MAPEH REVIEWER Q3
NEOCLASSICAL ART
Emerged in the mid-18th century
Spread through Europe until the first decade of the 19th century.
ARCHITECTURE
Rational, sensible, simple, and useful.
Very little decoration
Classical designs and facades
Use of domes
Architecture: France
Pantheon of the illustrious Men (Paris)
Church of St. Magdalene (Paris)
Arc de Triompe (Paris)
Architecture: Spain – Sabatini
Puerta del Alcala (Madrid)
Museo del Prado (Madrid) Juan de Villanueva
SCULPTURE
Evolves from complex & dynamic Baroque styles to calmer and more balanced
compositions.
Characteristics:
-Classical traditions: mythology, portraits, commemorative arches
-Idealization of reality: search for ideal beauty, serene expressions, etc.
-Use of non-polychromed marble or bronze
CANOVA:
Was the most important sculptor in European neoclassical sculptor.
Mythological themes, ancient classical style
The three Graces
Apolo coronandose a si mismo
Amor y psique
Sculpture: France
La partida de los voluntarious de 1789
Sculpture: Spain
El angel caido (El Retiro)
PAINTING
Few original Greek and Roman paintings existed for painters to use as a model.
Little interest in light and color
Coldness
Painting: David
Judgement of the Horacious
Napoleon crossing the Alps
Painting: lnyres
The great Odalisque
ROMANTIC PERIOD
Era of romanticism who acting greatly emphasized freedom and passion.
Very melodramatic consisted of hero, heroine villain and accomplice
Protagonist portrayed as strong and unique often succeed because of trusting his or
her gut instinct and emotions.
Characteristics of Roman Theater:
Uses conventional and classical music
Uses the original language by which the musical lyrics are written
Has no dancing, except as required by the situation for a particular actor to act.
The singer must primarily be a singer and rarely an actor or a dancer.
Some unaccompanied dialog, but very minimal
Elements of Roman Theater:
1. Line- horizontal and vertical line position
2. Colors- technicalities of lightning
3. Shapes- closed outline
4. Rhythm- ordered repetition of movement
5. Space- floor space, where the cast including their costume and props are presented.
6. Sound- project their voice.
7. Texture- image design of backdrops, may feel roughness etc.
8. Movement- body movements, development of plot.
HEALTH
FIRST AID FOR COMMON UNINTENTIONAL INJURIES
Musculoskeletal
RICE- rest, ice, compress, elevate
Eg. Sprain, strain, dislocation, fracture
Strain: Tendons- Rest, remove pressure, apply ice pack, avoid using muscle if it’s painful
Dislocation: joints- don’t delay medical care, ice, immobilize using a sling
Fracture: Stop any bleeding, ice packs
Heat-related injuries
Heat cramps- rest in a cool place, water
Heat exhaustion- move out of heat, remove heavy clothing
Heatstroke- spray with garden hose
Bleeding
Apply direct pressure
Raise injured part
Bandage dressing
Poisoning
Swallowed- call for help, check vital sign, CPR if necessary
Injected- Keep airway, keep victim seated, conduct CAB if necessary
Absorbed- Remove contaminated clothing, wash with cold water for 20 mins.
Choking
Give 5 back blows, give 5 abdominal thrusts, alternate between 5 blows and 5
thrust.
Drowning
Get help, move the person, no pulse no breathing= conduct CPR
Heart attack
Call for help, place the victim in a comfortable position, CAB if no pulse and
breathing
Burn
Sit or lie down, cool injury by flooding it with cold water, go to the hospital and
call for help, do not touch the injury.
MUSIC
ROMANTIC PERIOD
Romanticism- personal/individual
Romantic music:
-emotion/feeling
-exuberance/excess
-subjectivity
-imbalance
-freedom of expression
Rubato- free. Can add or edit to a certain part as long as there’s rubato.
Beethoven sonata no. 23- Appacassionata
Lieder/lied- verses or poem + music
DEVELOPMENT OF PIANO
Baroque
Bartolomeo Cristofori was the first maker of piano (1655-1731)
From 5 octave to 7 during romantic period.
Other term is Parlor music
Because of modernization....
Basset clarinet
English horns
Brass (to make music louder)
Increase of violins
JOHN FIELD (1782-1837)
-nocturne op. 9 no. 2
FRANZ LISZT (1811-1886)
-Was supposed to be a priest
-Mephisto Waltz: hardest
PAGANINI (1782-1840)
-Composition: caprice
-Virtuoso is a term used to describe a highly skilled performer.
PE
BALLROOM WALTZ
Origin of the dance:
Late 18th century
Vienna, Austria
“Extremely controversial”
Strauss family (19th Century)
What style of dance is the Waltz?
-Partner dance which traditionally includes a man and a woman
-Formal and romantic dance
Characteristics of the dance:
Free gliding
Light dance that is rapid
Expresses freedom and passion
¾ time signature
Some well-known composers of Waltz:
Peter Tchaikovsky
Frederic Chopin
Johann Strauss
BALLROOM CHA-CHA
Origin of the dance:
Latin Dance
Cuba
Became popular in 1950s
Strauss family (19th Century)
Based on another Latin dance called Mambo
Characteristics of the dance:
One of the most popular Latin-American Dances
Lively and Flirtatious
Full of passion and energy
Vibrant, playful
Requires small steps and lots of hip motion