Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

## Live Performance digital console

control centre with up to 64
simultaneous input channels

## 8 award-winning Midas
microphone preamplifiers The ground breaking PRO2 features
## 27 time-aligned and 64 simultaneous input channels with
phase-coherent mix buses
8 award-winning Midas Microphone
## AES50 networking allows up to Preamplifiers and 27 time-aligned
156 inputs and 164 outputs
@ 96 kHz sample rate and phase-coherent mix buses.
Like all PRO Series consoles, the
## Touring grade road case featuring
marine grade plywood, aluminium PRO2 features managed latency
extrusions and composite density
and 40 bit floating point processing
protective foam
precision. Designed for use in high-
## Advanced MCA (mix control
association) channel control profile live sound applications,
and navigation the PRO2 sets a new standard of
## 8 VCA (variable control association) performance and portability in a compact digital console form factor.
and 6 POPulation groups

## Up to 28 assignable 1/3 octave AES50 audio networking technology allows the PRO2 to dynamically
Klark Teknik DN370 assign up to 156 inputs and 164 outputs at 96 kHz sample rate to
graphic equalisers
any of its input channels and bus outputs on a scene-by-scene basis.
## Up to 6 multi-channel digital signal
This high level of connectivity, coupled with the large channel and bus
processing effects engines
counts, makes the PRO2 equally at home in theatres and clubs as it is
## 28 Midas PRO motorised
100 mm faders in live concert touring, outside broadcast and music festivals.
## Daylight viewable 15" full colour
TFT display screen

## Fully interpolated touch

sensitive controls

## Optional wireless remote control

with Midas MIXTENDER App
for iPad*
Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

## Dual redundant auto-ranging

Award-Winning Midas
universal switch-mode
power supplies Microphone Preamplifier
## 10-Year Warranty Program* The Midas microphone preamplifier is
considered by leading live sound and
## Designed and engineered in the U.K. recording engineers to be the very essence
of the famous Midas sound. More than 40
years of design experience paired with the
finest choice of premium-grade components
lead to the acclaimed warmth and depth -
bringing out subtle ambience, maintaining
spatial positioning and more effectively
capturing a precise sound image. The
acclaimed sound of the award-winning
Midas microphone preamplifier has inspired
generations of live sound engineers to
their best work, creating sonic panoramas
that have captivated audiences worldwide.

Since pristine sound always begins with the microphone preamplifier, the first point where
the signal enters the console, PRO2 features the latest generation of Midas microphone
preamplifiers, which faithfully reproduce every sonic detail so no part of a performance
will ever be missed. Transparent and pristine sound, low noise and high common-mode
rejection are all hallmarks of this classic design.

Over the years many mix engineers have found this robust and overload-tolerant design
takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile
reproduction giving way to just the right combination of harmonics, a warm and organic
sound heard by millions of concert goers and recorded for posterity on countless live
albums over the years.

*iPad is a trademark of Apple Inc. All third-party trademarks are the

property of their respective owners. Their use neither constitutes a
claim of the trademark nor affiliation of the trademark owners with
Music Tribe. Product names are mentioned solely as a reference for
compatibility, effects and/or components. Warranty details can be
found at [Link]. 2 of 15
Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

Digital Audio Networking

SuperMAC (AES50-Compliant) digital audio networking technology from Klark Teknik
simultaneously provides high channel counts, ultra low and deterministic latencies,
sample-synchronous and phase-aligned networked clock distribution, error detection and
correction, network redundancy, and ease of deployment and use – to meet the demanding
requirements of live concert touring.

PRO2 is compatible with all Midas PRO Series digital I/O units, as well as with any other
96 kHz-enabled AES50-equipped devices. Multiple PRO Series consoles can be connected
together to create either larger mixing systems, or multiple discrete mixing consoles can
share a common resource of networked and distributed I/O interfaces.

Touring Grade Road Case

Rugged and built to last, the PRO2 Touring Pack includes a PRO2-RC Road Case, constructed from
rigid marine grade plywood and durable aluminium extrusions. Composite density foam provides
internal support and superior protection in transit, night after night, city after city.

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Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

Advanced Navigation Flexibility

PRO2 incorporates new and innovative methods of channel and mix bay navigation:
FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These four options allow
an engineer to easily and efficiently mix a large number of inputs on a compact control surface.
PRO2 also features the ability to display and control any output bus on the input control bay area.
This navigation flexibility makes working with the console as simple as requirements dictate, or
as deep and complex as a user desires. PRO2’s new output section, which features 24 direct bus
selection switches that provide immediate access to up to 24 stereo pairs of output mix buses,
also supports the new navigation modes.

• When in FLIP navigation mode, and the FLIP button is engaged, selecting an output flips the
input faders to become the input channel send levels to the selected output. If the Collapsed Flip
(Hide Unassigned Channels) preference is ticked, then the console will only populate with the
input channels that are assigned to the selected output, otherwise all channels will be displayed.

• When the FX navigation button is engaged, selecting an output which is patched to an internal eff ects processor, this mode will deploy
that effects processor on the display screen and map the ASSIGNABLE CONTROLS to the effects processor. If FADER FLIP is also engaged,
the input channel faders will become the contributions to the effects processor. If COLLAPSED FLIP (Hide Unassigned Channels)
preference is selected, the operator will only be presented with input channels that are sending to that effects processor.

• When the GEQ navigation button is engaged, selecting an output which has a graphic equaliser (GEQ) assigned, this mode will present
the GEQ on the VCA faders. Scrolling the VCA faders left and right will provide access to all 31 GEQ faders. If FADER FLIP is also engaged,
the input channel faders will become the contributions to the selected mix. If COLLAPSED FLIP (Hide Unassigned Channels) preference is
selected, the operator will only be presented with input channels which are sending to that mix.

• If the MCA navigation button is engaged, when an output (mix) is selected, the MCA faders for that output will be deployed on the
VCA fader bank. When MCA navigation is engaged, the MCA faders control the contributions of their members only to the currently
selected bus. This is a unique and powerful mixing tool, which puts Midas in a class of its own for innovation and usability.

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Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

Integrated Effects Processors and Graphic Equalisers

The PRO2 can simultaneously provide up to 6 multi-channel digital signal processing engines
for a wide choice of virtual effect devices, which range from dual-mono delay units, stereo
modulation and numerous diverse reverberation simulations, multi-band compression,
dynamic EQ and multi-channel dual-function dynamics processing. Up to 28 1/3 octave
Klark Teknik DN370 Graphic Equalisers (GEQs) are provided, which can be patched
into any output.

PRO2 provides comprehensive automatic latency management of all internal routing and
processing latency – and also includes compensation for external analogue inserts. All audio
samples are synchronised before summing, resulting in absolute phase coherence at the
outputs, without the comb filtering effects of many of its Competitor’s products that often
result in specific frequencies being cancelled out completely.

All effects processors and GEQs are custom-designed to function within this automatic latency
compensation system. This ensures a phase-coherent, sample-accurate mix regardless of
whether the devices are used as channel inserts or on auxiliary buses.

Midas PRO Fader

Not satisfied with the existing motorised fader choices in the marketplace, Midas created the
PRO FADER, rated for up to a million cycles – three times that of other leading manufacturers
- and providing high linearity, robustness, and smooth feel during operation. This decision
yielded many other benefits, including total quality control over the manufacturing process and
lower costs that could be passed on to customers.

As a digital console manufacturer, Midas has a perspective on the actual application of

motor faders that a component manufacturer would not have. The multi-disciplinary
development project combined mechanical design, electronic hardware and software
optimisation with a rigorous testing programme and an investment in material science to
produce the best possible performance in actual operation in Midas PRO Series consoles.
Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and
precision resistive tracks were created that offer highly linear positional accuracy, coupled with
long-term durability and even response in use.

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Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

Highest Quality Display Screen

The PRO2 features a 15" full colour daylight-viewable TFT display for use in all environments,
both inside and outdoors. The display provides visual feedback for the entire system, pressing
the HOME key (just to the left of the assignable controls) instantly navigates to the console
overview page, which keeps all vital information (all metering, all fader positions, mutes and solos)
in view at all times.

Digital Precision, Analogue Response

The oversampled digital signal processing algorithms, combined with the fully interpolated
and touch sensitive user controls, result in the smooth continuous response and immediacy
of working on an analogue console. Parameter adjustment becomes fast and easy and the
continuous phase shift of a swept frequency control is heard without the quantisation
artefacts exhibited by competing digital consoles.

Wireless Remote Control

Delivering unprecedented control and mobility, the MIXTENDER App for iPad* combines control
of key functions with the highly responsive system metering, allowing users to take control of
PRO2 from an iPad anywhere in a venue. Support for multiple simultaneous iPads allows FOH and
monitor engineers to work collaboratively, enhancing productivity and communication,
as well as saving valuable time during set-up.

The MIXTENDER App for iPad is available as a free download from the Apple App Store.

6 of 15
Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

Auto-Ranging Universal Switch-Mode Power Supplies

PRO2 features dual-redundant power supplies, which are interchangeable with those in
PRO1 and PRO2C, and are auto-voltage sensing for use on a worldwide basis and provide
seamless switchover in the unlikely event of a loss of one power supply.

You Are Covered

We always strive to provide the best possible Customer Experience. Our products are made in our
own Music Tribe factory using state-of-the-art automation, enhanced production workflows and
quality assurance labs with the most sophisticated test equipment available in the world. As a result,
we have one of the lowest product failure rates in the industry, and we confidently back it up with a
generous Warranty program.

7 of 15
Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

Dimensions
61.3 51.1

14.4
1019.5

1179.6
728.0
371.8
77.0

42.4

730.3
30.5

640.6 16.4
329
380.1 .3
68
.0˚
R149.2
R3
9.7

R89
.7
274.9
83.9

197.2
151.5
99.5

112.1
42.4
R3

R400

76.3
8.7

270.4
.0

688.3

8 of 15
Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

Technical Specifications

System Specifications Equivalent Input Noise (EIN)

Sampling rate 96 kHz 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted)

Latency delay <2 ms (Input to Master output with -126 dBu, 22 Hz to 22 kHz (unweighted)
+45 dB gain
no latency compensation)

Dynamic range 106 dB, 22 Hz to 22 kHz Dynamic Range

Maximum voltage gain 80 dB, Inputs to Subgroups and Masters 0 dB gain 106 dB, 22 Hz to 22 kHz (unweighted)
86 dB, Inputs to Aux and Matrix
+45 dB gain 102 dB, 22 Hz to 22 kHz (unweighted)
Crosstalk -100 dB physically adjacent input channels

Fader/pan cut off -100 dB Analogue Audio System Inputs

Frequency Response 0 dB to -1.0 dB, 20 Hz to 20 kHz Mic/Line Inputs

Quantity 8
Gain Error @ 1kHz ±1.0 dB Connector 3-pin XLR balanced mic/line input with
+48 V phantom power
Input CMRR A/D converter 24 bit, 96 kHz with 128 x oversampling
Gain -22.5 dB to +65 dB
0 dB gain -60 dB Maximum input level +24 dBu
+45 dB gain -90 dB Input impedance 10 kOhm

Talk Mic Input

Distortion @ 0 dBu Quantity 1
Connector 3-pin XLR balanced mic input with
0 dB gain 0.01% +48 V phantom power
+45 dB gain 0.03% Mic gain +15 dB to +60 dB
Maximum input level +6 dBu
Input impedance 600 Ohm
Distortion @ +20 dBu
Talk Back Input
0 dB gain 0.03% Quantity 1
+45 dB gain 0.03% Connector 3-pin XLR balanced line input
Maximum input level +21 dBu
Input impedance 10 kOhm
Noise Floor
0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted)

+45 dB gain -81 dBu, 22 Hz to 22 kHz (unweighted)

9 of 15
Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

Analogue Audio System Outputs AES50 Audio

Quantity 6
Format Conforms to AES50-2011 (24 channels of
Line Outputs
Quantity 8 bidirectional digital audio @ 96 kHz)
Connector 3-pin XLR balanced line output Connector Neutrik etherCON with status LEDs
D/A converter 24 bit, 96 kHz with 128 x oversampling Redundancy N+1 cable redundancy
Maximum signal level +21 dBu
Ethernet Control Data
Quantity 1
Master Outputs
Quantity 3 Connector Neutrik etherCON with status LEDs
Connector 3-pin XLR balanced line output
Word Clock Input
Maximum signal level +21 dBu Quantity 1
Format TTL level, 96 kHz square wave
Monitor Outputs
Quantity 4 Connector 75 Ohm BNC
Connector 3-pin XLR balanced line output
Word Clock Output
Maximum signal level +21 dBu Quantity 1
Format TTL level, 96 kHz square wave
Talk Output
Quantity 1 Connector 75 Ohm BNC
Connector 3-pin XLR balanced line output
Video Sync Input
Maximum signal level +21 dBu Quantity 1
Format Horizontal video sync (black burst),
Headphone Output
Quantity 2 HD & SD formats
Connector ¼" jack (stereo) Connector 75 Ohm BNC
Maximum signal level +21 dBu
AES3 Sync Input
Quantity 1
Digital Audio System Inputs and Outputs Format Conforms to AES3-2009
(2 channels of digital audio @ 96kHz)
AES3 Inputs Connector 3-pin XLR
Quantity 2
Format Conforms to AES3-2009 AES3 Sync Output
(2 channels of digital audio) Quantity 1
Connector 3-pin XLR Format Conforms to AES3-2009
Sample rate 32 kHz to 96 kHz (2 channels of digital audio @ 96kHz)
Bypass Sample rate converter bypass Connector 3-pin XLR
Output 96 kHz Grade II reference clock
AES3 Outputs
Quantity 2
Format Conforms to AES3-2009
(2 channels of digital audio)
Connector 3-pin XLR
Sample rate 48 kHz, 96 kHz or auto-tracking to inputs
Bypass Sample rate converter bypass
Word length 16, 20 or 24 bit
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Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

Other Interfaces Physical

Screen Output Dimensions 1179.6 mm wide x 730.3 mm deep x

Quantity 1 274.9 mm high (46.4" x 28.8" x 10.8")
Connector DVI-C
Net weight 46.0 kg (101.2 lbs)
USB Interface
Quantity 2 Operating temperature range +5°C to +40°C
Format USB 2.0 full speed (12.0 Mbit/s), -20°C to +60°C
Storage temperature range
5 V 1 A maximum load
Connector USB Type A

MIDI Interface
Quantity 3
Format MIDI IN, MIDI OUT, MIDI THRU
Connector 5-pin DIN

Footswitch Input
Quantity 1
Format Contact closure
Connector ¼" TS jack

Lamps
Quantity 2
Format 5 V, 12 W supply
Connector 4-pin XLR

Displays
Quantity 1
Type 15" daylight-viewable colour TFT LCD screen

Power

Power Supplies
Quantity 2
Format PRO1/PRO2/PRO2C Series Power Supply
Module (MKT-PSU-7)
Connector IEC mains inlet
Mains Input Voltage 100 to 240 VAC, 50 to 60 Hz
Redundancy N+1 power supply redundancy

Power Consumption
110 VAC 1 PSU 1.6 A, 170 W
2 PSUs 1.7 A, 185 W
230 VAC 1 PSU 0.8 A, 165 W
2 PSUs 0.9 A, 180 W

11 of 15
Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

Architecture & Engineering Specifications

The control centre shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature
64 simultaneous input channels with 8 integrated microphone preamplifier inputs and 27 time-aligned and phase-coherent output mix buses
and operate at 96 kHz sampling rate.

The control centre shall support 100 Mbit/s Ethernet frame-based digital audio networking with a total network channel count capability of
156 inputs and 164 outputs at 96 kHz sampling rate.

The 100 Megabit Ethernet frame-based digital audio network shall offer N+1 cable redundancy and be compliant with the Audio Engineering
Society AES50-2011 standard.

The control centre shall provide a combination of up to 28 assignable digital audio emulations of industry standard one-third octave
proportional-Q response graphic equalisers and 6 multi-channel digital signal processing effects engines. There shall be automatic latency
management of all internal routing, external analogue insert and digital signal processing delays. This latency management system shall
synchronise audio samples when summing to mix buses to ensure phase alignment of the summed signals.

The control centre shall provide a user navigation system including 8 variable control association (VCA) groups and 6 population (POP) groups.

The control centre shall have 28 motorised 100 mm faders with a rated life time of up to one million cycles and one daylight-viewable
15" full colour display screen. It shall include software interpolation of physical control elements and associated display feedback to eliminate
digital quantisation artefacts.

The control centre shall have the provision for the optional wireless control using an Apple iPad, with a bespoke software application available
as a free download from the Apple App Store.

The control centre shall include two auto-ranging universal switch-mode power supplies with dual redundancy for use on a worldwide basis.
The power supply modules shall be externally removable.

The control centre shall be 1179.6 mm wide x 730.3 mm deep x 274.9 mm high (46.4" x 28.8" x 10.8"), with nominal weight 46.0 kg (101.2 lbs).
The control centre shall be installed on a flat horizontal surface capable of safely supporting its weight. Input, output, and power connections
shall be made at the rear panel of the control centre. Installers shall allow adequate space at the rear for connection and disconnection of input,
output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz.

The control centre shall be supplied in a touring package including a road case constructed from marine grade plywood with aluminium
extrusions, with internal support provided by protective composite density foam. The road case shall be 1264 mm wide x 455 mm deep x
1116 mm high (49.8" x 17.9" x 43.9") including castor wheels and the nominal gross weight of the control centre in the road case shall be
145.4 kg (319.9 lbs).

The control centre shall be the Midas PRO2-CC-TP and no other alternative shall be acceptable.

12 of 15
Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

13 of 15
Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

14 of 15
Product Information Document

Digital

PRO SERIES
PRO2-CC-TP
Live Digital Console Control Centre with
64 Input Channels, 8 Midas Microphone
Preamplifiers, 27 Mix Buses, 96 kHz Sample
Rate and Touring Grade Road Case

For service, support or more information contact the Midas location nearest you:

Europe USA/Canada Japan

Music Tribe Brands UK Ltd. Music Tribe Commercial NV Inc. Music Tribe Services JP K.K.
Tel: +44156 273 2290 Tel: +1 702 800 8290 Tel: +81 3 6231 0453
Email: CARECrea@[Link] Email: CARECrea@[Link] Email: CARECrea@[Link]
CAREEnte@[Link] CAREEnte@[Link] CAREEnte@[Link]
CARELife@[Link] CARELife@[Link] CARELife@[Link]
Music Tribe accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph, or statement contained herein.
Technical specifications, appearances and other information are subject to change without notice. All trademarks are the property of their respective owners. Midas, Klark Teknik,
Lab Gruppen, Lake, Tannoy, Turbosound, TC Electronic, TC Helicon, Behringer, Bugera and Coolaudio are trademarks or registered trademarks of Music Tribe Global Brands Ltd.
© Music Tribe Global Brands Ltd. 2018 All rights reserved.