NAMES IN ESTONIAN FOLK ASTRONOMY - FROM BIRD'S WAY' TO MILKY WAY' Andres Kuperjanov
NAMES IN ESTONIAN FOLK ASTRONOMY - FROM BIRD'S WAY' TO MILKY WAY' Andres Kuperjanov
milkyway
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land. It flew so low that its young maidens face could be seen
and a big tired hawk flew away from the ships mast in fright.
In addition to Finno-Ugric peoples, the above belief is also well documented among Turkish-Altai peoples and some Slavic peoples. In
most cases, the Bird Way was connected with geese, whereas the
Germanic peoples even associated it with the traditional Martinmas
goose (Lebeuf 1996: 150).
According to contemporary astronomy, there are two constellations
in the Bird Way, two large birds the Swan (Cygnus) and the Eagle
(Aquila). The bird has been an important
symbol in the religions of many nations.
In our cosmogonic myth it is the creator
of the world. If the cosmogonic myth
were to be interpreted as astral folklore,
one could state that the bird (it may possibly be a swan) that is most often found
in Karelian rock art (Poikalainen &
Ernits 1998) has a nest in heaven and
peppers the heaven with its eggs. Heino
Eelsalus calculations maintain that considering the precession, the North Pole
used to be in the Swan Constellation 14
19 and 4045 thousand years ago. At
those times, the bird was fixed in the sky Figure 1. Swan from Karefor the whole night, just as if it were lian rock carving. By V. Poimaking its nest on the Bird Way (Eelsalu kalainen.
1985: 73).
2. The Milky Way as the road of the souls of the deceased is, once
again, a motif found in the religion of many nations. The Milky Way
has been mentioned as the road souls and the soul bird follow to the
afterworld, Toonela. For Finno-Ugric peoples, the soul bird is a duck,
diver or goose. Rock paintings from the White Sea imply that it
could also be a swan or even the mythical bluebird / songbird /
chirpbird (sinilind /midrilind, / sirjelind) referred to in runic songs
(Peegel 1984). Also, St. Catherines Day beggars come to heaven
along a long road; they have been connected with the souls of the
dead (Valk 1995).
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The Milky Way has been described as the road of souls in the mythology of Antiquity, Old Germany (Lebeuf 1996: 150) as well as the
North American indigenous peoples (Leach 1984: 726). The Milky
Way is also reflected in different high religions for the Tartars, it
is the road to Mecca (Harva 1948), and in Christian interpretation
the road Holy Mary took to heaven. Marys trip along the Milky
Way has been treated by Wiedemann as a belief common to Estonians. O. Loorits has also found that in folk heritage the Milky Way
has been called the Way of Christ (Kristuse tee in Estonian, Weg
Christi in German), on which Kadri, a beautiful child, herded the
heavenly peoples herd.
Kadri oli kaunis lapsuke,
Kadri was a beautiful child,
istus Jeesukese tnaval,
Sat in Jesus street,
kaitses pha Risti karja,
Protected the herd of the Holy Cross,
taevaliste tallesida.
The eves of the heavenly people.
(Karja parish; Loorits 1949)
3. The Milky Way as traces, footprints is not a common explanation
in Estonian heritage.
Seda halli riba taeva laotuses, mida rahvas Linnuteeks kutsub,
olla vanapagan oma laia viiskudega kndides tallanud, see olnud
tema kige suurem tee, kust tema alati oli kinud (H II 74, 801
(11) < Torma parish).
2
1
2
4
N
NE
Figure 2. Milky Way as mythical hunt scene. Star map and rock carvings from
North Karelia (River Vyg site).
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That grey strip in the sky that people call the Bird Way is where
the old demon used to walk with his birch bark shoes, this was
the widest road where he always walked.
The northern Finno-Ugric peoples know a myth about a hunt for
the Sun Elk, with the Big Dipper or Ursa Major related to the elk
and the Northern Star with the hunter in various interpretations.
The Zalavruga rock art location in North Karelia features a group
of hunting scenes that bears a resemblance to the starry sky. Let us
attempt to follow this celestial hunt. The above picture holds the
whole story of the hunt. The hunter (Perseus 1) skis until he sees
the first elk (Auriga 2). His ski track is the Milky Way. The Milky
Way is the sparsest in the Perseus Auriga region the tracks end
at Perseus. Next the hunter (Vega 3) chases the elk (mainly
Hercules 4), in the end he (the North Star,
the skis are the back wheels of Ursa Minor 5) secures the elk (Ursa Major 6)
with a lasso. The photo also shows lighter
patches where the Pleiades and Taurus
would be on the star chart.
4. The Milky Way as the world tree is characteristic not only of Finno-Ugric cosmology but that of almost all peoples. Many
authors, including H. Eelsalu, maintain that
at the time when the North Pole was furthest from the Milky Way (in the Draco constellation), the Milky Way was fairly upright
during the whole night and was thus reminiscent of a tree. Such a picture could be
seen 59 and 3135 thousand years ago
(Eelsalu 1985: 68).
The original World Tree was a fig tree, in biblical areas a cedar in
Lebanon, among the Germanic people an ash, in the Balto-Finnic
area an oak, and further beyond, a birch.
The World Tree is a model of the world. It is often depicted as a
giant tree with its branches covered with stars, on its top stands a
bird and a snake on the roots. Thus is the world tree Yggdrasill
depicted in ancient Scandinavian religion, for example. In contem55
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Andres Kuperjanov
porary astronomy there is indeed a snake in the Milky Way, in addition to the birds in the constellation Serpens Cauda Tail of the
Snake. The Snake is borne by the nearby Ophiuchus constellation.
As the North pole shifted, the Milky Way began to lean. This is a
possible source for the stories and songs of the cutting of the world
tree. Aado Lintrop points out that we find two different descriptions
of the world tree or Great Oak in Estonian runic songs (Lintrop
1999). The first is the classical world tree: an ancient oak, similar
to Yggdrasil, with a bird at the top and stars on the branches, etc.
This tree is a symbol of durability and consistency. The other Great
Oak resembles the Huluppu-tree of Gilgamesh. We find descriptions of this oak in the runic songs Drowned Brother (Uppunud
veli) and Ship tree (Laevapuu). This Huluppu-oak also has some
features in common with the world tree bird nests in the treetop,
a snake lives in its roots. But it was planted by man, it shades light
and confuses the movement of the clouds. To an extent, it is the
opposite of the world tree. Household gadgets are made out of the
wood from this oak. But the real world tree still stands.
5. The Milky Way and the winter peak. In the old timekeeping system, the Milky Way was primarily a sign of the end and beginning
of the year. In the Estonian folk calendar the Winter Peak Day
(Feb. 12) should fall on the date when winter has reached its peak
and is retreating the weather starts to become warmer and the
arrival of spring approaches. According to K. Vilkuna, the name
also referred to the fact that the Milky Way was at its highest point
at about the same time (Vilkuna 1960). H. Eelsalu has estimated
that about 3000 years ago this coincided with the winter solstice
(Eelsalu 1985: 62). Today the peak of winter has shifted, due to the
precession of the spring point to the end of January or beginning of
February (in the calendar, dated as January 14, while Hupel and
Wiedemann, for example, have erroneously dated it to March 12).
The winter peak used to be an important marker in the old calendar system, a sign by which the lunar calendar could be synchronised with the real year.
It is not unnecessary to reiterate that the motif of cutting down the
world tree has often been connected with the winter peak.
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6. There are a number of myth relics connected with the Milky Way
that are not found in Estonia. Many peoples have associated the
Milky Way with a river, bridge or boundary between worlds. Perhaps these are hidden in the oldest of the runic songs, but so far
they have not been found. It is also possible that such motifs can be
found in the songs of St. Catherines Day.
7. Indian and American peoples have connected the Milky Way with
The Gates of Heaven. The concept of a gate on the heavenly road is
known also among other nations. The Gates of Heaven are usually
connected with two bright red stars near the Milky Way Antares
and Aldebaran (Lebeuf 1996: 152). Both stars are visible here, though
Antares is fairly low. The constellations of Taurus and Scorpius
marked the equinox approximately 5500 and the solstice 15000 years
ago. According to Plato, the Gates of Heaven are Cancer (sc. Gate of
Humans that the soul passes to enter the human body) and the
Capricornus (or the Gate of Gods that the soul passes on its way
back to heaven) that are some distance from the Milky Way (Jaaniste
& Saar 1990: 114, 178). In Platos lifetime, the solstice-marking
constellations had instead become Gemini and Sagittarius. There
is reason to believe that the gates were rather connected with the
points on the ecliptic determining the changing of the seasons, and
the connection with the Milky Way is a relict.
In Estonia, too, there is a belief in a Christian background concerning the gates of heaven. According to this belief, the souls had to
pass the gates of heaven to reach paradise. Unfortunately, there is
no definite connection between the gates of heaven and a fixed star
or group of stars, even though the folklorist M. J. Eisen states:
One group of stars carry the name Gates of Paradise (Eisen 1919).
Some ambiguous folk astronomy records lead me to presume it
might have been the constellation of the Northern Crown (Corona
Borealis).
PRACTICAL USES OF THE MILKY WAY
The Milky Way also had a practical purpose. As mentioned before,
it leads birds on their way to warmer lands a belief held by many
peoples. But it also helps humans orient:
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tically perished. There are only traces of old myths, relics and barely
connectable fragments of runic songs. Nevertheless, there are signs
of the old world system to be found in them: the gathering of souls
on heavenly paths and the connections stars have with the birth
and death of people. Usually we obtain information on the level of
everyday beliefs mainly about the weather and omens concerning
success.
Abbreviations
AES folklore collection of the Academical Association of
Mothertongue in the Estonian Folklore Archives.
H the Hurt manuscript collection in the Estonian Folklore Archives,
18601906.
ERA Estonian Folklore Archives.
References
Eelsalu, Heino 1985. Ajastult ajastule [From Era to Era]. Tallinn:
Valgus.
Eisen, Matthias Johann 1919. Eesti mtoloogia [Estonian Mythology].
Tallinn: Eestimaa Koolipetajate Vastastiku Abiandmise Seltsi raamatukauplus.
Harva, Uno 1948. Suomalaisten muinaisusko [Finnish Ancient Religion].
Porvoo & Helsinki: Sderstrm
Hirn[e], Thomas 1932. Kuu teretus. Gustav Suits & Mart Lepik (ed.).
Eesti kirjandusajalugu tekstides [Estonian Literary History in Texts], 1.
Akadeemilise Kirjandushingu Toimetised, 4. Tartu: Akadeemiline
Kirjandushing, pp. 126. (Source: T. Hirn. Ehst-, Lyv- und Lettlndische
Geschichte 1. Miitav 1794.)
Hurt, Jakob 1989. Eesti astronomia. Kne Eesti Jaani koguduse Noortemeeste Seltsis 10. Jaanuaril 1899. Jakob Hurt. Mida rahvamlestustest
pidada: Artiklite kogumik [How to Regard Folklore: A Collection of Articles].
Tallinn: Eesti Raamat, pp. 91130.
Jaaniste, Jaak & Saar, Enn 1990. Theatlas: Ksiraamat [Star Atlas:
A Handbook]. Tallinn: Valgus.
Leach, Maria 1972. Funk & Wagnalls Standard Dictionary of Folklore,
Mythology and Legend. New York: Funk & Wagnalls.
Lebeuf, Arnold 1996. Milky Way a Path of the Souls. Vesselina Koleva
& Dimiter Kolev (eds.). Astronomical Traditions in Past Cultures: Proceedings
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