Pilar Toro Trujillo

Why is nobody talking about A.I. Miniature Videos?! Here are some tips on how you can create your own miniature ads... I’m excited to be part of the LTX Studio Ambassadors Program launch. For those who don’t know it yet — on LTX you can generate both photos and videos, and create pieces like this one. Here’s the base prompt for img gen I used: A cozy miniature living room, designed in warm Scandinavian style — light wood furniture, soft textiles, and clean, modern lines. Everything is perfectly scaled: a tiny beige sofa with throw pillows, a minimalist coffee table, a floor lamp the size of a toothbrush. The walls are partially painted — one side still bare, the other freshly coated in muted sage green. A real human hand enters the frame, holding a tiny paint roller, carefully applying color to the miniature wall. The movement is delicate, almost meditative. Shot with a macro lens and shallow depth of field to emphasize the small scale, with tilt-shift focus mimicking a dreamlike toy-world. Golden-hour tones filter in from a miniature window. The scene feels quiet, personal — like someone is building not just a room, but a feeling. Miniature home. Real hand, tiny tool. The magic of making a space yours. As with most of my projects, I always start by generating photos first, which I then animate using video models. The reason is simple: it gives me much more control over the scene’s look and composition. Another trick: try prompting “CUT TO” inside the video model. For example, start with a wider shot and then write “CUT TO a close-up” — that way you get two shots within a single generation, saving time and skipping the detour through the image model. What do you think about the Miniature Style? Let me know in the comments!

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A music producer can have several key rights depending on the type of agreement and contribution. These rights are usually negotiated and secured through contracts like producer agreements, split sheets, recording contracts, or publishing deals. • Copyright Ownership 📜: By default, a producer owns copyright in the beats, instrumentals, or sound recordings they create unless they sign it away. • Royalties from Masters 💽: If you produce a track that gets commercially released, you may be entitled to a percentage of master royalties. Typical ranges: 2% – 5% of net receipts from the sound recording. • Publishing Rights ✍🏽: If you contribute to the composition e.g., melody, lyrics, hooks, chords you’re entitled to publishing income. • Producer Points (“Backend”) 🎚️: This is the industry standard term for percentage based royalties. Example: If a producer gets 3 points on a song and the track generates $100,000 in master revenue, they get $3,000. • Advance Payments 💵: Producers often negotiate an upfront payment for their work, which can be: • Non-recoupable: You keep it no matter what. • Recoupable: Deducted from your future royalties. • Moral Rights 🌍: In some countries (e.g., EU, Nigeria partially), producers may also have moral rights: • Right to be credited properly. • Right to object if the work is distorted or misused. • Credit Rights 🖊️: Producers should always negotiate production credits: • “Produced by [Your Name]” on DSPs, liner notes, and metadata. • Failure to credit properly can be a breach of contract. • Sync Licensing Participation 🎥: When a song you produced gets licensed for: Movies, TV series, Commercials, Video games…you should negotiate a share of the sync fee if you co-own the master or composition. Share this to Any producer you know to help protect them and expose them to the rights they own. __________________ My name is Orlando Michael. I am an Entertainment Lawyer and I protect the interest of creatives and Investors.

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Universal Music Group generated revenues of €2.980 billion ($3.38bn) across all its divisions between April and June, driven by artists including Morgan Wallen, Timelesz, and Lady Gaga, according to its latest quarterly results published last week. UMG’s Chairman and CEO, Sir Lucian Grainge, said: “It is the powerful combination of our artists’ and songwriters’ creative excellence with our strategic vision and execution that continues to deliver UMG’s strong results.” COO Boyd Muir added: “The breadth and diversity of our business has positioned us to deliver solid growth in revenue and Adjusted EBITDA again this quarter.” Full story: https://lnkd.in/gEpMuz_i #musicindustry

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