Liquid Bundle II

Release Notes and information

This document lists general information.

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02. Introduction
02. Controls
03. Presets

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04. Authorization info.

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06. Liquid Compressor II

08. Liquid Gate II
10. Liquid Mod II
13. Liquid Phase II
16. Liquid Verb II
18. Liquid Delays II

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22. Supported host applications.

23. Known issues.

This document covers MAC OS-X and Windows 2000 & XP.
Audio Unit, RTAS and VST formats.

Introduction
The Liquid Bundle II gives you a variety of incredible effects plug-ins. The plug-ins in this
bundle include :
- Liquid Compressor II
- Liquid Gate II
- Liquid Mod II
- Liquid Phase II
- Liquid Verb II
- Liquid Delays II
These tools are ideal for the sound designer, mixer and musician. And although these plug-ins
provide intuitive and simple controls, the sound quality they deliver is full and warm. Plus,
Liquid plug-ins operate efficiently to avoid over-taxing your CPU resources.

Controls
Adjust Value: Click anywhere on the slider to make the indicator scroll instantly toward the
mouse cursor.

Fine-Tuning: Clicking on the display value box will fine-tune the slider values, hold down the
shift key while clicking on the display value box will make more sensitive the fine-tuning.

Presets

All new Nomad Factory plug-ins share a new common feature, the Nomad Factory MenuBar.
Since the Nomad Factory MenuBar is practically the same on all new Nomad Factory plug-ins,
you will always know how to load and save presets of a Nomad Factory plug-in.
Save button:
Allows saving presets in the Nomad Factory file format to the disk for both Mac and PC
platforms.
Presets will be save into:
Macintosh OS X:
Macintosh HD > Users > Your Account > Documents > Nomad Factory > Plug-in Settings :
Windows XP:
My Computer > C: > Documents and Settings > Owner > My Documents > Nomad Factory >
Plug-in Settings:
Pressing the 'Factory Setting' menu will display the included factory presets.
Utility Menu:

About 'the plug-in name'

Will display information about the plug-in as well as the version number.
Others:
If you are connected to the internet, using this menu will launch a browser and will navigate to
the Nomad Factory website pages.

Authorization Info.
DEMONSTRATION:
The Liquid Bundle II will work for a 10 day demo period with full functionality. The demo will
only run one time per machine. After the demo has expired, you must fully authorize the
product in order to continue using the plug-ins.
REGISTRATION:
Purchasing the license will result in the user receiving a product serial number (Digital ID). This
number will enable the user to Register and Authorize the product via our online system
accessible from :
NOTE: Digital ID is not requested for DEMO registration.
AUTHORIZATION:
http://www.nomadfactory.com/register/index.html
Once Registered the Liquid Bundle II can be authorized to run with a software authorization.
The Liquid Bundle II Authorizer application is used for generating the Challenge code
authorization for the bundle.
CHALLENGE / RESPONSE:
1) When the Authorization window appears, click 'Authorize'
2) Copy the Challenge code. You will need to paste it in the Registration web page.

3a) Go to http://www.nomadfactory.com/register/index.html to register the FULL version online

with us.
3b) Go to http://nomadfactory.com/register/demo_reg.html to register the DEMO version online
with us.

Authorization Info. Suite 1

4) Paste your Challenge code in the Challenge Code field, enter your digital ID in the Digital ID
field (Full authorization only) and complete all required fields, when ready, on the registration
page click 'Submit' (see picture below)

5) Your Response Code will be displayed immediately on screen and will be additionally sent
to your email address.
6) Copy the Response Code and paste it into the Authorizer application. Click Next, and then
Finish,
Congratulations! Your disk is now authorized.

Liquid Compressor II
The Liquid Compressor II pumps up your sound and keeps your dynamics in check. The
Liquid Compressor II can add depth and sustain to your sound while helping you cut through
a mix. Easy-to-use modern interface with gain reduction light-meter. It is offered in Mono and
Stereo.

Threshold : 0 to -60 dB : Default : 0 dB

Sets the decibel (dB) threshold to the level at which the compressor begins to work.
If you set it to -10 dB for instance, any signal exceeding the Threshold level (-10 dB) are

reduced in level, and the amount of reduction is shown on the GR meter.

Ratio : 1:1 to 20:1 dB : Default : 2.5:1 dB
This sets the amount of compression, in dB, applied to a signal once it violates your pre-set
threshold. A ratio of 4:1 will output 1 dB for every 4 dB of input signal that exceeds your
targeted threshold
Attack: 0.1 to 1000 ms : Default : 5 ms
The time, measured in milliseconds (ms), it takes for the compressor to reach its maximum
level on the sound. A fast attack can be useful for damping percussive peaks so the overall
track level can be increased. Can also add punch to a track.
Release: 1 to 5000 ms; Default: 489.5 ms
Controls how long (ms) it takes to release a signal from the compressor once it's dipped
below your specified threshold. A long release time can be useful for adding sustain to a
signal - On guitar solos for example.

Liquid Compressor II - Suite

RMS/Peak: RMS or Peak : Default : RMS

Sets the level detector : RMS offers the closest approximation to the way in which our
ears respond to sound, RMS provides a very natural-sounding dynamic control, where
the Peak type of compressor will more accurately track the peak levels of the individual
drum beats.
Soft/Hard Knee: Soft or Hard Knee : Default : On
There is both 'Soft Knee' and 'Hard Knee' compression styles. 'Soft knee' provides a smoother
start of compression, great for any voice or instrument and for subtle musical compression.
'Hard knee' compression works for an aggressive squash.
Brick Wall: On or Off : Default : Off
This switch engages the output Brick Wall limiter. The Brick Wall limiter is set to 0 dB.
Make-Up : -36 to +36 dB : Default : 0 dB
Sets the overall output level of the effect (dB). This control is useful to adjust the output level
again after its been reduced from applying compression to a signal.
SIDECHAIN FILTERS:

To help the compressor decide when to compress, you can use the two Filter controls.
The Filters only affect the signal driving the compressor, not the sound being
processed, and you can use the Listen control which allows the effect of the Filters to
be heard when setting up, so you'll hear a filtered version of the input in Listen mode.
Low Cut: 22 Hz to 22 KHz : Default : 22 Hz
Sets the Low Cut frequency. (HPF)
High Cut: 22 Hz to 22 KHz : Default : 22 Hz
Sets the High Cut frequency. (LPF)
Bypass - SideChain: Off or On : Default : On
Turns On/Off the side chain filters (Bypass)
Listen: Off or On : Default : Off
This switch engages the output Brick Wall limiter. The Brick Wall limiter is set to 0 dB.

Liquid Gate II
The Liquid Gate II tames the noise floor so that you hear only the audio you want to keep.
This fully-adjustable gate/expander allows control of Threshold, Attack Time, Hold Time,
Release Time and Range. To help the gate decide when to open, you can use the two
Filter controls (SideChain). Easy-to-use modern interface with gain reduction light-meter. It
is offered in Mono and Stereo.

Threshold : 0 to -60 dB : Default : -21.6 dB

Sets the decibel (dB) threshold to the level at which the gate begins to open.
(i.e., allow the signal to pass through unattenuated)
Range : 0 to 100% : Default : 100%
This sets the amount of signal reduction by the gate in percents. If you set it to 10% for
instance, when closed, the gate will allow 10 % of the audio level goes thru the plug-in.
Attack Time: 0.1 to 1000 ms : Default : 5 ms

This control determines how quickly the gate opens, the fastest Attack time ensures
that the gate does not clip the leading edge of extremely fast transients.
Hold Time: 0.0 to 2000 ms : Default : 0.0 ms

This control determines the amount of time the gate is held open after the signal falls
below the Threshold.

Liquid Gate II - Suite

Release Time: 10 to 5000 ms; Default: 50 ms
Controls how long (ms) it takes the gate to close, once the signal has fallen below the

Threshold and the Hold time has expired.

RMS/Peak: RMS or Peak : Default : RMS

Sets the level envelope detector : RMS provides a very natural control of the gate,
where the Peak type will more accurately track the peak levels of the individual drum
beats.
SIDECHAIN FILTERS:

To help the gate decide when to open, you can use the two Filter controls. The Filters
only affect the signal driving the gate, not the sound being processed, and you can use
the Listen control which allows the effect of the Filters to be heard when setting up, so
you'll hear a filtered version of the input in Listen mode.
Low Cut: 22 Hz to 22 KHz : Default : 22 Hz
Sets the Low Cut frequency. (HPF)
High Cut: 22 Hz to 22 KHz : Default : 22 Hz
Sets the High Cut frequency. (LPF)
Bypass - SideChain: Off or On : Default : On
Turns On/Off the side chain filters (Bypass)
Listen: Off or On : Default : Off

When this switch is set to On, you'll hear the filtered input signal.

Liquid Mod II
Chorus and Flanger effects operate on a very similar basis, that's why they were both
implemented in the Liquid Mod II. The Liquid Mod II produces vintage tape-flanging, gentle
choruses, sharp phasing, phaser-emulation effects and a variety of dual-delaymodulation sounds quickly. It has the character of a vintage chorus-flanger unit using
modern features options.

Feedback : Off to 100% : Default : Off

Controls how much of the wet signal is looped back through the effect.
Overdrive : Off to 100% : Default : Off
This sets the amount of distortion-overdrive to be added to the flanger/chorus.
Stereo Width: 0 to 180 Degrees : Default : 180 Degrees
Sets the phase between left and right LFO!s. Stereo Width controls the Left-Right Modulator
phase. If the width is set at 180 degrees, then the Left side is flanging/chorusing down while
the Right side is flanging/chorusing up, and so forth. One classic device that uses this feature
was the Mutron Biphase.
Output Level: -12 to +12 dB : Default : 0 dB
Sets the overall output level of the effect (dB). This control is useful to adjust the output level
again.

Liquid Mod II - Suite 1

Digital/Analog: Default : Digital

"Digital" provides a very clean-sounding.

"Analog" emulates the sound of analog tape by adding a certain amount of distortion at all
signal levels
Delay: x1 to x4 : Default : x1
Sets the base delay of the effect. The default Delay setting of x1 is useful for general flanging/
chorus effects, x2, x3 and x4 provides differents delay times.

Rate : 0.05 Hz to 22 Hz : Default : 1.0 Hz

This control sets the frequency of the LFO in Hz. Increasing the Rate increases the oscillation
speed. When the Sync button is On, Liquid Mod II will be synced to the host!s tempo. Any
changes made to the host!s tempo will affect the plug-in!s modulation rate in real time. In Sync
mode, the Rate control is adjustable in musical units (bars, 1/8th notes, triplets, etc.)
1 x 8 bars
1 x 7 bars
1 x 6 bars
1 x 5 bars
1 x 4 bars
1 x 3 bars
1 x 4T Bars
1 x 2 bars
1 x 1D
1 x 2T
1x1
1 x 1/2D
1 x 1/2
1 x 1/4D
1 x 1/2T
1 x 1/4
1 x 1/8D
1 x 1/4T
1 x 1/8
1 x 1/16D
1 x 1/8T
1 x 1/16
1 x 1/32
Depth: Off to 100 % : Default : 100 %
The Depth control sets how deeply the signal is shifted in time which results in small pitch
changes. If the Depth control is set to 50%, the delay time will vary by half of its value.

Liquid Mod II - Suite 2

Sync: Off or On : Default : Off

When the Sync button is On, Liquid Mod II will be synced to the host!s tempo. Any changes
made to the host!s tempo will affect the plug-in!s modulation rate in real time.
WaveForm: Default : Sine
Sets the waveform from a range of waveforms:
1. Sine
2. Triangle
3. Square
4. Saw up
5. Saw down

Chorus/Flanger: Chorus or Flanger : Default : Flanger

Togles between Chorus and Flanger effects.
Mix: 0% to 100% : Default : 50%
Controls the mix between the processed wet signal and dry input signal.

Liquid Phase II
The Liquid Phase II emulates the sounds of classic analog phasers from the 70!s and 80!s.
The Liquid Phase II provides a wealth of vintage and modern phasing effects. The selectable
"Phaser Stage" control allows you to select any number of stages between 2 and 24
including all odd numbers. Using an odd number of stages sounds totally different than an
even number of stages, this cool feature allows the Liquid Phase II to create unique phasing
and modulation effects.

Phaser Stage : 2 to 24 : Default : 12

Sets the number of resonant analog filters. (Stages)
Resonance : 0 to 100% : Default : 25%
Controls how much of the wet signal is looped back through the phaser.
Low Contour: 90 Hz to 6000 Hz : Default : 226.4 Hz
This control determines the lower center-frequency limits of the sweeping stages according to
the LFO Rate and LFO Depth settings.
High Contour: 90 Hz to 6000 Hz : Default : 2.0 KHz
This control determines the higher center-frequency limits of the sweeping stages according
to the LFO Rate and LFO Depth settings.

Liquid Phase II - Suite 1

Digital/Analog: Default : Digital

"Digital" provides a very clean-sounding.

"Analog" emulates the sound of analog tape by adding a certain amount of distortion at all
signal levels.
Invert Feed : 0 to 100% : Default : 25%
Invert Feed or 'Invert Resonance' inverts the phase of the wet signal looped back through the
effect.

Peak-Limit: On or Off : Default : Off

This switch engages the output "Brick Wall" peak limiter. The Brick Wall limiter is set to 0 dB.
Stereo Width: 0 to 180 Degrees : Default : 180 Degrees
Sets the phase between left and right LFO!s. Stereo Width controls the Left-Right Modulator
phase. If the width is set at 180 degrees, then the Left side is phasing down while the Right
side is phasing up, and so forth. One classic device that uses this feature was the Mutron
Biphase.
Overdrive : Off to 100% : Default : Off
This sets the amount of distortion-overdrive to be added to the phaser effect.
Output Level: -24 to +24 dB : Default : 0 dB
Sets the overall output level of the effect (dB). This control is useful to adjust the output level
again.

Mix: 0% to 100% : Default : 50%

Controls the mix between the processed wet signal and dry input signal.

Liquid Phase II - Suite 2

Sync: Off or On : Default : Off
When the Sync button is On, Liquid Phase II will be synced to the host!s tempo. Any changes
made to the host!s tempo will affect the plug-in!s modulation rate in real time.
WaveForm: Default : Triangle
Sets the waveform from a range of waveforms:
1. Sine
2. Triangle
3. Square
4. Saw up
5. Saw down
Rate : 0.05 Hz to 22 Hz : Default : 1.00 Hz
This control sets the frequency of the LFO in Hz at which the stage center-frequency sweeps
through its profile from the lower limit to the upper limit. Increasing the Rate increases the
oscillation speed. When the Sync button is On, Liquid Phase II will be synced to the host!s
tempo. Any changes made to the host!s tempo will affect the plug-in!s modulation rate in real
time. In Sync mode, The "Rate-Slider" control determines the LFO modulation (see table
below).
1 x 8 bars
1 x 7 bars
1 x 6 bars
1 x 5 bars
1 x 4 bars
1 x 3 bars
1 x 4T Bars
1 x 2 bars
1 x 1D
1 x 2T
1x1
1 x 1/2D
1 x 1/2
1 x 1/4D
1 x 1/2T
1 x 1/4
1 x 1/8D
1 x 1/4T
1 x 1/8
1 x 1/16D
1 x 1/8T
1 x 1/16
1 x 1/32

Depth: Off to 100 % : Default : 100 %

The Depth control sets how deeply the stages will be swept. The depth is fixed in percentage.

Liquid Verb II
The Liquid Verb II Digital Reverb is a great professional reverb for music and post-production
applications. From spacious concert halls to small rooms, the Liquid Verb II delivers
professional-quality reverb and ambience processing to the most demanding studio sessions.
Designed to be musical, the Liquid Verb II is easy to use with just a few controls and a simple
modern interface.

On - (Equalizer) : Off or On : Default : On

This switch enables or disables the Equalizer section of the Liquid Verb II.
Bass : +- 18 dB : Default : 12 dB
Sets the level in decibel (dB) the amount of low shelving gain or cut to be applied to the lowrange frequency section.
Frequency is fixed at : 120 Hz - Low Shelf
Middle : +- 18 dB : Default : 0 dB
Sets the level in decibel (dB) the amount of mid peaking gain or cut to be applied to the midrange frequency section.
Frequency is fixed at : 1200 Hz - Mid-Peak
Treble: +- 18 dB : Default : 0 dB
Sets the level in decibel (dB) the amount of high shelving gain or cut to be applied to the
high-range frequency section.
Frequency is fixed at : 7200 Hz - High Shelf

Liquid Verb II - Suite

Post Reverb: Off or On : Default : Off
This control determines:
Off = Equalization applied before (pre) the reverberation section.
On = Equalization applied after (post) the reverberation section.
On - (Pre-Delay) : Off or On : Default : On
This switch enables or disables the Pre-Delay section of the Liquid Verb II.
Pre-Delay : 0 to 200 ms : Default : 25 ms
This control introduces a delay before the reverberation effect.
Reverb Time : 0.1 to 10 sec : Default : 2.7 sec
Sets the reverberation time (in seconds) 0.1 to 10 sec
- Small mode : 0.1 to 2.0 sec
- Med mode
: 2.0 to 4.0 sec
- Large mode : 4.0 to 10.0 sec
Damper : 0 to 10 : Default : 5
This controls the high frequency damping.
Moving the slider to the top (10) = dark
Moving the slider to the bottom (0) = bright
Stereo Width : 0 to 100 % : Default : 100 %
This control determines the stereo image of the reverberation.
On - (Filters) : Off or On : Default : On
This switch enables or disables the Filters section of the Liquid Verb II.
HPF: 20 Hz to 1.6 KHz : Default : 20 Hz
Sets the Low Cut frequency. (HPF)
LPF: 2.8 KHz to 20 KHz : Default : 20 Hz
Sets the High Cut frequency. (LPF)
Rev Level: 0 to 100 % : Default : 41 %
This control determines the level of the classic reverberation (wet level). (0 - 100%)
Dry Level: 0 to 100 % : Default : 41 %
This control determines the level of the un-processed signal (dry level). (0 - 100%)
Reverb Mode : Small, Medium or Large : Default : Medium
- Small mode : 0.1 to 2.0 sec
- Med mode
: 2.0 to 4.0 sec
- Large mode : 4.0 to 10.0 sec
Input Level: -12 to +12 dB : Default : 0 dB
This control determines the input level of the Liquid Verb II
Output Level: -12 to +12 dB : Default : 0 dB
This control determines the output level of the Liquid Verb II

Liquid Delays II
The Liquid Delays II is a filtered dual-delay effect plug-in, featuring two delays, resonant
filters, tube saturation-overdrive, peak-limiter and LFO. The Liquid Delays II is capable of
clean-delays, dirty-delays, filtered-delays, and more. From basic synced delays to dirty,
grungy, distorded delayed filters, the Liquid Delays II can creates an unlimited number of
amazing effects.

On - Filters: Off or On : Default : On

Turns On/Off the filters section (Bypass)
Low Cut: 22 Hz to 11 KHz : Default : 800.2 Hz
Sets the Low Cut frequency. (HPF)
Resonance: 0 to 100 % : Default : 50 %
Sets the HP/LP filters's resonance.
High Cut: 600 Hz to 22 KHz : Default : 2.3 KHz
Sets the High Cut frequency. (LPF)
Overdrive : Off to 100% : Default : Off
This sets the amount of distortion-overdrive to be added to the effect.

Liquid Delays II - Suite 1

On - (In-Loop): Off or On : Default : Off
On = The direct (dry) signal will be added and processed through the filters and overdrive
modules.
Off = Only the delayed (wet) signal will be filtered.
On - (Filters-modulation) : Off or On : Default : Off
This switch enables or disables the LFO section of the Liquid Delays II.
Sync - (Filters-modulation): Off or On : Default : Off
When the Sync button is On, Liquid Delays II will be synced to the host!s tempo. Any changes
made to the host!s tempo will affect the plug-in!s modulation rate in real time.
WaveForm (Filters-modulation)): Default : Sine
Sets the waveform from a range of waveforms:
1. Sine
2. Triangle
3. Square
4. Saw up
5. Saw down
Rate (Filters-modulation)): 0.05 Hz to 22 Hz : Default : 1.00 Hz
This control sets the frequency of the LFO in Hz. Increasing the Rate increases the oscillation
speed. When the Sync button is On, Liquid Delays II will be synced to the host!s tempo. Any
changes made to the host!s tempo will affect the plug-in!s modulation rate in real time. In Sync
mode, the Rate control is adjustable in musical units (bars, 1/8th notes, triplets, etc.)
1 x 8 bars
1 x 7 bars
1 x 6 bars
1 x 5 bars
1 x 4 bars
1 x 3 bars
1 x 4T Bars
1 x 2 bars
1 x 1D
1 x 2T
1x1
1 x 1/2D
1 x 1/2
1 x 1/4D
1 x 1/2T
1 x 1/4
1 x 1/8D
1 x 1/4T
1 x 1/8
1 x 1/16D
1 x 1/8T
1 x 1/16
1 x 1/32

Liquid Delays II - Suite 2

Depth (Filters-modulation)): Off to 100 % : Default : 100 %
The Depth control sets how deeply the filters will be swept. The depth is fixed in percentage.
Peak-Limit (Master): On or Off : Default : On
This switch engages the output "Brick Wall" peak limiter. The Peak Limiter is set to 0 dB.
Stereo Width (Master): 0 to 100 % : Default : 100 %
Sets the stereo image between left and right outputs
On - (Delay-Sync) : Off or On : Default : On
When the button is On (Sync), the delays (left and right) will be synced to the host!s tempo.
Any changes made to the host!s tempo will affect the delays in real time.
On - (L-Delay) : Off or On : Default : On
This switch enables or disables the Left Delay section of the Liquid Delays II.
On - (R-Delay) : Off or On : Default : On
This switch enables or disables the Right Delay section of the Liquid Delays II.
Tempo (Delays): 40 to 500 bmp / Sync : Default : Sync or 120 bmp.
When the Sync button is On, delay section will be synced to the host!s tempo. Any changes
made to the host!s tempo will affect the tempo of the delays in real time.
Feedback (Delays): Off to 100% : Default : 33 %
Controls how much of the wet signal is looped back through the delays section.
L-Delays (Delays):
Selects the note value that sets the delay rhythm for the left channel.
This setting refers to the Tempo value to determine the delay time.
Values range from whole notes to Thirty-second note, and include triplets and dotted notes.
R-Delays (Delays):
Selects the note value that sets the delay rhythm for the left channel.
This setting refers to the Tempo value to determine the delay time.
Values range from whole notes to Thirty-second note, and include triplets and dotted notes.
Mode (Routing):
Controls the order on how the effects (sections) will be processed.
- Drive
- Drive
- Delays
- Delays
- Filters
- Filters

->
->
->
->
->
->

Filters
Delays
Filters
Drive
Delays
Drive

->
->
->
->
->
->

Delays
Filters
Drive
Filters
Drive
Delays

Liquid Delays II - Suite 3

Input Level: -24 to +24 dB : Default : 0 dB
This control determines the input level of the Liquid Delays II
Output Level: -24 to +24 dB : Default : 0 dB
This control determines the output level of the Liquid Delays II
Mix: 0% to 100% : Default : 50%
Controls the mix between the processed wet signal and dry input signal.

Supported Host Applications and System Requirements

Macintosh RTAS, VST, AU - Universal Binaries Macintosh G4, G5 and Intel Macs with Mac OS 10.3.9 or later, 512 MB RAM, 1027 x 768 screen
resolution, high quality audio interface with sample rates from 44 Khz to 192 Khz.
Windows RTAS, VST
Intel Pentium III or Pentium IV system with Windows 2000/XP, 512 MB RAM, 1024 x 768 screen
resolution, high quality audio interface with sample rates from 44 Khz to 192 Khz.
Sequencers and sound editors compatible with VST, RTAS, AU plug-ins, such as :
- Copyrights and trademarks are held by their respective holders.
- Cubase SE/SL/SX
- Nuendo
- V-STack
- Acid Pro
- Logic Audio
- Digital Performer
- Sonar
- Sound Forge
- Cool Edit Pro
- Melodyne
- Peak
- Live
- Pro Tools
- Audio Hijack Pro
- Rax
- Kore
- AU Lab
- Final Cut Pro
- Soundtrack Pro
- WaveBurner
- Garage Band
- n-Track Studio
- Adobe Audition
- Tracktion
- DSP-Quattro
- Sagan Metro
and any audio application that fully supports one of the above mentioned plug-in standards.

Known Issues
RTAS (Mac and Windows):
- When loading a Pro Tools session saved with a Liquid's plug-in, the presets menu will
not display the saved name but instead 'Factory Setting'. The parameters and controls
values are not affected and are loaded correctly.
- Some parameters are not displayed correctly in control surfaces, check the GUI to
adjust the parameter correctly.
Audio Units:
- Automation is not reliable with menus. It does not write/read the menu selection
correctly.
VST: (Windows)
- Mouse Wheel controls doesn't work.