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He's Already in Your Tomorrow

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0% found this document useful (0 votes)
4K views14 pages

He's Already in Your Tomorrow

Uploaded by

Joanna
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • He's Already in Your Tomorrow: A choral arrangement for SATB and Piano featuring melody and lyrics for the piece 'He's Already In Your Tomorrow'.

He's Already in Your Tomorrow

SATB and Piano Words and music by


Arranged by Camp Kirkland

   = 56
Phil Cross and Mark Lanier

  
Soprano  
   
Alto  
   
Tenor  

     


Bass


                    
             

         
Piano

4      
S. 
     
A. 
     
T. 

     


B.

    
                       
     
     
           
Pno.

2023@GraceNotes_MusicLibrary
9  
2

            
     

S.

            
 
     
I have a Fa ther, the Mas ter of time, He holds the world in His


A.

            
  
I have a Fa ther, the Mas ter of time, He holds the world in His

    

T.

         
        
I have a Fa ther, the Mas ter of time, He holds the world in His



B.

   
      
I have a Fa ther, the Mas ter of time, He holds the world in His

            


 
    
        
Pno.

13 
                
S.
    
  
             
    
hands. He looks from heav en, sees where you are, ar rang ing your life in His

A.



               
    
hands. He looks from heav en, sees where you are, ar rang ing your life in His

T.

        
          
hands. He looks from heav en, sees where you are, ar rang ing your life in His

 


B.

  
           
hands. He looks from heav en, sees where you are, ar rang ing your life in His

           
   
      
Pno.
17    
3

     
S. 

  
     
plans. to

A. 

       
        
plans. to

T.   
          
     
plans. Pre par ing you now, un fold ing the way to

   


B.


plans. Pre par ing you now, un fold ing the way to

       
    
 
      
     
Pno.

20   
S.                

     
           
all your to mor rows and what ev er you face. He's

A.  
      
           
all your to mor rows and what ev er you face. He's

T. 

                  
all your to mor rows and what ev er you face. He's

 


B.

  
          
all your to mor rows and what ev er you face. He's

  
   

   
             
Pno.


24         
4

            
S.
 
   
                 
al read y in your to mor row, He's walk ing one step a head.

A.

          
         
al read y in your to mor row, He's walk ing one step a head.

T.
 

                  
al read y in your to mor row, He's walk ing one step a head.

   


B.


            
al read y in your to mor row, He's walk ing one step a head.

          
          
 
 
Pno.

 

28   
                


S.

   
A.           
Wheth er it's joy or it's sor row, He'll do just what He said. He'll

      

 
                 
Wheth er it's joy or it's sor row, He'll do just what He said. He'll


 
T.


                 
Wheth er it's joy or it's sor row, He'll do just what He said. He'll

   


B.

 
              
Wheth er it's joy or it's sor row, He'll do just what He said. He'll

       
     
       

Pno.


32  
5

          
        

S.

    
         
      
nev er leave you lone ly in the land of the great un known. He's

A.

   
           
nev er leave you lone ly in the land of the great un known. He's

T.
     
                 
nev er leave you lone ly in the land of the great un known. He's

    


B.


          
nev er leave you lone ly in the land of the great un known. He's

             


            
    

Pno.

 

36     
             

S.

    
           
al read y in your to mor row, don't be a fraid to keep press ing

 
 row,
A.

    
            
al read y in your to mor don't be a fraid to keep press ing



T.

             
  
al read y in your to mor row, don't be a fraid to keep press ing

  


B.


al read y in your to mor row, don't be a fraid to keep press ing

         
            

     
Pno.

  
39 
6

  
S.   

   
on.

A.   

   
on.

T.   

      
on.


B.

      
on.

                     


      
         
 
Pno.

 

44  
              
S.
 
         
     
Of ten you strug gle, look ing a head, dread ing to mor row, it

A.
  
   

Of ten you strug gle, look ing a head, dread ing to mor row, it

T.

   


B.

  
       
            
 
      
Pno.
47 
7

     
S.         

   
     
seems. Em brac ing the pre sent, for get ting the past,

A.
      
   

seems. Em brac ing the pre sent, for get ting the past,

T.

   


B.

  
           
        
    
   
Pno.

50    
S.   

   

      

giv ing up on your dreams.

A.    

         
giv ing up on your dreams.

T.   
     
    
You're strand ed be tween your

 


B.


You're strand ed be tween your

         
          
    
   
Pno.
53  
8

S.                

 
               
yet no mat ter the con flict, the fu ture is

A.

  
                
yet no mat ter the con flict, the fu ture is

T. 

                 
 
faith and your fear, yet no mat ter the con flict, the fu ture is

 


B.


         
faith and your fear, yet no mat ter the con flict, the fu ture is

 
      
 
     
Pno.

   

56              
      
S.
 
   
                
clear. He's al read y in your to mor row, He's

A.

  
                
clear. He's al read y in your to mor row, He's

T.

                  
clear. He's al read y in your to mor row, He's

  



B.

  
                      
clear. He's al read y in your to mor row, He's

      
          
Pno.

  
60  
9

 
S.              

 
        
walk ing one step a head. Wheth er it's joy or it's

      
A.

         
walk ing one step a head. Wheth er it's joy or it's

T.        
               
walk ing one step a head. Wheth er it's joy or it's

 


B.

  
      
walk ing one step a head. Wheth er it's joy or it's

   
              
    

Pno.

63   
           

  
 

S.

     
A.          
     
sor row, He'll do just what He said. He'll nev er leave you

 
               
sor row, He'll do just what He said. He'll nev er leave you

 
  
T.

               
sor row, He'll do just what He said. He'll nev er leave you

     


B.


   
sor row, He'll do just what He said. He'll nev er leave you

             
                 
     

Pno.

  
67 
10

 
   
       


S.

  
A.      
    
lone ly in the land of the great un known. He's

  
     
   
    

lone ly in the land of the great un known. He's

T.

             
lone ly in the land of the great un known. He's

  


B.

   
lone ly in the land of the great un known. He's

               


          
    

Pno.

70     
             

S.

    
           
al read y in your to mor row, don't be a fraid to keep press ing

 
 row,
A.

    
            
al read y in your to mor don't be a fraid to keep press ing



T.

  
            
 
al read y in your to mor row, don't be a fraid to keep press ing

 


B.


al read y in your to mor row, don't be a fraid to keep press ing

         
            

     
Pno.

  
73  
         
11

      
 

S.

    
               
on. He's al read y in your to mor row, He's



A.

 
                
on. He's al read y in your to mor row, He's

 

T.

       
         
on. He's al read y in your to mor row, He's

   



B.

 
                
           
on. He's al read y in your to mor row, He's

           
 
 
                   
Pno.


77     
S.       
          

   
        
      
walk ing one step a head. Wheth er it's joy or it's sor row, He'll

A.


    
             
walk ing one step a head. Wheth er it's joy or it's sor row, He'll

T.
  
                
  
walk ing one step a head. Wheth er it's joy or it's sor row, He'll

 


B.


                   
walk ing one step a head. Wheth er it's joy or it's sor row, He'll

    
      
 
    
     
Pno.


81           
12

      
S.
    
   
                
do just what He said. He'll nev er leave you lone ly in the

A.
 
              
  
do just what He said. He'll nev er leave you lone ly in the

T.
    

       
         
do just what He said. He'll nev er leave you lone ly in the

     


B.

      
      
do just what He said. He'll nev er leave you lone ly in the

                 


     
     
     
Pno.

 

85   
S.        
      

 
                
land of the great un known. He's al read y in your to mor

A.

    
           
land of the great un known. He's al read y in your to mor

T.

           
   
land of the great un known. He's al read y in your to mor

  


B.


          
land of the great un known. He's al read y in your to mor

             


       
 
 
Pno.

    
88         
    
13

      
S.

  
     
            
row, don't be a fraid to keep press ing on. He's

A.

      
              
row, don't be a fraid to keep press ing on. He's

T.

     
          
row, don't be a fraid to keep press ing on. He's

   
 


B.


         
row, don't be a fraid to keep press ing on. He's

          
         
     
       
Pno.

91     
             

S.


                 
al read y in your to mor row, don't be a fraid,


A.

   
             
al read y in your to mor row, don't be a fraid,


T.

             
  
al read y in your to mor row, don't be a

  


B.

        
al read y in your to mor row, don't be a

                 


 
               
 
                 
 
Pno.

        
95       
14

S.       


           
don't be a fraid, keep press ing on.

A.  

      
      
don't be a fraid, keep press ing on.

T. 

    
   

   
fraid, don't be a fraid, keep press ing on.

 


B.


    
   
fraid, don't be a fraid, keep press ing on.

        


     
 
  
                

Pno.

             

99      
S.  


A.        

   
T.    

      
 


B.

 
 
      
    
 
 
   
  
     
     
             
Pno.

        
 

Words and music by 
Phil Cross and Mark Lanier
Arranged by Camp Kirkland
SATB and Piano
He's Already in Your Tomorrow
4
Sopra
9
13
S.
S.
A.
A.
T.
T.
B.
B.
Pno.
Pno.









































20
17
S.
S.
A.
A.
T.
T.
B.
B.
Pno.
Pno.










































24
28
S.
S.
A.
A.
T.
T.
B.
B.
Pno.
Pno.










































32
36
S.
S.
A.
A.
T.
T.
B.
B.
Pno.
Pno.










































44
39
S.
S.
A.
A.
T.
T.
B.
B.
Pno.
Pno.









































47
50
S.
S.
A.
A.
T.
T.
B.
B.
Pno.
Pno.











































53
56
S.
S.
A.
A.
T.
T.
B.
B.
Pno.
Pno.








































63
60
S.
S.
A.
A.
T.
T.
B.
B.
Pno.
Pno.










































70
67
S.
S.
A.
A.
T.
T.
B.
B.
Pno.
Pno.











































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