Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
- Undo and redo edits in Logic Pro for iPad
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Normalize audio regions in the Tracks area in Logic Pro for iPad
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Replace a MIDI region with a Session Player region in Logic Pro for iPad
- Rename regions
- Change the color of regions
- Delete regions
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- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Color chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Intro to mixing
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- Channel strip types
- Channel strip controls
- Peak level display and clipping
- Set channel strip volume
- Set channel strip input format
- Set the output for a channel strip
- Set channel strip pan position
- Mute and solo channel strips
- Reorder channel strips in the Mixer in Logic Pro for iPad
- Replace a patch on a channel strip using drag and drop
- Work with plug-ins in the Mixer
- Search for plug-ins in the Mixer in Logic Pro for iPad
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
- Use the Mod Pad
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright
Level Meter in Logic Pro for iPad
Level Meter shows the current signal level on a decibel scale.
Stereo Level Meter instances show independent left and right bars, whereas mono instances display a single bar.
To add Level Meter to your project, choose Metering > Level Meter in a channel strip Audio Effect plug-in menu or the Plug-ins area. See Intro to plug-ins. Also see Add, replace, reorder, and remove plug-ins in the Plug-ins area and Work with plug-ins in the Mixer.

Peak level values are displayed numerically and graphically. You can reset these values by tapping them in the display.
Level Meter parameters
Mode pop-up menu: Choose a display setting using Peak, RMS, Peak & RMS, True Peak, or True Peak & RMS characteristics.
Peak: Displays the highest value of the individual samples in your signal, also referred to as Sample Peak. This is the same meter type used on channel strips.
RMS (root mean square): Measures the average level of the signal. It provides an indication of the overall loudness, the way human hearing perceives sound.
Peak & RMS: Displays two meter bars per channel, showing the Peak and RMS values.
True Peak: Uses oversampling to detect peaks that occur between samples that can be higher than the sample peaks (also known as "Inter-sample Peaks").
True Peak & RMS: Displays two meter bars per channel, showing the True Peak and RMS values.
Peak Hold display: At the top (or to the right) of the meter bars is a color-coded numeric display that shows the highest level for the selected Meter type (Peak, RMS, and True Peak). The values reset when you start playback or when you tap the numeric value.
Peak Hold line: A line segment is temporarily shown at the highest peak value. It is displayed for a second and slowly reduces. This temporary peak hold display is a visual aid designed to help you to monitor short peaks.
Level Meter(s): Displays the current signal level on a decibel scale. The signal level for each channel is represented by a green bar. Signals (above the target level) approaching the 0 dB level are represented by a yellow bar. When the level exceeds 0 dB, the portion of the bar above the 0 dB point turns red.
Choose a meter type
The section provides guidelines that may help you to choose a suitable meter type.
Human hearing is optimized for capturing continuous signals, making our ears RMS instruments, rather than peak reading instruments. Therefore, using RMS meters makes sense most of the time. Alternatively, you can use both RMS and Peak meters.
Use a Peak meter when recording (to avoid clipping of the input signal) or during mixing to monitor signal peaks.
Use a True Peak meter on your output channel strip to accurately measure the peak value when bouncing your mix (often required when delivering files to colleagues).
Use an RMS meter to get an indication of the perceived loudness of a track or the overall mix.
Use the separate Loudness Meter plug-in to measure audio based on loudness standards, which can be important for delivery of stems and other audio files to colleagues.
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