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Advanced Hindustani Classical Music Course

This document outlines an advanced Hindustani classical music course covering 50 sessions. It will cover the structure, grammar and performance of 14 different ragas through vilambit, madhyalaya and bandishi khayals and thumris with a focus on techniques like alaap, bol-alaap, sargam and taan.

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Surbhi Samdani
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0% found this document useful (0 votes)
326 views3 pages

Advanced Hindustani Classical Music Course

This document outlines an advanced Hindustani classical music course covering 50 sessions. It will cover the structure, grammar and performance of 14 different ragas through vilambit, madhyalaya and bandishi khayals and thumris with a focus on techniques like alaap, bol-alaap, sargam and taan.

Uploaded by

Surbhi Samdani
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
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Advanced Hindustani Classical Course

Session 1-5

Introduction to Raga Bihag

Structure and grammar of Bihag

Vilambit Khayal In Bihag

The Art and Science of Vilambit Khayal performance in Raga Bihag – badhat, bol-
baant, sargam, taan.

Principles and Practices in Riyaz

Terms and Theory

Session 6-10

Introduction to Raga Vrindavani Sarang

Structure and grammar of Vrindavani Sarang

Vilambit and Madhyalaya Khayals In Vrindavani Sarang

The Art and Science of Vilambit Khayal and Madhyalaya Khayal performance in
Raga Vrindavani Sarang – alaap, bol-alaap, bol-baant, sargam, taan.

Principles and Practices in Riyaz

Guided listening of Vrindavani Sarang concert.

Terms and Theory

Session 11-15

Introduction to Raga Sohini

Structure and grammar of Sohini

Bandishi Thumr Khayals In Sohini

The Art and Science of Thumri performance in Raga Sohini.

Principles and Practices in Riyaz

Guided listening

Terms and Theory

Session 16-20

Introduction to Raga Kedar

Structure and grammar of Kedar

Vilambit Khayal and Madhyalaya Khayal in Kedar

The Art and Science of Khayal performance in Raga Kedar – badhat, bol-baant,
sargam, taan, bol-taan.

Principles and Practices in Riyaz

Guided listening

Terms and Theory

Session 21-25

Introduction to Raga Multani

Structure and grammar of Multani

Vilambit Khayal and Madhyalaya Khayal in Multani

The Art and Science of Khayal performance in Raga Multani – badhat, bol-baant,
sargam.

Principles and Practices in Riyaz

Guided listening

Terms and Theory

Session 26-30

Structure and grammar of Puriya Dhanashri

Vilambit Khayal and Madhyalaya Khayals In Puriya Dhanashri

The Art and Science of Khayal performance in Raga Puriya Dhanashri – badhat,
bol-baant, sargam, taan, bol-taan.

Principles and Practices in Riyaz

Guided listening

Terms and Theory

Session 31-35

Introduction to Raga Malkauns

Structure and grammar of Malkauns

Vilambit Khayal and Madhyalaya Khayal in Malkauns

The Art and Science of Vilambit Khayal performance in Raga Bihag – badhat, bol-
baant, sargam, taan.

Principles and Practices in Riyaz

Guided listening

Terms and Theory

Session 36-40

Introduction to Raga Darbari Kanada

Structure and grammar of Darbari Kanada

Vilambit Khayal and Madhyalaya Khayal in Darbari Kanada

The Art and Science of Vilambit Khayal performance in Raga Bihag – badhat, bol-
baant, sargam, taan.

Principles and Practices in Riyaz

Guided listening

Terms and Theory

Session 41-45

Introduction to Raga Ahir Bhairav

Structure and grammar of Ahir Bhairav

Vilambit Khayal and Madhyalaya Khayals In Ahir Bhairav

The Art and Science of Vilambit Khayal performance in Raga Bihag – badhat, bol-
baant, sargam, taan.

Principles and Practices in Riyaz

Guided listening

Terms and Theory

Session 46-50

Introduction to Raga Des, Mian Ki Malhar and Basant

Structure and grammar

Madhyalaya Khayal with performance technique

Principles and Practices in Riyaz

Guided listening

Terms and Theory

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