Syllabus 2025
Syllabus 2025
Patron:
Patrol
The Worshipful The Mayor of Bromley
SYLLABUS
1929 2025
28 FEBRUARY – 23 MARCH
Festival 2024 was another success with plenty of entries in most sections although
the Guitar and Singing sections could do with some more entries. The venues
were well received as were the comments of the adjudicators.
I should like to thank you all for your support over the past years and please do
continue to support our new Chairmen/Secretaries (they have decided to run it
jointly). I shall still be in the background to assist them in any way I can and wish
them both well in their new venture. It was a case of find a busy person and they
will take it on !
For those of you who were not at the prizewinners concert I was presented as a
thank you some models of Piglet, Winnie the Pooh and Tigger for my garden. I
already had Eeyore and it was felt he was feeling lonely ! I have also planted a
really pretty rhododendron in my garden so there is plenty to remind me of the time
I have spent in recent years. Thank you.
Regards
Monica Sanderson
WELCOME TO THE BROMLEY (KENT) FESTIVAL
OF MUSIC AND SPEECH
We have both been helping with the Festival for a number of years in many
background roles, by assisting Monica and all the Committee make the Festival run
as smoothly as possible.
Monica has done a wonderful job over the years having been thrust into the role
unexpectedly 11 years ago but has handled everything with grace and poise. We
are grateful she has agreed to stay in the role of advisor as we are going to need all
the guidance and support we can get.
The Festival is only possible because a dedicated team invest their time and efforts
freely to bring together such a wide and varied selection of classes in music and
speech which culminates in a month of fantastic music and drama. Volunteer
helpers man a number of venues, assist adjudicators, direct entrants, teachers and
supporters and do a myriad of other jobs to make the Festival happen. Their help is
greatly appreciated.
Two of our Committee members, Annette Barber and Jean Lines, have sadly
passed away in the last year. We have been very grateful for their help and
guidance over the years and they will be greatly missed.
Since Covid the number of strings, wind, brass and guitar entries have fallen so this
year we have decided to amalgamate these sections together and have them on
one weekend with one adjudicator in order to make it more fun for entrants and
have better audiences to enjoy the music. Entries will still be sent to the relevant
section heads.
It has been our privilege and joy in the time we have been involved with the Festival
to see performers flourish and blossom over the years. Many take the lessons they
learn here to give them courage and confidence in the future, this is true not just of
our younger entrants but all participants.
We look forward to meeting many of you and hope you will put your entries in early.
If you have questions we will reply but as we are all volunteers please be patient
with us.
We hope you will support us in helping to make this a wonderful year with lots of
entries, enjoyed in good spirit by all.
GENERAL INFORMATION
Admission to Competitions (Ticket valid all day)
Adults £4.00 Choir sessions £3.00
Programme £1.00
BROMLEY FESTIVAL
The Festival was held each November until 1939 when, on the
outbreak of World War II, the Committee decided to postpone
activities until further notice. The next Council Meeting took
place in July 1945 and it was decided to re-establish the
Festival in March 1946 at Stratford House School. Since then
the Festival has been held annually in various halls and
churches in the Borough. The present name – the Bromley
(Kent) Festival of Music and Speech – was adopted in 1978
and the Festival received charitable status in 1983.
FESTIVAL OFFICERS
COMMITTEE
1
SPECIAL AWARDS
Star Performer Music Awards – A trophy and a cheque for £200 will be presented to the
overall winner from the Music Section at the final competitive session on Sunday 23 March
2025, venue to be confirmed.
The Star Music Performer will be selected by a special Adjudicator. Those performing at
that session will have been recommended by the appropriate Music Adjudicators. All the
finalists will receive cash prizes. Admission to this session is FREE and the public is
warmly invited to attend.
Jennifer Molyneux Star Speech Award - The Star Speech Performer will be selected
during the Festival by the Speech Adjudicators. He/she must be aged 14 or over by the
end of the academic year and have entered at least TWO solo classes, one of which must
be either Public Speaking or Shakespeare Solo and attained Honours/Distinction marks.
They will be presented with the Jennifer Molyneux Prize at the Star Performer Music
Awards.
Celia Yeo Memorial Award – Will be awarded to the most promising young performer in
Year 6 & below.
Concert Invitation – Selected prize winners will be offered the opportunity to perform in a
prizewinners concert.
Have you seen our new Folk Music and Ukulele Classes
on Pages 42 & 43?
2
PROVISIONAL TIMETABLE
(All venues will be confirmed at a later date)
Prizewinners’ Concert
Selected prizewinners will be invited to perform on 10th May 2025 at 6.30pm at St.
George’s Church, Bickley.
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BROMLEY (KENT) FESTIVAL OF MUSIC AND SPEECH
CHILD PROTECTION POLICY
The British and International Federation of Festivals for Music, Dance and Speech
work for amateur festivals everywhere to help create thousands of educational
performance opportunities for children and young people each year.
The Federation, and our member Festivals, are committed to ensuring safe environments
for children and young people and believe that it is always unacceptable for a child or
young person to experience abuse of any kind. We recognise our responsibility to
safeguard the welfare of all children and young people, by a commitment to recommend
best practice which protects them.
This policy applies to our Board of Trustees, paid staff, Adjudicator members, volunteers,
students or anyone working on behalf of the Federation and our member Festivals.
We recognise that:
• the welfare of the child/young person is paramount
• all children, regardless of age, disability, gender, racial heritage, religious belief,
sexual orientation or identity, have the right to equal protection from all types of
harm or abuse
• working in partnership with children, young people, their parents, carers and other
agencies is essential in promoting young people’s welfare.
The Federation will review this policy each year in November in line with Safe Network
guidance or sooner in light of any changes in legislation or guidance. All changes will be
communicated to our member Festivals in time for the start of the new Festival year.
4
CREATING SAFER FESTIVALS FOR EVERYONE
The Federation and its member Festivals use the following policies and procedures to
create Safer Festivals for everyone:
2. One or more designated Festival Safeguarding Officers (FSO) appointed for each
Federation Festival.: Name: Geraldine McBain Phone: 01689 820322
3. Best practice advice in the form of Safe Working Practice and Festival Child
Protection leaflets, with support and training for all Festival staff and volunteers.
Including clear reporting procedures for anyone with a concern about a child.
4. Appropriate recruitment and induction procedures for all new Festival staff and
volunteers responsible for providing safe environments for everyone attending /
performing at a Federation Festival.
8. Some children and vulnerable adults may have specific needs in order to take part. If
this is the case we ask the responsible teachers/parents/guardians/carers to contact
the Festival Section Secretaries prior to arrival. The Festival actively seeks wherever
possible to meet these needs, but must know beforehand in order to prepare support –
or to advise that help cannot be provided on this occasion.
9. The Festival’s Child Protection Policy and approach to Creating Safer Festivals for
Everyone is published explicitly in our Syllabus, Programme and Website. By
completing and signing the entry form all parents / guardians / carers and teachers of
competitors under 18 (or vulnerable adults of any age) confirm that they give (or have
obtained) the necessary consents for the competitors to take part in the Festival.
Without consent the entry to the Festival cannot be accepted.
5
RULES
1. Eligibility of Competitors
Except where marked ‘Open’, the competitions are intended for amateurs.
Professionals are however allowed to take part:-
a) as Conductors c) in Open Classes
b) as Accompanists d) in Senior Orchestras
An amateur is someone who does not derive, or has not derived, his/her livelihood
from the branch of performance, defined by the class title, in which he/she seeks to
enter the Festival. In any amateur ensemble all members must adhere to this
definition.
2. Entry Forms
Entries must be made on the official forms in the centre of the Syllabus obtainable
online or from the Hon. Secretary, Committee members, libraries and music shops.
Competitors who enter for more than one class in the same Section should use a
single entry form. Entries for classes in different Sections must be made on
separate forms. Multiple entry forms should be used by teachers when entering a
number of pupils in the same Section. Entry forms may be photocopied.
Entry forms should be sent to the address shown in the Syllabus at the head of the
appropriate section. Competitors will be notified by email.
3. Age Limits - SCHOOL YEARS WILL APPLY FOR ALL PERFORMERS 18 AND
UNDER. See Choirs for additional rules page 23.
4. Entry Fees
Entry fees are as stated for each Class in the Syllabus. They must be sent with Entry
Forms and cannot be returned. If a receipt is required, a stamped addressed
envelope should be supplied. Cheques should be made payable to “Bromley (Kent)
Festival of Music and Speech” or by online payment. Class and child’s name
required as reference.
5. Closing date for entries is 21 January 2025. Late entries WILL NOT be accepted.
6A. Photocopying
In all ‘Own Choice’ classes a copy of the test piece must be provided for the
Adjudicator on the day. This does not apply to Set Test pieces, copies of which are
provided for the Adjudicator by the Festival.
Competitors are reminded that it is against the law to reproduce copyright materials
by any means, e.g. hand-written, typed or photocopied, without the permission of the
copyright owner (usually the publisher). The Festival will not accept the use of
reproduced copies of music or speech items unless accompanied by written
permission from the copyright owner.
However, when an ‘Own Choice’ item is selected from a publication containing
several different works and is not published separately, one copy may be made for
the specific use of the Adjudicator provided that the competitor has already
purchased his/her own printed copy. The Adjudicator’s copy will be retained and
destroyed by a Festival official immediately after the event. This permission
specifically does not apply to set test pieces. Performers should use the printed
copy. Photocopies may be used by accompanists, official or personal, provided they
are surrendered to the Adjudicator’s Steward after the performance.
6
6B. Own Choice Items
In all ‘Own Choice’ Classes (except where specified), the title and composer/author
of the piece MUST be stated on the entry form. Entries will not be accepted
without this information and the subsequent change of a piece is NOT permitted.
6C. Time Limits
Time limits must be strictly observed. Competitors who exceed the time limit may be
stopped and/or penalised.
6D. Standard of Music
Any competitor entering a piece of a higher grade than stated in the syllabus will be
penalised.
6E. Prompting
No prompting is permitted unless authorised by the Adjudicator.
6F. Repetition of Items
A competitor may not perform the same item more than once, with the exception of
the Star Performer Competition.
No competitor may present an item, which they have performed and for which
they have been awarded a medal in the Bromley Festival in the previous 3
years.
6G. Infringements
In the event of an infringement of the Rules, e.g. change of ‘Own Choice’ pieces or
exceeding the time limit, the competitor will receive an oral and written adjudication
and a ‘Performer’ certificate and no numerical grade.
7. Accompanists
No recorded accompaniments are permitted. Competitors may provide their own
accompanists, but an Official Accompanist is available for Solo Singing, Choral,
String and Wind Classes. If this service is required, it should be stated on the Entry
Form, and the fee for each Class enclosed.
Individual £8.00 Groups £12.00
A copy of ‘Own Choice’ music must be sent to the Official Accompanist by
1st February. In the case of Strings & Ensembles, Woodwind/Brass & Ensembles &
Performance Classes, the copies must be sent by Tuesday 21st January.
Photocopies may be sent, provided a printed copy is available on the day (see Rule
6A). The name of the Competitor and the Class Number must be clearly stated on
the music. The copy should not be folded, and adequate postage must be affixed.
If the accompanist does not receive the music in advance, he/she reserves the right
to refuse to play. The Festival may appoint an accompanist other than the official
one when necessary.
As there will be no time for rehearsal on the day of the competition, competitors
wishing to rehearse must make their own arrangements with the Official Accompanist
in advance and an additional fee may be charged.
7
8. Programmes
The Programme of the competitions will be arranged immediately after the entry list is
closed. The order of performance will be determined by ballot and competitors will be
informed of the date, place and approximate time of their Classes.
9. Attendance
Competitors should answer to their names when called to perform, otherwise they
forfeit their right to compete.
8
15. Cups & Trophies
Winners of trophies may have them engraved at their own expense. Trophies must
be returned by 1 February 2026 to the addresses below, undamaged and clean.
Trophies are not covered by Festival insurance. Winners should therefore arrange
cover with their own insurers.
Speech and Dr M Clarke Solo Singing Mrs M Sanderson
Drama 73 The Heights 6 Wythes Close
Beckenham Kent BR3 5BZ Bromley Kent BR1 2BA
Tel: 0208 650 0303 Tel: 0208 467 5323
Pianoforte Mrs L Clare String Ms Linda Leung
5 Drayton Avenue Instruments 24 Hawthorne Road
Orpington Kent BR6 8JN Bromley, Kent BR1 2HH
Harp Mrs L Breingan Wind Mrs M Sanderson
29 Lind Street Instruments As above
London SE8 4JE
Guitar Miss J Morley Choirs Mrs M Sanderson
8 Armstrong Close As above
Bromley Kent BR1 2QT
16. Recording
THE USE OF AUDIO OR VIDEO RECORDERS, CAMERAS AND MOBILE PHONE
RECORDINGS BY MEMBERS OF THE AUDIENCE IS STRICTLY FORBIDDEN AT
ANY SESSION OF THE FESTIVAL.
17. Behaviour of Children
The Committee cannot be held responsible for unsupervised children. Parents and
teachers must take full responsibility for all their children and pupils while on Festival
premises, and must not allow them to stray from the designated areas. To ensure
suitable conditions for the performers, we ask that very young children are not
brought to the Festival.
18. Safety of Performers
It is necessary for teachers and parents to be aware of their responsibilities in
entering any performers with limited physical capabilities or special needs, bearing in
mind the limitations imposed by the stage and surrounding environment. The teacher
or parent should pass on to the adjudicator in writing, via the organiser, any such
information that would impact on the adjudicator’s work.
19. Injury & Damage
The Committee does not hold itself responsible for any injuries sustained by any
performer or member of the public whilst on Festival premises. It will also not be held
responsible for loss or damage to property which may occur during the Festival.
20. Data Protection
Personal data from the Entry Forms will be held for the sole purpose of running the
Festival.
Note to Teachers
9
PRIVACY NOTICE
Bromley Festival (Registered Charity No. 286229) is a competitive Music, Speech and
Drama festival, run by volunteers and registered with the Charity Commission. It is a
member of the British and International Federation of Festivals.
This privacy policy explains how we use any personal information we collect about you.
We collect information about you when you register to perform in the Festival, volunteer as
a steward or we engage you as an adjudicator. We will only ask for such information as is
necessary for the efficient administration of the festival. (We do not collect ‘sensitive
personal data’ unless there is a legitimate reason for this – where an entrant may need
support to participate in a class)*.
Access to this data will be restricted to those personnel who administer the Festival.
We want to make sure your personal information is accurate and up to date and all
reasonable efforts will be made to ensure this is the case. You may ask us to correct or
remove information you think is inaccurate.
The Festival will not pass collected data to any third party unless the law requires us to do
so or if it is to enable the Festival to fulfil its constitutional purpose. It should be noted that
only the names, year groups and schools* of competitors will appear in the Festival
Programme.
(This privacy policy only applies to our website, so when you link to other websites from it,
you should read their privacy policies)*
You have the right to request a copy of the information that we hold about you. This can
be obtained, without charge, by application to the Data Protection Officer.
*as applicable
We promise:
• Your name, address, phone number, date of birth and email address
• Your bank account number and sort code
• Your contact with us – such as a note of a call you make to us, an email or letter you
send to us or other records of any contact you have with us
Apart from the published programme, we will not share your personal information with a
third party without your specific permission
Access to your personal information will be restricted to those personnel who administer
the Festival. We’ll store your information for as long as we have to by law. If there’s no
legal requirement, we’ll only store it for as long as we need it. We’ll also keep some
personal information for a reasonable period, for example, to send a syllabus for the
following year’s Festival.
You should be aware that communications over the internet (such as emails) aren’t secure
unless they’ve been encrypted. We can’t accept responsibility for any unauthorised
access or loss of personal information that’s beyond our control.
You can write to us at any time to get a copy of the personal information we hold about
you. The request, in writing, should be addressed to the Data Protection Officer.
11
THE MUSIC ADJUDICATORS
In 1968, Geoffrey Lynn entered Edinburgh Medical School. After two miserable years he
left and shortly after entered the Royal College of Music.
Three years later, he had won several awards including the top violin prize.
While at college he started freelancing with various orchestras and teaching at the Royal
College of Music junior department.
He was then offered a position in the first violin section of the London Philharmonic where
he remained for forty six years.
More recently, he spent several years teaching at Sevenoaks School and is now busy
teaching privately at home in Bromley.
Jane trained as a soprano at the Royal Scottish Academy of Music and Drama and
then at the Royal College of Music where she won many competitions and awards.
She performs solo art song recitals across the country and has toured South Africa,
Europe and America. She is Head of Singing at Chelsea Academy and singing tutor
at Imperial College, London. A former member of the National Youth Choirs of Great
Britain she now conducts New Malden Voices and New Malden Youth Choir.
Jane has premiered many contemporary operas and frequently works alongside
composers on new works for the stage and for recordings. She has performed
oratorios and concerts at Edinburgh Festival, Royal Albert Hall and many other
distinguished venues.
Jane leads vocal masterclasses and workshops internationally and often runs
‘audition technique’ days for aspiring singers. Her voice has featured in a wide
variety of albums and recordings from children’s repertoire to contemporary folk
rock.
12
PIANOFORTE – SIMON LANE
Simon Lane has gained recognition for his compelling and sensitive performances, and
has collaborated with many of the world’s most exciting musicians including Danielle de
Niese, Iestyn Davies, Guy Johnston and Jack Liebeck. His CD release with cellist Philip
Higham was selected as Strad Magazine‘s ‘CD of the month’, and Gramophone Magazine
stated that “What is most striking about this performance is that, thanks to the brilliance of
Simon Lane at the piano, the virtuosity of the piano-writing is thrillingly brought out”.
Simon studied at the Royal Northern College of Music in Manchester and the Royal
Academy of Music in London, and his teachers have included Mark Ray, Dina
Parakhina, Michael Dussek, Julius Drake and Roger Vignoles.
Among other early influences on his career, Simon is indebted to the late Mark Ray, to
whom he owes a large share of his love of music.
Paul studied organ and piano at the Royal College of Music, London and graduated from
Pembroke College, Cambridge with a Masters in Choral Studies in 2011.
He taught at various London schools, first at Forest School (Snaresbrook) and later as
Director of Music at St Dunstan’s College (Catford), where he took the choir on several
international performing tours. After teaching at Colfe’s School (Greenwich), he became a
freelance musician and has been an examiner for ABRSM since 2010.
Paul has been Organist of the Norwegian Church in Rotherhithe since 1990. He is active
in the Worshipful Company of Musicians, where he has served as President of the
Company’s Livery Club, and is Chairman of the Anglo-Norse Society charity.
13
HARP – LISE VANDERMISSEN
Belgian harpist Lise Vandersmissen travels with her modern pedal harp and her Italian
Triple Harp around Europe and Asia. She was one of the 2023 Artists at the main classical
radio in Belgium: Klara Radio (De Twintigers), and won the Belgian classical radio
competition for chamber music with her Aglica Trio.
She recently completed a six-month residency in Hong Kong where she was teaching and
performing at the international harp academy HK Harp Music. Career highlights include
performing the world premiere of Mark-Anthony Turnage’s “Four Meditations” which was
dedicated to her, being the Artist in Residence of the first edition of the early music festival
“Intra Muros”, and performing the Händel Harp Concerto on the Italian Triple Harp during
the London Händel Festival with the London Händel Orchestra.
In 2023, she released her first solo album TRANSFORMED (CJM Flanders) which
consists of her own transcriptions for the pedal harp. This summer, her second solo album
will be released: TRE, an album played on the Italian Triple Harp, under Etcetera Records
and funded by the Belgian government.
Lise won Prizes in international harp competitions including the First Prize at the 5th
International Harp Competition in Slovenia and the Second Prize at the International
Szeged Harp Competition in Hungary. She received the Culture Prize in Bilzen, her
hometown. Lise’s orchestral work includes the Royal Northern Sinfonia, English Touring
Opera, London Händel Orchestra and La Nuova Musica. Lise graduated Magna cum
Laude from her Bachelor’s Degree at LUCA School of Arts, Belgium with Lieve
Robbroeckx, and with Distinction from her Master’s Degree at the Guildhall School of
Music & Drama, London with Imogen Barford. Upon graduation, she became a Fellow at
the Guildhall for two years.
Lise lives with her harps on a blue houseboat on the London canals. When she is not
playing the harp, she loves to knit jumpers and run along the canal.
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THE SPEECH ADJUDICATORS
JANINE DIAMOND
Janine participated in her first festival at the age of five and, prior to her professional
training, she was a committed member of the amateur theatre scene. She trained at the
Arts Educational School, London, graduating with a BA (Hons) in Musical Theatre. She
completed an MA in Performance Research and, in 2021, was awarded a PhD from the
University of Bristol. As a teacher and freelance performance coach with over 15 years
experience, Janine has taught students whose ages have ranged from two to seventy-five
and continues to enjoy leading drama, musical theatre and dance workshops and
masterclasses in vocational, academic and cooperate environments.
As a professional performer, voiceover artist and choreographer, she has toured nationally
and performed in London’s West End. She is an Associate Fellow of the Higher Education
Academy (AFHEA); TaPRA (The Theatre and Performance Research Association); and
the Society of Theatre Research (STR).
Since learning and reciting her very first poem, Janine has been dedicated to performance
and she is delighted to be an Adjudicator member of The British and International
Federation of Festivals. She looks forward to adjudicating Bromley Festival participants to
support, encourage and celebrate their work.
JENNY THORNTON
Jenny trained at the Guildhall School of Music and Drama, gaining awards for Character
Acting and Most Promising Teacher. She has led the Performing Arts Teams in a large
comprehensive school, been an Assistant Principal for Edexcel, LAMDA examiner and
now enjoys running her own Performance Centre with ages from 4 years to adults
delivering drama, dance and musical theatre and also writing.
Her play called “Gone” gained a Commended when performed at The Orange Tree
Theatre in Richmond as did her most recent play “Young Love”. She was delighted when
LAMDA chose two of her pieces for their new acting anthology.
Her most recent teaching experience is working in a state school as a peripatetic teacher
as part of her “Outreach” programme. Jenny says “Drama is a life skill that changed me
from a stuttering introvert to a confident individual. We can give our children no better
opportunity." She is looking forward to adjudicating at the 2025 Bromley Festival.
15
LOUISE MANDERS LLAM ALAM GODA MSTSD (Adj)
Louise was born in Westcliff on Sea and first trod the boards when only five days old and
has never looked back.
Her varied and interesting professional theatrical career began with Haymarket Stage
Productions progressing from stage management to acquiring her Equity card as an
actress. She enjoyed touring the UK and appearing in all aspects of theatre including
repertory and musicals, as well as appearing on television and in films.
Louise is presently not only an adjudicator for the British and International Federation of
Festivals and the Guild of Drama Adjudicators, but is also an adjudicator member of the
Society of Teachers of Speech and Drama. She was Artistic Director of the Phoenix Youth
Theatre in Southend, formerly the New Focus Theatre for many years. Louise’s extensive
work as an adjudicator has taken her all over the UK and abroad. She has adjudicated for
festivals in Sri Lanka, Hong Kong and Canada.
During the pandemic, Louise also adjudicated online. She runs workshops and master
classes, directs plays (including open air productions) and musicals, devises original
drama compositions, writes poetry and has written many musical plays for children and
students. She teaches speech, drama, musical theatre, mime and dance drama to all ages
of students, including adults and specialises in the LAMDA examinations.
Louise is an experienced theatre director and even finds time to dance flamenco! A festival
is a celebration and enables all entrants to bring their creativity and enthusiasm to
fruition. Louise is really looking forward to returning to the Bromley (Kent) Festival and
sharing in these celebrations.
PETER DAYSON
Peter started his career as an actor in stage, television and film, progressing to writing,
directing and producing. He ran an International Award Winning Community Cross-Over
Project which took children and students from across the London Boroughs and performed
in the West End, transferring to Ohio, U.S.A. This involved artists from the industry working
with local actors and special needs students to produce an innovative and unique
international award winning production concept.
Peter has appeared in many TV series and sit-coms and in several Dr Who episodes with
five different Doctors. He has written several plays, 8 musicals, show-cased in the West
End and is currently working on a spy-thriller. As a Director Peter has been responsible for
many productions, was Artistic Director for Stafford Gatehouse for 8 years, worked for
Disney as a Director and Executive Producer and, also worked for Really Useful Theatre
Groups. Peter has directed over 50 pantomimes all over the country with such artists as
Charlie Drake, Frankie Howard, Hinge and Bracket and many soap stars from all over the
industry. Later this year he is directing two pantomimes in Leeds and Birmingham and is
currently working on a film script 'Vavasour', for pre production in 2025.
Peter’s passion is working with children, students and young performers, particularly
special needs to nurture, encourage, support and develop them with perhaps a career in
the industry or just ‘Life Skills’ and is looking forward to adjudicating at the 2025 Bromley
Festival.
16
MUSIC TROPHY WINNERS 2024
Choral
C2 Challenge Shield The Ravensbourne School
C3 Smith Isard Rose Bowl St Christopher’s The Hall Chamber Choir
C5 Unison Choirs Merton Court senior school
C7 Llewwellyn John Cup The Choir School
C10 Bromley Rotary Bowl Capital Chorus
C11 Anniversary Salver Capital Chorus
C13 Moira Budds Cup St Christopher’s The Hall Chamber Choir
Pianoforte
P1 Challenge Cup Ian Roy
P2 Norah Lawless Cup David Dreebin/Ian Roy
P3 Stanford Massey Cup Ian Roy
P1-P3 Edith Gardner Cup Ian Roy
P4 Gwen Massey Trophy Ian Roy
P5 Tippett Memorial Trophy Not Awarded
P6 Stratford Senior Trophy Marisa Cooper
P8 Eileen John Cup David Dreebin
P11 Una Warnes Trophy Isabelle Chen
P12 Stratford Junior Trophy Alexander Pick
P13 Yeo Trophy Miranda Huang
P14 Year 3 and below Trophy Oliver Nichol
P15 Morley Cup Fienna Yang
P16 Noreen Fisher Cup Niven Velani
P18 Brian Empett Junior Bach Cup Isabelle Chen
P19 Gwen Massey Cup Oscar Mi
P20 Brian Empett Junior Chopin Cup Oscar Mi
17
P21 Brian Empett Senior Recital Not Awarded
Cup
P22 EPTA UK Cup Tilly Fawkner-Jones
P23 Kathleen Burton Cup Olivia Edwards
P33-P36 Millennium Shield Oscar Mi & Lydia Mi
Performance Classes
PC1 Bickley Junior Trophy Not Awarded
PC2 Bickley Senior Trophy Kara Browne
Harp
H11 Sidonie Goossens Cup Etty Ashton
H12 Gwendolen Mason Cup Christopher Sobrieski
H2 Rosemary Brown Cup May Nobles-Eales
Guitar
G6 Sarah-Jane Rutter Memorial Cup Oliver Tong
G7 Rutter Cup Noah Gabriel Dela Luna
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SINGING
Please note Rules 2, 3 & 6 on pages 6 & 7 and Special Awards on page 2.
Please see rule 6F on page 7.
The Rose Bowl to be held for one year, will be awarded to the singer chosen by the
Adjudicator from Classes V1 - V5.
19
V6 Light Opera £9.50 George Green Cup
All voices. Own choice. & Medallions
Any number from Light Opera.
Time limit 6 minutes.
20
V17 Early Italian Aria 1600 - 1750 £9.00 Medallions
All voices. Own choice of one aria in any key,
to be sung in Italian. Time limit 4 minutes.
JUNIOR CLASSES
NB. In these classes the school year will apply, not age.
The Nikita Bazil Shield will be awarded to the competitor chosen by the Adjudicator from
classes V23 and V24.
Folk Song or Traditional Song - Girls and Boys Folk Song Cups
Own choice of one song. & Medallions
Accompanied or unaccompanied.
V27 Junior - Year 7 & below £8.00
V28 Intermediate - Years 8 - 10 £8.50
V29 Senior - Years 11 - 13 £9.00
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Light Music - Boys and Girls Light Music Cups
Own choice. One number from a musical or a & Medallions
film, or a popular song. Time limit 4 minutes.
N.B. Care should be taken that the choice of song is suitable for a young singer.
V30 Junior – Year 7 & below £8.00
V31 Intermediate - Years 8 - 10 £8.50
V32 Senior - Years 11 - 13 £9.00
The Millennium Shield will be awarded to the Duet chosen by the Adjudicator from
Classes V33 - V35.
Duet Classes
All voices. Own choice of one duet, with
voice parts mainly in harmony.
V33 Year 7 & below £9.00 Medallions
V34 Year 10 & below £9.50 Medallions
V35 Year 13 & below £9.50 Medallions
V36 Junior Recital – Year 9 & below £9.50 St. Cecilia Cup
Own choice of 2 contrasting songs, excluding & Medallions
musicals, films, shows etc. The choice of
programme will be taken into account in the
adjudication. (Accompanist fee £5.00)
22
CHORAL
Provisional Dates & Venue:- 14 March Bromley High School, Bickley
21 March St George’s Church, Bickley
Entries to be sent to:- Miss Victoria Whittaker
19 Old Hill
Chislehurst, Kent BR7 5LZ
Tel: 07984 105356
Email: [email protected]
Official Accompanist:- Please read Rule 7 on p7
Mrs Lesley Clare
5 Drayton Avenue
Orpington, Kent BR6 8JN
Tel: 01689 638792
Email: [email protected]
Please note Rules 2, 3 & 6 on pages 6 & 7 and Special Awards on page 2.
Please see rule 6F on page 7.
23
C5 Unison Choirs – Age 11 (Y6) & below £23.00 Unison Choir Cup
Own choice of two contrasted songs with or
without accompaniment. Time limit 8 minutes.
C13 School & Youth Choirs – Age 13 (Y8) & below £23.00 Moira Budds Cup
Own choice of 2 or 3 songs.
Time limit 8 minutes.
24
PIANOFORTE
Please note Rules 2, 3 & 6 on pages 6 & 7 and Special Awards on page 2.
Please see rule 6F on page 7.
Editions, where mentioned, are for the purpose of identification. Any edition will be
accepted. No simplified versions should be played except in Light Music Classes, Duet
Classes and where set for graded examinations.
The winner of the Norah Lawless Cup may be invited to play at a concert for the Bromley
Music Makers.
25
P5 Contemporary Music Class £9.50 Tippett Memorial Cup
Own choice of one piece published since 1945, & Medallions
not including light or popular style music.
Time limit 7 minutes
Note: If the music is not written in traditional notation, a copy must be
submitted 3 weeks before the date of the competition, with an adequate key
to the symbols used.
P15 Beginners’ Class – Year 5 & below £7.50 Morley Piano Cup
Own choice of one piece. Time limit 2 minutes. & Medallions
This Class is for competitors who have not had more than 4 terms’ tuition
(professional or amateur) on 1 January 2025, and who have not previously entered a
piano solo class in the Bromley Festival. The title of the piece need not be declared
on the entry form.
26
P17 Beginners’ Class - Year 9 & above £7.50 Medallions
including Adults
Same requirements as for Class P15.
Time limit 3 minutes.
P18 Junior Bach - Year 7 & below £8.00 Brian Empett Cup
Own choice of one piece by & Medallions
(or attributed to) J S Bach. Time limit 3 minutes.
P19 Junior Beethoven - Year 11 & below £8.50 Gwen Massey Cup
A piece or movement from a Sonata & Medallions
or Sonatina. Time limit 5 minutes.
P20 Junior Chopin - Year 13 & below £9.00 Brian Empett Cup
Own choice of one piece. Time limit 5 minutes. & Medallions
P23 Junior Recital - Year 7 & below £9.00 Kathleen Burton Cup
Own choice of two contrasting pieces/movements. & Medallions
Time limit 8 minutes.
Graded Classes
In these classes competitors are expected to choose the Grade which coincides with their
present standard of playing. They may enter only one Class from P26-P32. Own choice
of one piece from any current Examination Syllabus, excluding the Jazz Piano Syllabus
but including the alternative pieces. Please read Rule 6D. Please state the grade on the
entry form but not the title of the piece. An Adjudicator’s copy must be provided.
27
DUET OR TRIO CLASSES (1 PIANO)
NB. In these classes school years will apply.
The Millennium Shield will be awarded to the Duet or Trio chosen by the Adjudicator from
Classes P33 - 36.
P38 Duet for Pupil (Year 7 & above) and Teacher £8.00 Medallions
Own choice. Time limit 5 minutes.
Only the pupil playing either part will
be adjudicated. Title of the piece(s)
must be stated on the entry form.
P39 Duet for Pupil (Year 6 & below) and Teacher £8.00 Medallions
Own choice. Time limit 3 minutes.
Only the pupil playing the Primo part will be
adjudicated. Title of the piece(s) must be
stated on the entry form.
NB: P38 & P39 will be held on Sunday 2 March or Sunday 9 March.
28
STRINGS & ENSEMBLES
Provisional Date & Venue:- 8 & 9 March Bromley High School
Entries to be sent to:- Ms Linda Leung
24 Hawthorne Road
BR1 2HH
Tel: 07788 598995
Email: [email protected]
Official Accompanist:- Please read Rule 7 on p7
Mrs J Allan
25 Allenby Road,
Biggin Hill, Kent, TN16 3LH
Tel: 01959 576169
Email: [email protected]
Please note Rules 2, 3 & 6 on pages 6 & 7 and Special Awards on page 2.
Please see rule 6F on page 7.
The Margaret Napier Memorial Cup will be awarded to the outstanding string player
chosen by the Adjudicator.
The Ring Cup will be awarded to the competitor obtaining the highest marks in classes
S16-S20 inclusive.
The Millennium Shield will be awarded to the competitors chosen by the adjudicator from
classes SE10 and SE11.
29
S2 Concerto or Concertino for any bowed £9.00 Medallions
string instrument – Year 11 & below
Own choice of one movement.
The orchestral part to be played on the piano
with suitable cuts in Tuttis.
N.B. PLEASE STATE DURATION ON ENTRY FORM
30
S10 Preliminary Class for any bowed
string instrument £8.00 Medallions
Up to Grade 1. Own choice. Time limit 3 minutes.
The Beryl Morreau Memorial Cup will be awarded to the competitor obtaining the highest
marks in Classes S11 - S15 inclusive.
The Ring Cup will be awarded to the competitor obtaining the highest marks in Classes
S16-S20 inclusive.
S16 Cello or Double Bass Solo – Grade 8 £9.50 Alan Barber Trophy
Own choice of one piece. Time limit 10 minutes. & Medallions
31
ENSEMBLE CLASSES
(Please bring your own music stands)
SE4 Chamber Music – Year 13 & below £20.00 Nancy Jacks Cup
Combination of any bowed string instruments.
Not less than 3 or more than 8. Only one
player to a part. Piano optional, but all the
performers must be within the specified years.
Own choice. Time limit 8 minutes.
The Millennium Shield will be awarded to the competitors chosen by the Adjudicator from
Classes SE8 - SE10.
32
SE10 String Duet – Year 7 & below £9.00 Medallions
Own choice. Requirements as for Class SE7.
Time limit 5 minutes.
SE11 Pupil & Teacher Duet
Any two bowed string instruments (piano
accompaniment optional). Only the pupil will be
adjudicated. Own choice. The title(s) need not
be stated on the entry form.
a) Pupil Year 7 & under. Time limit 3 minutes. £8.00 Medallions
b) Pupil Year 8 and over. Time limit 5 minutes. £9.00 Medallions
SE12 Mixed Instrument Duet – Year 13 & below £10.00 Medallions
Any 2 instruments from different sections,
ie. woodwind, brass, strings, (plucked or bowed)
or percussion (piano accompaniment optional).
Own choice of one piece. Time limit 5 minutes.
(This class may be scheduled with either string
or wind classes as most appropriate)
See class WE12.
SE13 Senior Orchestra - Open £23.50 Senior Orchestra Trophy
Any number of competitors. Any ages.
Own choice. Time limit 15 minutes inc. tuning.
SE14 School Orchestra £21.00 A R Harris Cup
Members of the School Staff may be included
if regular members and not professionals.
Own choice. Time limit 15 minutes inc. tuning.
SE15 Junior Orchestra – Year 6 & below £21.00 Mohamed Trophy
Own choice. Piano optional, may be an adult.
Time limit 15 minutes inc. tuning.
SE16 String Band - Any Age £21.00 Walker Shield
Own choice. Minimum 8 players.
Time limit 10 minutes inc. tuning.
Piano optional, may be an adult.
SE17 Beginners’ Orchestra £21.00 Orchestra Shield
Any number of competitors. Any age. No player
should have had more than 3 years’ tuition.
Own choice. Piano optional, may be an adult.
Time limit 10 minutes inc. tuning
SE18 Family Group - Open £12.50 Certificate
3 or more players who must be related.
Any combination . Own choice.
Time limit 6 minutes.
SE19 Any Ensemble – Any Age Certificate
(Not included in other classes)
Minimum 6 players. Own Choice. £17.00 (6-8 performers)
Piano optional. Time limit 10 minutes. £21.00 (9 or more performers)
33
PERFORMANCE CLASSES
Please note Rules 2, 3 & 6 on pages 6 & 7 and Special Awards on page 2.
Please see rule 6F on page 7.
Competitors must perform music of their choice on two different instruments or one
instrument and voice. The pieces must not have been performed in any other classes in
the Festival.
These Classes will be scheduled with the Piano, String or Wind Section as most
appropriate, when the entries have been received. An Official Accompanist will be
available.
PRIZEWINNERS’ CONCERT
Selected prizewinners will be invited to perform
on 10 May 2025
34
WOODWIND, BRASS & ENSEMBLES
Provisional Date & Venue:- 8 & 9 March Bromley High School
The Bromley Trophy will be awarded to the winner of the Class with the highest number
of entries.
35
W4 Senior Recital Class for Woodwind £10.50 Stratford House Cup
or Brass – Years 11 - 13 & Medallions
Own choice of two contrasting pieces
from different periods.
Time limit 12 minutes.
The Brian Dixon Memorial Cup will be awarded to the competitor chosen by the
Adjudicator from Classes W8-W12.
Classes W13 - W17 are for any Woodwind instrument including Saxophone AND
Recorders.
The Carless Cup will be awarded to the competitor chosen by the Adjudicator from
Classes W13 - W17.
36
W13 Woodwind Solo – Approx Grade 8 £9.50 Medallions
Own choice of one piece. Time limit 10 minutes.
PRIZEWINNERS’ CONCERT
Selected prizewinners will be invited to perform
on 10 May 2025 at 6.30pm
37
ENSEMBLE CLASSES
WE1 Sonata Class - Open £10.00 Medallions
Piano and one other woodwind or brass
instrument. Own choice of one movement
from a Sonata. (This does not include sonatas
with figured bass, eg. Handel)
WE2 Sonata Class – Year 13 & below £9.50 Medallions
Requirements as for Class WE1.
WE3 Chamber Music - Open £22.00 Chamber Trophy
Combination of any wind instruments, not less
than 3 or more than 8. Only one player to a part.
Piano optional. Own choice. Time limit 10 minutes.
The Chamber Music Cup will be awarded to the ensemble chosen by the Adjudicator
from Classes WE4 – WE6.
WE4 Chamber Music – Year 13 & below £20.00 Medallions
Requirements as for WE3. Time limit 8 minutes.
All the performers must be within the specified
years.
WE5 Chamber Music – Year 10 & below £17.00 Medallions
Requirements as for WE4. Time limit 6 minutes.
WE6 Chamber Music – Year 7 & below £17.00 Medallions
Requirements as for WE4. Time limit 5 minutes.
The Millennium Shield will be awarded to the competitors chosen by the Adjudicator from
Classes WE8 – WE10.
38
WE11 Pupil & Teacher Duet
Any two woodwind or brass instruments
(piano accompaniment optional).
Only the pupil will be adjudicated. Own choice.
The title need not be stated on the entry form.
a) Pupil Year 7 & below. Time limit 3 minutes. £8.00 Medallions
b) Pupil Year 8 & above. Time limit 5 minutes. £9.00 Medallions
The Ensemble Cup will be awarded to the ensemble chosen by the Adjudicator from
Classes WE14 – WE16.
39
CLASSICAL GUITAR FEATURING UKULELE
Provisional Date & Venue:- Sunday 9 March Bromley High School
(afternoon/evening)
Please note Rules 2, 3 & 6 on pages 6 & 7 and Special Awards on page 2.
Please see rule 6F on page 7.
In the following classes competitors are expected to choose the grade which coincides
with their present standard of playing. They may enter only one class from G2 – G6.
The Sarah Jane Rutter Memorial Cup will be awarded for the most promising performer
chosen by the Adjudicator from Classes G3 – G5.
40
G6 Classical Guitar – Grade 6-8 £9.00 Medallions
Own choice. Time limit 8 minutes.
ENSEMBLE CLASSES
N.B. IN THESE CLASSES SCHOOL YEARS WILL APPLY, NOT AGES.
41
OTHER ENSEMBLES
For any combination of 2 or more instruments/voices including guitar(s).
The Junior Jubilee will be awarded to the Ensemble chosen by the Adjudicator from
Classes G13 – G14.
The Jubilee Shield will be awarded to the Ensemble chosen by the Adjudicator from
Classes G13 – G15.
Please note for larger groups and ensembles a limited number of practice rooms will be
available at an additional charge of £20.00 for 1 hour – to be requested, booked and
paid for with entry form.
42
G19 Ukulele Solo Medallions
With or without voice
Own choice of one piece
a) Year 7 & below. Time limit 3 minutes. £7.50
b) Years 8 – 13. Time limit 4 minutes. £8.00
c) Over 18 years. Time limit 5 minutes. £8.50
43
HARP
Please note Rules 2, 3 & 6 on page 6 & 7 and Special Awards on page 2.
Please see rule 6F on page 7.
The Rosemary Brown Cup will be awarded to the highest mark in Classes H2 & H4.
44
H8 Light Music Class – Any age £10.00 Medallions
Own choice of one piece or arrangement
(e.g. jazz, popular songs, show songs)
Time limit 6 minutes.
Recital Classes These are suitable for students preparing for examinations and
competitions. In these classes performers are expected to choose the Grade that
coincides with their present standard of playing. They may enter only one class from
H9 - H12.
PRIZEWINNERS’ CONCERT
Selected prizewinners will be invited to perform
on 10 May 2025 at 6.30pm
45
SPEECH TROPHY WINNERS 2024
Celia Yeo Memorial Award
The Celia Yeo Award is for ‘The Most Promising Young Performer’ Year 6 and below.
46
SPEECH AND DRAMA
Entries for Duos, Duologues and Group Classes should be made on the form of one of the
competitors only, who should add the name of his/her partner or group. Entries for choral,
speaking and group classes should use a group name and not list the individuals.
Please note Rules 2, 3 & 6 on pages 6 & 7 and Special Awards on page 2.
Please see rule 6F on page 7.
a. Competitors who perform ‘Own choice’ poetry, prose or solo dramatic items have no
need to seek copyright permission to do so, because the Bromley Festival has an
Agreement with the Authors’ Licensing and Collecting Society under which the authors
concerned are directly remunerated by the Society. To qualify for such copyright
indemnity, competitors must announce the title and author of their items, and the text
of the original (words or gender of the character) must not be changed in any way.
b. Duologues and group dramatic activities are not covered by the Agreement in a.
above, and competitors in the Classes concerned must obtain permission to
perform from the authors and/or publishers, pay any necessary royalty fees, and
present the receipt to the Adjudicator. These Classes are marked * (D7, D10-
D11, D69-D74) Competitors are reminded to apply in plenty of time for licences
as permission can take up to 6 weeks and that it should be approved before
entries are submitted in January. Plays published before 1948 are exempt from
copyright.
e. Teachers should select material suitable to the ages of the performers, bearing in mind
that younger children may be present in the Hall.
47
f. Simple costumes and hand-held props may be used for duologues and acted scenes
(not verse-speaking). The stage must be set by the performers and cleared within
the given time limit.
48
OPEN CLASSES FOR ADULTS – 18 YEARS AND OVER
VERSE SPEAKING
PREPARED READING
RECITAL CLASS
49
PUBLIC SPEAKING
D8 Visual aids may be used, but setting-up and £9.50 Speakers of Bromley
clearing time is included in the time limit. Cup & Certificates
Short notes may be referred to, but the speech
should not be read. Time limit 5 minutes.
Title: ‘Time is Money Discuss?’
STORY TELLING
SOLO ACTING
PRIZEWINNERS’ CONCERT
Selected prizewinners will be invited to perform
on 10 May 2025 at 6.30pm
50
JUNIOR CLASSES – N.B. IN THESE CLASSES SCHOOL YEAR WILL APPLY
VERSE-SPEAKING
51
D23 Year 4 £8.00 Evelyn Trotter Shield
Any poem by Peter Dixon or Steve Turner. & Medallions
Time limit 1-2 minutes.
The Cup will be awarded to the Competitor gaining the highest mark (above 84) from
Classes 27(a) and 27(b).
VERSE-SPEAKING DUO
52
ORIGINAL VERSE
In Classes D32 - D34 any competitor who gains 84 marks or over will have the opportunity
to recite or read their poem at the Festival.
The Nola & John Small Cup will be awarded to the competitor chosen by the Adjudicator
from Classes D32 – 34.
OTHER CLASSES
D37 Solo - Years 12 & 13 £9.00 Medallions
a) A passage from a book by Madeline Miller.
(State title on entry form)
Time limit 3 minutes.
b) Sight reading to be chosen by the
Adjudicator from the same book.
D38 Solo - Years 10 & 11 £8.50 Medallions
A passage from a book by Graham Greene.
(State title on entry form) Time limit 3 minutes.
D39 Solo - Years 8 & 9 £8.50 Medallions
A passage from a book by Anthony Horowitz.
(State title on entry form)
Time limit 3 minutes.
53
D40 Solo - Year 7 £8.00 Medallions
A passage from a book by Michelle Magorian.
(State title on entry form) Time limit 2 minutes.
D41 Solo - Years 5 & 6 £8.00 Medallions
A passage from a book by L G Leonard.
(State title on entry form) Time limit 2 minutes.
PROSE SPEAKING
A brief introduction should be given, including the title and author, within the time limit.
PUBLIC SPEAKING
Outline notes may be referred to, but the speech should not be read. Visual aids may be
used but the setting-up and clearing time is included in the time limit.
The Jennifer Molyneux Cup Competitors in D49 and one other solo class are invited to
apply for the Jennifer Molyneux Award.
54
BIBLE READING
RECITAL CLASSES
55
D58 Year 2 & below Langdale Cup
Own choice of two (5 - 8 performers) £16.50
contrasting poems (9 or more performers) £21.00
from any published work.
Time limit 3 minutes each poem.
STORY TELLING
MIME
Please note that if recorded music is required in a mime class, the competitor is
responsible for obtaining the necessary licences from Mechanical Copyright Protection
Society and Phonographic Performance Limited, and for presenting them to the
Adjudicator. The Festival is not licensed for recorded music.
56
D68 Solo Mime - Year 6 & below £8.00 Junior Solo Mime Cup
Title: Washing. Time limit 3 minutes. & Medallions
ACTED SCENE Please see Rule about Copyright and Indemnity on p48.
A brief introduction should be included.
57
D77 Year 6 & below £8.00 Diamond Jubilee Cup
Own choice of a speech from any play or & Medallions
dramatisation of a novel. Must be selected
from a published play or screen play or a
published collection of solo or duologue
scenes or be adapted from the dialogue
of a published novel. Time limit 3 minutes.
NB: Material not to be repeated in Recital Classes.
The Jennifer Molyneux Cup Competitors in D78 and one other solo class are invited to
apply for the Jennifer Molyneux Award.
SHAKESPEARE SOLO
D78 Years 10 - 13 £9.00 Millennium Shield
Own choice of acted speech of a & Medallions
character from any play. Time limit 5 minutes.
CREATIVE PERFORMANCE
58
SEND NON-COMPETITIVE CLASSES
For children and adults with special educational needs and disabilities.
Each performer will receive a written comment sheet and a special certificate but no mark
or grade. Performers are welcome to either recite from memory or read.
PRIZEWINNERS’ CONCERT
Selected prizewinners will be invited to perform
on 10 May 2025 at 6.30pm
59
MUSICAL THEATRE CLASSES
1. In these classes there should be a balance between song, movement and dialogue.
2. Excerpts from published musical plays must be performed without change to the
music or the lyrics, and using only authorized musical arrangements.
3. Excerpts from published musical plays using movement and/or costumes are subject
to the payment for a licence from the Performing Rights Society. This must be
obtained in advance and presented at the time of the Festival.
4. Costumes, scenery or props must not copy those of the original production.
5. Group work should be based on a scene from a published work of Musical Theatre.
6. There is no Official Accompanist for these classes. Performers may provide their
own pianist or use a pre-recorded backing tape or CD. A piano and a CD player will
be available but the performer is responsible for operating the machine.
7. Any amplification must be provided by the performer.
NB: There are no changing or rehearsal facilities at the venue.
The Trophies will be awarded to the performer(s) with the highest mark in each Class.
60