Keith Urban - Guitar Anthology (Guitar TAB, 220p) PDF
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AnthonyMaloneyKeith Urban - Guitar Anthology (Guitar TAB, 220p) PDF
Uploaded by
AnthonyMaloneyfrom Keith Urban - Be Here
Better Life
Words and Music by Richard Marx and Keith Urban
Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
Moderately q = 105
Gtr. 1 (Banjo gtr.)
X
X
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X
X
mf
*D5
Rhy. Fig. 1
4
0
X
X
5
0
X
X
0
X
X
0
4
0
X
X
4
0
X
X
5
0
X
X
X
X
X
X
4
0
X
X
5
0
X
X
X
X
4
0
X
X
4
0
X
X
*Chord symbols reflect implied harmony.
1. Well,
Gtr. 1
X
X
X
End Rhy. Fig. 1
4
0
X
X
5
0
X
X
0
X
X
0
4
0
X
X
4
0
X
X
X
X
X
X
X
X
X
X
X
X
X
4
0
X
X
5
0
X
X
X
X
4
0
X
X
4
0
Riff A
Gtr. 2 (elec.)
5
0
5
0
5
0
X
X
X
End Riff A
mf
w/ clean tone & amp tremolo
Copyright 2004 Chrysalis Music and Guitar Monkey Music
All Rights for Chrysalis Music Administered by Chrysalis Music Group Inc., a BMG Chrysalis company
All Rights for Guitar Monkey Music Controlled and Administered by Songs Of Universal, Inc.
All Rights Reserved Used by Permission
Verse
Gtr. 2 tacet
G5
Fri
day
night
and the
moon
is
high,
Im
wide
just
watch - in
you
sleep.
mf
3
3
0
0
X
5
3
3
0
0
X
5
Rhy. Fig. 3
Gtr. 3 (Banjo gtr.)
mf
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
End Rhy. Fig. 4
Gtr. 1
a - wake
Rhy. Fig. 4
Gtr. 4 (acous.)
X
X
X
X
X
X
X
X
X
X
X
X
X
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X
X
X
X
X
Rhy. Fig. 2
0
0
X
5
X
X
X
X
X
X
X
X
X
X
X
X
Gtr. 2: w/ Riff A
Gtr. 4 tacet
D5
Oh,
oh.
And
End Rhy. Fig. 3
X
X
X
X
X
X
X
X
X
X
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X
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X
X
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X
X
X
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X
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X
X
X
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X
X
X
X
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X
X
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X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
4
0
4
0
Gtr. 3
Gtr. 1
X
X
X
X
X
X
X
X
X
X
X
X
4
0
X
X
X
X
X
X
5
0
X
X
X
X
4
0
X
X
0
5
0
5
0
4
0
4
0
Gtr. 3: w/ Rhy. Fig. 3
Gtr. 4: w/ Rhy. Fig. 4
prom - ise
you,
youre gon - na
have
more
0
0
X
5
than
just
the
things
that
you
need.
G5
1/4
1/4
Gtr. 2: w/ Riff A
D5
We aint
4
0
X
X
5
0
X
X
0
4
0
X
X
X
X
X
X
X
X
X
5
0
X
X
X
X
X
X
4
0
X
X
5
0
X
X
5
0
4
0
End Rhy. Fig. 2
4
0
5
0
5
0
5
0
5
0
Pre-Chorus
Gtr. 3: w/ Rhy. Fig. 3
A5
got
much
now,
Gtr. 1
2
0
G5
were just
2
0
start - in
0
X
5
out.
But
Gtrs. 5 & 6 (elec.)
mf
w/ slight dist.
2
0
0
X
5
A5
know
some
how
Csus2
par
dise
is
com
in.
3
0
X
3
2
0
3
0
X
3
2
0
Chorus
Gtr. 1 tacet
D5
Some - day,
Rhy. Fig. 5
Gtr. 5
3
2
0
0
0
ba
2
2
0
3
2
0
0
0
2
2
0
by,
you
and I
are gon - na
be
the
ones,
uh.
0
X
5
Rhy. Fig. 5A
Gtr. 6
G5
A5
0
X
5
D5
Good
lucks
gon
na
Em
F#m
G5
A5
A5
shine,
oh.
2
2
0
0
2
X
2
2
4
X
4
0
X
5
7
7
3
2
0
0
0
2
2
0
0
2
X
2
2
4
X
4
0
X
5
7
7
the
So
0
0
D5
Some - day,
3
2
0
0
0
A5
ba
2
2
0
3
2
0
0
0
2
2
0
G5
by,
you
and I
are gon - na
be
ones.
End Rhy. Fig. 5
0
X
5
End Rhy. Fig. 5A
0
X
5
Em7
hold
on,
G5
werehead
ed
for
bet
ter
life.
0
0
X
5
2
2
let ring
19
0
0
X
5
2
2
Interlude
Gtr. 1: w/ Rhy. Fig. 1
Mm,
Gtrs. 5 & 6
D5
hmm,
hmm.
2. Oh,
now,
pp
3
2
0
0
0
Verse
Gtr. 1: w/ Rhy. Fig. 2
Gtr. 4: w/ Rhy. Fig. 4
G5
theres
place
for
you
and
me
where
we
can
dream
as
big
as
the
sky,
D5
yeah,
Gtrs. 5 & 6
9
X
7
X
X
X
7
X
5
9
X
7
11
9
X
7
7
X
5
9
X
7
X
X
X
7
X
5
6
X
4
Rhy. Fig. 6
Gtr. 2
yeah.
mf
6
X
4
9
X
7
7
X
5
11
9
End Rhy. Fig. 6
(amp tremolo off)
3
2
0
0
0
Gtr. 2 tacet
Gtr. 4: w/ Rhy. Fig. 4
G5
know its
hard
to
see it
now,
but,
Gtrs. 5 & 6
ba
some - day
you
by,
gon
fly.
This
6
X
4
na
Gtr. 2: w/ Rhy. Fig. 6
D5
7
5
7
X
5
X
X
X
9
X
7
9
X
7
11
9
X
7
7
X
5
6
X
4
7
5
7
X
5
X
X
X
9
X
7
9
X
7
11
9
7
X
5
7
5
Pre-Chorus
A5
road
G5
were
on,
*Gtrs. 1, 5 & 6
might
be
you know it
2
0
long.
And our
0
X
5
*Composite arrangement
A5
faith
is
strong.
all
that
real
mat
ters.
gon - na
be
the
ones,
ly
Its
Csus2
2
0
3
0
X
3
Chorus
Gtr. 1 tacet
Gtrs. 5 & 6: w/ Rhy. Figs. 5 & 5A
Some - day,
D5
by,
gon
A5
ba
lucks
Some - day,
A5
Good
D5
ba
you
and
G5
by,
na
are
Em
F#m
G5
uh.
A5
A5
D5
shine,
oh.
G5
you
and
are
gon - na
be
the
ones.
So
hold
on,
Gtr. 5
G5
were head
let ring
Gtr. 6
ed
for
bet
0
X
5
let ring
Em7
ter
life.
0
0
0
0
let ring
X
X
Gtr. 7 (elec.)
w/ slight dist.
Guitar Solo
A5
Oh,
G5
oh,
oh.
*Gtrs. 5 & 6
2
0
0
X
5
*Composite arrangement
Gtr. 7
0
7
1/2
D5
Asus4
Oo,
Em7
hoo,
Gtr. 8
hoo,
hoo,
oh.
steady
f
gliss.
w/ slight dist.
1
1
Gtrs. 5 & 6
3
2
let ring
4
0
0
3
2
0
1/2
Gtr. 7 tacet
A5
G5
Yeah,
9
9
14
14
14
12
14
14
14 15 15
14 16 16
17
18
17
18
17
18
17
18
17
18
10
15
16
14
14
yeah.
2
0
2
2
2
2
Gtr. 7
4
4
X
X
9
9
12
12
12
12
X
X
X
X
X
X
14
14
15
16
0
X
5
15
16
16
14
12
12
Em7
D/F#
G5
Said
Gtr. 8
let ring
1
10
10
Gtrs. 5 & 6
10
7
let ring
3
2
Bridge
Gtr. 6 tacet
hold
on.
Gtr. 5
mp
Harm.
let ring
Pitch: D
Gtr. 1
Riff B
End Riff B
P.M.
7
7
7
7
Gtr. 8
1/2
5
7
5
6
5
6
5
6
5
5
6
3
4
3
4
5
4
5
4
3
4
3
4
3
3
pp
11
Gtr. 1: w/ Riff B (2 times)
Gtr. 8 tacet
Hold
on.
Gtr. 5
8va
Now, come
Harm.
let ring
loco
on,
ba
by.
Pitch: A
Hold
on.
Yeah,
were gon - na
Csus2
have
it
all
0
X
3
0
X
3
0
X
3
0
X
3
and
hoo,
0
X
3
0
X
3
Gtr. 5
mf
3
0
X
3
Gtr. 6
3
0
X
3
12
0
X
3
hoo,
oo.
3
0
X
3
3
0
X
3
Chorus
D5
A5
Some - day,
ba
G5
by,
you
3
2
0
0
0
2
2
0
0
0
X
5
Em
Gtrs. 5 & 6: w/ Rhy. Figs. 5 & 5A (last 4 meas.)
D5
Good
A5
lucks
Gtr. 7
gon
na
shine,
A5
Some - day,
ba
ones,
uh.
F#m
G5
Yes, it
is.
7
7
you
and I
are gon - na
be
A5
by,
the
G5
be
D5
are gon - na
and I
Gtrs. 5 & 6
the
So
ones.
3
2
Em7
hold
G5
on,
Gtr. 7
just, uh,
A5
hold
on.
let ring
1
10
Gtrs. 5 & 6
let ring
0
2
0
0
X
5
2
0
13
Chorus
Gtrs. 5 & 6: w/ Rhy. Figs. 5 & 5A (1st 3 meas.)
D5
G5
Some - day, ba - by,
you and I
are gon - na
be
D5
A5
the ones,
uh.
Good
A5
lucks
gon - na
Gtr. 7
Gtr. 7
10
X
X
F#m
G/B
Shine
on
A5
D5
Em
0
0
ba
2
0
Gtr. 7 tacet
G5
you and I
Em7
are gon - na be the ones.
So
0
0
X
5
14
on,
2
2
0
0
0
life.
G5
were head
let ring
by,
hold
2
0
Gtrs. 5 & 6
Gtrs. 5 & 6
A5
Some - day,
down.
X
X
shine.
ed
for
bet - ter
3
2
5
Outro
D5
Oh,
Riff C
Gtr. 7
6
X
4
7
X
5
7
X
5
Rhy. Fig. 7
Gtrs. 5 & 6
9
X
7
9
X
7
11
X
9
9
X
7
7
X
5
3
2
0
3
2
0
bet - ter
6
X
4
7
5
X
X
X
7
X
5
X
X
X
X
X
X
9
X
7
9
X
7
G5
3
2
0
0
Oh,
7
5
6
X
4
7
5
X
X
X
7
X
5
X
X
X
X
X
X
9
X
7
9
X
7
11
9
X
7
7
X
5
3
3
0
3
3
0
0
let ring
ho.
bet
6
X
4
7
5
X
X
X
life,
7
X
5
X
X
X
X
X
X
9
X
7
now.
7
X
5
11
9
let ring
ter
9
X
7
11
9
0
0
life.
End Riff C
7
X
5
End Rhy. Fig. 7
15
Gtrs. 5 & 6: w/ Rhy. Fig. 7 (7 times)
Gtr. 7: w/ Riff C
D5
leave
D5
this all
Gtr. 7
0
0
G5
head
Oh,
ho,
hm,
be - hind
us, ba
3
2
0
3
2
0
3
2
0
ed
bet - ter
for
by.
Wait
Oo,
hoo.
and
Were
0
3
0
0
16
the
chains
that bind
and fi
and
nly
3
2
0
3
2
0
3
2
0
0
2
0
2
0
2
well
me.
Gon - na
0
2
2
3
be
free.
break
0
3
were gon - na
see.
you
0
3
Hey,
life,
3
4
ho.
D5
G5
Were gon - na
8
9
10
11
10
11
7
7
10
11
8
9
G5
be the
ones
that
have it
all,
you
and
3
6
3
6
3
6
3
6
3
6
D5
0
0
Hoo,
let ring
12
10
12
10
10
10
12
12
10
10
10
10
12
10
oo.
Uh, just, uh,
12
10
D5
12
12
10
10
10
12
10
12
10
10
10
Woo!
10
12
12 10
10
10 12
12 10
10 12
10
10
10
hold
10
12
12
10
10
10
on
tight,
10
10
12
10
10
now,
ba
10
by.
10
10
12
10
10
12
10
10
10
12
10
12
10
10
G5
Oh,
ho,
12 10
10
10
10 14
oh.
12
oo,
G5
1/2
me.
let ring
7
7
10
12 10
10 12
10
10
10
12
10
12 10
10 12
10
10 12
10
10 12
10
10
17
D5
8va
12
10 12 10
10 12
10
10
12
10
10
10
14
17 14
G5
8va
17 14
15
17 14 14 14
15
15
14 17
15
17
15
17 14
15
15
17
14
D5
17
17 14 14
17
17
17
17 14 17 14
17 14 14 14 14 14 15 17
17 14
15
14
15
15 14 15
14
G5
8va
14
15
17
15 15
17 14
15
14 17
14 15
14
15
17 14
15
17 14
15
17 14
15
17 14
15
17 14
15
17 14 14 17
1
17
1
17
D5
8va
Gtr. 7
mp
17
Gtr. 1
mp
3
3
4
Gtrs. 5 & 6
0
0
18
Gtrs. 5 & 6 tacet
8va
17
3
0
2
0
3
0
pp
0
0
8va
Gtr. 7
pp
17
2
0
0
0
Gtr. 1
3
2
0
19
from Keith Urban - In the Ranch
Clutterbilly
Words and Music by Keith Urban, Peter Clarke and Gregory Holden
A
Fast h = 150
[A7]
Gtr. 1 (clean)
mf
2
5
[A7]
1/2
1/2
17
1/2
[A7]
1/2
[C]
1/2
1/2
1/2
1/2
Copyright 1991 UNIVERSAL/MCA MUSIC PUBLISHING PTY. LTD.
All Rights in the U.S. and Canada Controlled and Administered by UNIVERSAL MUSIC CORP. and SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission
[C]
[A7]
1/2
11
13
13
1/2
[Bb]
[A7]
[F]
[G]
[Bb]
[Dm]
[G]
[F]
[A7]
P.M.
w/ fingers
1/2
1/2
1/2
0
3
[C]
[A7]
1/2
5
3
1/2
1/2
[C]
5
5
5
5
12
12
12
14
14
17
17
14
14
[A7]
16
2
2
1/2
1/2
let ring
1/2
5
5
1/2
3
3
5
5
17
14
17
14
16
14
14
[Bb]
[F]
let ring
6
2
[G]
4
3
3
5
3
5
let ring
let ring
5
0
[Dm]
[Bb]
[F]
let ring
6
2
5
0
[G]
1/2
8
8
10
10
[A7]
Spoken: Hey!
A7
*T
5
4
6
7
5
7
6
5
7
6
5
7
5
4
6
7
5
7
6
5
7
5
4
6
7
5
7
6
5
7
5
4
6
6
5
7
5
4
6
*T = Thumb on 6th string
C7
10
10
10
10
A7
10
let ring
[A7]
1/2
5
4
6
6
5
7
7
5
7
8
8
10
10
5
4
6
6
5
7
7
5
7
5
4
6
6
5
7
5
4
6
6
5
7
7
5
7
5
4
6
6
5
7
[C]
[A7]
1/2
1/2
[C]
1/2
1/2
14
17
1/2
1/2
1/4
[A7]
17
14
[A7]
loco
17
14
17
8va
1/4
1 hold bend
17
10
20
18
20
18
18
17
19
17
12
[A7]
14
w/ pick
12
12
11
7
6
1/2
10
11
5
3
12
14
14
[C]
1/2
17
1/2
0
17
5
6
5
5
9
8
1/2
C7
10
11
10
steady gliss.
11
9
8
10
8
6
5
7
11
9
8
10
X
X
X
X
X
X
X
X
w/ wah-wah
X
X
X
X
X
X
5
5
5
5
5
5
3
3
X
X
X
X
X
X
X
X
X
H
Cm7
X
X
X
3
3
8
8
8
X
X
X
8
8
8
8
8
8
X
X
X
X
X
X
8
8
8
10
15
15
8
8
8
X
X
X
8
8
10
10
10
10
10
10
X
X
X
8
8
8
8
8
8
X
X
X
8
8
8
X
X
X
8
8
8
8
8
8
8
8
8
8
X
X
8
8
8
8
10
10
8
8
8
8
8
8
10
10
8
8
8
8
10
8
8
8
8
8
8
X
X
X
8
8
8
X
X
X
8
8
8
8
8
10
10
10
10
10
10
11
10
10
10
X
X
X
10
10
10
8
8
8
8
8
8
8
8
8
X
X
X
8
8
8
8
8
8
X
X
X
X
X
3
3
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
10
8
8
8
X
X
X
X
X
X
15
15
h=q
(wah-wah off)
8
8
8
8
8
8
X
X
X
8
8
8
X
X
X
8
8
8
8
8
10
10
8
11
8
8
11
8
8
11
8
8
11
8
8
11
8
8
11
8
8
8
11
8
8
8
11
8
8
8
11
8
8
8
11
8
8
8
11
8
8
8
11
8
8
8
11
8
8
8
11
8
8
8
11
8
8
8
11
8
8
__ =
Triplet feel
[D7]
Riff A
19
17
Gtr. 1: w/ Riff A
mf
17
17
17
19
17 19 19
3
3
17 19 19
19 17
17
17
16
19
19
17
19
17
17 19 19
19 17
17
17
19
17
End triplet feel
19
End Riff A
17
17
17
17
1/2
19
19
17
19
19
17
18
19 17
17
17
19
17
Gtr. 2 (clean)
q=h
19
17 19 19
19 17
17
17
19
17
17
Gtr. 2 tacet
Gtr. 1
[A7]
J
[A7]
1/2
1/2
3
2
0
0
12
12
12
17
Harm.
[G]
1/2
[C]
5
5
6
7
5
5
6
7
5
5
6
7
5
5
[A7]
6
7
8
9
7
8
6
7
5
6
[C]
10
10
11
11
12
12
10
13
13
14
[A7]
8va
4
5
11
14
16
17
14
17
15
18
18
19
16
19
20
17
12
15
17
17
13
3
4
20
20
17
17
20
20
17
20
20
15
16
20
20
loco
10
11
10
17
C6
C6
5
5
5
5
3
3
4
5
5
5
5
5
5
5
5
5
C6
3
3
4
5
5
5
5
5
3
3
4
5
3
3
4
5
C6
[A7]
5
5
5
5
from Keith Urban - Be Here
Days Go By
Words and Music by Monty Powell and Keith Urban
Gtr. 1: Capo VII
Gtrs. 2, 3 & 4: Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
Rubato q = approx. 98
D
* [G]
G
[C]
Gtr. 1 (acous.)
mp
G'9
[C'9]
3
4
0
2
3
0
0
X
3
3
2
3
2 4 2 0
rit.
let ring throughout
3
0
0
X
3
D
[G]
3
0
0
*Symbols in parentheses represent chord names respective to capoed guitar.
Symbols above reflect actual sounding chords. Capoed fret is 0 in tab.
D
Moderately
fast q = 132
[G]
D
[G]
G
[C]
G
[C]
Woo!
Riff A
Gtr. 1
mf
3
0
0
X
3
Gtr. 2 (elec.)
2
0
4
0
End Riff A
0
0
3
0
0
2
0
3
4
3
2 4 2 0
0
2
w/ dist.
12
Copyright 2004 UNIVERSAL MUSIC CORP., LANARK VILLAGE TUNES and GUITAR MONKEY MUSIC
All Rights for LANARK VILLAGE TUNES Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for GUITAR MONKEY MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission
19
Gtr. 1: w/ Riff A
D
[G]
G
[C]
Ah,
Gtr. 3
(elec.)
Gtr. 2
uh,
ye
3
2
0
0
7
0
3
3
0
5
3
0
5
3
0
3
3
0
11
9 11 9
3
2
0
3
3
0
3
3
0
5
3
0
5
3
0
3
0 2
Verse
Gtr. 3 tacet
D
[G]
ah.
G
[C]
w/ slight dist.
7
0
D
[G]
*G6
1. Im chang - in lanes
Rhy. Fig. 2
Gtr. 4 (elec.)
D
[G]
[C6]
and talk - in on the
phone,
driv - in
mf
way
too
Em7
[Am7]
fast.
And the
End Rhy. Fig. 2
w/ clean tone
semi-P.M.
7
7
7
7
7
7
5
7
5
7
5
7
5
7
P.M.
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
2
3
3
0
2
3
3
0
2
3
Gtr. 1
Rhy. Fig. 1
Gtr. 3
7
7
7
7
7
7
7
7
5
7
3
0
2
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
P.M.
3
0
3
0
3
0
2
3
5
7
5
7
1
0
2
0
1
0
2
0
pp
5
7
1
0
2
0
1
0
2
0
1
0
2
0
Gtr. 2
*Chord symbols reflect overall harmony.
pp
Gtr. 2 tacet
D
[G]
G6
[C6]
in - ter - states jammed
with gun - ners like
me
a - fraid of
com - in in
semi-P.M.
7
7
7
7
P.M.
7
7
3
0
2
3
3
0
2
3
But some - where in
Riff B
the
5
7
race
5
7
7
7
D/F#
[G/B]
we
5
7
5
7
Gtr. 3
0
7
P.M.
0
0
X
3
0
0
X
3
0
0
X
3
7
7
7
7
5
7
5
7
5
7
5
7
End Rhy. Fig. 1
3
4
0
3
2
0
3
4
0
3
5
0
3
2
0
done
and days
go
End Riff B
0
5
7
X
X
Gtr. 2
mf
w/ clean tone
let ring
let ring
Gtr. 1
let ring
1
0
2
3
0
0
2
X X
X X
3
0
w/ dist.
3
0
0
7
Rhy. Fig. 3
5
7
3
2
0
were com - in un
7
7
7
7
run,
last.
G
[C]
let ring
7
7
Pre-Chorus
Em7
[Am7]
5
7
P.M.
3
0
0
X
3
3
0
0
X
3
Gtr. 4
5
7
Gtr. 1
7
7
Gtr. 4
7
7
D
[G]
12
End Rhy. Fig. 3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
Chorus
Gtr. 4 tacet
D5
[G5]
by.
Gtr. 3
14
0
12
0
14
12
14
0
12
0
11
0
D5
[G5]
G'9
[C'9]
can feel em fly - in like a
hand
out the win - dow in the
wind
G'9
[C'9]
12
0
12
0
12
0
11
0
as the cars
go
9
0
11
0
12
0
9
0
11
0
11
0
0
0
Gtr. 2
0
0
0
Rhy. Fig. 4
Gtr. 1
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
2
3
3
0
2
3
3
0
2
3
3
0
2
3
3
0
2
3
3
0
2
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
2
3
3
0
2
3
3
0
2
3
3
0
2
3
3
0
2
3
3
0
2
3
3
0
2
3
by.
Yeah, its all
Riff C
12 14
14
0
Rhy. Fig. 5
12 11
0
0
11
3
0
0
X
3
3
0
0
X
3
Em7
[Am7]
weve been
12
3
2
0
0
D5
[G5]
3
2
0
3
2
0
D/F#
[G/B]
G
[C]
so you bet - ter start
liv - in right
now
go
giv - en,
12 12 11
0 0 0
9
0
11
0
11
0
12
0
12
0
9
0
3
3
0
3
3
0
3
3
0
3
3
0
End Riff C
12
0
12
0
12 12 12
0 0 0
12
0
End Rhy. Fig. 5
let ring
3
2
0
3
2
0
3
2
0
11
0
cause days
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
1
0
2
0
1
0
2
0
1
0
2
0
1
0
2
0
3
0
0
2
3
0
0
2
End Rhy. Fig. 4
3
0
0
2
3
0
0
2
3
0
0
2
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
Interlude
Gtr. 1: w/ Riff A
D
[G]
G
[C]
by.
Oh, and, uh,
7
0
11
Gtr. 2
7
0
11
hoo,
G
[C]
hoo.
Riff D
Gtr. 3
D
[G]
7
0
11
9 11 9
7
0
11
9 11 9
End Riff D
Verse
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 4: w/ Rhy. Fig. 2
Gtr. 3 tacet
D
[G]
2. Out on the roof
G6
[C6]
just
D
[G]
the oth - er
night,
I watched the
Em7
[Am7]
world
flash
by.
Head-
pp
3
let ring
1
D
[G]
- lights,
G6
[C6]
tail - lights
run - nin through a
Gtr. 4
riv - er
D
[G]
of
ne
on
signs.
7
7
7
7
7
7
7
7
5
7
5
7
5
7
5
7
5
7
5
7
8
7
7
7
7
7
5
7
7
7
7
Gtr. 2
let ring
7
7
7
7
let ring
Uh, huh.
semi-P.M.
7
7
7
7
7
2
3
Pre-Chorus
Gtr. 1: w/ Rhy. Fig. 3
Gtr. 4: w/ Riff B
Em7
[Am7]
But some - where
in
the
Gtr. 2
D/F#
[G/B]
G
[C]
rush
felt
were los - in our
10
10
10
X
7
Chorus
selves.
And days
go
12 12
X
9 9
10
X
7
12 12 12
X X
9 9 9
12 12 12
X X X
9 9 9
Gtr. 1: w/ Rhy. Fig. 4
D5
[G5]
by.
G'9
[C'9]
D5
[G5]
can feel em fly - in like a
hand
out the win - dow in the
14
14
0
12
0
12
0
12
0
Gtr. 3
12
Gtr. 2
11
0
3
0
0
3
2
0
0
12
0
11
0
9
0
11
0
11
0
12
0
12
3
2
0
0
0
3
2
0
9
0
11
0
G'9
[C'9]
wind
as the cars
11
3
4
go
3
2
0
0
Gtr. 2: w/ Rhy. Fig. 5
1st time, Gtr. 3: w/ Riff C
2nd time, Gtr. 3: w/ Riff C (1st 3 meas.)
2nd time, Gtr. 3: w/ Fill 1
D5
[G5]
by.
Yeah, its
Em7
[Am7]
all
D/F#
[G/B]
weve been
G
[C]
liv - in right
now.
go
giv - en,
so you
bet - ter start
And days
To Coda
Interlude
Gtrs. 2 & 3: w/ Riff D
D
[G]
G
[C]
by.
Rhy. Fig. 6
3
0
0
0
X
3
3
0
0
0
X
3
3
0
0
0
X
3
D
[G]
G
[C]
hoo.
3
0
0
0
X
3
3
0
0
0
X
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
0
0
0
X
3
3
0
0
0
X
3
3
0
0
0
X
3
3
0
0
0
X
3
3
0
0
X
0
3
3
0
0
0
X
3
3
0
0
0
X
3
G
[C]
Oh, and, uh, hoo,
Gtr. 1
D
[G]
by.
Yeah,
the
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
days
go
End Rhy. Fig. 6
3
1
0
2
3
3
1
0
2
3
D
[G]
Oh, and, uh, hoo,
*Gtrs. 2 & 3
hoo.
11 9
11
10
10
12
12
10
10
10
12 10
10
10
10
12 10
10
10 10
12 10
10
10 12
12 10 12
*Composite arrangement
Gtr. 1
3 3 3
0 0 0
0 0 0
0 0 0
X X X
3 3 3
3
0
0
0
X
3
3
0
0
0
X
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
0
0
0
X
3
3
0
0
0
X
3
3
0
0
0
X
3
3
0
0
0
X
3
3
0
0
0
X
3
3
0
0
0
X
3
3
0
0
0
X
3
3
0
0
0
X
3
3
0
0
0
X
3
3
0
0
0
X
3
3
0
0
0
X
3
Fill 1
Gtr. 3
12
0
14
16
18
Bridge
Half-time feel
Gtr. 1 tacet
A7
We think a - bout
Gtrs.
2&3
to - mor
row,
then
it
slips
a - way.
Oh,
Gtr. 2
12
Gtr. 3 tacet
yes, it does.
* pp
mf
12
10
*Vol. swell
Gtr. 4
End half-time feel
A7
We talk a - bout
for - ev
er,
but
on
10
D/F#
weve
10
Em7
ly
G5
got
to - day.
3
0
2
3
2
4
3
0
0
And the days
go
Gtr. 2 tacet
D5
[G5]
by.
Em7
[Am7]
D/F#
[G/B]
can feel em fly - in like a
G
[C]
hand
out the
win - dow as the
cars
Gtr. 4
go
by.
mp
P.M.
7
7
Gtr. 1
7
7
7
7
7
7
5
7
5
7
5
7
5
7
7
7
7
7
7
7
Rhy. Fig. 7
P.M.
0
X
3
0
X
3
7
7
5
7
5
7
5
7
5
7
End Rhy. Fig. 7
0
X
3
P.M.
0
0
0
X
3
0
2
0
0
2
0
P.M. P.M.
P.M.
0
2
0
0
0
0
P.M. P.M.
P.M.
0
0
0
2
2
3
0
0
Gtr. 1: w/ Rhy. Fig. 7
D5
[G5]
Gtr. 2
Its
all
Em7
[Am7]
D/F#
[G/B]
weve been
giv - en,
so you
bet - ter
start
liv - in,
you
p
w/ clean tone
let ring
10
7
7
10
Gtr. 4
10
10
7
7
7
7
7
7
7
7
5
7
5
7
5
7
5
7
P.M.
7
7
10
7
7
7
7
7
7
7
7
7
7
7
7
7
7
Gtr. 4 tacet
D.S. al Coda
G
[C]
bet - ter
start
liv - in,
bet
Gtr. 2
ter
now
10
mf
10
8
7
10
8
7
10
8
7
10
8
7
10
8
7
10
8
7
cause
days
10
8
7
10
8
7
10
8
7
go
10
8
7
Gtr. 3
P.S.
8
7
7
7
8
7
7
7
Gtr. 1
liv - in right
Gtr. 4
10
start
let ring
P.M.
P.M.
P.M.
3
0
2
Coda
2
3
0
0
8
7
14
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
Gtr. 1: w/ Rhy. Fig. 6
Gtrs. 2 & 3: w/ Riff D
D
[G]
G
[C]
by.
Oh, and, uh,
hoo,
G
[C]
D
[G]
hoo.
Oh!
Outro
Gtr. 1: w/ Rhy. Fig. 6 (2 times)
Gtr. 2: w/ Riff D (1 1/4 times)
D
[G]
So
take
em
by
the
hand,
Rhy. Fig. 8
Gtr. 3
6
X
4
10
7
5
7
X
5
7
X
5
7
X
5
7
X
5
6
X
4
7
X
5
7
X
5
6
X
4
G
[C]
7
X
5
7
X
5
7
X
5
theyre
yours
and
mine.
End Rhy. Fig. 8
0
0
X
5
0
0
X
5
0
0
X
5
0
0
X
5
0
0
X
5
0
0
X
5
Gtr. 3: w/ Rhy. Fig. 8 (3 times)
D
[G]
Uh,
take
em
by
the
hand
G
[C]
dont
Gtr. 2
let
em
all
and
live
your
fly
by.
life.
Come
on,
Take em
by
the
hand,
G
[C]
come
10
9
12
11
11
G5
[C5]
Come
on,
on,
now.
10
10
12
12
now.
Riff E
10
7
10
7
10
7
10
7
10
7
8
7
7
7
8
7
10
7
10
7
10
7
10
7
10
7
10
7
10
7
10
7
10
7
10
7
8
7
8
7
8
7
8
7
7
7
7
7
8
7
End Riff E
8
7
End Rhy. Fig. 9
Rhy. Fig. 9
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
1
0
X
3
3
1
0
X
3
3
1
0
X
3
3
1
0
X
3
3
1
0
X
3
3
1
0
X
3
3
1
0
X
3
3
1
0
X
3
3
1
0
X
3
3
1
0
X
3
3
1
0
X
3
Gtr. 1
Yeah!
Gtr. 3
7
0
D5
[G5]
D
[G]
D
[G]
G
[C]
Rhy. Fig. 9A
Gtr. 2
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
3
0
0
X
5
3
3
0
0
X
5
3
3
0
0
X
5
End Rhy. Fig. 9A
11
Gtr. 1: w/ Rhy. Fig. 9 (3 times)
Gtr. 2: w/ Rhy. Fig. 9A (2 times)
Gtr. 3: w/ Riff E (2 times)
G5
[C5]
And,
uh,
oo,
D5
[G5]
hoo,
days
10
7
Dont you know the
G5
[C5]
hoo.
D5
[G5]
Gtr. 3
G5
[C5]
D5
[G5]
go
by?
10
7
10
7
10
7
10
7
8
7
8
7
10
7
10
7
10
7
10
7
10
7
10
7
10
7
10
7
10
7
10
7
8
7
8
7
8
7
8
7
8
7
8
7
8
7
Gtr. 2
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
9
X
7
9
X
7
9
X
7
9
X
7
9
X
7
11
X
9
12
X
10
12
X
10
12
X
10
D5
[G5]
12
X
10
12
X
10
Gtr. 1
3
3
0
0
X
3
Gtrs. 2 & 3
0
0
0
12
from Keith Urban - Act of Valor: The Album
For You
Words and Music by Keith Urban and Monty Powell
Asus2
Em
23
Intro
Free time
* Bm
23
(Synth.)
G5
34
132
Em
Bm
234
13421
D5
13
*Chord symbols reflect overall harmony.
Moderately slow q = 85
Bm
**Gtr. 1 (acous.)
mf
let ring
let ring
**Two gtrs. arr. for one.
Riff A
let ring
End Riff A
let ring
Gtr. 1: w/ Riff A (2 times)
Bm
Em
Riff B
End Riff B
***Gtr. 2
mf
16 16
16
16
15
16
17 15
16 16
16
16
15
16
17 15
16 16
16
16
15
16
17 15
16 16
16
16
15
16
17 15
***Mandolin arr. for gtr.
Copyright 2012 MARY ROSE MUSIC, TOREADOR TUNES and CRANESONG MUSIC
All Rights for MARY ROSE MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission
Verse
Bm
1. Well, all
Gtr. 2
Riff C
14
saw
smoke
was
16
16
16
16
16
16
16
16
and
16
fire,
16
16
did - nt
feel
16
14
16
16
16
16
16
16
16
16
16
16
Gadd9
sud - den - ly
was
ris
let ring
16
16
16
16
16
16
16
16
16
16
15
16
15
And I
like
just
2
2
2
3
4
4
high
er.
End Riff C
12
14
17
14
14
2
2
2
0
Gadd9
made
Gtr. 1
let ring
let ring
the big - gest
let ring
2
2
2
2
2
3
4
4
2
2
2
3
4
4
mis - take
3
3
2
0
X
3
3
3
2
0
felt
ing
Gtr. 2: w/ Riff C (1st 3 meas.)
Bm
3
4
4
15
2
3
2
0
3
3
2
0
X
3
14
17
16
But
2
2
2
2
2
16
14
thing.
Gtr. 1
when I
thought a - bout my un
Gtr. 2
F#m
born
14
17
15
15
when I
17
14
14
14
14
14
14
thought
14
16
let ring
12
Gtr. 1
child,
let ring
a - bout
my
14
17
15
wife.
(cont. in slashes)
let ring
2
2
2
4
4
2
3
2
0
0
Pre-Chorus
* Asus2
And the an
swer rang
out
14
14
14
14
14
14
14
14
14
14
clear
Gtr. 2
12
Em
Gtr. 1
14
from some
where
up
a - bove.
14
16
16
16
16
16
16
16
16
16
16
16
Gtr. 3 (elec.)
mf
w/ clean tone & reverb
w/ bar
0
0
2
2
0
0
0
0
2
2
0
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
G5
No
great - er gift
has
man
than to lay
down
his
life
for
Em
Asus2
love.
Gtr. 2
*Gtrs. 4 & 5
(elec.)
divisi
f
w/ dist.
12 14 14 14
14 14 14
14 14 14
14 14
14 16 16 16
16 16 16
16 16 16
16 16
12
X X
X X
X X
*Composite arrangement
w/ bar
0
0
0
2
2
0
0
0
2
2
0
3
0
0
X
3
Chorus
Gtrs. 2 & 3 tacet
G5
Rhy. Fig. 1
Gtr. 1
And
won
Voc. Fig. 1
Bm
der,
would
give
my
life?
(Ah.
Rhy. Fig. 1A
Gtrs. 4 & 5
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
2
2
2
0
2
2
2
0
2
2
2
0
3
4
4
2
3
4
4
2
3
4
4
2
X
X
X
X
2
3
2
0
0
0
0
0
X
X
X
3
4
4
0
0
0
G5
Ah.
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
X
X
X
X
2
3
2
0
0
2
3
2
0
0
G5
2
3
2
0
0
2
3
2
0
0
Ah,
fice.)
3
0
0
X
3
Em
would,
3
0
0
X
3
3
0
0
X
3
X
X
X
X
0
0
0
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
if
it
2
2
2
0
2
2
2
0
0
0
0
down
fice?
2
2
2
0
ri
0
0
0
2
2
0
0
0
0
2
2
0
0
0
0
2
2
0
0
0
0
2
2
0
X
X
X
to
it, would I
0
0
0
2
2
2
0
2
2
2
0
X
X
X
X
X
X
3
4
4
2
X
X
X
X
X
X
2
2
2
0
End Rhy. Fig. 1A
X
X
X
X
X
X
G5
would
the bul - let?
End Rhy. Fig. 1
End Voc. Fig. 1
take
Bm
came
yes
ri
Sac
2
3
2
0
0
let ring
0
0
0
2
2
0
sac
that
make
could I
Em
Ah,
for
you.
3
3
0
0
X
3
Interlude
Gtr. 1: w/ Riff A (2 times)
Gtr. 2: w/ Riff B
Gtr. 5 tacet
Bm
Mm,
Gtr. 4
Em
mm.
Verse
Bm
2. And
Gtr. 1
may - be
you
un - der
dont
stand,
I dont un - der - stand it
all
my -
let ring
Gtr. 4
Riff D
P.M.
Gtr. 5
Riff D1
P.M.
End Riff D
1/2
6
5
P.M.
End Riff D1
G5
self.
let ring
broth - er
But theres a
Gtr. 1
on my left
and an - oth - er
P.M.
7
7
5
7
7
5
And in
his
pock
et
just
like
14
2
2
0
mine,
Gtr. 2
steady gliss.
Gtrs. 4 & 5: w/ Riffs D & D1
Bm
right.
let ring
my
Gtrs. 4 & 5
on
hes got
pho
16
16
14
16
16
14
16
16
14
16
16
16
16
16
16
14
16
16
14
16
16
14
16
16
14
16
16
16
16
16
16
3
4
4
2
X
X
X
X
2
2
2
2
3
4
4
2
X
X
X
X
2
2
2
2
3
4
4
2
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
2
2
2
2
3
4
4
2
X
X
X
X
2
2
2
2
3
4
4
2
X
X
X
X
2
2
2
2
3
4
4
2
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
Gtr. 1
2
2
2
2
to - graph,
Gtr. 2
and
theyre
wait
in
for
him
back
let ring
14
16
16
14
16
16
14
16
16
14
16
16
16
16
16
16
X
X
X
X
X
X
3
3
0
0
X
3
3
3
0
0
X
3
X
X
X
X
X
X
3
3
0
0
X
3
3
3
0
0
X
3
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
Gtr. 1
3
3
0
0
X
3
3
3
0
0
X
3
Gtr. 4
P.M.
Gtr. 5
15
17
15
14
2
3
2
0
7
7
5
P.M.
14
steady gliss.
7
7
5
7
7
5
Pre-Chorus
A
F#m
Gtr. 1
home.
And its weigh - in on
my
12
14
17
14
14
14
16
14
15
17
14
14
14
14
14
be
14
14
14
he
14
14
try - in to
12
not
(cont. in slashes)
2
2
2
4
4
2
Im
Gtr. 2
let ring
mind.
Gtr. 4
2
2
0
Gtr. 5
P.M.
Em
ro,
dont
wan - na
16
16
16
16
16
16
16
16
16
0
0
0
2
2
0
P.M.
10
die.
12
16
2
2
0
14
14
14
14
14
now
14
in
14
But right
14
14
this
14
mo -
14
14
P.M.
Chorus
Bkgd. Voc.: w/ Voc. Fig. 1
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2 tacet
Gtrs. 4 & 5: w/ Rhy. Fig. 1A
Em
ment,
you
14
dont
16
think
17
twice.
G5
16
won
der,
14
0
0
0
2
2
0
X
X
X
X
0
0
0
0
0
0
0
0
0
Em
Bm
would I
give
G5
my
life?
Could I
Ah,
if
it
came
down
make
that
to
it,
could
ri -
take
the
Bm
sac
fice?
bul - let?
11
Em
G5
Gtr. 1
would,
yes
Gtr. 4
3
0
0
X
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
Bridge
A
0
0
X
3
2
2
0
Gtr. 5
would.
let ring
0
0
2
2
0
Em
Rhy. Fig. 2
End Rhy. Fig. 2
Gtr. 1
You dont
think a - bout
Voc. Fig. 2
*
right,
Rhy. Fig. 2A
2
2
0
X
X
X
2
2
0
2
2
0
X
X
X
think a - bout
wrong.
X
X
X
0
0
X
2
2
0
X
X
X
X
X
X
0
0
X
2
2
0
0
0
X
2
2
0
X
X
X
X
X
X
0
0
X
2
2
0
0
0
X
2
2
0
X
X
X
X
X
X
0
0
X
2
2
0
0
0
X
2
2
0
X
X
X
X
X
X
0
0
X
2
2
0
0
0
X
2
2
0
2
2
0
2
2
0
X
X
X
2
2
0
2
2
0
X
X
X
2
2
0
2
2
0
X
X
X
2
2
0
oh.
*Gang vocs., next 2 meas.
12
you dont
(Oh,
Gtrs. 4 & 5
End Rhy. Fig. 2A
X
X
X
X
X
X
0
0
X
2
2
0
X
X
X
X
X
X
do
what you got
You just
Oh,
End Voc. Fig. 2
ta
Em
do
to
D5
de - fend
your
own.
oh.)
X
X
X
2
2
0
2
2
0
X
X
X
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
X
X
X
X
X
X
2
2
0
2
2
0
X
X
X
2
2
0
X
X
X
Bkgd. Voc.: w/ Voc. Fig. 2
Gtr. 1: w/ Rhy. Fig. 2
Gtrs. 4 & 5: w/ Rhy. Fig. 2A
And
G5
Gtr. 1
Id
do
Guitar Solo
Bm
the
Em
same
w/ dist. & delay
P.S.
12
12
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
X
X
X
X
3
4
4
2
3
4
4
2
3
4
4
2
3
4
4
2
3
4
4
2
X
X
X
X
3
4
4
2
3
4
4
2
3
4
4
2
3
4
4
2
Gtrs. 4 & 5
10 12 15
12
you,
Oh.
1 1/2
12
X
X
for
would.
Gtr. 6 (elec.)
G5
yes I
11 14 11
X
X
X
X
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
X
X
X
X
X
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
X
X
X
X
X
X
X
X
X
X
13
Bm
3
4
4
2
1/2
11
3
4
4
2
3
4
4
2
3
4
4
2
3
4
4
2
X
X
X
X
3
4
4
2
0
0
0
0
0
0
0
0
3
4
4
2
3
4
4
2
would.
+1 1/2
w/ bar
1/2
Bm
3 3
Yes
Em
11
G5
P.M.
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
P.M.
9
9
7
7
14
14
14
14
14
14
14
14
14
14
14
17
17
17
17
17
17
17
17
17
17
17
3
4
4
2
3
4
4
2
3
4
4
2
3
4
4
2
3
4
4
2
X
X
X
X
3
4
4
2
3
4
4
2
3
4
4
2
2
2
2
0
14
9
9
7
7
G5
w/ bar
+1/2
14
14
17
17
14
17
17
17
17
17
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
X
X
X
X
X
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
14
17
12
14
12
14
11
0
0
0
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
X
X
X
10
11
2
2
0
2
2
0
2
2
0
2
2
0
Chorus
Bkgd. Voc.: w/ Voc. Fig. 1 (1st 2 meas.)
Gtrs. 4 & 5 tacet
Em
(cont.in
notation)
G5
Gtr. 6 tacet
And
I would give
my
life.
10 12 X 10 X 12 X 10 X 12 14 14
10 12 X 10 X 12 X 10 X 12
15
0
0
2
2
0
Gtr. 1
3
3
0
0
X
3
2
3
2
0
0
2
2
2
0
15
Gtr. 1 tacet
E5
I would
make
that
sac
ri
fice.
(Ah.)
Gtrs. 4 & 5
P.M.
P.M.
0
Bkgd. Voc.: w/ Voc. Fig. 1 (1st 2 meas.)
Gtr. 1: w/ Rhy. Fig. 1 (last 2 meas.)
Gtrs. 4 & 5: w/ Rhy. Fig. 1A (last 2 meas.)
G5
Cause
if
it
came
Em
Gtr. 1
would,
yes,
2
0
down
2
0
2
0
2
0
2
0
2
0
to
it,
would
bul - let?
do
you.
it
for
0
0
0
2
2
0
0
0
0
2
2
0
0
0
0
2
2
0
X
X
X
X
X
X
X
X
X
X
X
X
0
0
0
2
2
0
0
0
0
2
2
0
0
0
0
2
2
0
0
0
0
2
2
0
0
0
0
2
2
0
0
0
0
2
2
0
16
the
I'd
0
0
0
2
2
0
take
would,
Gtr. 5
Bm
Gtr. 4
9
9
7
9
9
7
X
X
X
9
9
7
9
9
7
X
X
X
9
9
7
9
9
7
X
X
X
9
9
7
0
0
0
steady gliss.
17
17
Outro
G5
Rhy. Fig. 3
Gtr. 1
Yeah.
Voc. Fig. 3
*
I'd
do
it
End Rhy. Fig. 3
for
you.
(Oh.
Gtr. 6
mf
P.M.
P.M.
9
9
Rhy. Fig. 3A
P.M.
10
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
X
X
X
X
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
3
2
0
0
12
End Rhy. Fig. 3A
Gtrs. 4 & 5
10
0
0
0
X
X
X
0
0
0
0
0
0
*Gang vocs., till fade
Gtr. 1: w/ Rhy. Fig. 3 (2 times)
Gtrs. 4 & 5: w/ Rhy. Fig. 3A (2 times)
G5
Oh.
Take
the
bul - let.
End Voc. Fig. 3
Oh.)
Gtr. 6
14
12
14
15
14
15 14 15 17 15 14
16 14
16
14
17
17
17
Bkgd. Voc.: w/ Voc. Fig. 3 (till fade)
G5
Yeah,
17
G5
yes,
17
17
15
17
Rhy. Fig. 4
Gtr. 1
P.M.
P.M.
14
17
14
19
P.M.
14
17
14
Rhy. Fig. 4A
17
14
17
14
12
17
16
14
14
16
16
P.M.
P.M.
19
14
17
14
19
19
17
17
19
1/2
19
17
17
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
0
0
0
2
2
0
0
0
0
2
2
0
18
X
X
X
X
14
End Rhy. Fig. 4
Gtrs. 4 & 5
17
Em
1/2
15
would.
Gtr. 6
P.M.
2
3
2
0
0
0
0
0
X
X
X
0
0
0
2
2
0
15
14
15
End Rhy. Fig. 4A
0
0
0
0
0
0
0
0
Begin fade
Gtr. 1: w/ Rhy. Fig. 1 (1st 2 meas.)
Gtrs. 4 & 5: w/ Rhy. Fig. 1A (1st 2 meas.)
G5
Bm
Oh.
Gtr. 6
15
G5
16
12
10
14
16
let ring
1 1/2
16
Gtr. 6
15
Gtr. 1
17
10
12
14
16
12
14
14
X
12
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
3
0
0
X
3
X
X
X
X
Gtrs. 4 & 5
16
14
14
12
12
14
14
12
11
12
14
14
12
10
14
X
12
16
14
14
14
12
12
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
6
X
4
11
0
0
0
11
X
9
12
10
12
X
10
5
5
2
2
0
5
5
2
2
0
X
X
X
X
X
5
5
2
2
0
14
X
12
16
14
X
12
14
14
5
5
2
2
0
X
X
X
X
X
5
5
2
2
0
5
5
2
2
0
X
X
X
X
X
5
5
2
2
0
5
5
2
2
0
X
X
X
X
X
5
5
2
2
0
5
5
2
2
0
5
5
2
2
0
12
0
0
0
0
Fade out
Gtr. 1: w/ Rhy. Fig. 4
Gtrs. 4 & 5: w/ Rhy. Fig. 4A
Gtr. 6 tacet
G5
Gtr. 1: w/ Rhy. Fig. 1 (till fade)
Gtrs. 4 & 5: w/ Rhy. Fig. 1A (till fade)
Em
G5
Bm
19
from Keith Urban - Defying Gravity
Kiss a Girl
Words and Music by Monty Powell and Keith Urban
A/D
132
G5
23
A/G
34
Asus4/G
2 111
2 113
Intro
Moderately q = 120
D5
D,7 [no3rd]
mf
*w/ slight dist. & delay
P.M.
Gsus2
Gtr. 1 (elec.)
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
P.M.
6
7
5
9 11
7
5
7
5
7
5
6
7
5
6
7
5
7
5
P.M.
P.M.
4
5
5
Gsus2
P.M.
7
7
5
5
5
4
5
5
5
5
2
5
5
4
5
5
5
5
4
5
5
4
5
5
4
X
4
5
5
X
X
X
2
5
5
4
5
5
*Delay set for eighth-note regeneration w/ 1 repeat.
D5
**Gtr. 3
D,7 [no3rd]
10 10
10 10
7 7
10 10 10
10 10 10
7 7 7
Gsus2
Gsus2
mf
10
10
7
10 10 10
10 10 10
9 7 7
10 10 10 10 10 10
10 10 10 10 10 10
9 9 9 9 9 9
10 10
10 10
7 7
10 10 10 10 10 10 10
10 10 10 10 10 10 10
7 7 7 7 7 7 7
10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10
7 7 7 7 7 7 7 7 7
**Mandolin arr. for gtr.
***Gtrs. 1 & 2
P.M.
P.M.
7
7
5
7
5
7
7
5
7
5
7
7
5
9 11
7
6
7
5
P.M.
P.M.
X
X
X
7
5
6
7
5
7
5
6
7
5
7
7
9
9
4
5
5
P.M.
X
X
X
4
5
5
4
5
5
4
5
5
4
5
5
2
5
5
5
5
P.M.
X
X
X
5
5
4
5
5
5
5
4
5
5
2
5
5
X
X
X
7
7
5
***Gtr. 2 (elec.) w/ slight dist., played mf.
Composite arrangement
Copyright 2009 UNIVERSAL TUNES, A Division of SONGS OF UNIVERSAL, INC., EDEN VALLEY MUSIC and MARY ROSE MUSIC
All Rights for EDEN VALLEY MUSIC Controlled and Administered by UNIVERSAL TUNES, A Division of SONGS OF UNIVERSAL, INC.
All Rights for MARY ROSE MUSIC Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission
Verse
Gtr. 3 tacet
D,7 [no3rd]
1. To, to kiss and tell,
Gsus2
its just not my style,
Gtr. 4 (elec.)
mf
but the night is
5
6
5
6
3
4
3
4
Gsus2
young
and its been a
3
4
3
4
while.
3
4
7
7
w/ slight dist.
P.M.
7
7
7
7
Gtrs. 1 & 2
P.M.
7
7
5
7
7
5
6
P.M.
7
7
5
6
P.M.
6
7
P.M.
6
7
D,7 [no3rd]
3
4
3
2
P.M.
P.M.
5
2
5
Gsus2
4
5
5
3
4
3
2
P.M.
5
Gsus2
And it took some time,
but Im feel - ing like
3
4
3
4
3
4
3
4
3
4
7
7
7
7
7
7
5
6
P.M.
P.M.
5
7
7
6
7
5
6
5
6
5
6
5
6
3
4
3
2
P.M.
P.M.
P.M.
5
6
7
4
5
2
5
4
5
5
3
4
A5
Im
P.M.
7
7
7
7
5
2
5
5
broke it right in two.
And she broke my heart,
4
5
5
3
4
3
4
3
2
P.M.
5
2
5
5
2
2
0
Pre-Chorus
Gtr. 4 tacet
A5
G5
fin - ly read - y
Gtr. 3
to
G5
find,
find some - bod - y
new,
hoo.
Rhy. Fig. 1
10 10
10 10
7 7
Gtr. 1
let ring
2
2
0
Gtr. 2
2
2
0
Chorus
D5
3
3
0
0
X
3
2
0
3
3
0
0
X
3
I wan - na kiss
10
10
7
10
10
7
10
10
7
10 10 10 10
10 10 10 10
7 7 9 9
2
2
2
0
2
2
2
0
2
2
2
0
mf
G5
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
And may - be make a
3
3
0
0
X
3
3
3
0
0
X
3
lit - tle
mag - ic in the moon - light.
10
10
7
10 10 10 10
10 10 10 10
7 7 7 7
10
10
7
10 10 10 10
10 10 10 10
7 7 7 7
10 10
10 10
7 7
10 10 10 10 10 10 10
10 10 10 10 10 10 10
9 9 9 9 9 9 9
10 10
10 10
7 7
10
10
7
Riff A
*Gtr. 5
I wan - na hold her tight.
Gtr. 3
2
0
let ring
2
2
2
0
a girl,
let ring throughout
3
0
2
2
3
0
3
0
*Banjo arr. for gtr.
**Gtrs. 1 & 2
3
2
0
3
2
0
3
2
0
3
2
0
2 2
2 2
2 2
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
3
3
0
0
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
3
3
0
0
3
3
0
0
3
3
0
0
2
3
3
0
0
3
3
0
0
3
3
0
0
3
2
0
**Composite arrangement
D5
Dont wan - na
go
too
Bm
far,
just
to
take
it
G5
slow.
But I should - nt
be
lone -
10
10
7
10
10
7
10
10
7
10
10
7
10
10
9
10
10
9
10
10
9
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
3
2
2
ly
3
2
0
0
3
2
0
in
this
big
3
2
0
0
0
2
0
old
10
10
9
10
10
9
2
2
0
2
2
0
2
2
0
2
2
0
world.
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
10
10
7
10
10
7
10
10
7
10
10
7
10
10
9
10
10
9
10
10
9
3
0
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
3
0
let ring
10
10
9
0
0
0
2
2
0
3
3
0
0
0
wan
na
kiss
girl.
End Rhy. Fig. 1
10
10
9
10
10
9
3
4
Em
10
10
7
10
10
7
10
10
7
End Riff A
Interlude
Gtr. 5 tacet
D5
Oh, oh, oh,
10 10 10
10 10 10
7 7 7
10 10 10 10 10 10
10 10 10 10 10 10
7 7 7 7 7 7
P.M.
P.M.
7
7
5
7
7
5
7
7
5
oh,
6
7
5
9 11
Verse
*D
oh,
6
7
5
6
7
5
6
7
5
6
7
5
7
7
oh.
D5
2. Oo,
10
10
7
10 10 10 10 10 10
10 10 10 10 10 10
7 7 7 7 7 7
10 10
10 10
7 7
10 10 10
10 10 10
9 9 9
10 10
10 10
9 9
10 10 10 10
10 10 10 10
9 9 9 9
G/D
P.M.
Gtrs. 1 & 2
7
7
5
Gtr. 3
7
7
5
9
9
4
5
A/D
10
10
7
10 10
10 10
7 7
10 10 10 10
10 10 10 10
7 7 7 7
4
5
5
4
5
5
X 2 4
X 5
X 5
2
5
5
4
5
5
4
5
5
P.M.
5
4
5
5
10
10
2
5
5
4
5
5
4
5
5
4
5
5
G5
Gtr. 6 (acous
12-str.)
mp
its that mo - ment when
you start clos - ing in.
Gtr. 4
First youre hold - ing back,
then sur - ren - der - ing.
P.M.
7
5
7
5
Gtrs. 1 & 2
10
10
11
7
7
6
7
P.M.
5
6
7
X
X
4
5
P.M.
P.M.
5
2
5
5
4
5
5
P.M.
5
2
5
5
7
7
5
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
A/D
G5
It can start a fire,
and light up the sky.
Such a sim - ple thing,
do you wan - na
try?
P.M.
11
P.M.
7
7
5
7
7
X
X
6
7
P.M.
5
6
7
X
X
4
5
P.M.
10
P.M.
4
5
5
2
5
5
2
2
0
2
5
5
Pre-Chorus
Gtr. 6 tacet
Gtrs. 4 & 5 tacet
A5
G5
A5
Are you read - y
Gtr. 5
to
say good - bye
Gtr. 3: w/ Rhy. Fig. 1
G5
to
all
these
blues.
Gtr. 4
P.M.
Gtrs. 1 & 2
2
2
0
let ring
3
0
0
X
3
3
3
0
0
2
2 2
2 2
0 0
2
2
0
let ring
3
0
X
3
3
3
0
0
Chorus
wan - na
Gtr. 5: w/ Riff A
D5
kiss
girl,
wan - na
hold
G5
her
tight.
3
2
0
3
2
0
3
2
0
3
2
0
3
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
Gtrs. 1 & 2
D5
mag - ic in the moon - light.
I dont wan - na go
A5
too
far,
And may - be
3
3
0
0
3
3
0
0
0
X
3
Bm
make
lit - tle
3
3
0
0
X
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
G5
just to make it
slow.
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
3
3
0
0
But I should - nt
be
lone -
(Light.)
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
ly
in
this
3
3
0
0
X
3
3
2
0
3
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
big
old
3
2
0
3
2
0
3
2
0
2
2
2
0
world.
let ring
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
0
Em
wan - na
kiss
girl.
let ring
0
0
0
2
2
0
0
2
0
Bridge
G5
A/G
Rhy. Fig. 2
Gtr. 1
Asus4/G
A/G
Cause
may
End Rhy. Fig. 2
be
to
5
5
6
7
5
5
7
7
5
5
6
7
night,
(Ah.
Gtr. 4
Riff B
Gtr. 2
0
0
X
3
3
4
5
5
6
7
5
5
6
7
3
3
4
5
3
3
4
5
3
3
4
5
3
3
4
5
Gtr. 5
5
6
2
2
2
X
0
3
2
2
X
0
2
2
2
X
0
End Riff B
Gtr. 1: w/ Rhy. Fig. 2 (3 times)
Gtr. 5: w/ Riff B (3 1/2 times)
G,7
it
could
A/G
Asus4/G A/G
turn
in - to the
rest
of
our
lives,
to
Gtr. 3
Gtr. 4
Gtr. 2
2
3
4
5
2
3
4
5
2
3
4
5
2
3
4
5
5
5
6
7
5
5
6
7
oh,
yeah.
night.)
14 14
15 15
14
15
14
15
15
15
14
15
14
15
15
15
14
15
12
14
3
3
4
5
3
3
4
5
3
3
4
5
3
3
4
5
5
5
6
7
5
5
7
7
5
5
6
7
3
2
2
X
3
3
2
2
X
3
2
2
2
X
3
A/G
Asus4/G A/G
Are you read
12 12 12
14 14 14
5
5
6
7
10
12
14
5
5
6
7
y?
Are you read
(Are you read
y?
12 12
14 14
12
14
14
15
14 14
15 15
14
15
14
15
a,
to
y?)
cross
12
14
Asus4/G A/G
Are you read
12
14
A/G
14
15
15
15
12
14
12
14
12
14
12
14
12 12
14 14
12
14
12
14
10 10
10 10
7 7
5
5
6
7
5
5
7
7
5
5
6
7
3
3
4
5
3
3
4
5
5
5
6
7
5
5
6
7
3
2
2
X
3
3
2
2
X
3
2
2
2
X
3
3
3
4
5
3
3
4
5
5
5
6
7
5
5
7
7
5
5
6
7
that
line?
Gtr. 7 (elec.)
Put
your
lips
on
mine.
mf
w/ dist.
w/ slide
steady gliss.
14
X
X
Gtr. 3
10
10
7
Gtr. 4
Gtr. 5
Gtrs. 1 & 2
3
3
0
0
X
3
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
3
3
4
5
3
3
4
5
5
5
6
7
3
3
0
0
X
3
3
3
0
0
X
3
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
3
3
0
0
X
3
14
15
10
10
7
3
3
4
5
3
3
4
5
X
X
5
6
5
6
11
Guitar Solo
Gtrs. 3 & 4 tacet
D5
A/D
Gtr. 6
Gtr. 7
15
14
Gtr. 5
Riff C
Rhy. Fig. 3
14
12
14
Hoo!
15
12
5
2
14
14
12
5
2
14
11
5
2
12
5
2
11
5
2
3
2
0
3
2
0
3
2
0
3
2
0
3
2
0
3
2
0
3
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
Gtrs. 1 & 2
11
5
0
11
11
5
0
3
3
0
0
X
3
3
3
0
0
X
3
12
Oh,
put
5
0
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
5
0
on
lips
your
End Rhy. Fig. 3
mine,
End Riff C
5
0
3
3
0
0
X
3
3
3
0
0
X
3
Gtr. 6: w/ Rhy. Fig. 3
Gtr. 5: w/ Riff C
D5
D,7 [no3rd]
ba - by.
Do you wan - na
Gtr. 7
10
10
14
Gtrs. 1 & 2
3
2
0
3
2
0
3
2
0
3
2
0
3
2
0
3
2
0
17
17
15
17
2
2
0
2
2
0
3
2
0
15
2
2
0
17
19
17
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
A5
Gtr. 7
G5
Are
you
read
22
22
Gtr. 5
5
2
22
to
22
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
Gtrs. 1 & 2
19
19
15
15
15
22
22
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
say
A5
3
3
0
0
X
3
3
3
0
0
X
3
12
15
14
14
12
12
10
10
5
0
5
0
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
to
all
10
10
12
10
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2 2
2 2
0 0
good - bye
G5
try?
5
2
Pre-Chorus
3
3
0
0
X
3
13
Gtr. 7 tacet
these
blues,
hoo,
hoo.
Gtr. 7
10
Gtr. 5
5
0
5
0
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
Gtr. 1
Gtr. 2
14
5
0
2
2
2
2
0
0
0
0
2
2
2
2
0
0
0
0
2
3
2
2
3
2
0
3
3
0
0
X
3
3
3
0
0
X
3
5
6
7
5
6
7
3
4
5
3
4
5
5
6
7
5
6
7
3
4
5
3
4
5
3
3
0
0
X
3
3
3
0
0
X
3
2
2
2
0
2
2
2
0
3
0
0
X
3
3
0
0
X
3
2
2
2
0
2
2
2
0
3
0
0
X
3
3
0
0
X
3
2
3
2
0
Chorus
D
Gtr. 8
(acous.)
A/D
I wan - na
kiss a
G5
girl,
I wan - na hold her tight.
May - be make a
Gtr. 9 (acous.)
mf
let ring
3
0
Gtr. 5
2
3
2
mag - ic, ba - by.
let ring
lit - tle
*Gtrs. 1 & 2
X
X
X
2
3
2
0
3
2
0
3
2
0
17
*Composite arrangement
Gtrs. 8 & 9 tacet
I dont wan - na
Gtr. 5
go
too
5
2
5
2
3
2
0
0
3
2
0
3
2
0
just
2
2
4
3
2
0
far,
Gtrs. 1 & 2
to
take
it
5
2
Bm
slow.
5
2
But dont wan - na
be
lone -
2
2
4
2
2
4
2
2
4
2
2
4
G5
2
2
4
0
0
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
0
0
0
3
0
0
X
3
15
ly.
should - nt
be
lone - ly.
wan - na
kiss
girl.
wan - na
hold
her
tight
(Ah.
Gtr. 7
Gtr. 5
3
4
Gtrs. 1 & 2
3
3
0
0
X
3
G5
3
3
0
0
X
3
3
3
0
0
X
3
make
lit - tle
10
3
3
0
0
X
3
16
10
3
3
0
0
X
3
3
3
0
0
X
3
10
3
3
0
0
X
3
3
3
0
0
X
3
10
3
3
0
0
X
3
3
3
0
0
X
3
3
2
0
3
2
0
3
2
0
mag - ic
in
the moon
0 0
light.
3
3
0
0
X
3
2
2
0
2
2
0
2
2
0
I dont wan - na
go
too
0 0
0 0
0 0
far,
Ah.)
5 7 7 7 5
2
2
0
3
3
0
0
X
3
2
2
0
2
2
0
2
2
0
D5
3
2
0
3
2
0
10
and may - be
3
3
0
0
X
3
0
0
0
5
2
5 5
3
2
0
3
2
0
3
2
0
3
2
0
3
2
0
0 0
0 0
0 0
A5
just
to
take
it
slow.
But I
should - nt
be
lone
ly
in
this
big
old
world.
10
G5
Bm
0
0
2
2
0
2
2
2
0
2
2
0
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
Gtr. 7 tacet
G5
Gtrs. 1 & 2
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
wan
10
10
7
Gtr. 5
3
3
0
0
X
3
I
Gtr. 3
na
kiss
3
3
0
0
X
3
3
3
0
0
X
3
girl.
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
0
0
X
3
10
10
7
0
X
3
0
X
3
0
0
X
3
17
Outro
Gtr. 5 tacet
D5
D,7 [no3rd]
Yeah,
Voc. Fig. 1
(Na,
na,
na,
na,
na,
na.
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
7
7
5
7
7
5
7
7
5
7
7
5
Rhy. Fig. 4
Gtr. 3
Gtrs. 1 & 2
P.M.
hm.
10
10
7
said,
na,
na,
10
10
7
10
10
7
10
10
7
6
7
5
6
7
5
6
7
5
6
7
5
6
7
5
Gsus2
na
kiss
girl.
wan
na,
na,
na,
na,
na.
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
4
5
5
4
5
5
4
5
5
4
5
5
2
5
5
5
5
10
10
7
10
10
7
na.
10
10
7
10
10
7
na,
na,
na,
na,
na.)
10
10
7
10
10
7
10
10
7
4
5
5
4
5
5
4
5
5
10
10
7
10
10
7
10
10
7
10
10
7
4
5
End Rhy. Fig. 4
10
10
7
4
5
5
2
5
5
10
10
7
End Voc. Fig. 1
10
10
7
10
10
7
10
10
7
P.M.
10
10
7
10
10
7
10
10
7
Na,
Na,
10
10
7
10
10
7
10
10
7
na,
10
10
7
na,
Mm
10
10
7
10
10
7
11
18
10
10
7
P.M.
P.M.
10
10
7
10
10
7
Na,
Gsus2
yeah.
10
10
7
10
10
7
10
10
7
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
Gtr. 3: w/ Rhy. Fig. 4 (2 1/2 times)
D5
D,7 [no3rd]
Ooh, whoa, ho,
Gtr. 7
Gsus2
I,
I wan - na,
ooh, whoa, ho.
7
7
5
D5
7
7
5
7
7
5
7
7
5
wan - na
Gtr. 7
6
7
5
11
hold
her
6
7
5
6
7
5
6
7
5
6
7
5
4
5
D,7[no3rd]
tight,
wan - na
make
4
5
5
2
5
5
4
5
5
Gtr. 10 (elec.)
4
5
5
4
5
5
10
P.M.
P.M.
P.M.
Gsus2
I wan - na kiss
Gtrs. 1 & 2
girl.
4
5
5
4
5
5
4
5
5
4
5
5
2
5
5
Gsus2
5 5
lit - tle
mag
ic,
out
mf
w/ dist.
w/ slide
Gtrs. 1 & 2
P.M.
7
7
5
7
7
5
7
7
5
7
7
5
P.M.
9 11
6
7
5
6
7
5
6
7
5
6
7
5
6
7
5
4
5
5
4
5
5
4
5
5
4
5
5
P.M.
4
5
2
5
5
4
5
19
Gtr. 10 tacet
Gsus2
un - der
the moon
Oo,
(Na,
na,
na,
na,
na,
4
5
5
4
5
5
2
5
5
4
5
5
7
7
5
5 5
na.
7
7
5
Oo,
na,
na,
na,
na,
na.)
10
10
7
10
10
7
10
10
7
10
10
7
Gtr. 3
7
7
5
7
7
5
ay.
10
10
7
10
10
7
Na,
na,
na,
na,
na,
na.
P.M.
6
7
5
11
wan
6
7
5
6
7
5
6
7
5
na
kiss
Gsus2
you
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
6
7
5
now.
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
10
10
7
3
2
0
4
5
5
4
5
5
4
5
5
4
5
5
2
5
5
P.M.
20
Na,
Gtr. 7
Gtrs. 1 & 2
Gsus2
P.M.
3
2
0
3 3
2 2
0 0
Ay,
w/o slide
Gtrs. 1 & 2
4
5
5
woo - hoo.
D,7 [no3rd]
light.
Gtr. 7
4
5
4
5
5
4
5
5
4
5
5
4
5
5
2
5
5
P.M.
4
5
from Keith Urban - Fuse
Little Bit of Everything
Written by
Gtr. 1: Capo III
Gtr. 2: Capo I
Intro
Moderately slow q = 80
** Ab
[F]
Dbsus2
[Bbsus2]
Eb5
[C5]
Riff A
End Riff A
*Gtr. 1
mf
X
let ring throughout
1
X
1
X
1
1
X
3 3 3
3
0
3
1
3
1
3 3 3 3
0
*Ukelele arr. for gtr. **Symbols in parentheses represent chord names respective to guitar capoed at the third fret. Symbols above represent actual sounding chords.
Gtr. 1: w/ Riff A
*** Ab
Dbadd2
[Bbadd2]
[[Cadd2]]
[F]
[[G]]
Eb
[C]
[[D]]
1. I
Gtr. 2 (ganjo)
mf
wish I
let ring throughout
3
2
0
2
***Symbols in double parentheses represent chord names respective to guitar capoed at the 1st fret. Chord symbols reflect overall harmony.
Verse
Gtr. 2 tacet
Ab
[F]
Dbsus2
[Bbsus2]
could take
Gtr. 1
cab
down
to the creek
and hang a
dis - co
Riff B
1
2
1
1
ball
from an
old
oak
Eb5
[C5]
tree,
End Riff B
3
0
3
1
3
1
3
0
Copyright
Gtr. 1: w/ Riff B (2 times)
Ab
[F]
Dbsus2
[Bbsus2]
Smoke and
drink
once in
while,
some - how
itd
be
Eb
[C]
[[D]]
good
want a
cool chick
Dbsus2
[Bbsus2]
[[Csus2]]
Gtr. 2
that - ll cook
for
me,
but - ll
0
2
Eb
[C]
[[D]]
dance
on
for me.
Ab
[F]
[[G]]
the
bar
in
her
tan,
bare
3
0
feet,
and
Gtr. 2 tacet
Ab
[F]
Dbsus2
[Bbsus2]
do what I
Gtr. 1
when
want,
a, shell do
it
1
2
with
Riff C
want
Bbm
[Gm]
1
1
me,
3
3
3
mm.
End Riff C
Chorus
Ab
[Bb]
[[G]]
I
Gtr. 1
need
too
much
of
Riff D1
1
2
in.
just wan - na
sing
lit - tle
End Riff D
1
3
Eb
[F]
[[D]]
noth
Gtr. 3 (elec.)
dont
Bbm7
[Cm7]
[[Am7]]
Riff D
Gtr. 2
Dbadd2
[Ebadd2]
[[Cadd2]]
3
0
0
2
End Riff D1
mf
w/ clean tone
let ring throughout
Gtr. 1: w/ Riff D (2 times)
Gtr. 3: w/ Riff D1 (4 times)
Ab
[Bb]
[[G]]
chill
Gtr. 2
song,
get my
3
0
groove
on,
0
3
pour
Bbm7
[Cm7]
[[Am7]]
some -
thin strong
Eb
[F]
[[D]]
down in
my
drink.
Dbadd2
[Ebadd2]
[[Cadd2]]
Ab
[Bb]
[[G]]
Dbadd2
[Ebadd2]
[[Cadd2]]
Whoa,
know
that I
dont
need a
lot of an -
To Coda
ev - ry - thing.
Nah, nah, nah,
Ab
[F]
[[G]]
Nah, nah, nah,
Eb
[C]
[[D]]
nah, nah, nah,
1
2
lit - tle bit of
just want a
lit - le bit of
Eb
[C]
[[D]]
nah,
nah,
0
2
whoa.
ev - ry - thing.
0
0
nah, nah, nah, nah.
Dbadd2
[Bbadd2]
[[Cadd2]]
just want a
nah,
Gtr. 1: w/ Riff B (2 times)
y - thing,
Dbadd2
[Bbadd2]
[[Cadd2]]
Eb
[F]
[[D]]
Ab
[F]
[[G]]
whole
Bbm7
[Cm7]
[[Am7]]
2. Now,
0
2
Verse
Gtr. 1: w/ Riff B (3 times)
Ab
[F]
Dbsus2
[Bbsus2]
Eb
[C]
dont
need
ga - rage
full
of
cars,
but Ill
(Whew.)
take
a whole box
of
Cu
ban
ci - gars
and Ill
Gtr. 3
Gtr. 3 tacet
Ab
[F]
smoke em
nice
Dbsus2
[Bbsus2]
and
slow,
Eb
[C]
[[D]]
like they were good
for
me,
ha,
ha.
Dont
Gtr. 2
Ab
[F]
[[G]]
need a
Gtr. 2
ranch
Dbadd2
[Bbadd2]
[[Cadd2]]
or
big
piece of
land,
but Id
3
0
Eb
[C]
[[D]]
1
2
lit - tle bit of dirt on my
1
2
like to get
3
0
hands.
3
0
D.S. al Coda
Gtr. 1: w/ Riff C
Ab
[F]
[[G]]
Dbadd2
[Bbadd2]
[[Cadd2]]
big old
couch
in
big
old
still
*Gtr. 4 (elec.)
its
just
you,
yes it does.
0
1
0
2
ly when
Coda
Eb
[C]
[[D]]
feels lone
room
Bbm7
[Gm7]
[[Am7]]
lit - tle bit of
Bridge
Fm
[Dm]
[[Em]]
ev - ry - thing
f
w/ dist. & slide
11
13
13
11 11
11
un
der the
sun.
*Doubled throughout
Gtr. 1
Gtr. 2
3
0
3
1
3
1
1
2
Gtr. 3
0
2
0
2
Ab
[F]
[[G]]
Db
[Bb]
[[C]]
So when
Gtr. 4
Gtr. 1
1
2
3
0
kick
back,
bask -
in in
it,
Ill be
kay
1
2
1
2
3
0
1
2
Gtr. 2
1
3
1
3
1
0
1
2
1
0
Interlude
Gtr. 1: w/ Riff A (2 times)
Gtr. 4 tacet
Eb
[C]
[[D]]
with
what
Ive
Ab
[F]
[[G]]
done,
still
Eb
[C]
[[D]]
fun.
Thats right.
Ab
[F]
[[G]]
Gtr. 2
hav - in
Dbadd2
[Bbadd2]
[[Cadd2]]
Dbadd2
[Bbadd2]
[[Cadd2]]
Eb
[C]
[[D]]
Cause
Chorus
Gtr. 2 tacet
Ab
*Gtr. 5
dont
need
Db
too
much
of
Bbm
noth
in.
Eb
mp
8
9
8
*Elec. piano arr. for gtr.
9
9
10
9
11
10
11
11
12
just wan - na
sing
lit - tle
Gtr. 5 tacet
chill
song,
get
my
groove
on,
pour
some
thin strong
Eb
down in
my
drink.
Gtr. 6 (elec.)
mp
w/ slight dist.
1
11
11
12
4
1
Gtr. 1: w/ Riff D
Gtr. 6 tacet
Ab
[Bb]
[[G]]
Dbadd2
[Ebadd2]
[[Cadd2]]
Whoa, I
Gtr. 2
know
that I
dont
need a
whole
1
2
Eb
[F]
[[D]]
just want a
lit - tle
bit of
lot of an - y - thing,
Bbm7
[Cm7]
[[Am7]]
0
0
0
0
Gtr. 1: w/ Riff B (3 times)
Ab
[F]
[[G]]
ev
ry
thing.
Nah,
nah,
nah,
3
0
nah,
Dbadd2
[Bbadd2]
[[Cadd2]]
nah,
nah,
nah,
nah.
Eb
[C]
[[D]]
Gtr. 7 (elec.)
11
11
13
11
11
11
just
want
lit
tle
bit
of
1/2
w/ dist.
1/2
11
13
Gtr. 7 tacet
Ab
[F]
[[G]]
ev
ry
thing.
Nah,
nah,
nah,
Eb
[C]
[[D]]
just want a
lit - tle
bit of
nah,
Ab
[F]
[[G]]
13
13
13
13
11
11
6
6
8
8
8
8
13
0
2
nah,
nah,
nah.
ev - ry - thing,
18
yeah.
10
Dbadd2
[Bbadd2]
[[Cadd2]]
13
steady gliss.
11
11
nah,
Dbadd2
[Bbadd2]
[[Cadd2]]
3
4
15
13
15
13
15
0
0
1
0
Outro-Guitar Solo
Gtr. 1: w/ Riff B (till fade)
Eb
[C]
[[D]]
Whoa,
whoa,
whoa,
Dbadd2
[Bbadd2]
[[Cadd2]]
yeah.
Eb
[C]
[[D]]
1/2
1/2
12
12
1/2
12
11
11
11
11
11
11
1
2
Dbadd2
[Bbadd2]
[[Cadd2]]
12
11
Ab
[F]
[[G]]
1/2
12
Whew.
Ab
[F]
[[G]]
12
13
13
13
3
0
1
0
11
Begin fade
Eb
[C]
[[D]]
Ab
[F]
[[G]]
3
10
15
15
15
14
15
2
0
Dbadd2
[Bbadd2]
[[Cadd2]]
13
15
15
16
1/2
13
Ab
[F]
[[G]]
13
11
11
10
Eb
[C]
[[D]]
15
15
Dbadd2
[Bbadd2]
[[Cadd2]]
3
0
Fade out
Eb
[C]
[[D]]
11
11
11
10
0
2
12
0
2
10
13
11 13
2
2
Dbadd2
[Bbadd2]
[[Cadd2]]
1/2
11
Ab
[F]
[[G]]
3
0
11
13
13
13
1 1/2
13
11
13
3
0
1
0
1
2
from Keith Urban - Get Closer
Long Hot Summer
Words and Music by Keith Urban and Richard Marx
[G5]
[D]
34
[A]
[Bm]
[Asus4]
[Asus2]
234
13421
234
23
132
[D/F#]
[C'9]
23
21 34
[Em]
[Gsus2]
23
134
Gtrs. 1 - 6, 10 & 11: Capo I
Intro
Moderately fast q = 128
* C5
Ab5
[G5]
[B5]
Eb5
[D5]
Bb
[A]
C5
[B5]
Ab5
[G5]
Eb5
[D5]
Bb
[A]
1. I cant
Riff A
Gtrs. 1 & 2 (elec.)
End Riff A
mf
w/ clean tone
P.M.
P.M.
let ring
P.M.
0
P.M.
2
0
P.M.
let ring
P.M.
P.M.
let ring
0
3
P.M.
2
2
let ring
*Symbols in parentheses represent chord names respective to capoed guitar. Symbols above represent actual sounding chords. Capoed fret is "0" in tab. Chord
symbols reflect overall harmony.
Verse
Gtrs. 1 & 2: w/ Riff A (1 1/2 times)
C5
[B5]
Ab5
[G5]
sleep.
Eb5
[D5]
Bb
[A]
Gtrs. 1 & 2
P.M.
no
sleep
Im
in
C5
[B5]
a - com - in,
Ab5
[G5]
deep.
of
ev
ry
P.M.
Im
just
thing
were
gon
let ring
na
here,
Eb5
[D5]
deep
ah,
think - in
in - to
the
pic - ture
bout
in
my
Cm(add)
[Bm(add)]
do.
P.M.
Bb
[A]
Bb
[A]
P.M.
Ab5
[G5]
ly - in
Eb5
[D5]
0
3
Fall - in
Ab5
[G5]
Riff B
C5
[B5]
C5
[B5]
mind
Bb
[A]
Aint
you.
Eb5
[D5]
2
0
let ring
Copyright 2010 SONGS OF UNIVERSAL, INC., MARY ROSE MUSIC and RICHARD MARX MUSIC
All Rights for MARY ROSE MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission
Ab%
[G%]
Ebsus2
[Dsus2]
ver
at
the
lake
and
Bbsus4
[Asus4]
down
by
Riff C
*Gtr. 3
mf
Cm
[Bm]
the
riv - er,
you
can
Ab5
[G5]
Bb
[A]
feel
it
start
to
rise.
End Riff C
let ring throughout
*Banjo arr. for gtr.
Gtrs. 1 & 2
let ring P.M.
P.M.
P.M.
4
let ring
Cm(add)
[Bm(add)]
Wan - na
P.M.
need
you
in
my
Ab%
[G%]
car,
P.M.
P.M.
go where
Ebsus2
[Dsus2]
let ring
P.M.
by
my
ev - er
side.
P.M.
P.M.
0
3
let ring
let ring
you
let ring
0
0
are,
P.M.
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
w/ slight dist.
cause
let ring
*12-str. acous. & mandolin arr. for gtr.
Its
*Gtr. 4
Bb
[A]
3
2
2
0
Bbsus4
[Asus4]
let ring
mf
Gtrs. 1 & 2
Bbsus4
[Asus4]
Ab5
[G5]
jump
let ring
Cm
[Bm]
Gtr. 3: w/ Riff C
Gtrs. 1 & 2
Gtr. 3 tacet
let ring P.M.
P.M.
P.M.
P.M. let ring
I
End Riff B
gon - na
be
(cont. in slashes)
Chorus
2nd time, Bkgd. Voc.: w/ Voc. Fill 1
2nd time, Gtr. 6: w/ Fill 1
*** [G5]
*Gtrs. 4 & 5
[D]
long
hot
sum - mer,
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
**Gtrs. 1 & 2
3
3
0
0
X
3
we
should be
2
3
2
0
0
to - geth - er
with your
[A]
feet
up
on
the
dash
board
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
0
0
0
0
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
0
0
0
0
[D]
*Gtr. 5 (acous.), played mf.
**2nd time, Gtrs. 1 & 2: w/ slight dist.
***See top of 1st page of song for chord diagrams pertaining to rhythm slashes.
[Bm]
[A]
now.
Gtr. 6 (elec.)
Sing - in
[G5]
long
with
the
ra - di
o,
its
such
beau - ti - ful
w/ dist.
7
X
5
Gtrs. 1 & 2
12
10
7
X
5
3
4
4
2
3
4
4
2
3
4
4
2
2
2
2
0
2
2
2
0
2
2
2
0
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
2
3
2
0
0
Voc. Fill 1
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
0
0
0
0
0
Fill 1
Gtr. 6
[A]
[Asus4]
[A]
[Asus2]
[D/F#]
0
2
And when you
say
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
3
2
2
0
dle
of
the
day,
[D]
sound.
[G5]
0
2
0
0
0
2
2
2
0
0
0
2
2
0
see
my
name
in
the
mid -
0
X
2
3
2
0
X
2
3
2
0
X
2
3
3
0
0
X
3
[A]
swear
Rhy. Fig. 1
the
stars
come
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
2
3
2
0
0
[Bm]
[D/F#]
[G]
out.
And when youre
0
2
3
2
0
X
2
3
2
0
X
2
3
3
0
0
X
3
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
0
0
0
0
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
0
0
0
0
3
4
4
2
3
4
4
2
3
2
0
X
2
3
2
0
X
2
3
3
0
0
X
3
0
0
To Coda
[D/F#]
Rhy. Fig. 2
in
the
back
3
2
0
X
2
3
2
0
X
2
3
3
0
0
X
3
hand,
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
my
3
2
0
X
2
3
2
0
X
2
3
3
0
0
X
3
of
[G]
End Rhy. Fig. 1
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
mind Im
just
3
2
0
X
2
3
2
0
X
2
3
3
0
0
X
3
my
Gtrs. 4 & 5 tacet
hold - in
[D/F#]
[G]
wait - in
3
2
0
X
2
3
2
0
X
2
3
3
0
0
X
3
on
the
sun
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
to
go
7
7
12
12
End Rhy. Fig. 2
Interlude
Gtr. 6 tacet
C5
[B5]
Ab5
[G5]
dow
Eb5
[D5]
Bb
[A]
own.
Gtr. 7 (elec.)
C5
[B5]
The
sun to
Ab5
[G5]
go
dow
Eb5
[D5]
Bb
[A]
own.
2. I
wan - na
mf
*w/ clean tone & delay
1
10
10
10
*Set delay for quarter-note regeneration w/ three repeats.
Gtrs. 1 & 2
dist. off
P.M.
P.M.
0
3
let ring
P.M. P.M. let ring
P.M. P.M. let ring
P.M. P.M.
0
3
2
0
0
3
0
3
2
0
Verse
Gtrs. 1, 2 & 4: w/ Riff A (1 1/2 times)
C5
[B5]
Ab5
[G5]
see
your
Gtr. 7
Eb5
[D5]
Bb
[A]
brown
skin
Eb5
[D5]
C5
[B5]
(For
the
first
10
10
10
in
the
shim - mer
be,
do
Gtr. 7
to
you
ah,
the
the
first
Eb5
[D5]
one
time.
10
10
Bb
[A]
who knows
10
10
just
a,
what
to
Gtr. 3: w/ Riff C
Gtr. 5: w/ Riff B (last 6 meas.)
Eb5
[D5]
to
get
me
that
Bb
[A]
smile.
Cm(add)
[Bm(add)]
11
11
11
Ab%
[G%]
One
chance
of
Ebsus2
[Dsus2]
meet - in,
for
11
Gtr. 5
time.)
Ab5
[G5]
sun
Gtrs. 1, 2 & 4: w/ Riff B
C5
[B5]
Ab5
[G5]
Ab5
[G5]
got - ta
10
Bb
[A]
C5
[B5]
you
Gtr. 7 tacet
Bbsus4
[Asus4]
were
walk - in
by
me
on
the
Cm
[Bm]
street
when
Ab5
[G5]
Bb
[A]
said,
"Hi."
Cm(add)
[Bm(add)]
And
that
Gtr. 3: w/Riff C
Ab%
[G%]
was
the
be
Gtr. 7
gin
in
of
Ebsus2
[Dsus2]
Bbsus4
[Asus4]
heart
spin
my
nin
like
Cm[add]
[Bm[add]]
these
10
10
wheels
in
Ab%
[G%]
my
head
to
Bbsus4
[Asus4]
(...to
night.
Its
gon
na
be
D.S. al Coda
Ab5
[G5]
night.)
Gtr. 7
10
Gtrs. 1, 2, 4 & 5
Gtr. 6
P.M.
P.M.
0
3
let ring
0
0
0
3
2
2
0
0
3
2
2
0
0
3
2
2
0
0
3
2
2
0
0
3
2
2
0
0
3
2
2
0
0
3
2
2
0
3
3
0
0
X
3
(Gtrs. 4 & 5; cont. in slashes)
let ring
0
2
Coda
Interlude
Gtr. 6 tacet
[Bm]
[G5]
Rhy. Fig. 3A
in
on
the
sun
wait -
to
go
Gtrs. 4 & 5
[D]
down.
Gtr. 3
X
X
X
X
X
X
X
X
X
X
X
X
[A]
[Bm]
The
sun
to
Gtrs. 1 & 2
Rhy. Fig. 3
go
3
4
4
2
3
4
4
2
3
3
0
0
X
3
5
7
3
3
0
0
X
3
2
3
2
0
0
End Rhy. Fig. 3A
oh.
5
7
[A]
Gtr. 3
Gtr. 6
divisi
[D]
down,
[G5]
Gtrs. 1, 2 & 6
5
7
5
7
14
2
3
2
0
0
2
3
2
0
0
2
2
2
0
2
2
2
0
2
2
2
0
3
4
4
2
3
4
4
2
3
3
0
0
X
3
3
3
0
0
X
3
2
3
2
0
0
2
3
2
0
0
2
2
2
0
End Rhy. Fig. 3
2
2
2
0
2
2
2
0
Bridge
Gtr. 3 tacet
[Cadd9]
Gtrs. 4 & 5
The
on - ly place
Gtr. 6
that I
[Em]
[A]
[Asus4]
wan
na
be
is
where you
are.
Gtrs. 1 & 2
than a
heart - beat a - way
is
just
[Em]
too
far.
Cause an - y more
2
2
0
[G5]
2
2
0
[Cadd9]
[A]
1
0
X
3
[Asus2]
[A]
2
7
1
0
X
3
0
0
X
3
(cont. in slashes)
2
2
0
Guitar Solo
Gtr. 6 tacet
[Gsus2]
[A]
Gtrs. 1,
2, 4 & 5
*Gtr. 8
(elec.)
17
1 1/2
17 15 17
17
[A]
12
12 10
12
12
End Rhy. Fig. 4
Whoa.
w/ dist.
1 1/2
[Asus4]
Rhy. Fig. 4
10 12 15
15
15
Whoa.
15
15
15
15
*Doubled throughout
Gtrs. 1, 2, 4 & 5: w/ Rhy. Fig. 4
Absus2
[Gsus2]
Gtr. 8
1 1/2
17
Whoa.
Bb
[A]
1 1/2
17
15
17
17
Bbsus4
[Asus4]
12
12
10
12
12
10
12
15
13
15
15
17
16
18
Chorus
Gtrs. 8 & 9 tacet
Bb
[A]
Its
gon - na
8va
Gtr. 9 (elec.)
be
*
w/ clean tone & slide
18
18
Gtr. 8
1
16 18
18 20
10
long
hot
sum - mer
and
Eb/G
[D/F#]
we
should be
to - geth - er,
ah,
ah,
mp
18
18
*Vol. swell
Ab5
[G5]
16
16
20
7
5
7
4
Gtr. 4
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
4
7
4
7
4
7
4
7
4
7
4
7
4
Bb
[A]
Cm
[Bm]
ah,
ah,
ah,
Gtr. 1
Bb
[A]
ah.
Ab
[G]
All
real - ly
want
is
more
w/ clean tone
w/ pick & finger
3
2
Gtr. 4
6
7
Eb/G
[D/F#]
6
7
than
6
7
6
7
6
7
6
7
this
mo
6
7
6
7
Bb
[A]
ment right
7
9
7
9
6
7
6
7
6
7
6
7
7
5
7
5
7
5
7
5
7
4
7
4
7
4
7
4
7
4
7
4
7
4
6
7
0
7
5
Fm
[Em]
Eb/G
[D/F#]
7
5
Cause when
7
5
7
9
you
0
0
0
2
2
0
0
0
0
2
2
0
0
0
0
0
0
3
2
0
X
2
3
2
0
X
2
X
X
X
X
X
Gtrs. 4 & 5
7
5
w/ slight dist.
7
9
now.
Gtrs. 1 & 2
3
2
3
4
0
0
0
2
2
0
0
0
0
2
2
0
0
0
0
2
2
0
X
X
X
X
X
X
3
2
0
X
2
3
2
0
X
2
11
Gtrs. 4 & 5: w/ Rhy. Fig. 1
Ab5
[G5]
Eb
[D]
say
my
name
in
the
mid
(Say
Gtrs. 1 & 2
my
dle
of
the
day,
Bb
[A]
swear
see
the
name,
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
2
3
2
0
0
and
stars
come
you make the
stars
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
2
3
2
0
0
0
0
0
0
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
0
0
0
0
Gtrs. 1, 2 & 6: w/ Rhy. Fig. 2
Cm
[Bm]
Eb/G
[D/F#]
out.
Gtr. 6
12
And when youre
come
Gtrs. 1 & 2
Ab
[G]
Eb/G
[D/F#]
hold - in
my
hand,
Ab
[G]
and
look
Eb/G
[D/F#]
in - to
your eyes,
out.)
3
4
4
2
3
4
4
2
3
2
0
X
2
3
2
0
X
2
3
3
0
0
X
3
3
2
0
X
2
3
2
0
X
2
3
3
0
0
X
3
0
0
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
3
2
0
X
2
3
2
0
X
2
3
3
0
0
X
3
3
2
0
X
2
3
2
0
X
2
3
3
0
0
X
3
well
Ab
[G]
Outro
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (2 times)
Gtrs. 4 & 5: w/ Rhy. Fig. 3A (2 times)
Gtrs. 4 & 5: w/ Rhy. Fig 1 (last meas.)
swear
Eb/G
[D/F#]
it
looks
a,
Gtr. 10 (elec.)
Ab
[G]
like
youre
wait - in
on
the
sun
to
go
down.
mf
The
sun
to
go
Cm
[Bm]
Ab5
[G5]
down.
Eb
[D]
Oh,
let ring
10
10
1
10
10
10
10
9
oo.
Cm
[Bm]
Ab5
[G5]
swear it looks, ah, like
Eb
[D]
Bb
[A]
youre
wait - in on the sun to
10
Bb
[A]
Bb
[A]
Eb
[D]
Ab5
[G5]
Cm
[Bm]
Oo,
w/ dist.
1
Bb
[A]
Eb
[D]
Ab5
[G5]
Cm
[Bm]
go
13
[G5]
[D]
[A]
Rhy. Fig. 5A
*Gtrs. 4 & 11
[Bm]
[G5]
down.
[D]
[A]
End Rhy. Fig. 5A
Oh,
Gtr. 10
whoa.
11
10
10
12
[Em]
15
1 1/2
0
0
0
15
12
12
10
Rhy. Fig. 5B
Gtr. 5
7
8
7
7
8
7
5
7
7
5
7
7
X
X
X
X
X
X
5
5
6
Riff D
Gtr. 3
5
7
Rhy. Fig. 5
3
3
0
0
X
3
X
X
X
X
X
X
2
3
2
0
0
3
3
0
0
X
3
*Gtr. 11 (acous.), played mf.
14
5
5
6
5
5
6
Gtrs. 1 & 2
X
X
X
5
5
7
5
5
7
5
5
7
X
X
X
7
8
7
7
8
7
5
7
2
3
2
0
0
X
X
X
X
X
2
2
2
0
X
X
X
5
7
7
5
7
7
5
7
2
2
2
0
X
X
X
X
3
4
4
2
3
4
4
2
3
4
4
2
0
0
0
X
X
X
5
5
6
5
7
3
3
0
0
X
3
3
3
0
0
X
3
X
X
X
X
X
X
2
3
2
0
0
End Rhy. Fig. 5B
5
5
6
5
5
6
X
X
X
5
5
4
5
5
4
3
5
4
X
X
X
End Riff D
5
7
End Rhy. Fig. 5
2
3
2
0
0
X
X
X
X
X
2
2
2
0
2
2
2
0
X
X
X
X
0
0
0
2
2
0
0
0
0
2
2
0
0
0
0
2
2
0
0
0
0
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (3 times)
Gtr. 3: w/ Riff D (2 times)
Gtrs. 4 & 11: w/ Rhy. Fig. 5A (3 times)
Gtr. 5: w/ Rhy. Fig. 5B (3 times)
Ab5
[G5]
Eb
[D]
Bb
[A]
Oh,
Cm
[Bm]
Ab5
[G5]
Bb
[A]
oh.
Eb
[D]
Wait
in
Fm
[Em]
on
the sun
to
go
Gtr. 10
(Ah.)
12
15
12
Ab5
[G5]
1 1/2
10
Bb
[A]
fdbk.
11
down.
10
Eb
[D]
12
10
10
10
Cm
[Bm]
17
10
Bb
[A]
12
14
17
17
15
15
Fm
[Em]
Eb
[D]
Oo.
14
15
17
16
16
Ab5
[G5]
17
Ab5
[G5]
16
Eb
[D]
15
14
Bb
[A]
14
15
14
17
Cm
[Bm]
17
3
1/2
(Ah.
15
14
14 15 14
17
15
14
14
16
16
Gtr. 3
19
14
14
5
7
16
16
16
19
12
12
5
7
15
Ab5
[G5]
Eb
[D]
Bb
[A]
Ah.)
10
10
11
12
Fm
[Em]
Gtr. 2: w/ Rhy. Fig. 5
Gtrs. 3 & 10 tacet
Gtr. 4: w/ Rhy. Fig. 5A
Gtr. 5: w/ Rhy. Fig. 5B (2 times)
Gtr. 11: w/ Rhy. Fig. 5A (2 times)
Ab5
[G5]
Eb
[D]
Bb
[A]
Cm
[Bm]
Ah, hey,
Ab5
[G5]
Eb
[D]
Bb
[A]
Mm,
[G5]
[D]
Ab5
[G5]
Cm
[Bm]
[A]
Gtr. 5
16
5
7
7
X
X
X
Eb
[D]
Bb
[A]
love to think a - bout you.
Fm
[Em]
5
5
6
[Bm]
[G5]
5
5
6
X
X
X
5
5
7
5
5
7
5
5
7
[D]
[Asus2]
ly - in here, ah, think - in bout
5
5
6
Im just
5
7
7
mm.
sleep.
X
X
X
Fm
[Em]
Oo,
Ab5
[G5]
7
8
7
Bb
[A]
ay.
Gtr. 11
7
8
7
Eb
[D]
X
X
X
you.
7
8
7
7
8
7
X
X
X
5
7
7
5
7
7
X
X
X
5
5
6
7
0
cant
from Keith Urban - Be Here
Making Memories of Us
Words and Music by Rodney Crowell
Intro
Moderately q = 104
*E
G#m7
Gtr. 1 (acous.)
mp
Asus2
w/ fingers
let ring throughout
0
1
2
2 4
Riff A
End Riff A
Gtr. 2 (elec.)
mp
w/ clean tone
11
11
*Chord symbols reflect implied harmony.
Gtr. 2: w/ Riff A
G#m7
Gtr. 1
2
2
0
0
1
0
2
0
0
1
4
4
4
4
A'9
2
0
Copyright 2004 Sony/ATV Music Publishing LLC, BMG Gold Songs and We Jam Writers Group
All Rights on behalf of Sony/ATV Music Publishing LLC Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
All Rights on behalf of BMG Gold Songs and We Jam Writers Group Administered by BMG Rights Management (US) LLC
International Copyright Secured All Rights Reserved
Verse
Gtr. 2 tacet
1. Im gon - na
Gtr. 1
be
Riff B
0
2
you, ba
here for
Ill
be
of
my
man
word,
Gtr. 2
by.
E/G#
6
4
pp
5
4
Asus2
guage in
voice
C#m
X
X
X
4
4
4
2
X
X
X
2
2
2
0
2
0
er
wan - na sleep
2
0
mp
0
5
4
nev
Gtr. 2
have
you
heard.
that
Gtr. 1
speak the lan
Gtr. 1
with you
for -
B'11
E/G#
ev - er,
0
2
and
A'9
wan - na
die
in
your
arms
in a cab - in
1
0
by
C#m
a mead - ow where the wild
let ring
0
5
4
0
4
bees
swarm.
X
X
X
4
2
2
2
let ring
End Riff B
2
2
Chorus
Asus2
And Im gon - na
love
2
2
X
X
0
0
1
0
0
And
Ill
2
2
0
X
X
earn
your
trust, mak -
0
0
2
2
0
0
0
2
2
let ring
C#m
0
0
4
5
6
2
you.
0
0
2
0
0
2
2
0
0
2
2
of
X
X
X
0
0
1
2
End Rhy. Fig. 1
0
0
1
0
0
1
2
0
0
1
in mem -ries
loves
no - bod
0
0
2
2
0
Asus2
0
0
2
2
0
0
2
2
0
0
0
1
2
like
2
2
X
X
you
Rhy. Fig. 1
Asus2
us.
4
4
1 2 1
1
0
Verse
Gtr. 1: w/ Riff B
Gtr. 2 tacet
2. I
wan - na hon - or
E/G#
your moth - er,
and
Gtr. 2
wan - na
learn
from your
pa.
pp
Asus2
wan - na steal
Gtr. 2
out
in
bad
wan - na stand
C#m
your at - ten - tion like
And
out
law.
B'11
crowd
for you,
mp
E/G#
A'9
man
a - mong
men.
wan - na make
your
world
bet - ter than
its
ev
er
C#m
been.
Riff C
End Riff C
let ring
Chorus
Gtr. 1: w/ Rhy. Fig. 1
Asus2
And Im gon - na
love
Asus2
0
0
2
2
0
loves
Ill
0
0
2
2
0
earn
of
C#m
your
trust, mak - in mem -ries
0
0
2
2
0
0
0
2
2
0
5
6
6
4
5
6
6
4
4
4
4
2
5
6
6
0
0
2
2
0
you.
4
4
4
us.
End Rhy. Fig. 2
0
0
1
2
2
0
0
0
1
2
2
0
0
0
1
2
2
0
0
0
1
2
2
0
0
0
1
2
2
0
0
0
1
2
2
0
4
4
4
0
0
1
2
2
0
0
0
1
2 1
0
0
1
2
2
0
0
0
1
2
2
0
0
0
1
2
2
0
mf
w/ clean tone
let ring
Gtr. 2
Gtr. 3 (elec.)
Rhy. Fig. 2
0
0
2
2
0
no - bod
let ring
And
Gtr. 1
like
you
0
0
2
2
0
Asus2
Bridge
G#m
Well fol - low the
C#m
rain
Riff D
Gtr. 4 (12-str. acous.)
Asus2
bow
wher - ev - er the
mf
four
winds
blow.
End Riff D
let ring throughout
Rhy. Fig. 3
4
4
4
6
6
4
4
4
4
6
6
4
Gtr. 1
4
4
4
4
5
6
4
4
4
6
6
4
4
5
4
4
4
6
6
4
4
4
4
6
6
4
4
4
4
6
6
4
4
5
6
6
4
4
5
6
6
4
4
5
6
6
4
4
5
4
5
6
6
4
0
0
2
2
0
0
0
2
2
0
0
0
2
2
0
0
0
2
2
0
0
0
2
2
0
5
6
6
4
4
6
Gtr. 3
0
0
1
0
0
1
2
2
0
0
0
1
2
2
0
0
0
2
2
0
0
0
1
2
2
0
let ring
End Rhy. Fig. 3A
End Rhy. Fig. 3
Rhy. Fig. 3A
Gtr. 2
0
2
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A
Gtr. 4: w/ Riff D
G#m
And therell be
Gtr. 3
C#m
Asus2
new
day
com - in
your
Gtr. 2: w/ Riff C
B'4
way.
Gtr. 3
pp
Gtr. 1
Gtr. 4
7
9
0
0
0
0
0
0
4
2
0
0
4
2
4
2
4
2
Verse
Gtr. 1: w/ Riff B (1st 7 meas.)
Gtrs. 3 & 4 tacet
Gtr. 2
be
here
for
E/G#
you from
now
on,
pp
0
0
4
this you
3. Im gon - na
know
some
how.
Asus2
Youve been
stretched
*p
to
the
its,
lim -
12
11
but
its
all
right
mp
let ring
12
12
12
12
*Vol. swell
Gtr. 1: w/ Fill 1
C#m
And Im gon - na make
you a prom - ise.
B'11
now.
let ring
Gtr. 1: w/ Riff B (last 8 meas.)
E/G#
Fill 1
Gtr. 1
If
theres
life
af
ter
this
2
2
2
0
0
0
Gtr. 5 tacet
A'9
Im gon - na be
Gtr. 5 (acous.)
there
to
meet
you with a
warm,
wet
mf
w/ fingers
1/2
Gtr. 2
C#m
kiss.
Gtr. 2
Mm,
hm.
let ring
Gtr. 6 (elec.)
mp
w/ slight dist.
10
Chorus
Gtr. 1: w/ Rhy. Fig. 1
Asus2
And Im gon - na
love
you
like no - bod
loves
0
0
2
2
0
you.
7
0
6
Asus2
2
2
Gtr. 1: w/ Rhy. Fig. 2
Asus2
And
Ill
let ring
C#m
earn
trust,
your
in mem -ries
let ring
let ring
2
0
mak
6
4
of
us.
Whoa,
1
7
7
4
4
6
11
Gtr. 1: w/ Rhy. Fig. 1 (1st 3 meas.)
Im
gon - na
love
you
Asus2
Asus2
like
no
bod - y
0
0
10
12
12
12
Gtr. 6 tacet
loves
you.
0
0
1
0
0
1
2
0
0
2
2
0
0
0
2
2
0
0
0
2
2
0
0
0
2
2
0
0
0
2
2
0
12
let ring
0
2
2
in mem - ries
0
0
2
2
0
4
5
6
6
4
0
0
2
2
0
mak
0
0
1
trust
0
0
1
2
your
X
X
X
win
Ill
And
Gtr. 2
C#m
Gtr. 1
Asus2
4
4
4
2
of
Outro
Gtr. 2: w/ Riff A (1st 3 meas.)
us.
Gtr. 1
hoo,
Gtr. 1
hoo,
G#m7
0
1
11
E'9
by.
4
4
rit.
2
0
1/2
0
0
1
4
2
0
11
rit.
rit.
4
ba -
oh,
oo,
0
Gtr. 2
ho,
oo,
Oh,
G#m7
0
0
1
4
2
0
13
from Keith Urban - Get Closer
Put You in a Song
Words and Music by Keith Urban, Sarah Buxton and Jedd Hughes
Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
Moderately fast q = 134
* G/D
Hey,
Rhy. Fig. 1
**Gtrs. 1 & 2
Gtr. 1 (elec.)
End Rhy. Fig. 1
mf
w/ slight dist.
3
2
0
14
14
3
2
0
3
4
0
3
4
0
3
2
0
3
4
0
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0
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2
0
3
4
0
3
4
0
0 0
10 10
11 14 11 9 11
0
0 0 0
10
9
0
10 10
9 11
0 0
10 10
9 11
0 0
**Composite arrangement;
Gtr. 2 (elec.) w/ slight dist., played mf.
Gtr. 3 (elec.)
mf
w/ slight dist.
14
14
*Chord symbols reflect implied harmony.
Gtrs. 1 & 2: w/ Rhy. Fig. 1
G/D
hey,
Oo,
Rhy. Fig. 2
3
2
0
ay.
Gtr. 3
3
4
0
3
2
0
3
4
0
3
2
0
3
4
0
4
0
3
2
0
3
4
0
oh,
whoa.
1. Well,
here
End Rhy. Fig. 2
2
0
0
4
0
0
2
0
0
4
0
0
2
0
0
4
0
0
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4
0
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2
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0
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0
Copyright 2010 MARY ROSE MUSIC, WERE GOING TO MAUI MUSIC, TILTAWHIRL MUSIC
and BAMBATOWN PUBLISHING, a division of CARNIVAL MUSIC GROUP
All Rights for MARY ROSE MUSIC and WERE GOING TO MAUI MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights for TILTAWHIRL MUSIC and BAMBATOWN PUBLISHING, a division of CARNIVAL MUSIC GROUP,
Administered by BLUEWATER MUSIC SERVICES CORP.
All Rights Reserved Used by Permission
Verse
Gtr. 3 tacet
you come a - gain
Gtrs. 1 & 2
and youre look - in so
X
X
X
X
X
X
X
X
X
X
X
X
Gtr. 3
fine. You dont
X
X
X
X
X
X
X
X
X
X
X
X
D/F#
no - tice me,
but its
X
X
X
X
X
X
X
X
X
X
X
X
all
right.
X
X
X
X
X
X
X
X
X
X
X
X
Im just
guy
who wish - es that
Gtrs. 1 & 2
X
X
X
X
X
X
X
X
X
X
X
X
Bm
could be your man
some
X
X
X
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X
X
X
X
day.
Oh,
oh.
X
X
X
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X
X
X
Yeah,
7
7
7
9
7
7
7
9
Gtr. 4 tacet
pic - ture paints a thou - sand words,
Gtrs. 1 & 2
Gtr. 4 (acous.)
mf
5
3
0
0
X
X
X
X
X
X
X
X
X
X
X
X
its
true,
D'9/F#
but its still
X
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X
X
X
X
X
X
5
3
0
5
5
3
0
5
5
3
0
5
not e - nough for how I
X
X
X
X
X
X
X
X
X
X
X
X
feel a - bout
you.
I wan - na
X
X
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X
X
X
X
X
X
X
X
X
5
5
7
7
5
5
7
7
5
5
7
7
Em7
Gtrs. 1 & 2
X
X
X
X
a mel - o - dy,
X
X
X
X
X
X
X
X
X
X
X
X
got - ta set you to
X
X
3
X
X
0
X
X
X
X
let ring
let ring
3
3
0
2
X
2
3
0
2
X
2
3
0
2
X
2
3
2
Rhy. Fig. 3
let ring
0
0
X
4
3
0
0
0
0
3
0
0
X
5
0
0
0
0
G5
3
3
0
0
3
3
0
0
3
3
0
0
3
3
0
0
ev - er Id
go, Id have you
3
2
0
X
4
2
3
2
0
X
4
2
0
X
4
3
2
0
3
2
0
X
4
if
2
2
2
0
2
2
2
0
3
2
0
X
4
2
2
2
0
2
2
2
0
there with me.
Youd be
0
0
14
3
2
0
3
2
0
3
2
0
3
2
0
1/2
2
0
2
0
2
0
3
2
0
X
4
0
0
X
5
0
0
X
5
re - peat,
5
3
0
how
hap - py
Id
be.
5
3
0
0
5
3
0
0
X
5
5
3
0
0
X
5
5
3
0
0
X
5
5
3
0
0
X
5
5
3
0
0
X
5
5
3
0
0
X
5
To Coda
Em7
right
where you be - long.
2
3
2
0
X
4
3
2
0
X
4
3
2
0
X
4
3
2
0
X
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0
2
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2
0
3
0
2
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2
0
3
0
2
X
2
0
3
0
2
X
2
0
0
Gsus2
love
End Rhy. Fig. 3
1/2
play,
17
shout it out.
in my
3
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
down all the win - dows and
G5
3
2
can press
D/F#
3
2
0
Whoa,
D5
roll
1 hold bend
girl.
D/F#
loud,
this
turn you up
1 hold bend
A7
I wan - na put you
G5
and
groove.
and drive
Chorus
car
put you in
Wher -
I wan - na put you in
0
3
0
2
X
2
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 3 meas.)
Gtr. 3: w/ Rhy. Fig. 2
G/D
song,
Gtr. 1
11
0
Gtr. 2
11
0
14
11
11
0
10
9
0
14
11
0
9
0
oo,
whoa,
Id
10
11
0
sing
4
0
0
4
0
0
2
0
0
yeah.
a - bout your smile
1/2
and your
1/2
1/2
pret - ty
eyes,
1/2
blue
the
1/2
P.M.
P.M.
P.M.
mf
way
P.M.
P.M.
P.M.
11
0
0
0
14
Gtr. 3
Verse
G
mf
11
2. Well,
4
0
0
Gtr. 3 tacet
D/F#
your hair
shim - mers
in
the
sun
It
would
be
so
eas
light.
Gtr. 1
y;
let ring
1
Gtr. 2
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
write
it
Ill
just
let ring
from
Bm
my
heart.
*w/ delay
Cause
let ring
12
12
9
4
*Set for quarter-note regeneration w/ 1 repeat.
P.M.
P.M.
P.M.
got - ta tell the world
what you
P.M.
mean
P.M.
P.M.
P.M.
5
wrap you
5
3
0
5
3
0
D/F#
P.M.
P.M.
up
in
youll
be
a mel - o - dy so
P.M.
3
2
3
2
4
P.M.
5
3
0
P.M.
P.M.
5
P.M.
3
4
3
4
5
to me,
P.M.
12
delay off
stuck in
my
5
3
2
0
0
P.M. P.M.
P.M.
3
2
P.M.
5
3
2
5
3
2
P.M.
P.M.
D.S. al Coda
Em7
head
all
day
cause youre al - read - y there
an - y
way.
f
let ring
P.M.
P.M.
P.M.
P.M.
let ring
P.M.
f
let ring
Coda
I wan - na put you in my
3
2
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
let ring
2
2
2
0
2
2
2
0
2
2
2
0
1 hold bend
3
2
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
song.
2
2
2
0
Woo!
2
2
2
0
A5
I wan - na put you in
1 hold bend
3
2
2
are.
1 hold bend
Yes, you
1 hold bend
3
2
And
(Oo,
2
2
2
0
14 14 14
14 14 14
14 14 14
0
0
3
2
0
2
2
2
0
14 14 14
14 14 14
14 14 14
0
0
3
2
0
Gtr. 2
2
2
2
0
2
2
2
0
Gtr. 1
2
2
2
0
2
2
2
0
1/2 hold bend
3
4
0
3
4
0
3
2
0
3
2
0
3
4
0
3
4
0
3
2
0
3
4 4 7
0 0
4
0
3
2
0
3
4
0
3
2
0
3
4 4 7
0 0
4
0
3
2
0
3
4
0
1/2
2
0
0
0
0
0
0
0
X
5
0
0
X
5
2
2
0
0
0
X
5
0
0
X
5
0
0
X
5
2
2
0
Interlude
Em7
if
get
it right,
ev - ry - bod - y will be sing - in a - long.
A5
Oh, yeah.
And when they
ah.
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
Gtrs. 1 & 2
see you on the street
2
2
2
0
2
2
2
0
2
0
0
3
0
2
0
3
0
2
Hey!
0
3
0
2
0
3
0
2
0
3
0
2
0
3
0
2
2
Gsus2
say,
Oo,
0
3
0
2
Aint
theyll
you the girl
in that
2
0
D/F#
song?
hey!)
Gtr. 5 (elec.)
f
w/ slight dist.
1
10
10
Gtrs. 1 & 2
2
0
2
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
5
3
0
0
X
5
3
2
0
X
4
Guitar Solo
G5
Gsus2
Gtr. 5
10
10
3
3
2
10
Gtr. 1
10
10
10
14
12
10
17
15
13
12
3
3
2
3
3
2
3
3
2
3
3
2
12
15
3
3
2
3
3
2
X
X
X
10
10
12
15
D/F#
3
2
0
3
2
0
3
2
0
Gtr. 2
P.M.
P.M.
P.M.
P.M.
3
4
10
12
12
3
2
0
P.M.
3
2
0
2
0
3
2
0
10
11
10
11
10
11
1/2
8
9
7
7
8
9
10
11
10
11
10
11
3
2
0
3
0
3
0
0
3
0
0
3
0
3
0
10
11
10
11
1/2
10
11
10
11
10
11
8
9
7
7
3
2
0
3
0
0
3
0
0
X
5
3
0
0
X
5
3
2
0
Gsus2
P.M.
0
0
1/2
10
G5
5
3
0
3
3
0
X
X
X
X
X
X
na
put
wan
1/4
10
10
10
4
4
2
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
4
4
2
2
3
4
4
2
2
3
4
4
2
2
3
4
4
2
1/4
you
in
my
1/4
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
0
14
14
12
14
14
12
14
14
12
14
14
12
Bm
0
3
4
2
Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 3
G5
car
and drive,
turn
you
up
Gtr. 5
loud,
10
D5
roll
10
10
10
12
down
all
the
win - dows and
12
shout
it
out.
Im
Gtr. 5
in
with
this
G5
love
girl.
Yeah,
if
could
press
15
0
0
X
5
3
3
0
0
X
5
Gtrs. 1 & 2
1/2
Half-time feel
Em7
1/2
2
0
play,
2
0
re - wind
2
0
Gtr. 5
0
0
D/F#
cou - ple mil - lion times,
15
3
3
0
0
X
5
3
3
0
0
X
5
3
3
0
0
X
5
15
14
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
14
i - mag - ine for the mo - ment that youre
*p
all
mine.
Ev -ry
mp
*Vol. swell
Gtr. 1
0
3
0
2
0
3
0
2
0
3
0
2
0
3
0
2
0
3
0
2
0
3
0
2
0
3
0
2
0
3
0
2
2
10
2
0
0
3
2
0
0
3
2
0
0
3
2
0
Gtr. 2
w/ RotoVibe
3
2
0
4
14
0
3
2
0
night
End half-time feel
G5
Id drive you
A5
home,
if
could put
you
in
a,
let
me
put
you
in
this
10
12
10
12
17
3
3
0
3
3
0
0
X
5
0
0
2
2
0
2
2
0
14
14
17
RotoVibe off
3
3
0
0
X
5
2
2
0
2
2
0
Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
G/D
song.
Gtr. 5
1 1/2
Ay,
ay,
1/2
eah.
11
Uh,
let
me
put
you
in
G/D
song.
song
bout
you,
Whoa,
Yeah,
8
9
yeah.
lit - tle
by.
pret - ty
ba
9
10
10
11
Outro-Guitar Solo
Gtr. 2: w/ Rhy. Fig. 1 (1 1/2 times)
G/D
Oh,
Gtr. 5
12
12
12
12
12
oo,
oo,
12
12
3
0
0
3
0
0
3
0
0
3
0
0
3
0
0
3
0
0
12
12
12
12
oo.
1/2
12
12
Gtr. 1
oh,
12
12
12
12
12
11
11
11
3
0
0
3
0
0
3
0
0
3
0
0
3
2
0
0
3
2
0
0
3
2
0
0
3
2
0
0
3
2
0
0
3
2
0
0
3
0
0
3 3
0 0
0 0
G/D
Oh,
3
2
0
0
3
0
0
3
3
0
0
3
0
0
3 3
2 2
0 0
12
14
12
3 3 3
2 2 2
0 0 0
10
12
3
0
0
12
3
0
0
12
10
12
3
0
0
3
0
0
10
12
10
12
13
15
3
3
0
0
10
12
3
0
0
3
0
0
3
0
0
17
17
15
14
7
X
5
7
X
5
9
X
7
7
X
5
7
X
5
9
X
7
4
X
2
4
X
2
4
X
2
4
X
2
4
X
2
6
X
4
6
X
4
6
X
4
6
X
4
6
X
4
6
X
4
7
X
5
7
X
5
4
X
2
Gtr. 2
10
yeah!
G'9
10
oh,
14 12 10
12
Gtr. 5
Gtr. 1
3
2
0
3
2
0
3
2
0
3
2
0
9
X
7
9
X
7
9
X
7
9
X
7
11
X
9
11
X
9
9
X
7
9
X
7
7
X
5
7
X
5
6
4
6
4
14
16
3
2
0
X
5
4
X
2
13
from Keith Urban - Keith Urban
Roller Coaster
Words and Music by Keith Urban and Matthew Rollings
G5
Bb
G/B
Eb
C/E
D5
6fr
2
34
132
32 14
1333
34
134211
1333
32 1
13
A
Fast h = 150
* G7sus4
Riff A
Gtr. 1 (elec.)
f
w/ clean tone & wah-wah
let ring
**
*Chord symbols reflect implied harmony.
** = closed (toe down);
= open (toe up)
1 1/2
let ring
let ring
End Riff A
0
1
Copyright 1999 SONGS OF UNIVERSAL, INC., GUITAR MONKEY MUSIC and ZESTY ZACKS MUSIC
All Rights for GUITAR MONKEY MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights for ZESTY ZACKS MUSIC Administered by ATLANTIC MUSIC CORP.
All Rights Reserved Used by Permission
* G5
Rhy. Fig. 1
Gtr. 2
(acous.)
mp
Gtr. 1
P.M.
wah-wah off
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
G5
7
9
5
7
7
9
5
5
12
12
12
12
10
1/4
G5
5
5
3
3
5
5
5
3
3
3
G5
5
5
3
3
P.M.
P.M.
3
3
5
G5
3
3
Gtr. 2: w/ Rhy. Fig. 1
End Rhy. Fig. 1
Harm.
let ring
*
5
7
7
9
7
7
X
X
7
7
-1/2
*Neck bend
Harm.
let ring
5
5
5
5
3
3
3
3
5
5
5
5
5
3
3
3
G5
3
3
5
5
10
10
P.M.
3
3
1
G5
1/4
G5
Gtr. 1 tacet
Bb
Rhy. Fig. 2
Gtr. 2
Gtr. 3 (elec.)
mf
G/B
Bb
w/ clean tone
Eb
C/E
2
0
D5
End Rhy. Fig. 2
D
G5
Gtr. 1
Gtr. 3
Gtr. 3 tacet
Gtr. 2: w/ Rhy. Fig. 1
Gtr. 1
7
9
5
7
Harm.
*
7
7
-1/2
*Neck bend
G5
7
7
G5
5
X
2
15
X
12
15
G5
1/4
12
E
G7sus4
w/ wah-wah
G7sus4
Gtr. 6 (elec.)
w/ clean tone
1
15
18
Gtr. 4 (elec.)
15
18
w/ clean tone & wah-wah
1/2
Gtr. 5 (elec.)
w/ clean tone
1/2
Gtr. 1
mf
wah-wah off
6
X
X
Gtr. 3
X
X
X
X
5
5
12
12
13
F
Gtr. 2: w/ Rhy. Fig. 1
Gtrs. 3 - 6 tacet
G5
Gtr. 1
Riff B
G5
G5
G5
End Riff B
5
10
Gtr. 1: w/ Riff B
Gtr. 2: w/ Rhy. Fig. 1
G5
G5
G5
G5
Gtr. 2: w/ Rhy. Fig. 2
Bb
G/B
Gtr. 1
Bb
Eb
0
3
C/E
D5
Gtr. 2
Gtr. 1
D5
Gtr. 2
Gtr. 3
w/ pick & fingers
10
7
10
10
7
10
10
7
10
10
7
10
10
10
10
Gtr. 1
G5
1/2
10
10
10
D5
10
7
10
10
10
10
7
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
7
10
10
7
10
10
12
10
14
12
15
14
14
16
1/2
10
14
17
15
15
J
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
Gtr. 3 tacet
G5
Gtr. 1
G5
grad. bend
1 1/2
17
5
3
G5
7
9
5
7
G5
P.M.
17
P.M.
3
G5
1/2 hold bend
10
3
7
9
10
10
10
10
10
10
10
10
10
10
10
10
10
1/2
10
10
10
10
11
10
10
0
7
1 hold bend
3
3
G5
Gtr. 2: w/ Rhy. Fig. 1 (last 4 meas.)
Gtr. 2
10
10
G5
10
1 hold bend
10
1 hold bend
1 hold bend
3
3
G5
10
10
1/2
10
G5
D5
(cont. in notation)
K
Gtr. 1: w/ Riff A
G7sus4
Gtr. 2
6
6
Gtr. 2
1
1
0
0
X
3
10
Play 3 times
F5
wah-wah off
1
6
1
1
0
0
X
3
Gtr. 1
3
1
G5
5
3
from Keith Urban - Days Go By
Somebody Like You
Words and Music by John Shanks and Keith Urban
E5
114
Intro
Moderately q = 116
Gtr. 1 (dist.)
mp
w/ sustainer & heavy reverb
17
*Vol. swell
**Gtr. 2
Riff A
mf
let ring
0
9
11
11
**Banjo arr. for gtr.
G#
16fr
Gtr. 4 (slight dist.)
mf
steady gliss.
17
End Riff A
let ring
11 13
0
13 14
0
14
0
9 11
0
11
11 13
0
13 14
2002 WB MUSIC CORP., DYLAN JACKSON MUSIC, SONGS OF UNIVERSAL, INC. and GUITAR MONKEY MUSIC
All Rights for DYLAN JACKSON MUSIC Administered by WB MUSIC CORP.
All Rights for GUITAR MONKEY MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission
0
14
Gtr. 2: w/ Riff A (2 times)
E5
1. Theres
8va
Gtr. 6 (dist.)
mp
w/ sustainer & heavy reverb
19
*Vol. swell
Gtr. 1
17
Riff B
Gtr. 5 (slight dist.)
End Riff B
mf
P.M.
6 7 7 7 7
Gtr. 3 (slight dist.)
mf
2
5
4
2
2
0
6 7 7 7 7
6 7 7 7 7
6 7 7 7 7
6 7 7 7 7
6 7 7 7 7
6 7 7 7 7
6 7 7 7 7
Verse
Gtr. 4 tacet
Gtr. 5: w/ Riff B (4 times)
Gtr. 6 tacet
*E5
new
wind
blow - ing like Ive
nev - er
known.
Im
breath - ing
deep - er than Ive
ev - er
done.
And it
8va
Gtr. 1
19
Gtr. 5
17
Gtr. 2
0
0
Gtr. 3
0
*Chord symbols reflect overall harmony.
Gtr. 3 tacet
A5
sure
E5
feels
good
Gtr. 7 (dist.)
to
fi - nlly feel the way I
do.
Now, I wan - na
8
9
mp
*
w/ heavy reverb
*Vol. swells
Gtr. 1
17
16
Gtr. 2
Harm.
12
Gtrs. 2 & 7 tacet
B5
love
12
Gtr. 2: w/ Riff A
A5
some - bod - y,
E5
love
some - bod - y like
you.
2. And Im let - ting
Gtr. 1
17
Gtr. 5
19
End Riff C
Riff C
P.M.
2 2 2
2 2 2
2 2
0 0 0
0 0 0
0 0
6 7 7 7 7
6 7 7 7 7
6 7 7 7 7
6 7 7 7
Verse
Gtr. 1 tacet
Gtr. 5: w/ Riff B (1 1/2 times)
E5
go
of
all
my
yes - ter
Gtr. 3
let ring
0
0
9
9
7
0
takes Ive
Gtr. 4
E5
lone - ly
E,7
days.
Ive
for - giv
0
0
8
9
0
0
9
9
0
0
9
9
en
my
self
for
the
mis -
made.
A'9
Now theres
just
one
thing,
the
on - ly
do.
thing
wan - na
Gtr. 5
6 7 7 7 7
6 7 7 7 7
P.M.
6 7 7 7 7
6 7 7 7 7
Gtr. 3
let ring
0
0
6
7
0
6 7 7 7 7
6 7 7 7 7
Gtr. 2: w/ Riff A
Gtr. 4 tacet
Mm,
wan - na
hmm.
Bsus4
love
some
bod - y,
love
Gtr. 5
P.M.
6 7 7 7 7
Gtr. 3
6 7 7 7 7
6 7 7 7 7
6 7 7 7 7
0
0
4
4
2
0
0
1
2
2
0
Gtr. 2: w/ Riff A
Asus2
some
Gtr. 4
bod - y
Gtr. 5
Gtr. 3
0
0
2
2
0
like
E5
you.
Yeah,
9
X
7
9
X
7
0
0
9
9
7
0
0
9
9
7
9
X
7
9
X
7
9
X
7
9 11
X
7 9
0
0
9
9
7
9
X
7
9 11
X
7 9
11 11
X X
9 9
11
X
9
11
X
9
0
0
9
9
7
11 11
X X
9 9
0
0
9
9
7
11
X
9
11
X
9
wan - na
feel
the
11 13 13 13 13
X X X
X
9 11 11 11 11
14 14
X X
12 12
13 14
X
11 12
14
X
12
14
X
12
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
11 13 13 13 13
X X X
X
9 11 11 11 11
13 14
X
11 12
14 14
X X
12 12
14
X
12
14
X
12
Chorus
A5
sun
Rhy. Fig. 1A
shin - ing down on
me
and
B'11
Rhy. Fig. 1
you.
13 13 13
X X X
11 11 11
11 11 11
X X X
9 9 9
0
0
1
2
2
0
0
0
2
2
0
2
2
0
A'9
0
0
2
2
0
2
2
0
*Gtrs. 3 & 5
shine
Gtr. 4
Asus2
0
0
8
9
9
7
0
0
8
9
9
7
0
0
8
9
9
7
0
0
6
7
7
5
0
0
6
7
7
5
0
0
6
7
7
5
9
X
7
9
X
7
0
0
1
2
2
0
0
0
1
2
2
0
*Composite arrangement
When you
put
your arms
A5
2
2
0
9
X
7
0
0
1
2
2
0
round
1/4
2
2
0
Asus2
me,
you
let
me know theres noth - ing
in
this
End Rhy. Fig. 1A
End Rhy. Fig. 1
0
0
2
2
0
0
0
2
2
0
Gtr. 1 tacet
world
C#m7
Gtr. 4
cant
F#m11
do,
oo,
oo.
3. I
used
to
Gtr. 1
Gtrs. 3 & 5
0
0
6
6
4
X
X
0
0
2
2
X
2
Verse
Gtr. 3 tacet
Gtr. 5: w/ Riff B (3 times)
E5
run
in
cir - cles,
no - where
go - ing
Gtr. 4
fast.
Id
take,
ah,
one
let ring
step
for - ward, end
up
A5
two steps
back.
w/ pick & fingers
9
9
Gtr. 3
10
11
could - nt
Gtr. 4
walk
a straight
line
ven
if
want - ed
to.
12
13
let ring
0
X
6
Gtr. 2: w/ Riff A
E5
Mm,
Gtr. 4
hmm.
wan - na
love
Gtr. 3
12
12
12
0
2
bod - y,
love
let ring
Harm.
12
some
4
4
4
2
Gtr. 5
P.M.
6 7 7 7 7
6 7 7 7 7
6 7 7 7
6 7 7 7 7
Gtr. 2: w/ Riff A
some
Gtr. 8 (dist.)
bod - y
like
E5
Whoa,
you.
here we go,
Asus2
now.
f
Harm.
*
14 14.6 14.6 14
Pitch: D
*Harm. located six-tenths the distance
between the 14th & 15th frets.
Gtr. 4
Gtr. 3
0
0
2
2
0
9
X
7
9 9
X X
7 7
9
X
7
9 9
X X
7 7
9 11
X
7 9
9 11
X
7 9
11 11
X X
9 9
11 11
X X
9 9
11
X
9
11
X
9
11
X
9
11
X
9
11 13 13 13 13
X X X
X
9 11 11 11 11
11 13 13 13 13
X X X
X
9 11 11 11 11
Gtr. 5
2
2
0
10
2
2
0
2
2
0
6 7 7
14 14
X X
12 12
13 14
X
11 12
13 14
X
11 12
9
9
7
9
9
7
9
9
7
14
X
12
14
X
12
14 14
X X
12 12
14
X
12
9
9
7
9
9
7
14
X
12
Guitar Solo
Gtr. 4 tacet
E5
Go!
Gtr. 8
Yeah.
12
12
12
11
11
11
11 9
let ring
1
12
9
11
11
0
0
9
9
7
0
0
9
9
7
X
X
X
X
X
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
12
11
11
X
X
X
X
X
0
0
9
9
7
X
X
X
X
X
11
11 9
12
17
X
X
X
X
X
12
9
0 5
*Gtrs. 3 & 5
0
0
9
9
7
11
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
0
0
9
9
7
*Composite arrangement
Hey,
I wan - na love you, ba
12
9
11
0
0
9
9
7
0
0
9
9
7
by.
11
0
0
9
9
7
0
0
9
9
7
18
17
16
16
16
oh.
let ring
let ring
let ring
let ring
0 0
0 0
0 0 0
0 0 0
0 0
16 14 14 14 12 12 12 12 10 10 10 10 9 9 9
16
0
0
9
9
7
0
0
2
2
0
0
0
2
2
0
0
0
9
9
7
Oh,
let ring
12
9
Asus2
1/2
0
0
9
9
7
0
0
2
2
0
0
0
2
2
0
0
0
2
2
0
0
0
2
2
0
0
0
2
2
0
let ring
0
9
0
7
let ring
0
7
0
7
0
5
0
0
2
2
0
0
0
2
2
0
0
0
2
2
0
0
0
2
2
0
0
0
2
2
0
0
5
0
0
2
2
0
11
E5
Bsus4
5
6
P.H.
grad. bend
1
X
X
X
X
X
4 2
X
X
X
X
X
0
0
9
9
7
0
0
9
9
7
Asus2
12
0
0
2
2
0
12
X X
X X
X X
X X
0
0
9
9
7
0
0
4
4
2
0
0
4
4
2
0
0
4
4
2
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
X X
X X
1/2
5
4
wan - na
feel
grad. release
4 2
Yeah,
4 4
4
E5
0
0
9
9
7
Pitch: C#
13
12
12
15
X X 16
0
0
2
2
0
0
0
2
2
0
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
the
Chorus
Gtrs. 3 & 5: w/ Rhy. Fig. 1
Gtr. 4: w/ Rhy. Fig. 1A
Gtr. 8 tacet
A5
sun
world
Gtr. 4
0
0
6
X
4
Gtrs. 3 & 5
0
0
6
6
4
C#m7/D#
put
0
0
8
X
6
0
0
9
X
7
down
on
me
and
round
F#m11
Asus2
well,
B'11
A'9
ba -
by, there aint noth - ing
you.
me,
oo,
in
this
oo.
4. Some -
2
2
4
4
2
0
0
6
6
4
0
0
2
2
X
2
0
0
6
6
4
do,
A5
C#m7/E
your arms
cant
shin - ing
shine
When you
C#m7
Asus2
Verse
Gtrs. 4 & 5 tacet
E5
times
its
hard
for
me
to
un - der
stand,
but youre
teach
Gtr. 2
ing
me
to
be
let ring
8 9 9
7
8 9
7
8 9
7
8 9 9
7
8 9
7
8 9
8 9 9
7
8 9
7
9
7
13
A5/E
bet - ter
man.
Gtr. 4
I dont want
to
take
this
life
for grant
to
ed
like
used
do.
**
13
**Vol. swells
Gtr. 2
let ring
8 9 9
7
Gtr. 3
8 9
14
14
8 9 9
8 9
7
8 9
8 9 9
8 9
7
9
7
*Vol. swells
Gtr. 5: w/ Riff B
E5
No,
13
13
let ring
8 9 9
7
14
13
11
11
8 9
7
wan - na
B5
love
some
13
8 9
7
no.
11
Gtr. 4 tacet
Gtr. 5: w/ RIff C (2 times)
11
13
bod - y,
love
11
8 9 9
8 9
7
Riff D
9 8
A5
some
bod - y
E5
like
you.
Gtr. 1
Im
read - y
to
love
19
17
*Vol. swells
Gtr. 2
let ring
8 9 9
7
Gtr. 3
Gtr. 2: w/ Riff D (1 1/4 times)
Bsus4
some
bod - y,
8 9
7
8 9
7
8 9 9
9 8
End Riff D
let ring
0
0
9
9
7
Asus2
love
Gtr. 4 tacet
some
Gtr. 1
bod - y
like
Esus2
you.
Mm.
17
Gtr. 4
Gtr. 3
0
0
4
4
2
0
0
2
2
0
7
7
9
9
7
15
And
Gtr. 8
I wan - na
Bsus4
love
some - bod - y
Gtr. 1 tacet
Asus2
love
some - bod - y
like
you,
17
Gtr. 1
8va
19
19
0
0
4
4
2
0
0
4
4
2
0
0
4
4
2
0
0
4
4
2
0
0
2
2
0
0
0
2
2
0
*Gtrs. 3 & 5
Gtr. 3
7
7
9
9
7
*Composite arrangement
Interlude
E5
Gtr. 8
10
12
Gtrs. 3 & 5
12
12
10
12
14
14
let ring
9
9
7
16
A'9/E
0
0
9
9
7
10
12
16
16
17
16
19
17
19
17
0
0
6
7
0
0
0
6
7
0
0
0
6
7
0
0
0
6
7
0
E5
Asus9/E
yeah.
10
Ah.
12
12
12
10
14
12
0
0
9
9
7
16
16
A'9
16
16
16 17 16
19 17 19
0
0
6
7
0
0
0
6
7
0
0
0
6
7
0
love you, ba
8va
17 16
0
0
6
7
0
0
0
6
7
0
0
0
6
7
0
0
0
6
7
0
10
12
12
12
10
12
14
14
let ring
X
X
X
0
0
9
9
7
10
Woo!
10
12
loco
12
12
10
14
0
0
9
9
7
0
0
9
9
7
no, no,
no.
12
14
12
A'9
by.
Yeah,
huh.
17
17
17
19 17
E5
0
0
9
9
7
12
I wan - na
Uh,
12
10
10
14
Hey,
E5
16
16
17 16
19 17
0
0
6
7
0
0
0
6
7
0
19
19
0
0
6
7
0
17
Interlude
Gtr. 2: w/ Riff A (11 times)
Gtr. 3 tacet
*
**w/ delay
1/2
17
16
*Vol. swells
**Set for quarter-note
regeneration w/ 1 repeat.
16
0
0
1
2
2
0
C#m7
16
Asus2
14
Bsus4
Gtr. 8
1
7
1
7
1
7
grad. release
1
7
1
7
16
Gtr. 5
mp
***
w/ tremolo
0
0
2
2
0
0
0
4
4
2
5
4
6
4
***Vol. swells
C#m7
1/2
3
3
3
3
let ring
let ring
1/2
6
4
Asus2
Refers to 4th str. only.
let ring
0
4
X
4
18
let ring
4
2
let ring
0
0
tremolo off
D5
Whoa,
Gtr. 8
grad. release
1/2
*Gtrs. 3 & 5
7
5
7
5
7
5
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
yeah.
7
5
E5
7
7
5
7
7
5
X
X
X
0
0
7
7
5
Woo!
9
9
7
X
X
X
X
X
X
X
X
X
0
0
9
9
7
*Composite arrangement
D%/E
Whoa,
0
0
0
0
9
9
7
7 7 7 7
X X X X
5 5 5 5
0
0
7
7
5
0
0
7
7
5
yeah.
1/4
0
0
7
7
5
Asus2
Whoa,
grad. bend
1 hold bend
0
0
wan - na
7
7
Rhy. Fig. 2
6
0
X X
X X
X X
0
0
9
9
7
0
0
2
2
0
0
0
2
2
0
0
0
2
2
0
End Rhy. Fig. 2
0
0
2
2
0
19
Outro
Gtr. 2: w/ Riff A (till fade)
Gtrs. 3 & 5: w/ Rhy. Fig. 2 (till fade)
E5
be
the
in
man
the
mid - dle
of
the
night,
shin - ing
like
its
Asus2
true.
Wan - na
Gtr. 8
E5
be
the
man
that you run
to
and
nev - er
come
un
Asus2
glued.
When
let ring
5
4
let ring
5
6
5
4
E5
ev
- ry - thing
that
hurt
some - one
fi - nlly
found
its
way.
And
5
4
2
E5
wan - na
20
be
the
bet - ter
man
Asus2
and
see
it
in
all
day,
yeah,
you
Asus2
steady gliss.
11
E5
Asus2
Oh,
14
14
12
10
12
12
10
12
14
10
16
12
16 16
yeah.
1/2
16
16
19 17 19
17
10
12
12
12
Asus2
10
Hey,
16
12
I wan - na
16
E5
love you, ba
8va
loco
17
17
19 17
E5
12
10
8va
1 hold bend
1 hold bend
19
19
1 sim.
19
19
10
12
yeah,
16
16
na, na, na,
19
19
14
na, na,
19
19
na,
19
19
14
17 16
yeah.
19
19
na,
12
Asus2
oh,
14
17
Asus2
Oo,
Oh,
12
12
10
by.
17 16
14
12
10
Begin fade
yeah,
1/2
12
yeah.
E5
19
19
na, na,
na,
19
19
na.
19
19
19
19
19
19
19
Fade out
E5
Asus2
Oo,
8va
19
19
19
19
19
19
19
19
19
19
19
19
19
19
19
yeah,
19
19
yeah.
19
19
19
19
19
21
from Keith Urban - Love, Pain & The Whole Crazy Thing
Stupid Boy
Words and Music by Sarah Buxton, Dave Berg and Deanna Bryant
Gsus2
Dsus2
14
12
Asus4
111
113
Bm
G5
13421
D5
11
12
A5
B5
D/F#
11
134
D/A
12
312
Drop D tuning, capo I:
(low to high) D-A-D-G-B-E
Intro
Slowly q = 76
G
Rhy. Fig. 1
Gtr. 1 (acous.)
*
mp
X
X
X
X
X
X
X
X
3
2
0
0
0
3
2
2
2
2
0
2
2
2
0
X
X
X
X
X
X
X
X
2
2
2
0
2
0
let ring throughout
2
0
X
5
4
0
X
5
*All music sounds a half step higher than written due to capo.
2
0
X
5
X
X
X
X
X
X
X
X
3
2
0
0
0
4
0
X
5
Verse
G5
3
0
1. Well, she
2
0
was
pre - cious
3
3
0
0
X
5
X
X
X
X
X
X
X
X
X
X
X
X
0
3
2
0
0
0
2
2
2
0
2
2
2
0
End Rhy. Fig. 1
2
2
0
2
2
0
4
4
2
0
2
2
2
0
like
flow
Rhy. Fig. 2
3
3
0
0
X
5
Dsus2
A
3
0
3
2
0
0
0
er.
She grew
2
2
2
0
2
2
2
0
X
X
X
X
X
X
X
X
2
2
2
0
2
2
2
0
Copyright 2006 SONGS OF UNIVERSAL, INC., SONG PLANET, CAL IV SONGS, BERGBRAIN MUSIC and BIG LOUD SONGS
All Rights for SONG PLANET Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights for CAL IV SONGS and BERGBRAIN MUSIC Controlled and Administered by
CAL IV ENTERTAINMENT, LLC, 808 19th Avenue South, Nashville, TN 37203
All Rights for BIG LOUD SONGS Administered by BIG LOUD BUCKS
All Rights Reserved Used by Permission
wild,
G5
G5
3
3
0
0
X
5
X
X
X
X
X
X
X
X
X
X
X
X
3
3
0
0
X
5
0
3
2
0
0
0
in - no
0
3
2
0
0
0
per - fect
3
3
0
0
X
5
X
X
X
X
X
X
X
X
X
X
X
X
prayer
0
3
2
0
0
0
- ry - thing
3
3
0
0
X
5
Pre-Chorus
Gsus2
in
3
3
0
0
X
5
X
X
X
X
X
X
X
X
X
X
X
X
Dsus2
Riff A
des - prate
0
3
2
0
0
0
0
3
2
0
0
0
2
2
2
0
2
2
2
0
0
2
2
0
ho
ur.
0
3
2
0
0
0
3
4
2
2
2
0
2
2
2
0
2
2
2
0
D/A
2
2
2
0
2
2
2
0
2
2
2
0
and
w/ clean tone
let ring
2
2
2
0
2
2
2
0
2
2
2
0
cant
3
4
fence
She
was
2
2
2
0
Stu - pid
dif - frent.
you
Gtr. 2
(elec.)
cent.
beau - ti - ful
D/A
Dsus2
Gtr. 1
but
G5
Dsus2
ev
wild
3
3
0
0
X
5
Dsus2
that
in.
End Rhy. Fig. 2
boy,
(cont. in slashes)
Stu - pid
boy,
End Riff A
Gtr. 2: w/ Riff A
Gsus2
Dsus2
its like
Gtr. 3 (elec.)
Asus4
hold
in
the
back
wind.
She
laid
p
w/ dist.
Chorus
Gsus2
Dsus2
Rhy. Fig. 3
her
heart
and
soul
right
in your
Asus4
hands,
and you
stole
Gsus2
Dsus2
her
ev
ry
dream
open 2fr. open
and you crushed
her
plans.
She nev - er
*
1/2
1/2
1/2
1/2
1/2
1/2
*Vol. swell
Gtr. 3 tacet
Gsus2
e - ven
knew
Dsus2
she
had
choice,
and
thats what
she
hap - pens
when
the on
ly voice
Dsus2
Gsus2
Bm
hears
is
tell - ing
her
she
Asus4
cant.
End Rhy. Fig. 3
Stu - pid
boy,
Gtr. 1: w/ Rhy. Fig. 1
stu - pid
Gtr. 3
mp
1
Gtr. 2
let ring
boy.
2. So,
grad. bend
let ring
Verse
Gtr. 1: w/ Rhy. Fig. 2
G5
Dsus2
what
made
you
think
you
could
take
life
and just
grad. bend
1
*Vol. swell
G5
Dsus2
push
it,
push
it
D/A
round?
*Using a guitar with Les Paul style electronics, set lead volume to 0 and rhythm
volume to 10. Strike the strings while the pickup selector switch is in the lead
position, then flip the switch in the rhythm indicated to simulate the re-attack.
G5
Dsus2
guess
to
build your
self
up
high,
so
you
had
4
4
2
2
to
take
1/2
4
4
let ring
3
5
*Vol. swells
Gtr. 3 tacet
G5
Dsus2
her
and break
her
Gtr. 2
let ring
0
5
0
0
D/A
down,
oh.
2
2
0
2
2
0
mf
2
2
0
Well, she
2
2
0
2
2
0
laid
(cont. in slashes)
2
2
0
2
2
0
Chorus
Gtr. 1: w/ Rhy. Fig. 3
G5
Gtr. 2
her
Gtr. 4
(elec.)
D5
Rhy. Fig. 4
and
3
3
0
3
3
0
2
3
2
G5
Rhy. Fig. 4A
heart
A5
soul
right
hands,
and you
mf
in your
0
3
stole
w/ dist.
her
ev
3
3
0
3
3
0
2
3
2
e - ven
knew
let ring
dream
and you crushed
her
0
3
had
let ring
3
4
B5
choice
and
thats
what
7
7
7
7
7
7
6
7
hap - pens
She nev - er
let ring
plans.
A5
D5
she
ry
D5
G5
A5
when
let ring
2
ly
the
on
voice
G5
D5
A5
End Rhy. Fig. 4
she
hears
is
tell - ing
her
she
10
3
3
0
0
X
5
3
2
0
And you,
stu - pid
boy,
Gtr. 4
cant.
Gtr. 3
2
2
0
2
2
0
End Rhy. Fig. 4A
Bridge
Gtrs. 3 & 4 tacet
G5
Bm
Gtr. 1
oh,
you
al - ways had
to
be
right,
but now you
(Ah.
Gtr. 2
let ring
G5
lost
the
Ah.)
Gtrs. 2 & 4
on
D/F#
ly
thing
that
ev - er
let ring
3
5
made
2
2
2
0
2
4
you
feel
live,
2
2
2
0
2
2
2
0
2
2
2
0
(Gtr. 2 cont. in slashes)
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
Guitar Solo
Gtr. 4 tacet
G5
Bm
Gtrs.
1&2
oh.
8va
Gtr. 3
15
G5
15
Bm
14
1/2
14
14
12
12
12
12
10
11
15
yeah.
10
11
10
10
10
11
12
15
10
12
loco
Yeah,
1 1/2
12
15
grad. bend
Well, she
laid
10
11
10
12
Chorus
Gtr. 1: w/ Rhy. Fig. 3 (1st 7 meas.)
Gtrs. 2 & 4: w/ Rhy. Figs. 4 & 4A
G5
heart
and
soul
right
A5
her
D5
in
your
hands,
1 1/2
12
G5
D5
her ev
ry
dream
and
you crushed
10
12
12
12
12
15
15
10
15
and you
Yes, you did.
She
15
stole
11
1
15
10
plans.
1
15
hold bend
her
8va
yeah,
A5
15
nev - er
loco
15
15
1 1/2
15
15
G5
D5
B5
knew
she
had
choice,
and
thats
15
G5
D5
she
hears
tell - ing
when
the
on
ly
voice
14
14
she
cant.
grad. release
grad. release
her
A5
1/2
Gtrs.
1, 2 & 4
hap - pens
is
what
e - ven
You
stu - pid
boy,
10
10
Interlude
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 3 tacet
Gtr. 3
mp
oh,
Im
the
same
same
old
old,
w/ fingers
1
stu - pid
boy.
Verse
Gtr. 3 tacet
Gsus2
Gtr. 1
3. It
10
Dsus2
took
while
for
her
to
fig - ure
out
she could run.
But when she
did,
Freely
Dsus2
she
Gtr. 1 tacet
Asus4
Gsus2
was
long
gone,
long
gone.
Outro
A tempo
Gtr. 3
Gtr. 1: w/ Rhy. Fig. 1 (1 3/4 times)
mp
w/ fingers
1
*Vol. swell
Gtr. 1
1/2
1/2
1/2
2fr. open
D/A
Oh,
shes
open
gone.
Gtr. 1: w/ Rhy. Fig. 1 (till end)
Gone, gone.
Gtr. 3
Gtr. 2
p
10
10
10
10
10
10
10
10
11
Mm,
yeah,
Yeah,
10
10
10
10
10
10
oh.
1/2
grad. release
1/2
shes gone.
w/ pick
11
10
10
(cont. in slashes)
10
10
10
10
10
10
12
mf
Gtr. 3
G5
D5
Gtr. 2: w/ Rhy. Fig. 5 (2 1/2 times)
A5
Rhy. Fig. 5
G5
10
Gtr. 2
10
12
D5
End Rhy. Fig. 5
10 12 10
10 10
10 12 10
10
10
12 10
A5
12
10
10
12
12
hold bend
1
12
12
12
10
G5
G5
15
15
15
15
17
D5
15
17
15
D5
15
Gtr. 2
14
14
14
16
14 15
15
15
15 14 15 17
End Rhy. Fill 1
Oh,
14
A5
Rhy. Fill 1
1 1/2
17
17
oh,
17
and no
15 17
14 15
Gtr. 2: w/ Rhy. Fig. 5 (1 1/2 times)
G5
D5
ones ev - er gon - na
love me like she loved
15
15
15
A5
me.
15
14
12
14
me, she
loved
me.
God,
1/2
15
And she loved
15
14 12
15
14
16
14 15 17 15 14
16
14
Gtr. 2: w/ Rhy. Fill 1
G5
D5
please
just
let her know
16
A5
Im
sor
14 16
15
17
17
1 1/2
17
ry,
Im
sor
ry, Im sor - ry, Im sor - ry,
grad. bend
1
17
17
15
17
17
17
10
10
13
Gtr. 2: w/ Rhy. Fig. 5 (2 times)
G5
ba
D5
by.
12
10
14
10
10
10
12
10
15
10
14
10
10
10
12
10
10
14
10
A5
10
12
10
14
10
10
14
10
10
15
10
Yeah,
Im
12
10
10
G5
14
10
10
12
down on
my
knees.
10
14
10
15
10
14
10
10
10
12
10
14
10
10
12
10
10
12
10
10
14
10
12
D5
10
10
14
10
10
12
10
14
10
15
10
14
10
10
10
12
10
10
14
10
10
12
10
14
10
15
10
14
10
A5
Shes
nev
er
com
ing
back
to
10
me.
8v a
15
14
10
10
14
10
14
15
14
10
14
10
14
15
10
14
15
10
14
15
10
14
15
10
14
15
10
12
10
14
10
15
G5
Gtr. 3
8va
D5
15
15
15
15
3
3
0
0
X
5
15
15
1
15
1
15
1
15
3
2
0
0
0
Gtr. 2: w/ Rhy. Fig. 5 (till end)
G5
loco
15
15
3
1
Gtr. 2
Gtr. 3
15
D5
14
14
grad. release
3/4
15
15
15
15
15
15
6 6 7
X X X
4 4 5
7
X
5
12
10
12
1/4
15
15
15
15
15
15
15
15 15 15
15
9
X
7
9
X
7
A5
15
12
9
X
7
14
1/2
14
1/2
14
12
12
10
9
X
7
12
19
Begin fade
G5
D5
2
2
2
2
D5
3
2
0
0
0
1/4
2
0
G5
0
0
3
2
0
0
0
5
5
5
1/2
3
2
0
0
0
5
5
5
D5
G5
1/4
Fade out
hold bend
1/2
3
2
0
5
4
15
from Keith Urban - Defying Gravity
Til Summer Comes Around
Words and Music by Monty Powell and Keith Urban
Fsus2
Intro
3 3
Slow q = 64 =
Gtr. 1 (elec.)
G5
T3 4 1 1
Am
34
231
(Fairground sound effects)
(20 sec.)
*p
**w/ clean tone & delay
w/ ebow
*Vol. swell
**Delay set for eighth-note regeneration w/ 3 repeats.
Gtr. 2 (elec.)
(20 sec.)
*** p
w/ clean tone & delay
w/ ebow
10
***Vol. swell
Delay set for eighth-note regeneration w/ 3 repeats.
Am
Gtr. 1
10
mf
8
Gtr. 2
mf
10
Gtr. 3 (elec.)
mf
w/ clean tone & delay
w/ fingers
0
0
1
2
0
0
let ring
1
2
0
0
1
2
0
0
1
2
0
3
1
3
1
2
3
4
12
12
12
13
14
12
12
15
15
17
17
12
Chord symbols reflect overall harmony.
Delay set for eighth-note regeneration w/ 1 repeat.
Copyright 2008 UNIVERSAL TUNES, A Division of SONGS OF UNIVERSAL, INC.,
EDEN VALLEY MUSIC, SONGS OF UNIVERSAL, INC. and MARY ROSE MUSIC
All Rights for EDEN VALLEY MUSIC Controlled and Administered by UNIVERSAL TUNES, A Division of SONGS OF UNIVERSAL, INC.
All Rights for MARY ROSE MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved Used by Permission
Am
10
10
let ring
0
0
1
2
0
0
1
2
0
0
1
2
Am
0
0
1
2
10
10
let ring
0
0
1
2
0
0
1
2
0
0
1
2
Harm.
let ring
3
4
12
7
12
7
1
2
0
0
1
2
0
3
1
3
let ring
1
2
3
4
Verse
Gtr. 1 tacet
Am
1. An - oth - er
Gtr. 2
long
come
and
sum - mers
Gtr. 2 tacet
gone.
10
Gtr. 3
let ring
5
5
Am
3
4
5
Gtr. 3
it al
let ring
1
2
I dont know why
ways
ends this
Am
way.
The board - walks qui - et and the car - ni - val rides
*
1
5
5
5
7
3
4
5
1
2
3
*Vol. swell
Fsus2
are as emp - ty as my
bro
G5
ken
to
heart,
night.
10
Gtr. 3
3
4
5
3
4
5
12
12
12
End Riff A
10
let ring
But I
Riff A
Gtr. 2
let ring
0
3
Chorus
Gtr. 2 tacet
F,7
Close
my
eyes
Gtr. 3
and one
more time
1
0
3
3
1
0
2
3
G5
were spin - ning
a - round
and youre hold - ing
on
tight
ly.
The
3
0
0
3
3
0
0
let ring
0
1
2
3
3
3
0
0
0
0
X
3
3
0
0
3
0
0
Gtr. 4 (elec.)
mf
w/ clean tone
w/ fingers
Gtr. 5 (elec.)
0
0
X
3
0
3
3
1
mf
let ring
w/ clean tone
I kissed your mouth,
no
F,7
words came out
G5
Fourth
of
let ring
0
1
2
3
0
3
3
1
let ring
0
3
3
1
0
2
3
3
1
0
2
3
0
1
2
3
2
3
let ring
1
0
2
3
3
0
0
X
3
Ju - ly
has
ev - er burned
3
3
0
0
so
bright
ly. You
3
3
0
0
3
3
0
0
Harm.
let ring
12
7
F,7
had
to
go
un - der - stand,
G5
but you prom
3
3
0
0
X
3
3
3
0
0
3
3
0
0
3
3
0
0
1
0
3
3
1
0
2
3
1
0
0
3
0
3
3
1
0
2
3
0
0
3
0
2
3
3
0
X
3
let ring
1
1
2
3
F,7
round
this
0
1
2
3
0
3
let ring
3
3
0
0
til
wan - der
0
X
3
town,
And so
a - gain.
ised youd be back
sum - mer
comes
a - round.
3
4
5
1
2
3
Interlude
Gtr. 5 tacet
Am
Oo,
8va
Gtr. 1
oo.
*p
mf
17
*Vol. swell
Gtr. 2
** p
mf
10
**Vol. swell
Gtr. 3
let ring
0
0
1
2
0
0
Rhy. Fig. 1
Gtr. 6 (acous.)
1
2
0
0
1
2
0
0
1
2
mf
let ring
3
1
Gtr. 4
7
5
3
1
7
5
3
1
1
2
3
1
3
4
12
12
12
13
14
12
12
15
15
17
17
12
End Rhy. Fig. 1
let ring
3
1
3
1
5
3
3
1
3
1
3
1
Gtr. 6: w/ Rhy. Fig. 1
Am
8va
Gtr. 1
17
Gtr. 2
10
Gtr. 3
Gtr. 4
7
5
1
2
0
0
1
2
let ring
P.M.
0
0
0
0
1
2
0
0
1
2
0
3
1
3
1
2
7
5
3
1
5
3
3
4
let ring
Verse
Gtrs. 1 & 2 tacet
Gtr. 5: w/ Rhy. Fig. 1 (4 times)
Am
2. I
Gtr. 3
got
job
work - ing
at
the old
park
pier.
1/2
Gtr. 4
let ring
3
1
5
3
2
2
Am
And ev
ry sum
mer now,
for
five
long
let ring
2
2
0
3
1
0
3
3
5
3
years.
G5
1/2
1/2
14
12
Am
grease the gears,
fix the lights,
G5
tight - en bolts and straight - en the tracks,
and I count the days til
let ring
let ring
*T
2
0
3
1
5
3
1
*T = Thumb on 6th string
you
just
Gtr. 3
Gtr. 4
might
10
12
10
12
1
3
back.
0
0
X
3
And
8
10
10
12
7
8
let ring
let ring
come
G5
Fsus2
then
3
3
Gtr. 5
Chorus
Fsus2
my
eyes
and one
more time
0
1
2
3
3
1
0
2
3
3
1
0
2
3
3
1
0
2
3
G5
were spin - ning a - round
close
and youre hold - ing
3
3
0
0
X
3
3
3
0
0
on
tight
ly.
The
3
3
0
0
3
3
0
0
3
3
0
0
let ring
0
1
0
3
3
1
words
let ring
Fsus2
0
3
came out,
I kissed
your mouth,
no
Fourth
of
let ring
1
1
2
3
let ring
10
has ever burned
2
3
3
let ring
1
0
2
3
1
0
let ring
bright
3
0
0
0
X
3
3
1
0
0
2
Gsus4
so
3
3
0
0
3
let ring
1
0
3
Ju - ly
3
3
0
0
3
1
0
2
3
3
1
0
2
3
1
1
2
3
0
1
0
3
3
1
3
3
0
0
ly. You
3
0
0
0
0
0
0
Fsus2
had
to
go
un
der - stand,
but you swore
that youd be back a - gain.
3
3
0
0
X
3
3
3
0
0
And so Im fro - zen
1
1
2
3
1
0
2
3
1
1
0
3
3
1
1
1
0
3
3
1
3
3
1
let ring
0
1
0
2
3
0
2
3
* Fsus2
G5
in
this
town,
Gtr. 1
** p
Gtr. 4
(cont. in slashes)
let ring
2
3
let ring
1
1
2
3
un - til
10
sum - mer
comes
a -
mf
**Vol. swell
Gtr. 2
*** p
mf
***Vol. swell
Gtrs. 3 & 5
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
11
Guitar Solo
Gtrs. 1 & 2 tacet
Am
Gtr. 4
G5
- round.
Yeah,
Gtr. 7 (elec.)
mf
w/ dist.
rake
15
yeah.
13
13 12
X
X
Gtr. 3
let ring
let ring
1
let ring
let ring
G5
let ring
let ring
12
let ring
1
let ring
2
1
14
14
14
1 1/2
14
14
5
3
Fsus2
Am
let ring
Gtr. 5
12
12
12
And it
12
let ring
5
3
comes
Am
Fsus2
G5
a - round.
1 hold bend
8
10
8
10
8
10
10
10
let ring
let ring
Fsus2
Oo,
2
3
G5
oh,
let ring
5
7
let ring
1
let ring
(cont. in notation)
When
3
1 hold bend
oo,
let ring
Am
let ring
12
12
13
12
15
15
15
15 13
13
14
14
let ring
0
3
0
0
X
3
13
Chorus
Fsus2
close
my
eyes
and you
and
are stuck on the Fer
ris wheel,
rock - in with the mo
Gsus4
tion.
And
12
14
15
14
12
12
14
3
1
0
3
0
1
0
3
3
1
0
2
3
3
1
0
2
3
*Gtrs. 3 & 5
rake
let ring
Gtr. 7
0
0
X
3
3
3
0
0
X
3
0
X
3
14
0
X
3
3
0
0
0
X
3
3
1
0
0
X
3
15
*Composite arrangement
Gtr. 4
Fsus2
hand
hand
3
3
0
0
3
3
0
0
we cried
and laughed,
know - ing that love
G5
be - longed to
let ring
us
13
3
1
0
3
3
1
0
3
3
1
0
2
3
3
1
0
2
3
let ring
0
1
0
3
3
1
14
0
1
0
3
3
1
E5
3
3
0
0
X
3
let ring
girl, if
on - ly
14
3
3
0
0
for
15
14
13
12
2
0
mo
2
0
12
14
14
14
3
3
0
0
X
3
3
3
0
0
X
3
ment. And
3
3
0
0
0
3
G5
12
15
in
let ring
0
1
0
3
3
1
0
1
0
3
3
1
12
12
Fsus2
ba
by, Ill
a - gain,
be back
you
G5
whis
pered in
my ear but now the win - ter
wind
3
is
the
Harm.
10
(Gtr. 5 cont. in slashes)
0
1
0
3
3
1
0
2
3
3
1
0
2
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
X
3
3
3
0
0
3
3
0
0
3
3
0
0
3
1
0
1
0
3
0
1
0
3
Gtr. 7 tacet
G5
on
Gtr. 7
Fsus2
Gtr. 5
let ring
3
1
Pitch: G
*grad. bend
ly
sound,
and
ev - ry - thing is
*Bend string behind nut.
let ring
3
Gtr. 4
3
1
let ring
w/ bar
Gtr. 3
12
12
12
15
Gtrs. 4 & 5 tacet
Fsus2
clos
Gtr. 3
ing
G5
down,
til
let ring
comes
a - round.
let ring
F5
G5
sum - mer
Outro
A5
Til
sum - mer
comes
a - round,
8va
Gtr. 1
17
15
15
14
12
12
mp
17
Gtr. 2
mp
14
Gtr. 3
0
0
Gtr. 4
5
3
7
5
1
2
0
0
1
2
let ring
P.M.
16
0
0
7
5
1
2
0
0
1
2
0
3
1
3
1
2
3
4
3
1
3
1
5
3
12
12
12
13
14
12
12
15
15
17
17
12
A5
F5
G5
yeah.
Oo,
8va
17
14
1
2
0
0
1
2
let ring
P.M.
0
0
0
0
1
2
0
0
1
2
0
3
1
3
7
5
3
1
Harm.
1
2
3
4
3
4
12
7
5
3
7
5
12
7
Harm.
12
7
5
12
7
17
A5
F5
G5
til
it
Riff B
comes
End Riff B
8va
17
Riff B1
End Riff B1
14
5
3
18
7
5
1
2
0
0
1
2
let ring
P.M.
0
0
0
0
1
2
0
0
1
2
0
3
1
3
let ring
1
2
3
4
7
5
3
1
3
1
5
3
5
4
3
4
Gtrs. 1 & 2: w/ Riffs B & B1 (till fade)
A5
F5
G5
a - round,
and
it
comes
a - round.
Hoo,
Gtr. 3
1
2
0
0
1
2
Gtr. 4
0
0
1
2
0
0
1
2
7
5
7
5
A5
hoo,
Gtr. 7
3
1
let ring
3
4
7
7
12
14
let ring
Hoo,
hoo,
G5
hoo,
5
3
F5
hoo.
1
2
let ring
5
3
let ring
P.M.
0
0
hoo,
hoo,
w/ slight dist.
1
15
Gtr. 3
15
15
0
0
Gtr. 4
7
5
1
2
0
0
1
2
let ring
P.M.
5
3
13
0
0
1
2
0
0
7
5
1
2
0
3
1
3
let ring
1
2
3
4
3
1
5
3
10
19
A5
F5
12
14
12
12
12
12
13
0
0
1
2
0
0
7
5
0
0
12
1
2
1
2
3
1
3
1
hoo,
3
4
F5
3
4
5
3
G5
And
hoo.
let ring
7
5
1
2
A5
14
let ring
P.M.
1
2
Hoo,
0
0
hoo.
G5
10
12
12
12
10
miss
10
5
3
20
7
5
1
2
0
0
1
2
let ring
P.M.
0
0
0
0
7
5
1
2
0
0
1
2
0
3
1
3
let ring
1
2
3
4
3
1
3
1
5
3
3
5
Begin fade
A5
F5
you, ba
G5
by.
Oo,
and
miss
you ba
by.
Til
let ring
12
1
2
0
0
1
2
0
0
1
2
0
0
7
5
1
2
7
5
Am
12
10
3
til youre
let ring
1
2
let ring
P.M.
1
2
0
0
1
2
0
0
let ring
2
1
2
0
3
let ring
1
2
*Bend string behind nut.
0
0
com - ing back a - round.
1
2
10
15
15
15
0
0
Fade out
*
1
back a - round,
10
12
comes
12
5
3
let ring
P.M.
0
0
12
it
3
4
5
4
21
from Keith Urban - Days Go By
Youll Think of Me
Words and Music by Ty Lacy, Dennis Matkosky and Darrell Brown
[F'9]
[Am7]
3214
[Em]
2 1
[D]
23
[Fmaj7]
132
321
Gtr. 1: Capo II
Gtr. 2: Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
Moderately slow q = 88A5
* [G5]
(Drums & kybds.)
Riff A1
Gtr. 2 (elec.)
mf
w/ clean tone & reverb
Riff A
Gtr. 1 (acous.)
mp
w/ fingers
let ring throughout
3
0
0
3
F#m7
[Em7]
E
[D]
*Symbols in parentheses represent chord names respective to capoed guitar.
Symbols above reflect actual sounding chords. Capoed fret is 0 in tab.
0 2
3
0
0 2
End Riff A1
D
[C]
2 4
6 7
2
0
0
End Riff A
1
0
3
0
2002 EMI APRIL MUSIC INC., TY ME A RIVER MUSIC, KARLES MUSIC and ORIGINAL BLISS MUSIC
All Rights for TY ME A RIVER MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights for KARLES MUSIC Administered by KOBALT SONGS MUSIC PUBLISHING
All Rights for ORIGINAL BLISS MUSIC Administered by BMG RIGHTS MANAGEMENT (US) LLC
All Rights Reserved International Copyright Secured Used by Permission
0
3
Verse
Gtr. 2 tacet
F#m
[Em]
D
[C]
1. I woke up
ear - ly this
morn - ing
a - round
four
a.
m.,
with the
2
2
4
Riff B
2
0
A
[G]
shin
Gtr. 1
ing
bright
0
3
3
0
o - ver my
head and tried to
0
2
some
sleep,
but
let ring
catch
Gtr. 2
D
[C]
I pulled the cov - ers
the in - ter - state.
F#m
[Em]
Esus2
[Dsus2]
on
as head - lights
moon
0
2
2
0
2
4
Gtr. 1
0
0
0
2
0
0
3
A
[G]
thoughts
of
us
kept
keep - ing me
E
[D]
a - wake.
let ring
Pre-Chorus
Bm7
[Am7]
Ev - er since
your - self
F#m7
[Em7]
in
1
2
0
0
0
0
0
End Riff B
arms,
Ive been
let ring
1
0
Riff C
some - one else
let ring
you found
0
0
0
0
End Riff C
G
[F]
try - in my best
to get
Gtr. 3 (elec.)
a - long.
But thats
G'9
[F'9]
kay,
theres noth - in
left
to
say
but...
mp
*
w/ slight dist. & delay
1
5
*Vol. swells
Gtr. 2
Gtr. 1
1
2
Chorus
A
[G]
rec
ords,
take
your
Take your
dom.
1
3
free
E
[D]
Take your
mem - ries
dont
need
let ring
5
2
Riff D
3
0
3
0
0
2
let ring
0
2
F#m
[Em]
em.
Take your
D
[C]
space
and take
your rea
sons.
But
youll
think
of me.
let ring
2
2
A
[G]
And take your
cat
and leave
my
3
2
let ring
0
3
Esus2
[Dsus2]
sweat - er,
E
[D]
cause we have
noth
in
left
to weath -
9
9
let ring
3
0
3
0
2
2
F#m
[Em]
er.
In fact, Ill
feel a
2
4
4
6
6
7
D
[C]
whole
lot
bet - ter.
0
2
of me.
Youll
End Riff D
3
0
of me.
think
E
[D]
think
youll
A
[G]
But
3
2
3
0
3
0
Verse
Gtr. 1: w/ Riff B
Gtr. 3 tacet
F#m7
[Em]
D
[C]
2. I went out driv - ing,
tryn to
A
[G]
clear
my
head.
I tried to sweep out
Gtr. 2
all
the
ru - ins that
2
5
2
4
* E'9/G#
F#m7
[Em]
[D'9/F#]
e - mo - tions
Gtr. 4 (elec.)
my
left.
(I
guess
guess Im
feel - ing
just
lit - tle
I...)
mp
grad. release
w/ clean tone
1
Gtr. 2
let ring
2
4
*Bass plays G#.
D
[C]
tired of
this
Gtr. 3
and
all
the bag - gage that
seems
E
[D]
to
still ex
ist.
1/2
12 10
12
Gtr. 4
A
[G]
1/2
Gtr. 2
1
2
2
4
4
6
Pre-Chorus
Gtr. 1: w/ Riff C
Bm
[Am7]
It
seems the
on - ly bless
ing
have
F#m
[Em]
left
to
my
name
is
not
2
3
4
Gtr. 4 tacet
G'9
[F'9]
know - ing
what
we could have been,
Gtr. 3
what we
should have
been.
So...
Gtr. 4
Gtr. 2
Gtr. 1
1
3
1
3
Chorus
Gtr. 1: w/ Riff D
Gtr. 3 tacet
A
[G]
E
[D]
Take your
rec
ords,
take
your
free
dom.
Take your
mem
Gtr. 3
- ries,
dont
need
Gtr. 2
let ring
em.
Take your
space
Dsus2
[Csus2]
and
take
your rea
let ring
A
[G]
And take your
Gtr. 3
cat
and
let ring
1
leave
my
sweat - er,
let ring
youll
think
of
me.
let ring
cause we have
E
[D]
noth
in
left
to weath -
Gtr. 2
But
Esus2
[Dsus2]
sons.
10
F#m7
[Em]
let ring
Gtr. 2
let ring
Gtr. 3 tacet
F#m7
[Em]
er.
In fact, Ill
feel
whole
D
[C]
lot
bet - ter.
But
youll
think
of
me.
12
12
10
let ring
let ring
Bridge
[F'9]
Gtr. 1
Some
Gtr. 4
Gtr. 2
day
Im gon - na run
3
2
cross
your
mind.
let ring
let ring
let ring
[Am7]
11
[Em]
But dont
wor - ry,
Ill
be
[D]
fine.
be
right.
Im gon - na
(Be
X
X
X
X
X
0
0
2
4
4
[F'9]
While
youre sleep - ing with
[Am7]
2
4
4
6
your pride,
12
right.)
wish - ing
could hold
you
let ring
let ring
3
4
5
al
let ring
1
2
let ring
al
let ring
0
0
2
4
4
[Em]
tight,
Ill be
o - ver you
and
0
0
2
4
4
on
with
my
X
X
X
X
X
0
0
2
4
4
(cont. in notation)
life.
[F,7]
3
4
5
Breakdown-Chorus
Gtrs. 2 & 4 tacet
A5
[G5]
Gtr. 1
So take your
rec
0
3
ords,
take
your
3
0
free
Esus2
[Dsus2]
dom.
3
0
13
F#m
[Em]
D'9
[C'9]
Take your
mem
Gtr. 3
- ries,
dont
need
em.
12
12
Gtr. 2
Gtr. 1
A
[G]
0
2
10
11
Esus2
[Dsus2]
0
3
E
[D]
And take your
cat
and leave
my
sweat - er,
10
1/2
in
left
to weath-
4
2
14
1/2
1/2
noth
cause we have
0
3
3
0
2
0
F#5
[E5]
D
[C]
er.
In fact, Ill
feel a
A
[G]
whole
lot
bet - ter.
E
[D]
But
youll
think
of
me.
let ring
let ring
3
0
0
0
2
3
2
Chorus
Gtr. 1: w/ Riff D
A
[G]
So take your
rec
take
ords,
your
* E/G#
[D/F#]
free
dom.
Take your
mem
- ries,
need
dont
Gtr. 3
Gtr. 2
let ring
0
*Bass plays G#.
15
F#m
[Em]
em.
Take your
space
and
all
D
[C]
your
rea
sons.
But
youll
me.
1/2
of
10
think
let ring
Gtr. 3 tacet
A
[G]
And take your
cat
and
Esus2
[Dsus2]
leave
my
sweat - er,
Gtr. 2
16
er.
In
fact,
Ill feel
Gtr. 2
cause we have
noth
in
left
to weath -
F#m
[Em]
Gtr. 3
D
[C]
whole
lot
bet - ter.
But
5
5
7
7
5
5
youll
think
of
me.
5
4
7
6
5
4
Youll
Outro
*Gtr. 1: w/ Riff A (5 times)
Gtr. 2: w/ Riff A1 (2 times)
A5
[G5]
think
of
E
[D]
me,
yeah.
Mm,
Gtr. 3
Gtr. 5 (acous.)
mf
*5th time, gradually fade out.
F#m7
[Em7]
D
[C]
oh.
And youre gon
na
think
of me.
Oh,
14
12
14
10
17
A5
[G5]
E
[D]
yeah.
Oo,
12
14
10
10
10
12
12
F#m7
[Em7]
some
day,
ba
10
by,
some
Oh,
11
11
11
18
day.
1/2
D
[C]
11
A5
[G5]
E
[D]
oo,
Gtr. 5
11
11
9
9
9
12
12
12
12
12
10
10
12
10
Oh,
yeah.
10
Think
11
11
12
D
[C]
mm.
10
Mm,
F#m7
[Em7]
let ring
oo.
Gtr. 2
Gtr. 3
19
*A5/E
E
[D]
[G5/D]
of
Mm,
hmm.
11
Ba
by,
not
10
me.
*Bass plays E.
F#m7
[Em7]
D
[C]
e - nough
no.
Doo, doo, doo,
doo,
no,
no.
12
12
20
10
let ring
10
11
10
10
Gtr. 5 tacet
A5
[G5]
E
[D]
grad. release
1 hold bend
10
12
F#m7
[Em7]
12
12
1/2
10
P.M.
let ring
let ring
let ring
Free time
Gtr. 2 tacet
D
[C]
Gtr. 3
grad. bend
1
7
6
Gtr. 2
F#m11
Gtr. 3
let ring
E'4
Dsus2
5
4
5
4
grad. release
1
5
2
10
10
21
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