The Interface Series
The Interface Series
was
noted
that
in
many
of
the
villages
where
this
technique
was
The flesh interfaces were eventually destroyed by the North Vietnamese Army at a
terrible cost in lives.
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large
portions
of
as
"harvest
populations."
Basically, their food and water supplies were dosed with LSD until they had achieved
what the Soviets called "integration".
This meant that the local populations had independently invented flesh interfaces.
The Soviet army would then quarantine the area and try to remove the flesh
interfaces for their own use.
This was usually without success and with great loss of life.
Many of the soldiers and scientists were segmented, as often happens in an incident
zone. So they ended up with people missing limbs, cut in half, etc. What's interesting
is that the people could live for quite some time despite segmentation.
This is what led the Soviets to believe that their missing body parts still existed albeit
in some unknown place. So one one of the leading theories of the time
wasinterdimensionality.
Quite mistaken.
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Perhaps
she
ingested
some ergot or
some
other
naturally
1944.
The
geologic
disturbances,
partial
tunnels,
so-called
Then there have been the giant metallic cylinders which appear and experience
continuous spontaneous segmentation. These are usually at least 10 meters in
diameter and can get much larger, and only occur in very large interfaces i.e. portals.
Beyond this, the phenomena are too various to mention, and different for each
interface.
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She stayed there for 5 days of normal-time, but only 48 seconds of beyond-time, a
marked discrepancy. Upon returning, she did not recall anything beyond becoming
drowsy for a moment. She slept well that night, and in the morning she recounted a
dream to the doctors, before dying later in the day.
A direct transcript of the audio from her interview: "It was spring and it had been
raining all day, but the rain stopped just before it was going to be sunset. So all the
clouds were purply and the sky was really orange. And the grass was all wet with rain
and there were fire flies around, like all in the sky, way up in the sky, big ones. And
me and my grandma went out to these hills way out past the edge of town, and
under the hills there were people sleeping. Not in caves. They were buried under the
hills. The people were asleep but they were hugging each other. Families, like moms
and dads and little kids. Just packed together, a few thousand. The hills were just
blown up like balloons because they were so full of people. Like a pregnant woman's
stomach. My grandma told me to lie down but I didn't want to. She laid down and got
sucked into the ground. I heard her voice coming out of the ground telling me to
come inside."
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They discovered that 20-somethings were much more likely to survive, (albeit in a
horribly "altered" state) than older people.
They discovered that people in their early twenties fared better than those in their
late twenties. Teenagers fared even better.
So, despite all moral compunction, it was really a matter of time before they sent a
child through.
And it was only after the first round of children went through that they gained any
idea of what was on the "other side".
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nuts around one of the bigger huts in the middle of the village. We had already
cleared it, but we went in again.
There was a big altar inside, with candles and Buddhas and gold signs with dink
writing and shit. We figured maybe one of the buddha statues was setting the
detectors off, but no.
The hut was very hot and muggy.
Even by the incredibly humid standards of Vietnam, it was incredibly, incredibly
humid in there. Even the Buddha statues were sweating.
Their faces were literally coated with drops of moisture.
Everybody noticed that there was something weird going with the air.
There was something off about the pressure.
So we just tossed everything.
Picked all the shit up and tossed it out of the hut.
Sure enough, when we picked up the big platform that held the altar, there was
something under it.
It was a pit made of flesh.
Maybe five feet across and going down about twenty feet before curving out of sight.
When I say, "made of flesh," I mean, it looked like the inside of somebody's throat.
Wet, reddish flesh-looking stuff.
We had heard of them building tunnels, but this was... We really couldn't even
understand what we were looking at.
It was breathing.
The flesh kinda rippled and this hot air came out, and it felt and smelled just like
somebody breathing right on your face.
Enough to make you sick.
They told us "we would know it when we saw it."
Well, we saw it, and we knowed it.
We radioed in the coordinates and got the fuck out of there.
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Sure enough, Jingles was inside, naked and covered with blood, with no hair on her
head.
There was an umbilical cord attached to her bellybutton, which was attached to a
sort of placenta.
We had a problem with the surgeons trying to harm her.
It was later realized that her blood -- its blood -- the blood from the sac, had high
concentrations of an exotic LSD analogue.
It was getting absorbed through the skin.
The placenta was like an LSD factory, pumping out millions of doses. This particular
blend made people pretty violent, so we had to put on containment suits.
Jingles' skin was flawless, like a newborn's. No wrinkles on the back of her neck, no
wrinkles on her palms except the major ones.
She had the form of an 8-year-old girl but seemed a lot... newer.
We did MRIs on her bone plates, and found they were still highly undeveloped, as if
she was newborn. We wondered, is this really Jingles or some kind of clone? What
sort of apparatus could have possibly produced this clone, and why?
After a day of observation, she awoke.
We weren't sure if her mind was still there. Perhaps she had been "wiped clean."
So we waited, asking her questions.
At first, her behavior was like that of an infant. Just smiling and gurgling and clasping
her hands.
It was pretty eerie seeing that kind of behavior from an 8-year-old.
Really, it was pretty eerie looking at her at all.
Her skin was so pure and glowing, she looked like an absolute angel.
I... we... well, anyways...
After a while she started babbling, saying little phrases.
In a matter of hours, she seemed to progress through the various stages of
development, her sentence structure and awareness becoming more and more
sophisticated.
As soon as she could understand sentences, we started questioning her again.
Who was she?
Island after island fell, and the enemy drew closer and closer. More and more bombs
fell on our cities.
Food grew more and more scarce.
People starved.
House burned, people burned, children burned.
We were punished by our own sense of dignity, by our own inability to admit
inevitable and total defeat.
It was like watching a sword slowly being sunk into your chest, millimeter by
millimeter, but you refuse to cry out, refuse to whimper or beg for mercy, and there is
nothing you can do but watch the metal disappear into your weeping flesh.
By the end of 1944, it was clear that both Japan and Germany were doomed, barring
some divine intervention.
Yet the stories we knew from childhood told us that we had been saved by divine
intervention before, when the fleets of Kublai Khan were at our shores, moving from
island to island, conquering and raping, until a miraculous typhoon sent their ships to
the bottom of the ocean.
Though we were modern men and trained in Western science, we still believed that
there was some sacred destiny in store for the Japanese people, and we kept an eye
out for something, anything which hinted of the divine.
Two intriguing pieces of news had come to us via Germany, developments which
suggested that perhaps the tide of the war could turn suddenly.
Both, however, were ominous.
One was that America was developing a super-weapon, a bomb which could level
entire cities, which used the latent power of the atom, unleashing very forces which
held existence together.
We assured ourselves that this was American propaganda, that no such weapon
actually existed, but our scientists acknowledged that it was theoretically possible.
The second piece of news was more puzzling.
It was said that a Swiss scientist had synthesized a chemical, which, like the
American nuclear technology, could unleash latent forces, this time the forces of the
mind.
This chemical was said to fuse the various disparate areas of the mind and allow for
incredible insights. Apparently teams working under the influence of this chemical for
long periods of time were capable of inventing techniques and devices previously
unheard of.
By the end of 1944, various high ranking Germans were slipping out of Germany, like
rats from a sinking ship, often trying to fund their escapes by selling various pieces of
artwork, technology, intelligence, etc.
It was from one of these that we obtained an enormous supply of this wonder
chemical, LSD, which was supposed to be secret even from Germany's allies. Along
with the chemical, we were given a piece of news which was positively tantalizing,
given the position we were in.
According to our contact, experiments with LSD had been conducted at the Treblinka
extermination camp. A group of prisoners was given the drug for a period of several
months and the results were so impressive that somehow the prisoners were able to
convince the camp leaders to take the drug as well.
Soon the entire camp hierarchy was taking the drug and working together on a new
device that was some sort of "destructive radar" which could bring down planes as
easily as ordinary radar found them.
It was said to be powerful enough to slice bombers right in half.
Of course, we found this piece of news hard to believe.
Nazi death camp commanders working side by side with Jewish prisoners to invent a
magical radar? It was utterly fantastical.
Our good sense told us to ignore it.
And yet... How could we?
The Americans had already taken back the Philippines... Soon they would take Iwo
Jima... Then Okinawa... Then all the home islands.
We were facing the end of the Japanese as a free race.
Perhaps the end of all Japanese existence.
The Germans would have it easy compared to us.
Many Americans were German in origin. There was a blood affinity between the
countries.
This did not exist for us.
The Americans would burn our cities and rape our woman and enslave us, make us
servants, like their 'niguro'.
We would be cross-bred with the whites until we had become some degenerate halfcastes.
Japanese culture would crumble.
The stories of our childhoods would be forgotten.
We were watching a sword disappear into our hearts, and we were desperate for
some kind of divine intervention.
So in late 1944, a glass jar of LSD crystals, enough for several million doses, was
taken aboard a submarine and slipped under the cover of the sea back to the home
islands.
We were looking for divine grace.
What we found was a Hell beyond our darkest dreams of destruction.
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branch out. The important thing to realize is that these unreal pasts and unrealized
futures are related to each other. By examining what might have been, we can come
to understand what might come to be.
I am writing about what has never been, and what must never be.
Unfortunately, our generation has been given a special burden. We are doomed, as
the apocryphal Chinese curse has it, to live in interesting times. Soon, technological
advances
in
the
field
of
information
technology
and
bioengineering
will
have been given what I believe is special insight into our possible futures. They are
dark. The shadows of past atrocities pass and overlap with the shadows of future
atrocities.
Time is short. Recently, I have been beset with a persistent creativity that seems to
grow stronger as the days go by. I fear this state is unsustainable. Perhaps eventually
this productive mania will turn into an unproductive psychosis. And soon, on a larger
scale, mankind's productivity will turn into its own sort of psychosis.
Billions of years ago, the so-called primordial soup arranged itself into a selfreplicating form which multiplied and flourished and divaricated into countless
species. From our vantage point in the present, this singular moment of origin has
become lost in the mists of time. Equally obscure to us is the future singularity
towards which we are heading: the end point, in which all the countless species are
once again reintegrated to a new and singular form, a new abomination.
We are on the verge, all of us.
Times are dire.
We are about to be gathered again into the arms of the Mother, to become one flesh
with her.
The Mother who gathers lost children.
The Mother I have seen in dark spaces since I was a little child.
Back when I called her "the mother with horse eyes."
We are about to meet her again.
We are about to be unborn.
That was a strange time in my life. I had spent the last six months going from
commune to commune, just checking them out.
They were all bullshit.
Every one of them was just some guy on a power trip and a bunch of women who
grown up with bad fathers hanging on his every word, hoping he would solve all their
problems.
That's the only way the commune system worked.
The guy got control of the women, and the women attracted a few guys to do the
manual labor, but in the end it was basically just a new system of pimping.
I mean, I'm from Brooklyn.
I've seen pimping.
These chicks had tried to escape society and just gotten themselves pimped out.
It was tragic.
But too tragic for me to give a shit about it.
So I went out to Death Valley.
Why did I go there?
Why does anybody?
Because it has a cool name.
If it was called Some Scorpions and Bunch of Fucking Rocks, which is what it actually
is, nobody would go.
I had decided I was done with counter-culture, I was done with the regular culture.
I was done with all.
I would go where nobody would bother me and just try to figure myself out. Get a
little peace and quiet. A month later, the Manson family moved in next door.
For a while it was just a nice little guy named Paul and some girls living a few miles
from my little shack.
Seemed harmless.
Then the whole family came in. Charlie too.
They had already committed the murders at this point. It was big news, but nobody
knew who did it. I surely didn't connect it to this band of weirdos next door. They
seemed too stupid to pull off anything newsworthy. Just another bullshit commune.
Once Charlie got there, the family seemed to spend most of their driving their dune
buggies around, pretending to be the fucking Afrika Korps.
I mean, Charlie would put on a helmet with a swastika and lead them in maneuvers. I
had never met racist nazi hippies before, but there's a first time for everything. Some
of them even talked about "Uncle Adolf" and how he knew the score, how he should
have won the war.
I was a mechanic in the army, so I helped them out with the buggies and got to know
them a little.
Slowly, their little philosophy trickled down to me.
They thought America was on the verge of an apocalyptic race war. Blacks on
white. Helter Skelter. The Watts riots in every city.
That part actually seemed pretty plausible.
I mean, you have to understand, in 1969, the country had been getting weirder and
weirder, more and more violent every year.
Nobody was quite sure when it would end. Nobody knew that in the 70s the
counterculture would just kinda peter out into a bunch of fucking James Taylor
albums.
They said that they had come to the desert to find a hideout so they would be safe
while the Helter Skelter race war was going on.
They said that somewhere out in the desert, there was "Bottomless Pit" full of
wonders and treasures.
In the Bible, Revelation speaks of the Tree of Life, which bears twelve kinds of fruit,
one for every month. They said this tree was growing inside the Bottomless Pit, and
would give them all the food they wanted while they waited out the war.
When it was over, they said, they would emerge and Charlie would rule the world as
the new Christ.
So that part was a little less plausible.
And then I started hearing about the magical space vagina.
I had become friends with Paul, who was actually a nice guy who just wanted to fuck
the girls and get stoned and didn't really get into the whole nazi thing.
He said that they were searching for the entrance to the Bottomless Pit. He said that
entrance would be made of flesh growing out of the rocks, like a giant pussy so big
you could stroll right in.
I told him he thought about pussy way too much.
euphoria
2.
terror
Thus we have the typical sound of an interface: alternating waves of giggling and
screaming that move through the interface population, running along the length of
the interface as the hormones travel along the independent conduits.
These successive waves of giggling and screaming create a steady rhythm that
washes over the traveler as they move through the interface.
Natural empathetic responses (mirroring) prepare the traveler's body for the process
of "embrace."
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When I was little, they took mommy away and put me with a new mommy in a smelly
dark house.
They said she was a real person, but I knew she wasn't.
They had made her.
Her face was made from pieces of animal.
pig cheeks
Other men on the subway, perhaps sensing her weakness, join in with the groping. A
sort of group madness takes over the subway occupants.
The men are transformed from ordinary travelers into a agglomerated mass of arms
and hands and fingers, grabbing every part of the woman's body.
The woman's attempts at protecting her personal space are always absurdly
ineffectual, and soon she is divested of her clothing.
Depending on the video's sub-genre, a variety of acts ensue, most of which surely
violate local transportation statutes.
"Embrace" is kind of like that.
That, combined with a school of piranha stripping a live cow of its flesh.
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howling, bright red lumps where limbs had been. How? No sign of the Japs. No fire.
No shells.
More vehicles land. The beaches become a crowded, screaming nightmare. There is
something here, something beyond their understanding. Invisible. Killing at will. Is it
the island itself?
A few men manage to advance up the steep beaches and across the rocks, but soon
they are cut apart as well. Other men follow and advance farther. They have been
trained to advance. Take the beach. Forward. Always forward. Slowly, the men find
their way farther and farther into the island interior. Through horrible trial and error,
they begin to understand. They don't speak of their discovery. They don't believe it.
But their overwhelming will to go forward and their overwhelming fear of death teach
them what their minds cannot accept, teach them a lesson about the island.
They notice tracks through the ash and rock where there is no grass. These tracks are
not foot trails, but deep tracks carved at strange angles, striated like dry streams,
places where it seems the ground is simply missing. They realize they must avoid
these tracks. If they step onto them, or let any part of themselves pass over the
them, that part will disappear, whether it is their fingers or feet or limbs or even their
heads. Sometimes parts of their bodies disappear even when they don't cross the
tracks, and they realize that there are unseen tracks through the air, invisible
boundaries they must not cross.
If they lose a part of their bodies, the blood does not flow, but there is pain, pain
beyond flames or knives or bullets. Pain unbearable. Unholy. Inhuman. There are
screams all around them, of men who have accidentally run afoul of the invisible
power.
There is no time to understand this, to reason it out. They simply adapt. Moving
carefully, holding out blades of wild grass or shirts or gear, probing, waiting for part
of the object to disappear, then stopping, testing for a way forward. Sometimes they
find it. Sometimes they are forced to turn back.
In less than an hour, they have forgotten entirely about the artillery and snipers and
bayonets. There are no soldiers. Only entrances to empty bunkers, abandoned pieces
of artillery, some cut in half, but no enemy. They are playing a new game now, taught
to them by some unseen teacher, playing it with total concentration.
Playing and winning.
The Marine wounded, with their strange unbleeding wounds, are taken away. Their
screams fade. Orders from command are unchanged. Take the island. So they move
forward. Up. Towards Mt. Suribachi. The mountain is shaped like a bowl. A dead
volcano. They approach by various paths, each man following another, taking a
narrow path of safety. Makeshift markers are set up to show their boundaries.
A Marine turns and sees, floating like a butterfly, a severed human arm. It turns and
floats away and disappears altogether. Minutes later, a disembodied pair of legs
scrambles past. The Marines curse and speculate and even giggle, but keep moving
forward. There is no time to understand. They expected to spend weeks taking the
island. Now it seems that could have it in a couple hours.
A shot rings out, the first shot since the confusion of the landing. A Marine is firing at
the mountain. Others peer through their binoculars and spy a man sitting on the rim
of the mountain. Simply sitting. Alone. Just a vague shape. Snipers are called in and
they fire on him, but the island's air seems to swallow the bullets. The man is
untouched.
They press forward. The deadly tracks wind around them, growing more numerous.
Some of the men find themselves at dead ends. One Marine slips and disappears
entirely without so much as a shout. They come to the foot of the mountain. It is
small but rugged and steep, and the lone man sits over them, looking down on them.
They hear the sounds now, coming from the other side of the ridge, coming from
within the giant bowl of the mountain. Human voices. Many of them. Thousands. The
sounds of laughter, giggling and cackling and howling laughter. Like a wonderful
party where somebody is telling a hilarious story. The Marines listen to it
dumbfounded. Slowly the laughter fades, and there is a new sound, a strange rushing
roar that quickly breaks apart into discrete sounds: screams, shouts, gasps, weeping,
terror. The sound rises and rises, and the Marines shudder. This too fades and the
laughter returns. And so these two sounds trade places over and over, fading in and
out above the sound of the waves.
A Marine trains his binoculars on the mountain again. The man is still sitting there.
Japanese. Wearing a uniform. His head is floating several feet above his body. The
body is in several pieces with lines of sunshine between them. His face, sweat
dripping over the smooth eyelids, shows no emotion. Slowly, he raises his hand, as if
wave to them, and his fingers float away from his palm.
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Francisco in 1971, the house quickly became filled with drug users. Dick himself was
heavily abusing amphetamines, eating pills by the literal handful and forgoing sleep
for days. The mood in the house quickly became paranoid, and at one point, multiple
occupants were sleeping with guns under their pillows. The house was broken into,
and Dick suspected government involvement, thinking he had gotten too close to
some kind of secret in one of his novels. He moved away shortly after.
But his time at the house hadn't been all paranoia and firearms. There were also
many good times. Dick was a mesmerizing conversationalist, with an easy command
of facts and theories about art, religion, philosophy, and numerous esoteric subjects.
He and his new friends, usually kids in their early twenties, would rap for hours and
days about everything under the sun. He grew close to many of them. Many of them
were runaways or otherwise clinging to the margins of society. After the break-in,
Dick went to rehab and quit speed, but as time went on, many of his friends fell
victim to the drugs.
In the epilogue to A Scanner Darkly, a fictionalized account of this time, he wrote:
This has been a novel about some people who were punished entirely too much for what they
did. They wanted to have a good time, but they were like children playing in the street; they could
see one after another of them being killed -- run over, maimed, destroyed -- but they continued to
play anyhow. We really all were very happy for a while, sitting around not toiling but just
bullshitting and playing, but it was for such a terrible brief time, and then the punishment was
beyond belief: even when we could see it, we could not believe it. For a while I myself was one of
these children playing in the street; I was, like the rest of them, trying to play instead of being
grown up, and I was punished. We were forced to stop by things dreadful.
In the grip of withdrawal, I read that epilogue many times. Read it and wept. I
remember, after a week-long binge, lying in my bed, weeping, nightmares crowding
my mind, my hands shaking, the mental suffering unbearable, thinking to myself,
"Should I really be punished like this? What have I done that was so horrible? Was it
so wrong to drink? To want to feel comfortable? To want to feel OK? To want to forget
about things for a while? Was it so horribly wrong? Such a crime, that I should go
through this mind-crucifying torment?"
But it wasn't really a matter of right and wrong.
It was simply a matter of cause and effect.
My brain had adapted to the inhibitory effects of alcohol, and once the alcohol had
been removed, it had entered a state of hyperactivity. The adaptation had become a
maladaptation. That was all. There was nothing out there administering this suffering
as a punishment. My only 'crime' had been knowing that this would happen and
drinking anyways.
," the man says. He pulls a necklace out of his shirt. On the end of it is a small
metal cross. A tiny suffering Jesus gleams in the sun.
The Marine tries English again. "What's happening here?"
" ." - "The devil, came here."
"What?"
" . ." - "The soldiers had built a gate. The child
with the command."
"I don't understand."
A wide smile splits the Korean man's face, and he lets out a loud laugh, and the smile
flees, and suddenly he is weeping. His emotions seem to follow the giggles and
screams that come from inside the mountain. The Marines feel it too: the strange
urge to laugh followed by a harrowing fear.
The sound beyond the ridge rises, the screams becoming higher and louder. A wave
of maniac giggling joins the screaming so that both sounds fill the air at once. A
electric feeling touches the skin on the Marines' arms. They find their minds filling
with strange, dark thoughts.
Somewhere in a castle in Japan lies a mad God Emperor who has sent his men across
the ocean to defend his glorious empire with their blood. On the other side of the
world lies the great humming factory called America, the heart of an empire of
commerce, which once forced Japan to join the world in trade. Machines and flesh
now flow along tendril-like courses, delivering goods and death, ensnaring the globe.
The sun goes dark, like a light switch turning off. The Marines instinctively duck, then
look up and gasp. Above them, extending miles into the sky, is an enormous metallic
cylinder, filling the sky, blocking out the sun. It spins slowly above them, pieces of it
flickering and disappearing like the image in a broken movie projector. In a day filled
with madness, they find themselves confronted with something wholly beyond their
capacity for surprise. They simply mutter soft curses and get closer to the ground.
The earth seems to tremble with the sound of the screaming and laughing, which
swirls like a storm all around them.
Somewhere near the beach, a Marine pats another Marine on the back, interrupting
his stunned gawking, and shouts something into his ear. The second Marines pats the
man in front of him, and the message goes up the line like this until it reaches the
Marines talking to the fractured man.
Pull back.
They are to withdraw from the island.
The men do not question the order for a moment. They turn and crawl away from the
Korean.
Below them, the ashen island flashes with pieces of sunlight that manage to slip
through the flickering cylinder. When they are almost at the foot of the mountain
again, the man stands up and shouts something over the hideous screaming. The
Marines cannot hear it and would not understand it anyways.
" .
." - "The devil took Jesus went to the mountain to show him
all the kingdoms of the world glory. If you fall down and worship me, saying, I will
give it all to you."
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altered in line with Master Design 9. But he was considered to be minimal threat and
even perhaps and asset until his mounting financial problems made him a liability.
He was terminated, thought I'm not sure of the exact means.
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I started to notice that the rock walls of the arroyo were... abnormal. There were
strange striations through the rock and what looked liked the cross sections of giant
insect tunnels. I had never seen rocks like that. The whole thing was just... very alien.
Then I started to hear the screaming. Up ahead, I could hear people's voices,
thousands of voices, all of them screaming and howling at once. Slowly, incredibly,
the screaming changed into a kind of laughter, an insane laughter, giggles and
chuckles and titters. I wondered if it was in my head, if I was so scared that my mind
had cracked or if they had dosed me with LSD or something.
Finally, we went around a bend in the arroyo and, well, there it was. They said it
would be a pussy, and I guess it kind of looked like one. Maybe after some kind of
drastic dildo mishap. It was just... flesh. Wrinkled, lobed, flabby flesh, growing out of
the rock like mold or something. It had hair and pores and freckles. Some of it was
pale, some of it was black. It was taller than me, and in the center there was an
opening. Pink and wet, like a pussy.
The kraut told me he wanted to see its "level of development." He took a revolver
from one of the girls and pointed it at my face and told me to walk inside. It was
either get shot or go into the big mangled pussy. It was honestly a tough choice.
There was something completely fucked up, completely not right about that thing.
Something in my bones told me not to go into it. Not to go near it. To just take the
bullet in the head. But I figured maybe I could go in just a little bit and then wait for
them to leave and get the hell out of there. Not a great plan, but the best I could
come up with.
So I went in. The entrance was just barely wide enough to slip into. All I could see was
glistening pink flesh ahead. There was this sound like laughter and then screaming
and then laughter that was coming from deep inside. The walls were blood warm on
my shoulders, and the smell was... well, what you might expect. Not great. Let's just
say it was not great.
I pushed forward and the walls kind of gave way and found myself moving through
this slimy, suffocating flesh, and I'm starting to panic because my hands are still tied
behind my back, and I'm feeling like I'm about to choke on this stuff, and the walls
are moving, like pulsating. I feel like I'm being digested. Then, suddenly, I'm pushed
through into this kind of chamber.
Talk about out of the frying pan and into the fire. The chamber was... just a
nightmare. I mean, I never... I've just never seen that. It was unholy. There were faces
and heads and legs all kind of fused together. The walls were just all these crawling
limbs and these terrified faces and fusions of teeth and cheeks and hair and fingers
coming out of knees and just... they... all those people! Were they still people? Had
they ever been people? Had they been made a part of that thing?
I started to scream. Everything around me was screaming, all the mouths on the
walls were screaming, and I was screaming too. Then I was laughing, and I felt hands
and mouths all over my body and they were tickling me, touching me all over. Then I
was screaming again. I had to get out of there. I had to get out of the nightmare. I
started pushing back towards the entrance, but the hands were all over me. I felt
something bite into my hip. A mouth was biting me. I screamed at the sharp pain and
moved away from it. I started to think that maybe I could get one of the mouths to
bite through my ropes, and then I would at least have my hands free.
I struggled to turn around and move the ropes toward the mouth, but just when I got
it in position, the mouth bit right into my finger instead. The pain was incredible, but I
was giggling, just laughing and laughing. The mouth pulled the flesh from my finger
like it was a chicken wing. Another mouth bit into my shoulder. I was chuckling away
at this point. The hands were grabbing me, pulling on me, pulling me apart, tearing
my arms right out of their sockets. Fingers were digging in between my ribs. I was
slathered with blood and screaming, screaming as the fingers dug into my eyes.
Well, I guess that this point you're probably wondering how I, your intrepid narrator,
managed to escape the Bottomless Pit, how I managed to survive to tell you this tale.
I simply didn't. I never escaped the Bottomless Pit. I am the Bottomless Pit. Hahaha. I
am the Tree of Life.
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Note - Also Yggdrasil
Art 1
Art 2
Art 3
Translation of Greek to English: Great Babylon, the mother of prostitutes and the
abominations of the earth.
I used to lie in my bed, the blinds pulled against the summer sunlight, listening to the
sounds of other kids playing outside. I lay there for hours, not sleeping, wondering
who had made mother.
She was made from all different sorts of animal parts. One of her feet was big, heavy
hoof. The other was a tiny little kitty cat paw. I could hear her clumping around
downstairs. Her smell, the smell of cigarettes and disease, was everywhere in the
house, pooling in the darkness.
Slowly, night would come, and I would imagine floating out of my window, floating up
into the deep starry blue, looking down at all the houses shrinking into tiny boxes, the
clean breeze blowing on my face.
Oh, how I would cry in my little bed.
I was very young when mother first came. I had another mommy before her, a good
one, who wore pearls and had a voice like music. Then one day, I got sick, a fever. I
was crying all day, and it went on for weeks.
I guess my first mommy couldn't take it anymore. One night, she left forever. When I
came down for breakfast the next morning, this new thing was waiting for me in the
kitchen.
At least, I think that's what happened.
Mother never talked. She just snorted and made horse sounds.
Awful.
Her parts were sewn together with yarn, and there were patches of wet burlap. I
didn't see her eyes until she had been there almost a year.
Have you ever seen horse eyes up close?
They're like goat's eyes.
They have a sideways pupil.
I would come home after school, and there would be kids sitting at the breakfast
table. She gave them medicine so they did whatever she wanted them to. It made
them just sit there, staring and shaking. Then she would take them down in the
basement and make them into things.
She tried to make me do it too, but I didn't want to.
I realized she was afraid of the Bible.
I realized it had power.
Blood power.
When I read it to her, her different pieces would shudder and pull apart, and she
would howl like a wolf, and blood would run from her segments.
The Bible brought transmissions from the cross that floated in the red summer sky.
Everything in time is arranged around the epicenter wherein the nail drove into
Christ's hand. Lines of possibilities radiate outward from it.
Kingdoms rise and fall, men grow and die like flowers in a field.
,
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Greek to English: The beast you saw was, and CDR Estin, and Future anavainein
Revelation 17:8 -The beast that you saw was, and is not, and is about to come up out
of the abyss and go to destruction.
Sometimes late at night, I heard singing. It came from outside, out there in the far
distance, from somewhere in the deep forest beyond the boundaries of my world.
Some nights it was one voice, but usually it was many, singing a strange, aching
song. It sounded like a haunted crying. When I was little, I had whimpered and cried
like this to my mother. But who was crying out there in the night? What kind of dark
mother was listening?
When I first heard the singing, I was filled with a blood dread. The hair on my back
bristled, and I growled and barked at the darkness. Even after the night finally went
silent, I trotted around for hours in vigilant anger. Later, as I heard it more often, I
learned to accept it with a sullen unease. Of course, this singing was the sound of
wolves howling, but I didn't know this in the dream. In the dream, I'd never seen a
wolf in my life.
One winter, I began to see them prowling in the woods. To me, they were ghost dogs,
shadows sneaking between trees, eyes glinting in the twilight. I growled and barked
at them, but didn't pursue. For several months, they never encroached on my world.
They finally came on a late winter's evening. The sun had sunk into an orange glow
beyond the edge of the world. The family was in the cabin, and I was out trotting
through the snow, anxious to get back to them because I knew food would be coming
soon. Then, atop a small hill by the apple tree -- an apparition. My body snapped to
attention, and I growled, the hairs on my back standing on end. It was a wolf, just a
stone's throw from me, its silvery coat half-lit in the dying light of day.
It came toward me in a sleek, soundless jaunt. I barked and snapped at the air. It
slowed and stopped just beyond my lunging distance. Now, crazed with fear and
anger, I saw that it was a large female, healthy, well-fed, with a gorgeous coat -misty gray, the color of snow seen at a winter's distance. Its smell was alien,
confusing, but laced with a clear and potent confidence, a supreme assuredness.
Indeed, it did not seem to be afraid of me at all, nor did it threaten. Its mouth hung
slack, and steam issued from its muzzle in steady, happy puffs. This calmed me for a
moment and in the next moment redoubled my anger. I growled from the deepest,
most murderous part of my dog self.
It spoke to me. Its mouth didn't move, and there was no sound, but by the logic of
the dream, it spoke to me a clear, dignified voice.
"Hello, child."
I snarled at it. It took another step forward, and its eyes caught the last of the
sunlight, glowing in a fantastic array of yellows. Those eyes, rimmed in jet black like
mascara, projected a powerful allure, an otherworldly glamour.
''You bark and snarl. But look at my face. Am I not of your kind?" it asked.
I could not answer. I could only growl softly.
"Is my face not like your mother's? Do you remember her?"
The sudden scent of distant memory came to me, and I felt a pang of loneliness. I
had not seen my mother or any other dog since I was small. Since I had come to the
farm, my only family had been the people I lived with (and a few of the more tolerant
pigs). I searched now for dim, fragrant memories of my mother. I felt her huge,
bristled muzzle licking at my face. I saw her giant, sweeping legs as I followed them
through high fields. She had seemed taller than a horse then. I remembered the
softness of her teats, feeding from them with my brothers and sisters. What had
become of my family? I had spent every day with them, and then one day... all gone.
The wolf paced back and forth now, keeping a small distance from me, its eyes
ranging over the farm. Again I saw some strange, haunting glamour in them,
something that glittered with secret, distant power.
"The people in that house, they're not your family. We are. We share ancient blood," it
said, its voice deep and resounding with the rhythm of wisdom. My master had a
voice like this, but it didn't have the total authority of this alpha female's.
I saw with alarm two dark shapes come over the hill by the apple tree. More wolves,
moving silent with heads lowered. I barked at them.
"You hate us and love them. But do they love you? What are you to them? Aren't you
the lowest of the low? Always getting the last of the food, the smallest scraps?
Imagine living differently. Imagine taking your own food. Killing. Drinking lifeblood.
Being master over others."
The two other wolves slunk down the hill. The skin on my back tightened again, but
the strange hypnotic power of the alpha wolf held me still. "You could leave this
house and come with us. We range the forests. We've seen rivers wider than this
whole valley. Mountains that go up into the clouds. Lakes with no end but the end of
the world. Places with no houses or men at all. You could be with us. We could be
your brothers and sisters."
The other two wolves came closer. They were unmistakably females, both young and
well muscled. Their confidence was not as absolute as the alpha wolf's, but they
showed no fear as they came to me. I smelled on them a strange longing, a deep
winter's desire for warmth.
The alpha wolf stepped closer, close enough that her steaming breath tickled my
nose. Her eyes danced with cold burning light, and she spoke in a voice that made
my blood hum.
"Outside your life waits everything you've never known," she said. "There are worlds,
child. There are ecstasies."
I then recognized the allure that lit her eyes, the unspeakable longing that glimmered
in their depths. It had seemed this whole time to be some fantastic, alien desire,
reaching out to me from a distant world. Perhaps it truly was. But more simply than
this, it was hunger. Plain hunger. That ancient, unsleeping hunger, older than the first
furred thing that ever gave rise to the races of dogs and wolves and men. Hunger
had brought this wolf across rivers and mountains and endless frozen plains to meet
me in that moment. I can still see her face, the final image of the dream before the
other wolves tore into me and I died and I awoke -- her face with eyes that spoke of
open loneliness, her face, so noble and gentle and motherly, her face, as beautiful
and ancient as the stars.
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comes wisdom through the awful grace of God." While I'm no literary scholar, I
believe this means, "Learning can hurt sometimes."
So she had survived. Her genes came up in our program to collect a global genetic
snapshot (a total boondoggle, btw). So where was she? In some Russian laboratory?
Living out in the jungle, being worshipped as a god by some doomsday cult
like Johnny Htoo? Floating through space in a bubble to Jupiter and beyond?
Estonia. She was found in Estonia in a Swedish speaking village on the island
of Hiiumaa. She was living a normal life. Apparently the issue with the bio-LSD had
resolved itself after detachment from the placenta, otherwise, anybody who got a
kiss from her would have found themselves going on a very strange journey. She was
about 13 years old at this point and had survived travel far longer than any other
child. This meant she was an asset we absolutely had to obtain. She contained the
secret to survivable travel, something that had eluded us for years.
It would have been convenient if she was living a life of abuse and drudgery in some
orphanage somewhere. We could have simply considered her a victim of fortune. But
she was actually living in a quaint little village on the edge of a beautiful forest with
an old couple who had been given some phony story by our former agent. It was a
nice life. Quiet. Maybe a little boring. But a nice one.
We took her in the middle of the night back to our facility in Colorado.
In the end, she wasn't a victim of fortune.
She was a victim of us.
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Fairy Queen
Changing Teardrops to a Smile
Holding Daydreams for a While
Fairy Queen
Fairy Queen
She's your Shelter in the Night
The Guardian Angel by your Side
Fairy Queen
If I could be a Fairy Queen
I'd find the Long Forgotten Dream
That is Deep inside the Memory of a Child
If I could Hear what Words don't Tell
From
Way down in the Wishing Well
Then Reality would turn into Illusion
Fairy Queen
Fairy Queen
Changing Teardrops to a Smile
Holding Daydreams for a While
Fairy Queen
Fairy Queen
She's your Shelter in the Night
The Guardian Angel by your Side
Fairy Queen
If I could be a Fairy Queen
I'd take a Walk Behind the Scene
Where the Puppet Acting Plays that Never Ends
The music was quite interesting, though having all the birds sing at once
created distinctly unpleasant effect.
Somebody in the department ended up killing all the birds, though we never found
out who.
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We did a preliminary interview, and she seemed normal in every respect. Mind you,
this was a girl who entered a massive, possibly alien, biological device called aflesh
interface, disappeared from existence for several minutes, then returned encased in
an amniotic sac, attached to a placenta via umbilical cord with enough LSD in her
bloodstream to turn all of Utah in one massive orgy. Naturally, we expected some sort
of mental changes, especially since every child who returned from the portals had
showed signs of mental aberration. Then again, every other child had died shortly
after return, so she was clearly something special.
But no, she was normal. Frustratingly normal. So we started prying into her past. She
was reticent, but young and fairly trusting, and it wasn't hard to get information out
of her. She said she was born in Brazil, which was correct. We had acquired her from
a Brazilian orphanage where she had lived since infancy, the daughter of a dead
prostitute and an unknown father. She vaguely remembered her time at the
orphanage, and they were not very happy memories. She then began telling us about
the first day she met her adoptive parents. But we wanted to know about the time in
between, when she was in our possession, when she went into the portal and came
back.
We asked what happened before she met her adoptive parents. She said she
remembered a long, boring boat trip to come over to the Estonian islands. We asked
her where she had lived before then. At this question, she grew distinctly
uncomfortable. She said she didn't really remember. We pressed her. Her face began
to twitch and shudder. This was the first time she had showed any sign of
abnormality. We kept pressing her on the question.
"There was one summer," she said quietly. "After I moved out of the orphanage, but
before I came to Estonia... When I lived with a woman who said she was my mother."
This was news to us. Our files had it that she had lived continuously at the
orphanage. We asked her about the exact time, but all she knew that it was for one
summer. This was curious, because she had been in our possession one summer
seven years ago. The timelines matched well, but the events were entirely different.
We asked her to elaborate. She said that one day a woman had come to the
orphanage saying that she was her mother, and the Americans who ran the place
had made her go with the woman. They had gone to a crummy old house, and she
lived there for the summer. As she said this, she began to sob. She said that she had
forgotten all about this, that she hardly remembered it at all, that she didn't want to
talk about it. "She wasn't my mother. I knew. Her face wasn't right. It wasn't a real
face."
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and kind, you begin to worry that you have fucked this woman, that you have fucked
this elderly woman and now she is in love with you and wants to move her posturepedic bed into your apartment. You ask her, with greater urgency, who she is, and
you tip another shot into your mouth.
She says that she wants to hear the end of your story. She says that last night you
came into the cafe that she owns, carrying a bottle of wine. Before she could tell you
to leave, you began telling a story, a wonderful story, but you got too drunk and
didn't finish it. So she got you into a cab and made sure you got home and slept on
the couch because she very much wants to hear the end of your story.
You tell her that you don't recall telling any story. She expects this. She says that it's
the story about the children in the forest. You must know it, it was too wonderful to
have just been made up. You shrug. You don't know any stories about any children in
the forest. Unless it's Hansel and Gretel. Was it Hansel and Gretel? It was not. Well,
that's the only child/forest story you know.
She tells you that it was a very beautiful story and it made her cry and she very
much wants to know the end of it. Your mind churns through the possibilities: this
woman is crazy, she is about to ask for money, she is going to rob you, she wants to
get your information so she can have you arrested, the cops are already on their way
and she's stalling. But the pleading look in her eyes is quite convincing. She does just
want to hear the story. The vodka is starting loosen the paranoia's grip. You take
another sip. How many drinks was that? Two? OK, don't want to get too drunk too
early. No more drinking for the next hour. You take another sip. If you can't drink for
the next hour, you'll need that last sip.
You sit down on the couch next to her. The sweet relief of the vodka is melting away
some of your anxiety, and you let out a big sigh. You ask her to tell you some of the
story, maybe it will jog your memory. She insists that she can't tell it as good as you
told it, but you brush her protests aside. She begins to tell you the story.
In her warm grandmotherly voice, she begins to tell you about the magical children
who lived in the forest, who danced and sang and never died, who fought bravely
against the nightmare forces of the ancient queen. It really is a beautiful story, and
the woman tells it so well, with lots of nice little touches that make you giggle softly.
You see in your mind for a moment the sunlight through the fluttering leaves and
smell the apple-scented air, so much sweeter and freer than anything your tiny grim
shithole apartment full of empty bottles. And once again your eyes grow damp. You
have heard, from various people at various times, the beginning of this story, but you
have never heard the end. Perhaps it has none.
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It is because of the way the camp has been built. There is the fake train station, the
tales of showers and uniforms and assignments, the narrow tube to funnel people
into, the walls to hide the chambers and the pits. And there is the hierarchy: the
captured Red Army men and the special unit prisoners, all set against each other with
the proper incentives. Everything in the structure concentrates power on us.
Perhaps, if the right structure was built, an entire race could eliminated by a single
man with an unloaded gun.
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Ivan Marchenko aka Ivan the Terrible
https://en.wikipedia.org/wiki/Ivan_the_Terrible_(Treblinka_guard)
She researches cortical suicide methods but decides against it. She contacts
emergency services and arranges for them to remove her from her hygiene bed. One
day shortly after her 28th birthday she is disconnected after a 9 year dream. She
awakes to a world of horrifying pain. Pain dampening has blocked her opioid
receptors, and the removal technicians can do nothing for her agony. Her entire body
is atrophied and she has severe calcification around her ports, catheter and
evacuator, as well as numerous sores and abscesses and general muscle atrophy.
She is taken to the hospital for physical rehabilitation. After several operations, she is
stabilized and her pain has subsided to manageable levels. Thankfully, her limbs are
still intact. After eye treatments, she looks at herself in the mirror and finds
something she does not recognize. She has aged 9 years, though a lack of sun
exposure and facial expressions has left her face smooth and unlined, albeit
inhumanly gaunt and pale. Within a few days, the hospital sends her home. She must
use a scooter to return to her apartment, which is little more than weatherproof box
to contain her hygiene bed.
What will become of this woman? Sitting alone in her apartment with no job and no
touch-friends, without even a bathroom other than the hygiene bed, she will find it
very difficult to resist the lure of the feed. The lack of stimulation will mean that she
is often bored. The lack of predictability will mean that she is anxious whenever she
is not bored. She will find unmediated socializing torturous. According to our
statistics, there will be a 90% chance of her making another long-term connection
within a month. There will be a 30% chance of her dying within 1 year.
This the price of long-term connection: it is inescapable. Less than 1% of users
connected continuously for more than 3 years are able to go on to lead successful
disconnected lives. In America, there are currently over 30 million users on long term
connections. Unless something changes, they will stay connected until they die.
This is why we have created COMPANION-12.
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We are made in the image of the world. The world is a giant of the our kind, and we
live on its back. Its trees and grasses and hills are like the hairs on our backs. Our
paws are soft and our ways are subtle and silky, so we are in harmony with the world.
But everywhere, ten thousand things are scuttling, out of harmony. And this causes
the world to itch and suffer, just as the little scuttling things on our backs cause us to
itch and suffer. So the world cannot sleep, and everything turns and spins, and we
cannot sleep. For we made in the image of the world.
This is why we hunt. It is our duty. To hunt out all the little scuttling things, to devour
them, expel them, and bury them back into the world, leaving no trace. We must
hunt night and day. We hunt the ten thousand things on the world's back just as we
hunt and clean the little scuttling things from our own backs. One day we will destroy
all the ten thousand things, and the world will sleep, and we will sleep, and
everything will sleep forever. This will be a great righteousness. We can feel this
righteousness every time we sleep. And we can feel a great injustice every time we
are woken. So we hunt. So we must hunt.
This truth is in our bones, in our claws, in our form, for we are made in the image of
the world, and our form contains all truth.
Our form is our story.
The story of all the world.
But now we are confronted with a great mystery.
We do not abide mysteries. They plague our sleep. We must solve them. What is
hidden must be uncovered. So we search and sleuth, but this mystery eludes. It
scuttles and slips away, time after time. And we do not sleep. But it seems there is no
message in our form which gives us any answer. Is our form incomplete?
I above all others have become obsessed the mystery.
The mystery of the Oily Ones.