additions, usually in
co-operation between the German manufacturers
sold and successful modern MBT
Kraus Maffei and local defence engineering companies.
series currently in service around
The Leopard 2A4SG is no different. At heart it is an
the world. It is in service with a upgraded and standardised 2A4, much like the original
large number of countries in the 2A4s bought be Singapore a few years ago.
world including; Greece, Spain,
Canada, the Netherlands and
Singapore and of course;
Germany, and if reports are correct
then soon apparently; Indonesia.
20
The latest upgraded version has a number Singaporean armoured vehicles and I
of key differences that make it unique believe integrated to all air and other land
among 2A4s in service around the world. units to allow complete tactical information
The differences are partly German sharing in real time across all units, and a
designed, and partly Singaporean in origin number of other more prosaic additions in
and the work of ST Kinetics, the indigenous terms of preferred machine guns (the
defence engineering firm and designers of GPMG/ L2A1/MAG), unique light clusters
the Bionix IFV and Terrex LAVs. Changes to etc.
the 2A4 to make the latest 2A4SG include
an auxiliary power unit, comprehensive Due to the sheer number of changes to the
‘AMAP’ armour block upgrades to the hull tank from a standard Leopard 2A4, the
and turret front and sides and the addition number of unique features it possesses,
of slat armour to the rear sides and rear and the number of corrections to kit parts
itself. required; an out of the box build, or even a
kit-bash, was always going to be out of the
It also has the new integrated Battlefield question. The only thing for it would be a
Management System in use on all significant scratch-build.
25
THE HULL REAR
Like everything else on this kit, the hull rear The towing hooks
wall needs work! All the welds are missing have a plate latch
and there are quite a number of them. Next to retain the cable and I made these from removing the lights from the Hobbyboss
I added the brackets to the engine thick foil. Once the rear hull was in place I parts and putting them into their new
inspection ports. The biggest and took off the rear light clusters and mud ‘boxes’.
well-known issue though is the number of flaps. The light clusters are different on the
slats on the air/exhaust outlet. There should 2A4SG from the 2A4 and the mud flaps are Now all that had been tackled I added the
be eleven slats, but on the Hobbyboss kit rather over-scale. I made new boxes for the rear facing camera, built by KMW the
there are only 10. This is not an easy thing light clusters from copper sheet which is camera is a standard item on the 2A5 and
to fix and although a new resin outlet is more malleable and more easily cut than 2A6 but has been fitted to the 2A4SG as
available as part of an upgrade set by brass sheet. I left the bottom slightly longer part of the kit used to enable the
Perfect Scale Modellbau, but I made my than necessary and bent the end over to Singaporean Battlefield Management
own with strips of spare brass cut from give something to attach the mud flaps to. System. This was scratch built from plastic
26 used PE frets. The mudflaps themselves were drawn for working from my photos from the Army
PE etching later. I finished the clusters by Open House event.
THE REAR DECK & AMAP ARMOUR
The first thing we notice is the air intakes I returned then to one of the larger jobs, the between the two parts I decided to make
for the engine cooling fans. On the Tamiya six modules of AMAP armour that make up them in one piece and score the joint after
and Revell Leopard 2 kits these are the two armoured skirts on the hull sides. the basic shape was made. There was
moulded solid with relief mesh detail. These are quite large and I decided to quite a bit of work required to work out the
Hobbyboss score points for supplying the strengthen the form with a frame which optimum shapes for the slopes on the
mesh separately, but unfortunately they would also give me something to attach sides, especially the way they meet at the
lose them again for the poor and incorrect the other ‘facets’ to. I used 3mm x 2.5mm front end. After a little trial and error, and
mesh pattern! Consequently I drew new styrene section from Plastruct. Before far too much maths for my liking, I got one
ones to have them etched later. I decided adding the outside sections I thickened side done then used it as a pattern for the
to re-scribe the major panel lines on the them with some extra 1.5mm styrene sheet other side.
rear deck for better definition. In addition I to make them sturdier and also to give me
had three new hatches to scribe on, for the something to drill through to in order to site Next I had to add various small details to
addition of the APU, and various other the large countersunk bolts visible on the the top. The first were to driver’s side
details on the APU itself. I cut a template real blocks. mirrors. The mirrors themselves aren’t that
from brass sheet, drilling out the corners to Once the two blocks were built I marked bad, but the rest (clips, arms, mounts) were
get the required curves then cutting the out the locations for the countersunk bolts awful so I scratched replacements from
straight lines to join them up. I then placed carefully and drilled shallow holes piloted brass wire, styrene and foil. I decided to do
the template on the model and used the with a fine drill then completed with a large the clips that hold the two foremost units of
wax tools again to engrave my lines. I then diameter drill and cut thin slices from 3mm the side armour together in PE, as were the
(carefully!) used a steel rule to get the other hex rod and placed them in the holes. I lifting handles as both parts needed to be
lines need on the APU and to deepen and then added the anti-slip and bolt details to very exact and were very small. It’s much
sharpen the lines of the engine access the tops in the same way I did on the turret easier to draw it accurately than make it
decks. armour. I moved on then to the front two accurately in plastic for objects like this.
pieces on each side. Given the angled joint
27
After scratchbuilding indicator lights I half of the 2A4SG it has received an
had a look at the headlamps - one of the armour upgrade. This was pretty easy to
many challenges that made this build do with a smaller blank of sheet styrene
attractive in the first place was its unique underneath (one of 0.5mm and one of
parts. I started with the plates they sit 1mm) and a thin sheet on top and
on. These were formed from stock brass slightly larger to create a lip. To finish the
sheet, with suitable bolt details added. driver’s hatch I added a windscreen
The hinges were made by folding foil wiper for his periscope. I took the time
around a piece of 0.3mm styrene rod while I was there to re-work the slightly
then pressing the lines into it to simplified and inaccurate splash guards
represent the flat hinge part joints. I around the hatch too.
unsuccessfully tried to scratchbuild the
light guards from styrene, copper and Surprisingly the tool clamps have been
then brass sheet. So again I drew them replaced on the 2A4SG. I say
up for etching In the end each one had 8 surprisingly because surely a tool clamp
parts! is a tool clamp? New ones were
therefore designed in etch. They are
The driver’s hatch was next and required quite a complex design so I broke each
conversion. Like everything on the front clamp down into four parts.
31
LESTER PLASKIT’S 1:35TH SCALE
SdKfz 251/21
Over the last few years I have found myself more and more finding my inspiration
for modelling projects coming from photographs of wartime vehicles which have
something about them which sparks my interest, this can be a particular
camouflage pattern or something unusual about the vehicle, such was the case
when I started researching this particular model.
Having always liked the look of the 251D halftracks I had started out with the
intention of building a 251/22 pak wagon but as with all good intentions things can
easily become side tracked, this started when I was talking to Swedish modeller
Mirko Bayerl about my ideas and he sent me a picture which showed a Drilling in
Hungary 1945 with the crew warming a jerry can of water in the engine bay and a
very worn winter white wash, almost as if the crew had tried to remove as much as
the white wash as possible after the snow had thawed.. This picture fired my
imagination and I decided to build a Drilling based on this picture to try and
32 recreate the partially removed white wash finish.
There are two kits of the Drilling available etch brass replacements such as the rear
on the market today the Dragon models door locking mechanism, the dash board
offering which can be built up into an and other various items of interior
early 1.5cm gun mount version or the AFV equipment. One of the major exclusions
club model which can be built into either from the AFV kit is a number of recessed
an 1.5 cm or a latter 2cm gun mount screws missing from around the engine
version. Both kits are not without their bay hatches, these were subsequently
problems as have been well documented added using a beading tool and a blade
on the internet and as I had chosen to to form the screw head slots. As I was
build the 2cm gun mount I decided to going to show the vehicle with the engine
base my model on the AFV club kit, whilst hatch open (so I could later add the jerry
using some better detailed parts from the can ) I scratchbuilt the engine bay area
Dragon kit. The main source of reference and added details to the rear of the dash
for this build came from the Panzer Tracts area using plastic card and copper wire
No 15-3 publication and further armed to reproduce the details required, for the
with the Aber 251/D etch brass detail set I engine I used the excellent Great Wall
began. Much of the construction centred Hobbies engine which only required a
around replacing moulded kit details with little trimming to get a good fit.
33
The forward bulk head with extra detail added from the Aber The missing screw heads added to the upper hull using a
etch brass set. beading tool.
The scratchbuilt additions to the engine bay. Details added to the underside of the upper hull.
More specific to the Drilling the additions to the gun mount came
pedestal for the gun mount was too with replacing the barrels with
high for a late pattern 2cm Drilling, metal rods and using the ammo
this was lowered to the correct links from the Dragon kit as they
height by removing material from could be more naturally positioned
the base of the mount using the coming from the ammo cans to
Panzer Tracts book as reference, gun breaches.
also both the etch brass and plastic
gun shields provided in the AFV
club kit are incorrect, being too
small and with the incorrect
number of holes. To solve this I
scratchbuilt a new shield from
plastic card again using the Panzer
Tracts as reference, further
34
Interior Paint
Painting any open-topped vehicle presents keep my base colours very light as darkening the paintwork too much, once
a challenge as both the interior and exterior subsequent weathering will have the effect dry, I added a filter of Humbrol Matt 62 and
must be painted in sympathetic tones to of toning the colours down considerably again left to dry before a further filter of
one another but be weathered in different and it is far easier to tone down a light Humbrol Matt 98. The combination of the
ways with the interior showing more traces colour than it is to lighten a dark colour. The two enamel filters again added more tonal
of wear from the activities of the crew such colour I chose for the yellow base coat was depth to the dark yellow colour giving it a
as paint chipping and dirt from the crews Vallejo air radome tan which was further better scale appearance. A more localised
boots. With this in mind I began the lightened with a small amount of off white, Matt 98 filter was also applied to the floor
painting process, I prefer to paint as much this gave an excellent tan yellow base area and along the lower edge of the
of the model in sub-assemblies. In this colour seen on late war German vehicles, interior walls to create a shadow effect to
case the gun mount was painted as a once the mix had been applied in 3 light make a colour separation between the floor
sub-assembly minus the gun shield and the airbrushed coats it was then sealed with an and the walls.
only items left out of the interior were the airbrushed coat of Vallejo satin varnish to
crew seats and the spare ammo cans, the protect it from the following weathering To define details and panel lines, controlled
engine had been previously assembled and steps. pin washes of Burnt Umber and Sepia oil
painted to be fitted once the engine bay paints thinned with white spirit were applied
had been painted and weathered. I had The first stage was to add a little depth to around details with any excess paint being
also decided that on this project I would try the colour by adding a slight yellow tone to blended away using a brush moistened
and achieve the base colours using Vallejo the paintwork. To achieve this without with white spirit. Through the process of
acrylic colours instead of using enamels (as losing too much of the Tan base coat I filters and pin washes some of the base
I have done previously), to give the acrylic decided to add a glaze of Tamiya X24 clear colour dark yellow was inevitably lost, areas
colours a good base coat to bond to. I yellow which was heavily thinned with water of highlights were reinstated by lining in
under coated the interior components with and applied using a large brush over the highlights on the top of panels and any
a 50/50 mix of Humbrol 110 and 93 tan base colour taking care not to let the edges using a heavily thinned mix of Vallejo
enamel, which also had the effect of giving clear yellow pool (any excess yellow was Beige, Off White and Pale Sand making
a pre-shading effect. Once this had dried carefully blended away using a damp sure any highlights are very subtle and not
fully (24 hours) I mixed up the acrylic base brush). This glaze gave the base coat a too prominent.
coat for the dark yellow, I always like to slightly darker and more richer tone without
The interior
under coated
using a Humbrol
enamel mix.
35
Any highlights lost in the glazing process are now
reinstated using Vallejo paints and a fine brush.
Further effects such as wet mud areas are The completed lower hull and engine bay
added to the floor plates. before the upper hull is added.
The weathering stage begins with the they would be subject to more abuse and stage I felt it was time to mate the upper
addition of various paint chips and to further enhance this I added some and lower hulls together but then a thought
scratches (as stated above this weathering Vallejo Dark Blue Grey and Hull Red to the occurred to me as to the colour of the
will not be as harsh as would be seen on pallette which gave the impression of the engine bay, after checking, my modelling
the outside of the vehicle as any damage floor panels being worn down to the Red friends confirmed that the bay would have
would be caused by general wear and tear primer and bare metal in the areas that been left in its Red primer state, so out
from the crew members). I find using a torn would see the most traffic. To further came the airbrush and once I had masked
piece of dense sponge to add the bulk of enhance the floor and give the impression the hull I repainted the engine bay in Vallejo
the chips/paint scuffs before further refining of an accumulation of dirt and wet mud in Cavalry Brown which is a good match for
with a thin paint brush the most effective keeping with the Hungarian winter theme German red primer and once the bay had
method. Vallejo Burnt Umber was used for areas of the floor were treated to a mix of been weathered accordingly the Great Wall
this technique on all of the interior fittings Vallejo satin and gloss varnish with the mud Hobbies engine was installed. Finally I
including the gun mount and the spare deposits being made up from MIG added a slight metallic sheen to any
ammo cans being careful only to add pigments mixed into the varnish. To fill the exposed metal edges using a 6B pencil
damage where it would be appropriate and rear stowage bins and add some colour which was also used to add a metallic
logical such as the wall sections behind the variation to offset the amount of yellow in finish to the gun barrels and breaches on
seats where the actions of the crew would the interior I took various items from my the gun mount once they had been painted
wear the paint away and on the edges of scrap box, painting them in green and grey in using various shades of blacks and
36 the internal stowage bins. The floor plates tones which were then weathered down to blues.
received more extensive weathering as match in with the rest of the model. At this
I started by masking off the engine bay hatch colour scheme. To add a yellow tone to this
Exterior Paint opening and the vision slots on the upper deck. colour it was glazed with Tamiya X24 in the
Next the upper and lower deck were mated same manner as the interior and once
together using super glue to attach a section at completely dry I could begin masking the
a time to make sure no gaps occurred, this camouflage pattern. To achieve a very tight
procedure went surprisingly well with only a factory sprayed finish I chose to use the
slight miss match on the upper hulls rear panels reusable roll out adhesive putty method of
which required the addition of some plastic masking and as to the light nature of the base
card extensions to ensure a good fit. As yellow I opted to use a white coloured putty as
opposed to replacing the kits front mudguards I the blue version can sometimes mark or stain
decided to thin down the parts supplied in the the underlying paint work.
kit and detail them using parts from the Aber
etch brass set. Since the beginning of the The putty was applied in thin rolled sections
project I had wondered what the crew would do following the prescribed factory pattern using a
if after removing the majority of the white wash wax shaping tool to ensure the putty had good
as the snow had thawed it then snowed again contact with the side of the model to prevent
how would they try to supplement the winter any paint leaking underneath. This can be a
camouflage and it was whilst reading through long and frustrating operation but being
the Endkampf book by Axel Urbanke I came methodical will pay dividends latter on. With the
upon a picture of some 251/Ds in a winter dark yellow areas masked off I started by
setting with what looked like white sheets tied to airbrushing on my green tone, this was kept a
the hull sides being used as improvised snow deliberately light tone, using Vallejo German
camouflage. This I thought was the answer I Cam Green heavily lightened with basic skin
was looking for and would fit in very well with tone until a slightly minty green tone was
the overall look and feel I wanted for the model, achieved (once weathered this would tone
I therefore decided to add some sheets to the down to a more realistic colour). The green had
model using magic sculpt epoxy putty which been applied in 3-4 light airbrush coats so I
was rolled out as thin as possible then removed the putty masking to check for any
transferred to the hull sides of the model with paint bleed. I re-masked the model in
final shaping of the putty being carried out with preparation for the red brown phase of the
the putty sheets on the model. Once the putty camouflage pattern. The red brown shade is a
had cured the process of masking off the very difficult shade to get correct at this stage
interior was completed. The putty sheets were as it has to work in harmony with the other
left on the hull and would be painted in place as colours on the model but not be too light or
(due to thinness) trying to remove and refit them dark as it will not tone down to the required
later could cause problems. shade during the weathering to follow, with this
in mind I mixed the red brown from a number of
The camouflage pattern would be a factory colours using a combination of Vallejo Hull Red,
applied three tone hard edge scheme which I Medium Brown, Flat Red and Medium Flesh
replicated using masks. The base coat of dark Tone. These colours were mixed by eye to a
yellow was applied as the interior using Vallejo shade I felt would look correct after they had
radome tan lightened with some white, this been weathered down and with the Red Brown
again gave me a good light base colour which airbrushed on the mask was removed and after
would darken down as the weathering the new paintwork was sealed with an
progresses and it would match the interior airbrushed coat of satin varnish.
37
Once the green has dried the model was re masked and the red To tone down the colours controlled washes of Humbrol 98 were
brown colour added which again was mixed from Vallejo paints. applied over 2-3 days to allow time for the enamel to completely
dry. Highlights and damaged paint are added as per the interior.
Using the same method as was used on the interior
various chips and scratches were added to the exterior.
At this stage the model looks very stark and toy like, With the camouflage colours significantly toned
so the next step is to tone down the colours in down the next step is to harmonise the colours
sympathy with each other to produce a more lifelike together to portray a look of aged and worn
and in scale appearance, to start this process each paintwork, a filter of Humbrol matt 98 well thinned
of the camouflage colours were carefully dry with white spirit and applied with a flat brush in a
brushes with progressive lighter shades of their downward motion is a very effective method of
base tones (done by adding small amounts of bringing the colours together and recreating a worn
Vallejo Flesh to their base mixes) I chose to use the paint effect. To start to define the detail on the
original Vallejo mixes that had been lightened for model a Burnt umber oil paint pin wash was now
this dry brushing as opposed to the more traditional added, this had the effect of further reducing the
method of using enamel paints for dry brushing as I tone of the colours and adding depth to the model
could not get a good enough match with Humbrol (any excess paint from the pin wash was carefully
colours, the Vallejo acrylic paint is suitable to be dry blended away in a downward motion using a brush
brush as long as you proceed in small areas and do moistened with white spirit which also added to
not let the paint dry out on the brush. ageing process of the base colours).
38
Once the filters and washes were fully note of advice would be to use Tamiya
dry, chips and scratches were added acrylic white thinned with water as this
to the exterior paintwork using the paint seams to leave a more
same method employed to the interior convincing flaked pattern when
but this time as well as burnt umber removed than the more water based
Vallejo Cam black brown and Radome Vallejo paint, as shown in the pictures
Tan were also used to re-create the model was only given a light coat
scratches and chips in the of white which was subsequently
camouflage colours where the base nearly all removed only leaving traces
dark yellow had began to show of the white wash in small areas such
through also any detail painting as around nooks and crannies and
required was finished off such as the hard to reach areas which would be
exhaust and the number plate decals consistent with the white wash being
from Archer fine prints were added. At removed quickly by the crew and the
this stage I believed the paintwork ravages of the winter weather. In an
looked sufficiently worn and with the effort to protect the fragile nature of
correct tonal values that I could the Tamiya white paint an airbrushed
proceed to add the winter white wash, coat of satin varnish was once again
the method for applying the white applied over the model, with the
wash was the hairspray technique varnish dry a second pin wash of burnt
which I will not go into detail about as umber oil was carefully applied to help
it has been very well explained in a redefine some areas of detail that had The start of the winter white wash was Tamiya white thinned
number of modelling articles but one been covered by the white. with water sprayed over a coat of hair spray which had been
previously applied to the model.
Now we see the effects of the worn white wash after the The white sheets are now painted in with Vallejo colours
Tamiya paint has been scrubbed away using a stiff brush trying to keep the tone muted.
and warm water.
AK interactive enamel earth washes were added to the A dark earth enamel wash from AK interactive began the
sheets to unify them with the weathering on the lower hull weathering of the wheels and lower hull area.
and to give the appearance of dirt and mud that would
have been thrown up from the vehicles tracks.
With this wash applied I next turned my grime as would be the case whilst attached
attention to the white sheets, to add some to the vehicle in the winter conditions. As all
depth to the sheets I had first under coated of the elements of the gun mount and the
them in Vallejo dark sea grey which I upper hull coming together focus now
proceeded to over paint with thin layers of turned to the lower hull and running gear,
Vallejo off white which had been slightly the rubber tyres n the road wheels were
toned down with small amounts of dark painted in using a dark grey tone (which
sea grey and Hemp, as the colour started looks a lot more natural than black) then
to build up on the sheets I gradually the lower hull was given a generous wash
reduced the grey and hemp in the mix until of AK interactive Matt dark earth enamel
finally the highlights were painted in with wash which nicely stated to darken in this
pure off white which gave a nice depth and area of the vehicle without loosing a lot of
contrast between the sheets shadows and the previously painted in detail and giving a
highlights making the sheets look as if they good base tone for the following 39
had acquired layer of ground in dirt and weathering.
Further mud effects are
added in the form of mud
splatters to the wheel
arches and lower hull.
The areas of built up wet mud were blocked in (as After 3-4 washes to the lower hull and running gear
were some mud clots that had been added from mud splatters (that would have been kicked up off the
epoxy putty to the lower hull and wheels during the wheels) were added by flicking some Vallejo Cam
construction stage) using a mix of Vallejo burnt umber German Black Brown paint off a short brush with my
and hemp randomly mixed in varying degrees as to thumb onto the areas under the mudguards and at
give some variation to the mud colours, this looks a the front and rear of the lower hull allowing some of
little stark and unrealistic at this stage but further this to drift up the hull sides onto the white sheets.
washes of AK interactive mud will bring all of this
together to reproduce the look of mud and moisture.
Finally AK interactive fuel stains wheels and the Friul tracks after being
mixture was selectively applied neat painted and weathered were treated
from the jar to areas when wet mud to the same mud and dirt mixtures to
would be prominent. The fuel stain ensure everything remained constant
was used over a gloss varnish as the on the model and once the tracks had
dark brown colour of the fuel stain been fitted all that was left was to
helps to darken the areas of wet mud recreate some of the worn metallic
and give a nice satin/semi gloss finish edges on the vehicle and the tracks
where varnish would only give a gloss using a 6B pencil as had been done to
finish and not darken the areas of wet the interior of the model.
mud down sufficiently. The front
40
Once the completed gun mount
had been glued into the mount in
the lower hull and the aerial
attached the model was
completed apart that is for a crew
which I intend to add at latter date.
41
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AIR MODELLER’S GUIDE TO WINGNUT WINGS VOLUME I
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• A4 FORMAT
• 112 FULL COLOUR PAGES
• 7 ALL NEW UNPUBLISHED BUILD
PROJECTS
• RIGGING AND WOOD EFFECTS GUIDE
W W W. A F V M O D E L L E R . C O M
OLD STABLES, EAST MOOR, STANNINGTON, PHONE 01670 823 648
MORPETH, NORTHUMBERLAND, NE61 6ES FAX 01670 820 274
new releases
KEEPING TRACK
Following their previous 'Early' 25 Pdr. Dragon are now offering the with good tread detail with no troublesome joints to clean up and
later War ( and I think post-war?) version of the famous artillery a small fret of photoetch which includes an open ammo tray if you
piece with new sprues in the box and still extensive use of slide- wish to display the doors of the limber open. The problem is
moulding technology providing some very delicate and impressive there's no ammo at all provided in the kit (no matter what the box
detail. The double-baffle muzzle brake is the main visual illustrates!) the previous release at least included a few rounds for
difference to my (untrained!) eye but artillery aficionados will no the crew to handle, a crew also are a big miss with this release
doubt relish the many detail changes with this later version. Some being such a prominent 'must build' feature previously. Shortfalls
of the main features are superbly handled, the main shield free of aside, this is a nice kit which will provide an easier build than the
ejector marks and beautifully thin and the trail legs showing Bronco version of this gun (from what I remember seeing of their
delicate rivet detail on all sides. Tyres are moulded in DS styrene kit) but does lack some finer detail in comparison.
The ultimate incarnation of the Sherman is the subject here in photography isn't the prettiest being taken with a flash indoors, the
perhaps the IDF's ultimate victory, the Six-Day War. This release colour profile illustrations are absolutely first rate with
deals with the 'Dagem Beth' and 'Gimel' M51s and thankfully the SabIngaMartin also producing a complementary range of decals
familiar format of pure modelling reference is presented again, to accompany their books with new and exclusive information
175 photographs, 28 scale drawings and 13 top-quality colour shared. At the moment I'm working on an M50 using one of the
profiles will give you a wealth of information to produce a super- previous volumes as a reference which is very comprehensive and
accurate Super-Sherman of the period with some great modeller-friendly, these IDF Shermans present a challenging build
inspirational combat shots (although the eight pages of with their numerous on-going upgrades and modification, another
photographs of the variation of 'mazzle' brakes is a little recommendation in this series if you've a project planned. Thanks
exhaustive!) An extensive walk-around section provides close-ups to the Aviation and Military Book Centre for our sample copy.
of areas modellers will want as reference although the
Tank Art 2
By Michael Rinaldi
softback format, 208 pages
Published by Rinaldi Studio Press
US ISBN 978-0-9883363-2-2
www.rinaldistudiopress.com
Hot on the heels of Volume 1 we looked at in the last issue is the methods along with contemporary finishing products to achieve
next release featuring Allied vehicles and how to achieve the specific effects. A good mix of project vehicles is presented with a
finishes of the much admired Mr Rinaldi. The introduction is lend-lease Chuchill, Pershing, Char B bis, Firefly and KV-1 all with
provided by Lester Plaskit (creator of the Drilling featured in this their own particular look and feel. The tallented Radek Pituch
issue) and then we’re straight into the materials and techniques (remember the cover star of issue 65?) takes the final chapter
including ‘hairspray’ white wash, oil paint rendering, pigments and with a look into his figures and the methods used to create them.
specific to this volume, ‘Painting Olive Drab’. The text and If you’re looking to improve your painting and weathering or just 49
photography are very user friendly with plenty of explanation and like nicely presented high quality modelling books, this series is
jargon-busting along the way. Michael manages to mix old-school very much worth a look with more to follow soon.
new releases
Panzerwrecks 15
By Lee Archer and William Auerbach
Published by Panzerwrecks
96 pages Softback Landscape format
ISBN: 978-1-908032-05-8 www.panzerwrecks.com
More good stuff from the chaps at Panzerwrecks who continue to late war M.A.N. camouflage pattern. A veteran Panzer III D1
dredge up those reference gems from the archives and the latest command tank first seen in Panzerwrecks X makes another
addition to the series continues to impress. This volume begins appearance along with a knocked out sPz.jg.Abt.653 Jagdtiger.
with a look at the German armour abandoned or knocked out in More revisted subjects from volume X are Panthers, Panzer III, a
the liberation of Paris and alongside some great zimmerited 38t grille/marder hybrid and the unusual 234/3 with improvised
Panthers there are also photos of assorted French vehicles 2cm schwebelafette turret. The gaudily camouflage Marder II that
operated by the German forces, Renault R35s Somua S35 and now resides in the Patton Museum is covered as well as late war
Char Bs. Fascinatingly there are four views of the rare Sd.Kfz.11/1 Stug IIIs and a IV along with nice portaits of a Hummel and late
Selbstfahrlafette mit panzerung. Some short barrelled zimmerited Panzer IV J. The book concludes with a fascinating sequence
Jagdpanzer IVs and a completely demolished Stug III complete showing and abandoned 54cm Karl Morser on its rail transporter
the mix in this section. Two nice shots of the same tiger striped with many useful close up details including a view of the driver’s
Jagdpanther are next followed by some late production King compartment. As always there is plenty to inspire your next
Tigers with ribbed mudflaps and one vehicle using transport project and Panzerwrecks have done an excellent job with the
tracks. The Fort Knox Panther G is shown next being transported quality of their images here. High recommended.
for shipping and these shots provide excellent reference for the
EA35-168
EA35-042
EA35-170
EA35-160
ER35-052
EA35-178
ER35-047-51
ER35-047
EA35-167
EA35-162 EA35-165
Renowned IDF armour expert Michael Mass and expert modeller section will be most useful to anyone modelling the Mk 3
(who we’ve featured in the past), Adam O’Brien bring you the providing good walk-around type photographs of all of the
latest in the series from Desert Eagle which is sure to please IDF features you’d want. A couple of pages of reference are
modellers. The book (as others in their IDF Armor series) is big on dedicated to the Nochri Dalet (mine roller) which is great timing
visual reference, the majority of the book being large format with the release of Meng Model’s kit. To finish there’s a page
colour shots with detailed captions. The book opens with describing the tactical symbols used rounding off another
descriptions of the Mk3 derivatives and then a chapter each on excellent modelling reference from Desert Eagle. Thanks to
the Baz and Ramaqh in action followed by a section featuring the www.aviationbookcentre.com for our copy
crews living and working with the vehicles. The large ‘In Detail’
This second volume tells the story of the 3rd the fighting and is very factual and tactical
Panzer Division's advance to Moscow where detailing individual battles and movements of
the aura of invincibility surrounding the German the kampfgruppes. The twenty-or-so
forces starts to wain. This is very much a photographs throughout the book are poor
history 'reading' book with very little visual quality so from a modelling perspective pretty
content as modelling reference, if Barbarossa is much void of any reference but packed with
an area of interest to you this will prove facts for the historical and tactical buffs of the
absorbing and informative reading. Most of the period.
text is written by corespondents at the time of
Rocket launchers anyone? The Nuts and Bolts team delve into the collection of archive images providing a wealth of modelling
world of WWII German ‘Werfer’ with all their usual flair and inspiration. The ammunition carrier version is also covered along
thoroughness in this substantial 208 page study. The book follows with the rare Vielfachwerfer based on the Katjuscha rocket
the usual format with an in depth look at the development of the system. 1:35 scale plans are the next section with coverage of all
different weapons systems, their deployment with abbreviated the different weapons and in some cases the prototype vehicles
individual unit histories and notes on colour schemes and too. This is followed by the 9 page colour profile section with
modelling. Then its on to the archive images, beginning with the profiles tied to the archive images that they are based on. The
wheeled Nebelwerfer and images of it in service and being towed. book concludes with a comprehensive walkaround section looking
Some superb shots of other experimental designs are included. at preserved examples of the weapons and vehicles and the usual
The frame mounted Wurfkorper is also covered as well as the modelling section. Without doubt the best modelling reference on 55
Nebelwerfer 41 with great images of the weapon in service. Next this subject.
is the Panzerwerfer which gets extensive coverage in a superb
adds his own touches to
Trumpeter’s 1:35 kit.
During the Second World War the Soviets relied heavily on the use of
tractors for their heavy artillery and mortars to make their way across the
battlefield. The most ominous of these was the ChTZ S-65 “Stalinez”
tractor which was built in the Chelyabinskiy Traktornyy Zavod (ChTZ ) in the
city of Chelyabinsk. Founded in 1933, the ChTZ factory began producing
agricultural tractors first with the S-60, which was a copy of the American
built Caterpillar 60 which was followed by an improved diesel powered
version of the tractor, the S-65. With the outbreak of war in 1941 the
majority of the 37,626 Sons of Stalin (Stalinez) were pressed into military
service where they were used to pull the larger Soviet artillery guns such
as the 152 mm M1937 ML-20 and the B4 M1931 203mm Howitzers.
The S-65 tractor, although strong and either Soviet or German themes would find with the LZ Models engine and radiator
durable was incredible slow with a plenty of examples of these tractors in upgrades on the way and within a couple
maximum speed of only 7 miles per hour. service. For me, however, the affection is of weeks my workbench was full of plastic
After the invasion of Russia in 1941 the simply the fact it was a big, hulking tractor. and resin. During the course of sharing
German army captured thousands of Something about these utilitarian photos, one photo in particular caught my
these hefty vehicles which were then workhorse vehicles that really catches my attention. It was of an S-65 pressed into
quickly pressed into use recovering fancy, and apparently I’m not the only German service and it appeared as
vehicles stuck in the heavy Russian mud person who has more than a passing though they had mounted a field
as a result of the autumn rainy period interest in these utilitarian beasts. Shortly constructed boom to the front of the
known as Rasputitsa. More often, after the kit’s release the folks on the MIG vehicle which then held a bar onto which a
however, the Germans used the S-65 in Productions forum began organizing a number (14) T34 road wheels. The boom
their original role as an artillery tractor “Stalinez Smack Down” group build. As and wheels are supported by an unlikely
pulling German guns such as the sFH 18. the number of participant’s increased, the configuration of cables that run through a
forum thread became full of reference tall post and then somehow attached to
Trumpeter really hit a chord with modellers photos and "Smack Down” talk. My the rear of the tractor. It was an interesting
when it released the S-65 tractor. Finally, resistance, which was already low, gave field modification that I'm still not really
all of those wonderful artillery pieces would way and it wasn’t long before I decided sure what it was for, but my guess is for
have something to lug them around with. joined into the fun as well. A few mouse some type of road work. This was my
56
Furthermore, modellers with interests in clicks later I had the Trumpeter kit along Smack Down vehicle!
The Trumpeter kit is moulded in light short coming; it lacks an engine. This
grey plastic with the parts appearing leaves the modelers’ only option to
with very little flash. The fit of the parts construct the tractor with the large side
is generally very good and combined engine panels in place. The oversight is
with the clear instructions and relatively unfortunate as even a quick glance at
few parts this is the type of project that period photos show that many of these
can easily be constructed over the service tractors where in use with the
course of a rainy weekend. The kit, large side panels removed for
however, does have a few issues that increased engine ventilation. Luckily,
you should be aware of. First, the front Trumpeters omission has been
radiator contains a couple of spelling remedied by Libor of LZ Models who
errors. The first error being the name quickly brought an excellent resin
CTAHE (Russian for STALINETZ) engine to the market. The LZ Models
shows the English style “N” rather than engine is nothing short of brilliant. If
the reversed looking “”, with the that wasn’t enough, LZ Models also
same issue replicated on the lower offers a replacement front radiator with
radiator letters for the word “Diesel”. the correct spelling and photo etched
In addition to these errors the parts for the front mesh and tractor
57
Trumpeter kit does have one basic logo.
This figure gives an idea of
the enormous size of the
LZ engine.
I began my work with the LZ Models also included. I found the references along with two separate inner brackets to
engine. I am familiar with the LZ Models particularly helpful as I decided to detail form each link; 34 per side. These parts
brand and once again Libor has produced the engine a bit by adding some wiring have quite a few attachment points and
an excellent product. Once I unpacked the and extra plumbing just to make things as such require a little extra time for
engine I was surprised by the size of this looks a little busier. As the engine clean-up. Once completed, however, you
thing...it was huge! Getting into the progressed there becomes a time where are rewarded with a pair of extremely
relaxed nature of the group build I certain fittings and brackets of the engine nice, workable tracks. On the boogie
decided to have a little fun by first building needed to be fit onto the Trumpeter kit. So sponsons I chose to use only one side of
a quick bench on which to hold my engine I cracked open the Trumpeter box to the photo etched mud deflectors as
during construction and placed a ‘worker’ begin construction of the kit chassis. A provided by the LZ update set – if only for
in some of the early photos just to add a few test fits confirmed that the LZ Models the sake of personalizing my model.
sense of scale. As with all of the LZ range engine would fit perfectly onto the Building of the tractor’s upper areas is a
of products the The LZ parts are poured in Trumpeter chassis. The LZ Models fairly straight forward affair and moves
light coloured resin with the instructions radiator and engine were glued to the along quickly thanks for larger parts and
presented on a small CD disc. The step chassis without incident and it was time to clear instructions.
by step instructions are easy to follow and move onto the next steps.
a link to a walk around reference site is The tracks are offered as individual pads
58
The primary focus of this beast, each edge with thin strip. Finally, I decided to install the hood as I
however, is the extended boom to the A friend happened to have a set of felt that the totally exposed engine would
front of the vehicle. After a bit of T34 wheels from the Tamiya kit which draw to much focus from the viewer and
head-scratching trying to figure out I borrowed a pair and made multiple I preferred to have the focus drawn to
the exact arrangement of the boom castings as seen in the reference the front boom.
and rigging I finally decided to just photo. I debated on whether or not to
"wing it" using my best guesses based construct the roof/cab as seen on the
from the photo (and a little common photo and in the end I decided to
sense?). From the reference it make a simplified version of the roof in
appears that the boom was made keeping with the field modified nature
from found materials, perhaps even of the project. I also debated whether
bridging joists. I decided to follow this or not to show the engine totally
notion and cut two shapes from exposed, or to install the top of the
plastic sheet, punched 4 lightening hood.
holes into each (improvised - not
found on the photo) and then capped
I’ve been told by some who have First, I work very quickly. When I paint
viewed my work that they can tell it's and weather I move from one step to
my piece even before they see my the next in rapid succession. Honestly,
name attached. Perhaps they are just except for the drying times of the oil
“blowing smoke”, but if it’s true then it a paints I could often finish the painting
huge compliment. It got me to and weathering of my pieces in a
wondering. If we start with the premise matter of hours. I don't labour over the
the most modelers are using basically small details. I liken my technique to
the same materials and know the same sketching, rather than drawing. I am
techniques and tricks then what might more concerned about capturing the
set my work apart? The accompanying mood and atmosphere rather than
photos will show the basic steps that I capturing each and every small bolt
take when painting and weathering. My and buckle. Maybe it's simple laziness
guess is that most modelers will on my part, but I feel that the quickness
recognize the techniques as most are can translate to a certain vibrancy or
fairly common practice these days. energy in the finished presentation. Model Master Metalizer
Here are a few of my thoughts: Laquers provide the
raw-steel base colour to
the individual track links.
Mr Surfacer
gives a good Oil paint and pigment
key for the top washes provide the look
coats of colour. of the ground-in dirt.
59
The primer colours are A protective coat of
mixed from Tamiya colours Future is airbrushed
and applied randomly. to protect the primer
followed by a coat of
hairspray.
First, I realize that Colour Modulation is all way to take the certain aspects of Colour on lower or recessed surfaces just for the
the rage these days. I have used it and I Modulation and incorporate them in a sake of breaking the rules. From the
can see the validity of the technique for new ways. So what do I do differently? I accompanying photos you might also
producing eye catching results. However, believe that the majority of my finished notice that the green vehicle base colour
with so many modelers following suit appearance begins with my early base is actually a comprised of varying shades
these days I feel that the technique and colors. You will notice from the of green. It’s all about the multiple layers
results have become somewhat accompanying photos that my base and subtle shifts of colour over the entire
predictable. I see that the same surfaces colours are varied - or random in model with the point of view not always
are highlighted, the same fittings are application. I do use shadows and consistent with the rules of Modulation or
exaggerated and the same look is found highlights (similar to modulation) but my a Zenithal light source. The instances can
on many models. Please don’t get me patterns are not necessarily tied to the be subtle, but I feel that the overall
wrong, I am not trying to be critical of rules of modulation. For instance, my accumulation of these small “rule
Colour Modulation or the models highlight tones are not always found on breakers” can bring an added level of
presented using the technique. What I the upper, leading edge surfaces. There visual interest to the finished piece.
am trying to say is that perhaps there is a are times that I will apply the lighter tones
61
62
What I hope is that in the end my result is a
piece that is interesting to look at but doesn't
seem exaggerated. I strive to keep the viewer’s
eye moving from one interest point to the next,
one highlight area to the next, one chip to the
next scratch. All the while I am trying to balance
the result between artistic expression and
realistic finish.
63
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TANKART Vol. 1
WWII German Armor
£19.95
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