THE NAZIFICATION OF ART
Art, Design, Music, Architecture and
Film in the Third Reich
edited by
Brandon Taylor and Wilfried van der Will
The Winchester Press
Winchester School of Art
Pork Avenue, Winchester, Hampshire
CONTENTS
Preface and Acknowledgements vi
PRELIMINARY REFLECTIONS
1. Aesthetics and National Socialism Brandon Taylor & Wilfried van der Will 1
THE POLITICS OF THE BODY
2. The Body and the Body Politic as Symptom and Metaphor in the Transition of
GermaniCulture to National Socialism Wilfried van der Will 14
3. The Nazification of Women in Art Annie Richardson 53
NATIONAL SOCIALIST ART INSTITUTIONS
4. The National Chamber of Culture (Reichskulturkammer) Robert Brady 80
5. Artists and Art Institutions in Germany 1933-1945
Christine Fischer-Defoy 89
ATTITUDES TO MODERNISM
6. Modernism and Archaism in Design in the Third Reich John Heskett 110
7. Post-Modernism in the Third Reich Brandon Taylor 128
ARCHITECTURE, MUSIC, AND THE POSTER
8. Bridges: Paul Bonatz's Search for a Contemporary Monumental Style
Hartmut Frank 144
9. Music and National Socialism. The Politicisation of Criticism,
Composition and Performance ErikLevi 158
10. The Political Poster in the Third Reich
Andreas Fleischer & Frank Kdmpfer 183
FILM AND NAZISM
11. Fascinating Fascism Susan Sontag- : 204
12. The Reconceptualisation' of Women's Roles in War-Time National
Socialism. An Analysis of Dierrau meinef Traume Eva-Maria Worth 219
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NATIONAL SOCIALISM ANErCONTEMPORARY ART
13. The De-Nazification of Nazi Art: Arno Breker and Albert Speer Today
Walter Grasskamp 231
NOTES 249
BIBLIOGRAPHY 265
NOTES ON CONTRIBUTORS 273
INDEX 274