“RESEARCH ON THE APPLICATION OF DIGITAL
PAINTING IN TRADITIONAL PAINTING”
A project report submitted
for the skill course,
Digital Painting
By
Tangudu Sravani
200101120010
Under the guidance of
Saban kumar Maharana
DEPARTMENT OF PHYSICS
SCHOOL OF APPLIED SCIENCES
CENTURION UNIVERSITY OF TCHNOLOGY AND MANAGEMENT,
ODISHA, INDIA
November, 2022
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School of Applied Sciences
CENTURION UNIVERSITY OF TECHNOLOGY AND MANAGEMENT
ODISHA
CERTIFICATE
This is to certify that the dissertation entitled “research on the application of digital painting in
traditional painting” is a Bonafede work done by Tangudu sravani bearing Registration No
200101120010 in partial fulfilment for the award of the degree of Bachelor’s in Technology,
Computer Science, School of Engineering and Technology of Centurion University of
Technology and Management, Odisha. The project work done and the report satisfy the
requirements for the award of the degree mentioned.
Supervisor HOD Dean
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ACKNOWLEDGEMENT
Its our pleasure to be indebted to various people, who directly or indirectly contributed in
the development of this work and who influenced my thinking, behavior and acts during
the course of study.
We express my sincere gratitude to Dr. Ashish Ranjan Dash, worthy Dean for providing
academic support &opportunities.
We also extend our sincere appreciation to Mr.Debendra Maharana HOD who
provided his valuable suggestions and precious time in accomplishing our project report.
We extend our sincere appreciation to Mr. Saban kumar Maharana
, Coordinator who provided his valuable suggestions and precious time in accomplishing
our project report.
Lastly, we would like to thank the almighty and our parents for their moral support and
friends with whom we shared my day-to day experiences and received a lots of
suggestions those improved the quality of work.
Tangudu Sravani
Registration No.: 200101120010
Btech cse session:-2020-2024
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CONTENTS
1: Introduction
2: Conclusion
3: REFERENCES
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ABSTRACT
With the development of science and technology, digital
painting has further narrowed the distance between artists and
viewers. In this paper, research on the application of digital art
in traditional painting and analyze its artistic form. The
interactive nature of digital technology enables more timely
information transfer between the creator and the audience. By
combining digital technology with traditional art, artists can
broaden their horizons and improve their painting standards,
which further deepen their understanding of the laws and
essence of fine arts. In the process of the creation of digital
painting, artists need create real art by constantly strengthening
their creative ideas.
Introduction
With the rapid development of digital technology in the new century, the field of
painting art ushered in a new look. Digital painting as a new form of visual art, has
become the mainstream of the current art of painting and can be widely used in a
variety of areas. With the art market of commercial and popular development
trend, digital painting has ushered in its new development opportunity. At the
same time, the various forms of digital painting as a new cultural phenomenon in
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recent years, not only showing its unique characteristics of digital painting, more
importantly, it is the new era of artistic ideas of innovation and social culture. As
the art of digital painting is a form of time soon, the current ideological
construction and theoretical level are not very high. Art theory is not a lot of
attention to it. At present, the research results at home and abroad are mostly
about the computer technology, ignoring the deep theoretical research on the art
of digital painting. The diverse folk art traditions of this ethnically diverse country form the
foundation of its rich heritage and are more than just an important part of its culture.
Some people in the art community see technology as a threat to originality and
are concerned that it will replace traditional artmaking. This idea can certainly be
worrisome for some artists and art institutions like museums and galleries who
rely heavily on traditional works.Of course, not all artists have the same opinion
on the subject. Some traditional artists are receptive towards digital art. Others
see digital art as: “Computer, draw me a person,” and a portrait suddenly appears
on their computer screen. This is certainly not how digital artists work most of the
time…
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It is true that while the traditional commercial industry medium is physical art, a
large part of it has turned to digital media. Still, galleries, museums and auctions
houses still see a lot of value and profit in traditional works.
Many people want a “real” painting on their walls. And it is in fact, a different
experience that digital art can’t quite recreate yet.
Just like traditional artists, digital artists employ the same kind of skills but just
with different tools. Using a computer to draw does not lessen the effort involved
in creating art; it is simply done in a different manner from what many are used
to.
Conclusion
Painting can be learned with or without electronic devices. It can help
increase your experience when done right. Traditional methods can be
combined and enhanced with digital painting. You can develop your
artistic skills in traditional or digital painting, although stepping into the
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digital world will help you learn color manipulation and lighting
better. The art of digital painting came into being due to the emergence
of computer science and technology, and it must develop due to the
development of computer technology. Its performance of
contemporary cultural heritage and its artistic value will be more public
attention and research.
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REFERRENCE
1. "What is Digital Illustration?". www.painterartist.com. Retrieved 2022-03-
03.
2. ^ "Digital Painting Tips: How to Pick the Right Brushes". Design &
Illustration Envato Tuts+. Retrieved 2022-03-03.
3. ^ "Creating and Modifying Brushes".
4. ^ "How To Create Traditional Art Brushes For Digital Art? –
ArtRadarJournal.com". artradarjournal.com. Retrieved 2022-03-03.
5. ^ "Digital Media and Animation: Bringing Art to Life". Spring 2019, Volume
11 – Issue 1. 2019-01-25. Retrieved 2022-03-03.
6. Pi Jia. Traditional folk art in the use of modern environmental art
design [J]. Landscape applications, 2015
7. Zhang Jun. Traditional folk art in the use of modern environmental
art design [J]. Academic preface, 2015 (23)
8. Du Yishu. Folk art in modern environmental art design application
[J]. Art Education Research, 2016, (22)
