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Dark Shadows 15

The document outlines the production details for the television show 'Dark Shadows' airing on July 1 and July 15, 1966. It includes information about the cast, rehearsal schedules, and set locations, as well as a script excerpt featuring dialogue between characters. The production is directed by Lela Swift and written by Art Wallace, with Robert Costello as the producer.

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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
62 views37 pages

Dark Shadows 15

The document outlines the production details for the television show 'Dark Shadows' airing on July 1 and July 15, 1966. It includes information about the cast, rehearsal schedules, and set locations, as well as a script excerpt featuring dialogue between characters. The production is directed by Lela Swift and written by Art Wallace, with Robert Costello as the producer.

Uploaded by

handleyr
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

\ N­1966

_ir15
"DARK SHADOWS"

VIR ­ Friday, July 1,


1966CALL:
AIR ­ Friday, July 15,
WORK
toHall
AL
I "470
Dry rehearsal day prior
PM at Reh,
PRODUCER: ROBERT
SWIFT
COSTELLO VTR date; 4­6:30
Hall
Travel/Lun
VTR date; 8 AM­10:30 Reh, —
DIRECTOR: LELA
WRITER: ART WALLACE 10:30­11:30
11:30­3:30 Studio Ee

CAST: juwar=54" : 0©
;
ELIZABETH COLLINS
. ©
ROGER COLLINS. .vveeeseseesls LOUIS EDMONDS
DAVID COLLINS. eeeoesceeses¥ouw DAVID
VICTORIA WINTERS. ooeooos,
STODDARD,
. BENNETT
ALEXANDRA MOLTKE
Y¥.JOAN
HENESY

REHEARSALHALL: EMPIRE HOTEL,


STUDIO: ABC­TV2, 24 West 67th Street
TERRACE ROOM, 63rd & Broadway
SETS: Room
­­ Foyer
collins
I:
TEASER: House =­ Drawing
ACT Collins House Room
­­ Foyer
collins House Drawing
ACT II: Collins House
collins House Room
Room
Drawing

ACT
collins House Vicki's
III: Collins House David's
collins House = Drawing

­
Room
Room
Foyer
Collins House
Room

IV: collins ­­ Room


OVE
ACT House Drawing
collins House David's
TAG: Collins House ­ Brawineioon
PRODUCTIONS
Hotel
Avenue
DAN CURTIS

421­6890
Buckingham
57th & Sixth
15
1966
AIR: 1966
#
VTR:
DARK SHADOWS

Fri., July 1,
Fri., July 15,
TEASER1
SET night)
roomFoyer 11
Foyer
ACT ACT

(same moments
later)
Drawing
after)
room
room¥icki's room
(few (immed,
Drawing

FILM
­ rocky
fishing
Drawing

Collin­
Surf
wood
shore «
boats «
waves ­Roge 21°C
Car keys =~

as
Thurs.) ­
Roger Roger
Elizabeth
coat Elizabeth
Dgvid (same
Roger w/ Dgbid
Vicki

Vicki
=
sounds
Surf = wind

1
sea
AUDIO
TAPE
Vieki Pg.
EE
111
SET roomroom
1V TAG
—————————
room room
ACT ACT

Foyer
after)
David's
(immed,
Drawing
after)
room
Drawing
(immed,
David's
Drawing

FILM
PROPS Megte,
and
around
room
Veg
accident
sequence
Machine
Phone
Magazines
toys
Car

WindPhone
David
David's

coat Elizabeth
Vicki
Vicki ­« Eliza
Vicki
Elizabeth
David «
Roger w/

Tos
door starting
­ ring
up ring
off =
Knock on Wind Phone Phone

brakesCar

of Iregoing
and driving
skid of
car crash
3iFal SNTa.lR
Show ::15 = Friday, 7/1/66 ­ TEASER ­1
TEASER
IN:
OF
FADE
(FILM: NIGHT STOCK SHOTS
SURF BREAKING AGAINST A ROCKY SHORE,
A 9 )
COLLINS
FISHING BOATS PULLING OUT OF (Z

HOUSE, ETC.)
HARBOR, THE GREAT MASS OF

(VO)
Winters.
VICKI
is
of the
My name Victoria

great / ­ “ “Ql.
­­ The dark threads

U­ 20 eh
to
Hill,
past are tying me the ¢f On
house on top of Widows'
as0) J
My as
search seems endless

... I accomplished
the matey corridors of collind/t
Hogee Yet, have
I
something, think ...
TO:
ROOM
DISSOLVE

DAVID
DRAWING

IS THERE,DARKNESS,
(THE ROOM IS DARK, BUT

DEEP
SEATED IN THE

IN THOUGHT)
STARING AT THE EMPTY ROOM,

(CONTD)
VICKI (VO)
one
troubled
I have made friends with
small and terribly

(ROGER ENTERS, SWITCHES ON THE


2
LIGHT, HE IS IN SEARCH HIS
Show :15

BIT
- Friday, 7/1/66 - TEASER -

IS
OF

)
CAR KEYS, AND LOOKS AROUND A
BEFORE HE SEES DAVID,

HIM)
ROGER
SURPRISED TO SEE

here
dark?DOESN'T
David, why were you sitting
in the

ANSWER)
(DAVID GLANCES AT HIM,

better )
I I
suppose
than to any-
— seen
should know
ask you to explain
|

keys? |
--
thing to me, Have

DAVID
my car

No.
ROGER
(AVOIDING LOOKING AT HIM)

sure?
DAVID
Are you

Yes,
AROUND
pavip
MORE)
(ROGER SHRUGS, LOOKS

LOOKING
SOME

(AFTER A BEAT, STILL

you?
STRAIGHT AHEAD, LOW) You
want to send me away, As t
11
ROGERI
(NOT IN THE
keys,
MOOD FOR

want right now are my car


THIS) All

rt

Show ::15 = Friday, 7/1/66 ­ TEASER ~­3


DAVID
not going
LOOKS
(RISING) Well, you're
to send me away. (NOW

I HE

it, GOES
AT HIM WITH GREAT INTENSITY)
won't let you do

WATCHES
(WITH THAT, HE TURNS AND

DISLIKE)
OUT OF THE ROOM. ROGER

TO:
HIM WITH

AGAINST
CUT

TO <= Pa

(FILM: WAVES BREAKING

HOUSE)
THE ROCKY SHORE. PAN UP
COLLINS
ANNCR (VO)
“__

with
3, /Y0
A gothic world swirling

FADE OUT, 222 229


FADE
THE
IN:
ONE /) (+
FOYER
VICKI
Show ::15 =

~/h, de. 7
ACT

CROSSES
(A FEW MOMENTS LATER,
Friday, 7/1/66
y,
24
­ ACT I
r I
­4

ROOM)
COMES DOWN THE STAIRWAY,

TO:
TOWARDS THE DRAWING

ROOM
CUT

FINDING
DRAWING

WAY
(ROGER, HAVING GIVEN UP
IS
VICKI
HIS KEYS IN HERE, ON HIS

ENTERS)
OUT, ALMOST COLLIDES WITH

ROGER
AS SHE

sorry, Winters ...


DOOR)
Miss

VICKI
(HE CONTINUES TOWARDS THE

Collins ...

357 40
Oh, Mr.

VICKI
«es Yes

into
I understand you're going
town,
ROGER
so Right now I'm not
Why?
(DRYLY)
sure,
VICKI
==

you
Well,
(MORE)
I was wondering if
(CONTD)
Show 3:15 - Friday, 7/1/66 - ACT I- 5
VICKI
could get something for me.
son.
7, 7 Ve
Well, actually for your

ART WHat
ROGER

(LOOK ING-AROUND AGAIN)

VICKI don't
-- Mr,
I
Collins, I

David,
know you
approve of my being here, but
I can help
think
ROGER
(DRYLY) Can you?
VICKI
I to
I really
think he's beginning

friend.
trust me ..., to believe

ROGER
want to be his

i see.
him?
you
And do you think

VICKI
can trust

the
’I ROGER
chance,
(BEAT) If you'd Yeo me

referring
suppose now you're
had
to the little
several hours ago,
discussion we
- Friday, 7/1/66 = ACT I - 6
VICKIto leave.
Show 2:15

Devlin,
You said you wanted me

ROGER
Yh
Because of Burke

Miss Winters, if wae


everyehe
Devlin

vouldaffected, »
geing—to_createftrouble,

sister .,.. all us.


ere
here—would be
David, my
pain
of

reason
I wanted to spare you that

leave, Pe
«++ and that war? the omdy
I suggestaf® you

VECKI
seemed Wise=mtkhe dime.
ROGER
Aeotili-chinkoyou=B
VICKI
catsian.
But I want
Very much,
to

ROGER7%)
stay, Mr.

a-brighty
as
Nésowiirrtesa,- you're
attractive girl,
can
There

burying
#8 a dozen other ways you

ghest=riddew
"earn a living besides

suppose,
yourself in this

al=bhés=peimk,
up to
is
house. (SHRUGS) But I

you, the decision


ENTERS) Show :15 - Friday, 7/1/66 - ACT I - 7
(ELIZABETH

(CONTD)
course.
ROGER

all, mL who
7
And my sister, of
After
hiredyou. (49 of she was the one

leaving, ger?
ELIZABETH

ROGER
When are you

ji fad, Cb as
car. widtminy
(START ING OR DOOR) As soon
my Keys

I thinkJ—
VICKI Conn
i, Collins. py
440, Ing bY bot
Mr.

4 5 (f
know?
(QUIZICALLY) Oh? How would 74
you
VICKI get
ti Ho Glee
im2
I went to the garage
Dobie
Con.
HE
some
Tht
stasdrrrwagoh
bn! Mes
tables Sromine
(TO ROGER)

garag
In the
VICK
Yes, (TO looking
car. said was
ROGER) was

of
at your
thinking
Ze
­8
VECRI­(€ONTD)
l saw.the.
Show i:15 ­ Friday, 7/1/66 = ACT I

= ROGER ignitions
Apd­Fim­guite­sure,..
keys ­in­the

Well ... that's a relief,


LEAVE)
VICKI
(AGAIN HE TURNS TO

Mr. Collins ,.. will that


magazines
you do

ROGER
for David. /
shopping for me? Some
I'd like to pay for them,

501) > _—
I won't have the S50
time.
I'm afraid

7 €:
7
ROGER “r
But, it­—wonlt UALS

Winters,
wa? gehe

(INTERRUPTING)
if you are
Miss
going to befoolish
take
can't buy
enough tostay here, then

son, ha:
my advice, You
friendship from my
or
He
to give, to
else,
none Not you,
anyone

That's
ELIZABETH pe
utterly ridiculous, &
ROGER
“ 520
will,
(SHRUGS) As
(MORE)
you
# 15 Friday, 7/1/66 Act 1 Pg. 9 RE
ROGER (CONT) Show

time,
he'll destroy
(TOVICKI) Just give him

you, LEAVE)
Miss Winters, and

ELIZABETH
(AGAIN HE TURNS TO
~
seeing
you.
Roger, don't leave without

ROGER
)
me. I want to talk to

I go.
EXITS)
I'11l look in before

VICKI :
(HE

I the 5
Mrs, Sgoddard, when was in

ELIZABETH
garage I saw Mr, Devlin, J 245 ~~) sg J.
garage?
VICKI car,
Oh, what was he doing in the

ELIZABETH
He was looking at Mr. GwLins?

VICKI
Looking? Why?
buying
He
it,
said he was thinking of

ELIZABETH
one like

VICKI | |
How there?
long was he

know,
ELIZABETH
I really don't

(APTER A BEAT) All right, Miss


- Friday, 7/1/66 - ACT I - 10

>707
[(CONTD)
rd
Show :15

you7 wl
ELIZABETH
Ji
brother
41
Winters. Thank
24"

alone THE
HIl-want—to-tali—to my

THOUGH
(19
(VICKI TURNS TO LEAVE, AT

EXITS)
WANTING HER
DOOR, SHE HESITATES, AS
TO SAY MORE, CHANGES

MIND,
Gif
FADE OUT,
7 lo

oy
o
NS
TWO Show {15 - Friday, 7/1/66 - ACT II - 11
IN: ) ACT

/0
FADE
FOYER ys,
— |
7 /
/r., 27 Cena
7]

)
(ROGER

DOOR-FO-—P
ENTERS PRON COTE /

TO:
CROSSES TO THE

ROOM
DRAWENG—ROOM;~ ENTERS

ROGER.
CUT

HIM)
|
DRAWING

ELTAABETH
(ELIZABETH IS WAITING FOR
SHE GLANCES UP AT

oda?
ROGER to
hie
You said you wanted to talk

gl=msadon?
me, What was 3 pared

kauad
ELIZABETH
oe ind the
POCKET,
KEYS)
/ 2
(ROGER REACHES INTO

TAKES OUT CAR


HIS

go?ROGER
Do you really think you ought 7) 7 7) y
to

gone
Oh, now, Liz
already.
.,.. we've
over this
ELIZABETH
we'll
it again,
(QUIETLY, BUT FIRMLY) And
go over
Dr,ae - Friday, 7/1/66 - ACT II - 12
:ANT ATE 7
ire ad j Xt
Y(/
Show i:15

Unt Ks LAROGE
ne
ML ¢

iness
lose
-lp~towmr-to—-diseuss—a
Core

ir eemrto-didesss—w Tar
iness BU
1

ip. him,
matter; There's nothing to

ELIZABETH
stalking to

that?
ROGER
Are you sure of

Fm-net~sure—ef—anythi fithen
Fetlo—face—dby=iis ...

destroy
‘Burke came to town I was "sure"
me, house
his only purpose was to

intended
he came to the
When

-But-nothing
tonight, I was "sure" he
.to make threats, ==
es
boo
He enee happened. J+ wa
Lire Hs grtef
ELIZABETH Show #15 - Friday, 7/1/66 - ACT II 13
=~
...
ROGER
Roger

Liz, I know
say.
505
(INTERRUPTING)
everything you're going to
That this could be a pose ,.. ~ ~~
has
that Burke's smiling face could
... S14
be a mask that he
dagger hiddes, behind hisback,...
Well, that’ 3 a oseibility,
mm. vA r ote td
moe Gy 2Vg Cul] “ls
Ke.
but

wag,
IX
been
You really amaze me, Liz,
mean it,
telling I Burke
For days you've

=-=.JMake—up—your
me worry about

a
*

too much,

Until he walked into this house


to
« Js, I saw no reason
panic. I thought he'd be
and I was prepared to deal
angry,
with
- 14
OGER /
Show it15 - Friday,
/
7/1/66 - ACT II

aun Lae
Roger, face facts. on
years
He went
trial ... he spent five
in prison it//
... and he blamed
... especially
all on you. == Do you honestly
believe any man
Burke ... could b& as forgiving

do?
home? ye
What do you want me to
Stay
Cswant
ELIZABETH

suspicious
I want you to be careful, I
you to be at least as
of him, as you are of your own son,
TO: Show 315 - Friday, 7/1/66 - ACT II - 15
ROOM
DISSOLVE

(Ce
VICKI'S
(DAVID AND HAS y |
VICKI. DAVID
ENTERED) G4 7 JG «of
DAVID
JUST

Is he going to buy me the


would
ask him,
magazines? You said you

VICKI
busy eeeDAVID of
Well ... your father's kind

I thought he wouldn't.
VICKI
David, it's doesn't
an
not that he

hasn't
770%
want to. Imean, he has

very much time,


appointment in town, and he

DAVID
9/ 5
Even
anything,
if he had five hours, he

VICKI
wouldn't buy me

Now true.
that's not
DAVID
Who is anyway?
VICKI
to
he going see,

Someone I know,
don't think you
|
DAVID
Show i:15 - Friday, 7/1/66 - ACT II - 16
that?
He wantsto aid
send me away,

VICKI
you know

isn't true,
Now, David... that
you know

DAVID
I he
wouldn't,
suppose he told you

VICKI
tell me,
7 to
He doesn't have to

wes och that I'm


David, There

Ses
reason

,.,DAVID
send you
here

I'm not going to let it,


him do

David, 4g9:0I
it'svies
intention

T3
anywhere,
sure your father has no

DAVID
of sending you

Maybe you,
about
that's what he told

everything,
~~
but he lied, He lies

ota J100
SY
DAVID Show 415 - Friday, 7/1/66 - ACT II =~
17
does,
Yes, he terrible
I hope
He's a

[0 2% /00 7
dies,
I
man, and hate him, and
he
0
/ ‘
[009
(WEES, SHAR. BF SURNS Kup 08S

STANDING THERE, STUNNED)


OF THE ROOM, LEAVING VICKI

[0.24
THREE
ACT
Show 3:15 ­ Friday, 7/1/66 ­ ACT III ­ 18
ROOM / Tan’
BED,
DAVID'S

A
(DAVID ALONE, LYING ON THE

: ere
CEILING.
VICKI
STARING UP AT THE

KNOCK

OPENS THE DOOR A BIT)


Pl
AT THE DOOR. THEN

VICKI
a IAT
. 2 AUC SATA
RA Re CAT wt AMR NA XE

in? )/
I come
DAVID
May

If to,
you want
CLOSES
(VICKI ENTERS,
THE
DOOR BEHIND

HER) ]
BED, LOOKS HE
HER, CROSSES TO
DOWN AT DAVID.

to lecture me?
GLANCES AT

VICKI
Are you going

No.
DAVID
said

[247
Not even after what I
about my father?
VICKI
No.
wo)
it, hate
I meant I do
him,
Well,

VICKI
dies,
And you hope he
DAVID Show {15 ~- Friday, - act III - 19
UP
7/1/66

... ...
(AFTER A LONG BEAT, STARES

VICKI
AT THE CEILING AGAIN) Yes

Why?
DAVID
I
to
you,
told
away. /
Because he

VICKI
send me

to that?
DAVID
Why should he want do

me.
VICKI
Because he hates

You used to
DAVID
I thinkyou, hated

Well, didn't you?


VICKI
How couldI? I didn't even
AT
know

You
you, (DAVID GLANCES

you,
HER, DOESN'T ANSWER)

don't you?
think everybody hates

DAVID
/ 74 J /7 /
do.
maybe,
They Except my mother, and

VICKI
Elizabeth,
Aunt

How about me, David?


think you're a pretty nice
I happen to
boy,
DAVID Show {:15 - Friday, 7/1/66 - ACT III - 20
That's a lie, NO
FROM
(VICKI GLANCES AT HIM, SHOWS

INSPECTING
REACTION. SHE TURNS AWAY

,,. A
HIM, BUSIES HERSELF

TOY, PERHAPS)
SOMETHING IN THE

VICKI
ROOM

Why that?
DAVID
do you say

(SITTIN 7 not
it, not
I'm

nice atall,
nice, vw) ¥7

VICKI
now I'm

what
you? CROSSES
(PICKING UP TOY) Then
are

DAVID
HER)
(DAVID GETS OFF THE BED,

TO HER, TAKES THE TOY FROM

it.
Bai...
that.
oo You'll break
Give me
Vv

set]
(AFTER A
the foundling where
home .,.
up .,, there wa J7
JY
was brought V4,
little girl,
she
no
Oh, she
nine or ten years old, and
vad

(MORE)
was very lonely. She had
VICKI (CONTD)
with,
... no one to play
Show 3:15 - Friday, 7/1/66 - ACT III - 21
2 JY/7
friends
And do you know why? qd

thing
girl
new
is that every time a
make
chase
came in and wanted to

pretty
friends with her, she'd

did
girl
yd
the new away. and

know ee “ay;
right.
soon, she was Nobody
her.
happened? p
like And then you

Jaap
DAVID
what

(SARCASTIC) -Swre( fairy


wewesiza
! Her
godmother came along and
pagie-wand—and made a
everybody
her into

loved her,
beautiful princess, and

VICKI
But
to
It wasn't that easy, David,

a ...
/ 540 7d
a man did come, and he talked
her for long long time
times.
secret,
many many And pretty
soon, she learned a
DAVID Show 3:15 - Friday, 7/1/66 - ACT III - 22
what?
(INTERESTED, HIMSELF)
IN SPITE OF

VICKI
Like

She learned that whoherself,


the one

DAVID
really didn't like her was

That's stupid,
VICKI
it true. see, she
nn Ye)
But was You
thought she was

rotten, YAS has [2k


_so
2could
them
that she didn't see how anyone
like her. So she'd chase
enemies
how
all away, and make them into

anyway.
.»s because she thought that's
they were going to act,
DAVID

[590/
me?
VICKI
What's that got to do with

story.
Nothing, It's
DAVID just a
a
done?
ere + seeps mony, vouram

those
what that girl should*ve

ag t
She should've taken all

Pow,
people, and lined them up
the wall and shot them,
Pow, Pow,
- 23
Why? VICKI Show #15 - Friday, 7/1/66 - ACT III

DAVID they
to her,
Youjust told me how mean

VICKI
were

a chance.
by
But she never gave them
can't
... wishing )
You solve problems

dead. / ( ot / 594
chasing them away or
they were
DAVID
about.
I don't know what you're talking
VICKIyou,
You
don't
and I it,
say your father hates

DAVID believe

What it?
VICKI
do you know about

LO {bo 2—
I know you said I hated yo pa
and I didn't. -- David,
have to give people a chance,
you,
DAVID
Don't push them away from

VICKI
to
He said he wants away.send me

very
(MORE)
David, your father's been
i
lately.
(787) 3
/great
Show {:15
ny /
- Friday, 7/1/66 - ACT III - 24
he
upset fad a

didn't
deal on his mind. I'm sure

you, ‘re
said a lot of things he
mean, Everyone does when they
upset,
DAVID
Even

I say?
did
VICKI
What

dead. —
/ 4s" /6 27
You said you wished he was

you? T S
And you didn't really mean wnat,
did
/

HER)
(DAVID DOESN'T ANSWER,
AWAY FROM

chance/,
FOR
... give him a
David
That's all any of us wantq
A LONG BEAT)
(HE TURNS AND LOOKS AT HER

DAVID
right, I'll give
(QUIETLY)
him a chance.
TO:
All

DISSOLVE

ROOM
ELIZABETH)
ROSE
DRAWING

(ROGER AND

him—e—ehancer—
(MORE)
ROGER—CONTD)
25
Show 15 - Friday, 7/1/66 - ACT III -

. out—id.-
fafBndship,—bet—me Tim
hewmeans-—it
ELIZABETH
he ed
What is this business deal
said he wanted to discuss? / of
ROGER A
I into
He didn't tell me.
(WITH

SMILE) But suppose


town and find out.
DOOR)
go

ELIZABETH
(HE STARTS FOR THE

ROgEr see
| ROGER
it's
late.
(EXASPERATED

getting
Now) Liz,

Listen to him, But don't offer


the
talking.
do
any information, Let him

ROGER else?
(PATIENTLY) Anything
ELIZABETH 26
Show 2:15 - Friday, 7/1/66 - ACT III -
Phonan olin I
I going.
ROGER/7| > “pd
[709
Sgmehou wish you weren't

them |
(FAINT SMILE) Have your ghosts

rest, Liz, let rest.


been talking to you? Let
Just
LEAVE)
them
y
TO:
(HE TURNS TO

FOYER DRAWING
CUT

THERE
(ROGER EMERGES FROM THE

GLANCES
ROOM. DAVID IS STANDING

THE
WAITING FOR HIM. ROGER

DOOR)
AT HIM, CONTINUES TOWARDS

DAVID
... BACK)
Father

ROGER
want?
(ROGER TURNS

DAVIDSAY)
(IMPATIENTLY) What do you

(DOESN'T REALLY KNOW WHAT TO

town?
I ... are you taking your car to
ROGER
Yes. LEAVE)
(AGAIN HE TURNS TO
DAVID Show #15 - Friday, 7/1/66 - ACT III - 27
(SUDDENLY) Do youto?
ROGER
have

David,
now?
(WITH EXASPERATION)

DAVID
what's wrong with you
pd
what [7% YS
said?
Father,
you
I ...
ROGER
did you mean

...
DAVID
David, I'm in a hurry

send
it?
You said you were going to

ROGER
me away. Did you mean

©hy—for—Pete™
DOOR
(EXASPERATED)

(HE EXITS,
THERE,
SLAMMING THE

THE
BEHIND HIM, DAVID STANDS

ELIZABETH
IMMOBILIZED, STARING AT

DOOR. AFTER A BEAT,


ROOM,
SEES HIM.
EMERGES FROM THE DRAWING

HER)
HIM. SHE CROSSES TO
HE DOESN'T SEE
- Friday, 7/1/66 - ACT III - 28
PUZZLED)
WATCHES HIM GO,
Show #15

FADE OUT,

PI“ . 7 2ardLu »
Li © ong ma

o0
¢ ]:
%&

FETE
EONS SPITE ELS
bos

VIC
Duviad®
Pav: yoa sven
ELTzapnr?
LCG WINDOW)
Fe iuwzt went
{fam
1 aven,
upstairs, om
Ly ENTEABETH
$d oy
OUT

i ’ 2a
Bady
SeorFE ARILY)
= -a
4

FTI, ETE PE RN Oe EI

please?
i TY
eV UA SIH
Ee oF e
or (Gl. Ban To
RPE
BS” wT Tm asp
fused LRA

UP) TRTUE,
#¥ill you angeey
[TTNRY, CROCGES To
Tat,

£3
$e
LL

Bi
VICKY
his DE
BrYoee 3w

| ee 4 is Mi:s BEAR
5s NN, 7Fo8 oa
SLTIRenT)
weak 8
It's few you.
ver hog
FOUR
IN: [922
Show #15 ­ Friday, 7/1/66 ­ ACT IV =29
ROOM
ACT
FADE

A /G /
DRAWING

IS STANDING 0
NIGHT,
(ELIZABETH AT

ABOUT
WINDOW, STARING OUT AT THE

SOME­
THERE IS A STRANGE TENSION
... AS
AFTER
HER THOUGH EXPECTING

A BEAT, VICKI ENTERS)


THING TERRIBLE TO HAPPEN,

VICKI
Mrs, Stoddard ...
ELIZABETH
... «se
VICKI
(NOT TURNING) YES

/9¢/4/ 927
Have you seen David?
ELIZABETH |
WINDOW)
upstairs,
(STILL LOOKING OUT
just went 2
ELIZABETH 7,
He

INVOLUNTARILY)
(PHONE RINGS.

that, please?
PHONE,
TENSES
Will you answer

UP)
(VICKI CROSSES TO

VICKI
PICKS IT

... This is Winters


yes ... Just a moment,
Hello Miss
eee Oh,
you. It's for
Devlin,
(TO ELIZABETH)
Mr,
- 30
VICKI) FROM Show #15 - Friday, 7/1/66 - ACT IV

ELIZABETH / A
(ELIZABETH TAKES THE PHONE

Burke, / /
(TO PHONE) ... Hello
...
he's getting the car he
Yes,

youYes,
p,

sure J
knew he was supposed to meet
\
at
he'll
the

...
"Blue
a
be there inminutes)
eral) /
Whale". I'm
few
ese YES
SLOWLY)
VICKI
(SHE HANGS UP
Goodbye,

Anything wrong?
ELIZABETH
No,
(WITH SOME CONCERN)

LOST
IN HER OWN THOUGHTS)
(FOR A MOMENT, SHE IS

VICKI
David,
I I'll
think see
go up and

LEAVE)
ELIZABETH
(SHE TURNS TO

VICKI
(SUDDENLY) és Miss Winters

... ?
Yes
ELIZABETH
HER)
wen? op
(THIS IS DIFFICULT FOR
,,. sitting
while?
Would you mind
me for a
VICKI Show 3:15 - Friday, 7/1/66 - ACT IV =~
31
not.
ELIZABETH
(PUZZLED) Of course

It's this
... it seems
(FORCING A SMILE)
house, Strange
to talk to yousometimes,
VICKI
how

(FAINT
here, there
SMILE) David says

ELIZABETH
are ghosts

are.
OFF
(LOW) Perhaps there
TO SHAKE
what's
(SUDDENLY WANTING

THIS MOOD) Miss


wrong
tense tonight.
Winters,
with him? He seemed so
VICKI
I know, He ,.. HESITATES
(SHE
AHEAD
AND SAY he
BRIEFLY, THEN DECIDES TO GO

father
IT) Mrs, Stoddard,
seems convinced his
hates him and wants to sendhim him, Pe Pra
205 S
away. I tried to talk to
to tell
ELIZABETH
him he's

is,
mistaken,

VICKI
I'm not so sure he

Collins
son,
(SHOCKED) But surely Mr,
doesn't hate his own
ELIZABETH 2/0 2053 ,
C50:
Show 315 =­­ ­ 32 ACT IV

is a
"Hate"
Say Roger
Let's
isn't terribly ...
strong word.

fond... of David. The reasons


don't matter
I understand
to you,
all of
I'm not sure
myself. JF1e
“ 24
TO:
them
ed | (5 2/03
ROOM
CUT

WINDOW,
DAVID'S

AS
(DAVID STANDS BY THE

TO
STARING OUT AT THE NIGHT,

_=
WORKING) Fr Alls , 7 7

cn
DAVID 2/ /df ese J 20
THOUGH WAITING FOR SOMETHING

HAPPEN, HIS MOUTH

going ‘to
t
2.
(BARELY AUDIBLE) He's
... he's
die ,..
die, mother going

2152=
SA
me
Plris
LW TT)
SEQUENCE: 707)
TO: 2 2 Va
(EILM: ACCIDENT

| 4 “2
225 CRASH)
220i
CAR DRIVES

cur
(ROAD FOOTAGE ENDING IN

or on, D0 2220)
2524
OVE

| TAG
pA 2 bn
v
IN: FO!
Show 3:15 ­ Friday, 7/1/66 ­ TAG

77
a
pa
FADE I

THE
pommnnae,
(CLOSE UP ON TELEPHONE,PHONE ga
FEARFULLY
IS RINGING. DAVID ENTERS
a
IT)
ROOM. LOOKS AT PHONE
wc


ELIZABETH
BUT MAKES NO MOVE TO ANSWER

HURRIEDLY)
RP

that,
(ENTERING ROOM

David? DURING
Couldn't you have answered

VICKI

TTA
(SHE PICKS UP PHONE.

PHONE)
ENSUING CONVERSATION,

Stoddard
job”
4”
ENTERS ROOM. TO
..,
Hello is ThisMrs.
­ cmsniillh
5" / Ee "wnerefldlhe
10 he [3
Eowbsmsyovother? ... Is there as
I see ... Ye
Thank..you..very­much,
DIS~­
you,

TRAUGHT)
(SHE HANGS UP, TERRIBLY

have­gone.,
he should never
VICKI
happened?
What

Gocccdt,
Pass (0 Rtn tf Oot
(MORE)
- 34
(CONTD)
... ELIZABETH
Show {15 ~ Friday, 7/1/66 - TAG

was—eche-brakes,
ees Went off the
think
VICKI
road. They

he
it

hurt?
What.abouiwMrs-Goddins?

ELIZABETH
Is

[Aut — rd pl
badly

W
24 S
... vet.
They
Onl
don't know
kt Ghlad
(SHE J
gs
= been-killed,
'BURIES HER FACE Ty fo Zz

—y
he-could ‘have

killed; 702g
+e
Pear=guiis could have

>a
—F- = of
(VICKI GEANEBS—PROM-ELIZABETH

=
TO
TO. DAVID; WHO ES— WATCHING

CAMERA OF 2355
RASSTVEEYy=PHEN~SHE CROSSES

lide
COMFORT ELIZABETH,

MOVES IN FOR A CLOSE SHOT

DAVID, WHO STANDS QUIETLY


EMOTION)
,,. Y4
OUT, | 7/4
WITH NO SHOW OF

FADE 2¢
Prd i ;

Sc
)
3
. J
:

4¥ wt Fo

3
Re
i

:
1

Pi.

i'

i
.
A +

oyK

. .

Fs .
© El

r ,
v 1.

i
to

rr
t

-~.
ces

Yow
5

=:
.

4
y

%
.

x ~.
ge

[» 6,

« 3 .

.
PS

at
«3%

:
x.
mre ,

. \ err

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rn

§ J
s
.


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