BICOL COLLEGE

COLLEGE OF CRIMINAL JUSTICE EDUCATION

Movie Review: CHAPTER 2 – NATIONALISM AND PATRIOTISM

While the characters are fictitious, many of its events are inspired by actual
historical records.Screenwriter Robert Rodat was first inspired to craft the narrative
upon reading Stephen Ambrose’s nonfiction retrospective D-Day: June 6, 1944: The
Climatic Battle of World War II.

Set in 1944 in France during World War II, it follows a group of soldiers, led by
Captain John Miller (Tom Hanks), on their mission to extricate Private James Ryan
(Matt Damon) from the war after his three brothers are killed in battle. This is one of
the most original and talented screenwriters and directors in the world is Steven
Spielberg. His art frequently inspires a great deal of awe and respect, and the
countless accolades and public attention he has received may be one of the best
examples of his professionalism. His excellent book Saving Private Ryan explores the
World War II events, heroism, camaraderie, and respect, as well as love and loyalty
to one's own responsibilities, faith, and fellow humans. People stop valuing money,
style, and healthy food during a war. At this point, only a person's life or death
becomes significant.This is what Spielberg intends to convey in his film, and this is
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COLLEGE OF CRIMINAL JUSTICE EDUCATION
R/F Tabuena St. Sagpon, Daraga, Albay
what needs to be considered and examined. Steven Spielberg's great film Saving
Private Ryan is based on a true event and depicts the conflict and its participants. It
is a work of art that evokes the most positive sentiments and feelings. One elderly
veteran visits the cemetery in the opening sequence of Saving Private Ryan to pay
tribute to all the troops who lost their life for freedom, peace, and the lives of others.
This veteran collapses to his knees and breaks down in tears. These feelings and
tears show how important those people are to him, how important their actions
were, and how proud he is right now.It is now very important to see what
happened to this elderly man and whose graves those are.

The men taking part in the Allied invasion of the Normandy Coast on D-Day, June 6,
1944, fear what is in store for them. A hail of enemy fire immediately dispatches
hundreds of soldiers as the landing craft's doors open. There is no safety anywhere
since even those who manage to enter the sea are shot at. Men are blown to
pieces on Omaha Beach, the wounded call out to their moms, and medics are
unable to move due to catastrophic gunfire that kills additional soldiers. Saving
Private Ryan's almost 20-minute opening sequence, which is incredibly harrowing
and dramatic, shows the hellishness of combat as no other movie has ever done.
After surviving this ordeal, Platoon Captain Miller (Tom Hanks in an Academy
Award-nominated performance) is given a peculiar duty. He is to locate Private
James Ryan, a paratrooper whose three brothers all lost their lives on D-Day in
different theaters of the war, as directed by General George C. Marshall (Harve
Presnell). The Army wants to thank his Iowa farm family for their sacrifices by sending
him home. That is not how the soldiers selected for this mission of charity view it.
Every step they take is plagued with the prospect of an unexpected demise. Tom
Sizemore's Sergeant Horvath has collected earthenware jars from each of the
combat areas he has survived. A wiseacre from Brooklyn named Private Reiben
(Edward Burns) is incensed by the injustice of perhaps losing several members of his
unit to save a stranger. Hillbilly sniper Private Jackson (Barry Pepper) is certain that
God is on his side and is guiding him in a valiant war against the enemy. A Yonkers-
born Jew named Private Mellish (Adam Goldberg) shows his reason for fighting by
making fun of Nazi inmates. The fate of a young girl in a village touches Private
Caparzo, an Italian from New York. The interpreter Corporal Upham (Jeremy
Davies), who was assigned to his first assignment, tries to blend in with the group but
is almost immobilized by terror. Their resiliency is put to the test as Miller leads his
soldiers across the French countryside. The soldiers gather in a loving circle around
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COLLEGE OF CRIMINAL JUSTICE EDUCATION
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the gravely injured doctor Wade (Giovanni Ribisi). To prevent a rebellion, Miller must
divulge his identity and personal history. When they locate Private Ryan (Matt
Damon) at last, he astounds them all with an answer no one anticipates. Miller and
those under his command lose all remaining dignity in a final fierce combat with the
Germans in a deserted village.

With Saving Private Ryan, the greatest filmmaker in the world (Steven Allan
Spielberg) proves that he is a creative genius whose movies consistently arouse
strong emotions and all of the senses. The 1998 Oscar nomination for best picture
went to the most significant antiwar drama ever made. Robert Rodat, the
scriptwriter, has stressed the symbolic and larger significance of Captain Miller and
his soldiers. The casting, which included some well-known actors, was excellent such
as Tom Sizemore, Matt Damon, Vin Diesel, Edward Burns, and Barry Pepper Bryan
Cranston, Giovanni Ribisi, Adam Goldberg, and Jeremy Davies. A sound is played
as major role in expressing emotion. You can hear while the title visuals are
displayed Trumpets. Funerals for military personnel frequently feature trumpets.

The significance of this movie in our subject, there is no grandeur in dying for one's
nation, and violence has no redeeming qualities. Small acts of decency are all that
really matter in the destructive rapacity of combat. Kindness is not only a habit of
the heart, but it also represents the only hope under the dreadful circumstances of
war. These defining moments, as depicted by Miller and his men's deeds, are
blazing lights in the brutal night of death and destruction. In other cases, it is clear
that Saving Private Ryan is not a triumph of patriotism but rather a reminder of the
history of men engaged in armed conflict. In fact, it's important to understand that
the movie shows that there are certain Americans who don't always do things right.