Will We Be Brilliant or What?: Songs & Stories

Introduction

Gentle reader, this book is a collection of songs that I have made up myself, out of my imagination. Fair play to me. I hope you will enjoy my songs and stories. Thanks to my wife Cathy, my daughter Leslie, and all my family. Thanks to my manager Lorcan Ennis, and to all the great musicians, writers and head-the-balls I’ve had the privilege of hanging out with all these years. Rock on lads, rock on! Thank you, thank you all!

I fell in love with singing when I was a small boy, and used to wander around the footpaths of Cork chanting away quietly to myself. ‘My Bonnie Lies over the Ocean’ was the first song I fell in love with as a child, and I remember being fascinated by the way it was put together, the order of the words, the pattern of the lines and the tune. I was four years old that time, a great age, when I fell in love with singing.

I went to school in a fabulous place called St Joseph’s on the Mardyke in Cork. At the back of the school flowed the River Lee, all beautiful, with a great flock of swans. That magical stretch of the river between the Green Bridge and the Shaky Bridge was our playground. We never really learned music at school, except for lots of singing, and we used to go to the City Hall every year to sing in the Cór Fhéile na Scol.

One time, however, we were visited by a man with a guitar, who sang us ‘Weela Weela Waile’, which frightened the life out of us with its story of the old woman who lived in the wood – ‘she stuck the penknife in the baby’s heart, a weela weela waile’. We also learned ‘The Old Woman from Wexford’ from our teacher, Mr Goggin. That one was about poisoning and drowning. Murder and mayhem and dying for Ireland were features of many of the songs of my childhood.

Another time, a man came in and taught us the scale, the ‘do re mi’. He showed us how to move up and down that musical ladder, and how you could jump to any note you wanted when you got the hang of it. That music lesson has stood to me all my life and I still think in terms of the ‘do re mi’, even though I can read and write music now and play some magical chords on the guitar!

My dad died when I was one and a half years old, in August 1962, and left my mother with five small boys, the oldest nearly seven and the youngest only six months. My mother had a lot on her hands and she used to put us on the bus down to Bantry, to her home place, the farm, for the school holidays: Christmas, Easter and summer. Our uncle Tim, my hero, the farmer, was there, with our Grandma. We loved the farm. It was a second home for us. That was a very different world from the streetlights of the semi-detached suburbs we came from in Wilton, Cork. That was dark and wild country, in the west Cork hills. There were no footpaths there or streetlights, and every morning we went for the cows and carried the milk to the churns. There was a lot of singing done on the farm, milking the cows, in the fields and around the turf fire at night. Republican ballads were all the rage – ‘The Lonely Woods of Upton’, ‘Down by the Glenside’, ‘An Irish Soldier Laddie’ – lots of songs.

When I was fifteen I was sent to the Gaeltacht to learn Irish, at Ballingeary in west Cork, a most beautiful and enchanting place. We were bunked in with a crowd from Dublin, and one of them, a lad called Sponger, had a guitar and gave me my first lesson. He taught me ‘Brain Damage’ by Pink Floyd. That’s where I caught the guitar bug. As soon as I got home, I tore into my brother Mossie’s guitar, an old banger he got with the Green Shield Stamps. That guitar only had two strings, and I learned a whole lot of music with my two-string style. The idea of the full six strings still excites me!

Learning guitar is an exciting journey. It’s good to have an ol’ path to follow, in life, like.

I wrote my first song when I was sixteen and I have written about 200 songs since then. Some of them maybe you couldn’t really call brilliant songs, like, but what harm? Each one teaches you some little lesson, and maybe you have to write the small ones so you can go on and write the big ones. Anyway, I believe that the best is yet to come and now that I am kind of getting the hang of it, I think there are some beauties of songs out there waiting to fall into my lap! Dream on, Johnny boy, dream on! Anyway, they say that everyone has a book in them, so this is mine and I hope you enjoy it, gentle reader.

Thank you and rock on!

John Spillane,

Passage West,

County Cork

PART ONE

Where the Wind Runs her Fingers above the Dark Lee

Prince’s Street

I spent Monday on Strawberry Hill,

Till I fell and I landed on your windowsill,

I hung there by a golden fine web,

I had woven from a hair of your head.

I spent Tuesday just walking through town,

Till I saw a gold angel come tumbling down.

And waltzing with seagulls up in an elm tree,

Where the wind runs her fingers above the dark Lee.

And oh will you meet me on Saturday night?

We’ll dance in the shadows between the street lights.

Between these two rivers I know where we’ll meet,

On Prince’s Street.

I spent Wednesday doing nothing at all,

Till late in the evening the wind came to call,

And stood at my window and danced a handstand,

The sun on her shoulder and birds in her hands.

The next morning I woke from a dream,

Of where the fish lie on their beds of deep green,

I watched Thursday morning put on its new coat,

Of cloud at the elbow, blue sky at the throat.

And oh will you meet me on Saturday night?

We’ll dance in the shadows between the street lights.

Between these two rivers I know where we’ll meet,

On Prince’s Street.

I spent Friday just counting the time,

Till up in a tower I heard some bells chime,

I saw a great goldfish take wing like a swan,

And told me that Saturday wouldn’t be long.

And oh will you meet me on Saturday night?

We’ll dance in the shadows between the street lights.

Between these two rivers I know where we’ll meet,

On Prince’s Street.

And oh will you meet me on Saturday night?

We’ll dance with your ankles all bathed in moonlight,

Between these two rivers I know where we’ll meet,

On Prince’s Street.

I wrote ‘Prince’s Street’ when I was twenty-two years old. It just came to me. I was busking for a while with my friend Nuala on Prince’s Street at that time and I was learning Irish. I looked up at the sign and I saw Prince’s Street – Sráid an Phrionsa, the Street of the Prince. Seeing it in the Irish conjured up this image of the prince in a way the English didn’t. At that time I was also serving a musical apprenticeship with musician Noel Shine from County Clare. I learned a lot of folk and traditional tunes from Noel, who lived at the top of Strawberry Hill. It was nice to be strolling down Strawberry Hill on a sunny morning with the city stretched out below you like a playground, like a great carnival.

I suppose I was trying to capture the magic feeling of the special, lovely places around Cork city, especially along the river and up around St Finbarr’s Cathedral, where the gold angel of the resurrection hangs out. I’ve always felt Cork to have a special magic. I remember an incredibly sunny day when I was small and we were taken out of school on the Mardyke and over to St Finbarr’s Cathedral, where we were shown the angel and told the story: two times that angel has fallen down from its perch, and the next time it will fall will be on the last day, at the end of the world.

I wrote this song in the very early 1980s. I was not in tune with the musical trend at the time, which was new-wave punk. A lot of the other songwriters around were attacking Cork big time, and the repressive, dark, small-minded mentality they saw there. Funny how different people can look at the same thing and see completely different things.

So anyway, I wrote the song and what I wasn’t even thinking about, or conscious of, was that of course my father and all his family were reared on Prince’s Street, in number fourteen, over a shop. That was before I was born. I must have been aware of it, on some level. So it is a song for my dad, who died when I was one and a half, and I didn’t even realise it when I was writing it. I often feel the best songs are the ones that just come to you. They float down from the air; you are kind of like a channel, or an aerial.

This was my biggest and best song for years, and it took me a long time to get beyond it. I get a lot of requests for it, usually from people who are around the age I was when I wrote it. They get it.

I played in a great band called The Stargazers from 1984 to 1991, with my friends Johnny (Fang) Murphy and Chris Ahern. We played mostly swing music in three-part harmony from the golden era of American songwriting, the 1930s and ’40s – songs by the likes of Irving Berlin, Cole Porter, Hoagy Carmichael. I was trying to swing us over into doing original material as well, and in 1989 we released an acapella version of ‘Prince’s Street’ as a single, which got a lot of airplay at the time. Happy days in the Hit Factory.

My Love Will not Sing for Me

My love will not sing for me, she cannot find the time,

She sits among the tables, drinking blood-red wine.

She calls me to her sometimes, I go swimming in her hair,

She’s got mad blue eyes, that swallow when she stares.

And I need her like I need a Mercedes-Benz,

Like I need another drink, do you think,

You could see your way to helping me, my friend?

See your way to helping me, my friend?

All I really want from you, is a sympathetic ear,

Someone who could buy me one more pint of beer,

And I’ll tell you about my broken heart, I’ll tell it just for you,

No one ever had