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Duality Program

The document outlines a concert featuring Morningside Music Performers, including various musicians playing different instruments. The program consists of modern duets showcasing diverse compositional approaches, with pieces by Nathalie Joachim, Andrew Weathers, Robert Muczynski, and others. Donations are encouraged to support concert expenses, and the event is being recorded at Studio 112.

Uploaded by

Matt Lind
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79 views2 pages

Duality Program

The document outlines a concert featuring Morningside Music Performers, including various musicians playing different instruments. The program consists of modern duets showcasing diverse compositional approaches, with pieces by Nathalie Joachim, Andrew Weathers, Robert Muczynski, and others. Donations are encouraged to support concert expenses, and the event is being recorded at Studio 112.

Uploaded by

Matt Lind
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Thank you for Coming!

Morningside Music Performers:

Molly Hill – Flute

Matt Lind – Flute, Bass Clarinet, Saxophones

Chris Ogden - Saxophone

Megan Snow – Clarinet

Rodney Rote – Percussion

Scott Jacobsen -- Piano

Find @morningsidemusic505 on Instagram for future news

and performances!

All donations go towards paying for the concert space, sheet music, and paying

musicians for their work. Anything you feel appropriate to give is appreciated.
Program This concert features a collection of modern duets that showcase the
wide range of approaches a composer may take writing for two voices.
In Joachim’s Crazy, a strict-tempo backing track and rapid succession of
Nathalie Joachim Crazy (2011) notes leaves relatively little room for interpretation, letting the
composition speak for itself. In contrast, Weathers’ You May Bury Me in
the East presents an ordered collection of pitches and trills to the
Andrew Weathers You May Bury Me in the East (2014)
performer with rough time-length guides, leaving up to the performer
many of the performance details.
Robert Muczynski 6 Duos for Flute and Clarinet (1991)
Robert Muczynski’s Duos feature two voices which seem to be dueling
Matthew Lind Meditations (2022) with each other as often as they play together in harmony. Six short
movements exemplify a wide variety of moods and styles. I wrote
Gene Koshinski Get it! (2011) Meditations after working on a solo piece that featured singing while
playing the bass clarinet. I love the way different harmonies between
Short Intermission voice and instrument cause wildly different timbres. Koshinski’s Get It!,
originally written for bassoon, is a fun, fast, rhythmic race to the finish.
John Steinmetz Coal Seams (2019)
In the program notes of Coal Seams, Steinmetz muses on the various
Under Ground
difficulties faced by miners in coal country in Appalachia, with the music
The Devourer portraying a metaphorical depth beneath the earth while also recalling
Gone is Gone the simple folk music of the region. Bob Mintzer’s experience playing
with the Yellowjackets and writing for big bands is heard in a
Bob Mintzer Concertino for Tenor Saxophone (1995) surprisingly sensitive and eventually energetic Concertino for tenor
Allegro Moderato saxophone.
Lento
Allegro Molto Each piece presented is a slightly different take on what two performers
may do together. Please enjoy this collection of music that has been a joy
to put together with good friends.

This concert is being recorded.


Many thanks to Studio 112 for providing this wonderful space

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