Mapeh 7 Q4 M4
Mapeh 7 Q4 M4
MAPEH
Quarter No. 4- Module No. 4
GOVERNMENT PROPERTY
AIRs - LM
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MAPEH 7
Quarter No 4 - Module 4
First Edition, 2021
Copyright © 2021
La Union Schools Division
Region I
All rights reserved. No part of this module may be reproduced in any form
without written permission from the copyright owners.
Writers
Management Team:
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This Learning Material has the following parts and corresponding icons:
the module.
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MUSIC
Target
In this lesson, you will learn more about the Philippine theatrical form sarsuela
and its significance.
Jumpstart
Multiple Choice. Directions: Write the letter of the correct answer on the space
provided for.
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Discover
In 1869, after the opening of the Suez Canal that allowed the Spanish much
easier access to the Philippine Islands theater really began to take off. This meant
that in addition to bringing more troupes, the Spanish also sent over playwrights
and acting groups to perform for the Spanish population residing in the
Philippines. This inspired many Filipinos to begin writing their own form of
zarzuelas.
At first, they were written and performed in Spanish, then Filipinos began to
write them in Tagalog, but they would still be performed in Spanish. Finally, as the
theatrical form became popular among the Filipino community, they started to
perform in their national language.
In 1901 American colonization began and unlike the Spanish culture that
did not attempt to assimilate the population, American school teachers came over
and introduced the Filipino education to the English language. Teachers used
American plays and movies to teach their students about English and this inspired
the works of future playwrights. The American Dream became the quintessential
plot of most plays being written in both English and Tagalog up until the 1960’s.
(Fernandez, 2000).
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Explore
https://www.youtube.com/watch?v=-kxFEnA6FvY
Reflective Questions:
1. At the opening scene,Tenyong pretended to be angry because Julia said that the
embroidered handkerchief was not for him. How did Tenyong deliver his lines?
Describe the tone of his voice and the background music.
__________________________________________________________________________________
__________________________________________________________________________________
2.Julia explained that what she did was just a way of “paglalambing”. How did she
sing her lines? Describe the tone of her voice and the background music.
__________________________________________________________________________________
__________________________________________________________________________________
3. How did the music help you in understanding the message of the given scene?
__________________________________________________________________________________
__________________________________________________________________________________
Deepen
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TITLE MELODY TEMPO DYNAMICS TEXTURE
Homophonic
Monophonic
Mostly Loud
Mostly Soft
Polyphonic
Moderate
/Tuneful
Complex
Simple
Slow
Fast
IKAW
___________________________________________________________________________
___________________________________________________________________________
Gauge
Multiple Choice. Directions: Write the letter of the correct answer on the space
provided for.
____1. Dolphy is one of the popular bodabil stars. He is known as______.
A. Bodabil King B. Comedy King
C. Bodabil Prince D. Comedy Queen
____2. Which of the following is an example of asarsuela?
A. Walang Sugat B. Walang Bukas C. Walang Umaga D. WalangAraw
____3. What is the english translation of Siete Palabras?
A. GMA 7 B. Seven Sins C. Seven Words D. Seventy
____4. Which is true about the theatrical forms?
A. It is a live performance.
B. It is played on a digital screen.
C. It is a motion picture showed on screen.
D. It is a movie recorded in high definition.
____5. Which is not an example of Philippine theatrical form?
A. Bodabil B. Komedya C. Cinema D. Sarsuela
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ARTS
Target
In this lesson, you are going to revisit the Philippine Festivals and Theatical Forms.
Jumpstart
Multiple Choice Test. Directions: Choose the letter of the best answer. Write the
chosen letter on a separate sheet of paper.
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Discover
Shadow Puppetry
Shadow Puppetry or
Shadow Play is an
ancient art form that
uses flat, expressed
figures to produce cut—
out figures which are
held together by sticks
and sometimes, thread,
to create movement,
which are shown
behind a thin layer of
cloth or screen and a
light source to create
https://entertainment.howstuffworks.com/arts/theater/ the shadows.
cambodian-shadow-puppets.htm
Sometimes, details of the puppets are made by including colored translucent
papers like cellophane and can create various effects depending on the source of
light and the kind of movement the puppets make. Shadow play is popular among
various cultures and countries, and has a long history of tradition among
Southeast Asian countries, especially in Indonesia, Thailand, Malaysia and
Cambodia, but the known origin was from a Chinese legend that traces Shadow
Theater or puppetry when a court magician comforted a gloomy emperor by
“conjuring up” his departed wife.
The magician had merely shown the emperor a shadow, with the aid of a
small flame and a thin cloth screen. Shadow puppetry is considered as an ancient
art form of storytelling and entertainment and has evolved with many techniques
and process of creating the puppets and the stage where the artists showcase the
puppets. It is a popular form of entertainment among children and adults both,
with the variety of figures one can make, and the fluidity, choreography and
technical aspect of making the puppets move, it is indeed a great form of visual art.
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Explore
Deepen
Cross Word Puzzle. Directions: Find the 10 words that are connected to
Representative Philippine Theatrical Forms
S H A D O W P L A Y S H A D O W I I H D
E D T D E G W A H H I U G H A E A U H A
N T S G G F D F F K N J H M A G G E T N
A J O J J J G G Y M U H V N M D F F H C
K G J Y U H J J A O L K N B U B R H M E
U H D T K K Y Y G R O H U V L K H H N D
L S A K G O K K J O G V G B A A K R V R
O A S S K A R A H M K O F D N D H T C A
I N O Q E W K H V O O L V A S J B H F M
U T J R Y F Y K A R A Y A W A N F E H A
H A G G I J H O T O H H E U G O D A J E
F C O M E D I A I D G D F Y H I H T F G
J R R K J R R P A H I Y A S K Y J R N H
I U O L H H F G T I K Q A H N G G I G J
J Z H U F D J Y I W H S F F G N T C E B
G A T H B J I T Z A R Z U E A S T A R K
R N E A S T E R A G F H Y F A L H L H H
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S H A D O W P U P P E T R Y G G W J J G
Gauge
Multiple Choice Test. Directions: Choose the letter of the best answer. Write the
chosen letter on a separate sheet of paper.
1. Which of the following festival held in Baguio City, the Summer capital of the
Philippines?
a. Ati-atihan Festival c. Moriones Festival
b. Dinagyang Festival d. Panagbenga Festival
2. The word “kara” came from the Spanish word
a. cloth b. face c. masskara d. saruk
3. Panagbenga festival is also known as:
a. The Blooming Flowers Festival c. The Flower Festival
b. The Flower Blooming Festival d. The Festivals Flower
4. Which of the following festival is celebrated every third weekend of October?
a. Ati-atihan Festival c. Masskara Festival
b. Dinagyang Festival d. Panagbenga Festival
5. It showcases the unique indigenous culture through integrating different
activities.
a. Ati-atihan Festival c. Moriones Festival
b. Kaamulan Festival d. Santacruzan
6. Which of the following is Non-religious festival?
a. Ati-atihan Festival c. Moriones Festival
b. Kaamulan Festival d. Santacruzan
7. When do the Shadow Puppetry formed in the Philippines?
a. 1896 b. 1897 c. 1898 d. 1899
8. Who is the first national hero who formed shadow puppetry in the Philippines?
a. Andres Bonifacio c. Jose Rizal
b. Emilio Aguinaldo d. Melchora Aquino
9. It is produce by cut-outs.
a. Comedia b. Moro-Moro c. Shadow play d. Zarzuela
10. It is unique to the Philippines because there are no their countries that thought
of or created the said drama.
a. Comedia b. Moro-Moro c. Shadow play d. Zarzuela
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P.E.
Target
This module will help you discover and analyze how festival dances play
an essential role in developing one’s personal fitness, as we continue to nurture
and promote our own culture.
Jumpstart
Activity 1: “Now I Know”
Directions: Picture Identification: Identify the festival as shown in the picture.
Write your answer beside the picture.
https://www.google.com/search?q=santa+cruzan&tbm
https://www.google.com/search?q=sinulog+festival&tbm
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https://www.google.com/search?q=ati-atihan+festival&tbm
https://www.google.com/search?q=panagbenga+festival&tbm
https://www.google.com/search?q=maskara+festival&tbm
https://www.google.com/search?q=moriones+festival&tbm
https://www.google.com/search?q=bangus+festival&tbm
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Discover
NATURE OF FESTIVAL DANCES
Filipinos who are known to be fun loving people always find time to celebrate
any occasion be it personal, family or even those that will require the whole
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community to commemorate an event or acknowledge an icon which became the
source of inspiration, identity, or origin. It also showcases Filipino values such as
industry, cooperation and unity. The celebration is performed along the streets as
dancers performed rhythmical movements accompanied by canned or indigenous
musical instruments. The dance culminates in a grand presentation where dancers
display their skills with prowess, excellent choreography and colorful props in full
tapestry.
Explore
Directions: Classify the festival according to its influence. Write Cultural with
religious influence or Indigenous Influence/Non-Religious on the blank
provided before each number.
Deepen
Directions: Choose one among the two festivals and narrate the origin and cultural
background:
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Gauge
1. _____________________________________
2. _____________________________________
3. _____________________________________
4. _____________________________________
5. _____________________________________
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HEALTH
Target
Jumpstart
Directions: Find the words that you need to consider when you are monitoring yourself.
*CLEAN
T R Q X R E A N S U O N T R O C ENVIRONMENT
N U T R I T I O U S F O O D S O
*NO SMOKING
E I B Z A E N S W Y L L P R U N
*ENOUGH SLEEP
M M P Y N T C M E A N I S I H S
N A E T O M L A M A H Q L N Y U *NO LIQUOR
O N E L I B E T T E R U N K D L *DRINK WATER
R A L A T L A I S O N O A W U T
*NUTRITIOUS FOODS
I S S S I T N I Y N R R A A L D
V P H D R A B D R V A I N T S O *EXERCISE *AVOID
SALTY
N A G I T N O R N A V D A E N C
E A U O U B O I U S O T I R N T *CONSULT DOCTOR
N H O V N W P N O K I D D I N O *CLEAN BODY
A G N A Q Q L K V B D R E X Z R
E X E R C I S E K F M Q E G M Z
L L H G F J V S J K O Z X Y J B
C O N S U L A N O S M O K I N G
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Discover
Self-monitoring skills are competencies that will help us assess when we are
healthy or sick. It is important that we are familiar with the normal condition of our
bodies so that we can detect at once when something is wrong. It is also important
that we have information, such as our vaccination record, to ensure the health,
safety, and well-being to provide preventive measures.
Applying what you learned in the previous module will of great help for you in
this current module. As a grade 7 learner, you already know the basics of health
care, as to what is right and wrong for our health. Monitoring ones blood pressure,
exercising, maintaining a healthy body, clean environment and calm mind, avoiding
foods and drink that destroys our health, having enough sleep, and having some
time to relax and laugh are just few of the things you need to check when you do
self-monitoring.
“16 Don’t you know that you yourselves are God’s temple and that God’s Spirit
dwells in your midst? 17 If anyone destroys God’s temple, God will destroy that
person; for God’s temple is sacred, and you together are that temple.” 1 Corinthians
3:16-17 NIV
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Explore
ACTIVITY 1 Directions: Recall your activities yesterday then answer the checklist
below. Be honest in answering. Write YES if you did it, and NO if you did not do it.
Rating: A YES corresponds to one point. If you get a score of 8-10, it mean Very
Good. While getting 4-7 means Good, and 1-3 means fair.
Deepen
2. DBYO ---
3. NVRNMNTEIOE ---
4. EEIEXRCS ---
5. OODSF ---
6. AUHLG ---
7. MDTTNOIIEA ---
8. LPSEE ---
9. EAWRT ---
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ACTIVITY 2 DIRECTIONS: Based from the words that you arranged from the
previous activity, complete the sentences below.
Gauge
Activity 1: DIRECTION: Make your own daily self-monitoring checklist that you
will ask yourself at the end of the day. 10 pts.
Did I …
Did I …
Did I …
Did I …
Did I …
Did I …
Did I …
Did I …
Did I …
Did I …
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Answer Key
Music:
Gauge / Jumpstart
1. B 2. A 3. C 4. A 5. C
TITLE MELODY TEMPO DYNAMICS TEXTURE
Homophonic
Monophonic
Mostly Loud
Mostly Soft
Polyphonic
Moderate
/Tuneful
Complex
Simple
Slow
Fast
IKAW / / / /
Arts:
Jumpstart
1. b 2. b 3. b 4. c 5. c
Explore
1. TRUE 2.TRUE 3. TRUE 4. TRUE 5.TRUE
6. TRUE 7. TRUE 8. FALSE 9. TRUE 10. TRUE
Deepen
1. Shadow Puppetry 4. Shadow Play 7. Senakulo
2.Moro-Moro 5. Dance Drama 8. Easter
3. Comedia 6. Zarzuela 9. Shadow
10. Theatrical
Gauge
1. c 2. b 3. a 4. c 5. a 6. d 7. d 8. c 9. b 10. b
P.E.:
Jumpstart/ Gauge
1. Santa Cruzan 6. Moriones Festival
2. Sinulog Festival 7. Bangus Festival
3. Ati-atihan/Dinagyang Festival 8. Kuracha Samareña- Folk dance
4. Panagbenga Festival 9. Mazurka Mindoreña- Folk dance
5. Masskara Festival 10. Subli- Folk dance
Health:
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Deepen
Activity 1 Activity 2
References
Books
Department of Education (2017) Music and Arts-Grade 7 Teachers Guide /Learners Material
Fernandez, Doreen G. “Zarsuela to Sarswela: Indigenization and Transformation.” Philippine
Studies,vol. 41,no. 3,pp.320-342
Tiongson,Nicanor G. “A Short History of the Philippine Sarsuela(1879-2009).” Philippine Humanities
Review 11 May 2010,pp.149-186
Hoeger, W,W,K., (2013). Lifetime Physical fitness and wellness. 12th Edition,US:
Victor P. Dauer Robert P. Pangrazi, Dynamic of Physical Education Elementary School Children. P213
9th Edition
Werner W.K. Hoeger Sharon A. Hoeger, Lifetime Physical Fitness & Wellnes
David Q. Thomas Jerome L. Kotecki, Physical Activity and Health: An Interactive Approach
David Q. Thomas Jerome L. Kotecki, Activities and Assessment Manual
Deborah A. Wuest Jennifer L. Fissette, (2012), Foundation of Physical Education, Exercise Science
and Sport
Other References:
https://youtube.com/watch?v=xe5kSsInbXI&feature=share
www.manilastandard.net
www.philippinecountry.com
http:/www.tourism.gov.ph/sitepages/FestivitiesList.aspx?festivityCode=303&monthCode=05
Sinulog Foundation Inc.
users.rowan.edu/̴ conet/rhythms/…/Loco.nonloco.definitions.html
http://www.philippinecountry.com/philipine_festivals/dinagyang_festival.html
https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6608949/
https://www.who.int/nmh/ncd-tools/en/
https://academic.oup.com/eurheartj/article/36/31/2097/2398206
https://www.biblegateway.com/passage/?search=1%20Corinthians%203%3A16-17&version=NIV
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