100% found this document useful (2 votes)
2K views81 pages

Best Of, The - Volume 2 - RS PDF

Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
100% found this document useful (2 votes)
2K views81 pages

Best Of, The - Volume 2 - RS PDF

Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
You are on page 1/ 81
SYNTH * GUITAR * VOCAL * PIANO THE BEST OF 2 ACHY BREAKY HEART 5 BOHEMIAN RHAPSODY ll DAMN, I WISHI WAS YOUR LOVER 16 DON'TCRY 23. DON'T LET THE SUN GO DOWN ON ME. 27 BVEN BETTER THAN THE REAL THING 31 HEAL THE WORLD 37 HIGHWAY TO HELL 39 LIVE AND LET DIE 43 NOTHING ELSE MATTERS, 46 NOVEMBER RAIN 52. ONE 55 SAMBA PA TI 59 SMELLS LIKE TEEN SPIRIT 62 SMOKE ON THE WATER 66 TEARSIN HEAVEN 7 THUNDERSTRUCK 75 TOBE WITH YOU 7% UNCHAINED MELODY PAN Publications 40020 HAMBURG. LIVERPOOLSTR, 92 © Copyright 1993. by Pan Music LTD. VOL. 2 WHITNY HOUSTON QUEEN SOPHIE B. HAWKINS GUNS N’ ROSES GEORGE MICHAEL & ELTON JOHN DR MICHAEL JACKSON ACDC GUNS N’ ROSES METALLICA GUNS N’ ROSES D SANTANA NIRVANA DEEP PURPLE ERIC CLAPTON ACDC MR. BIG RIGHTEOUS BROTHERS ACHY BREAKY HEART Words and Music by DON VON TRESS. You can tell the world You can tell your ma you 1 nev er was my girl, _ moved to Ark~an~ sas. — = i You can bum omy clothes) «when Tim gone. Or You can tell your dog to_—biite my leg. Or | — you can tell your friends _ a fool ve been fell your broth- er = Chiff fist can tell omy lip. Taugh and joke a= bout nev- er real- ly liked You can tell my ams fell your Aunt Low- ise. You can tell my fest to hit the | floor. Or | you an tell my lips self alread y knows ['m not_o- | kay. Or | you can tell my eyes wont be reach- ing out for you might be walk- ing out on me tell omy fin- ger- ti they watch out for my mind. w Don't tell my heart, my | ach- y break~ y heart, _ just don't think he'd un der- | stand, And | if you tell iy hear ach y break - heart, he | might blow _ up and Kill this a BOHEMIAN RHAPSODY ‘Words and Music by Be oc er cnt BY Gm CF FREDDIE MERCURY EERE Er RR A Chaim Bhs e aim ch cB e 2 Fe © BG co BO FT m7 F7 Is this the real life Is this just fan-ta~ sy? Caught ins and -stide, Be cm7Br Gm BT cape from rev al- i> > pen your eyes, _ Look | up to the skies _ and Tim just a poor boy, need no sym~pa- thy, Be~ cause I'm Lit: tle high, lit= tle low, | An= y way the wind blows c# F F BP does-nltral-iymat~ | mo, [Tin LMa- oma iwst | killed aman, 2.Too late, ~ my | time has come, Bun against his ead, pulled my | tig- ger, now he's dead. ers down my — spine, bod- y's | ach ing all the time, B Gm m7 B+ pb Ma> ma _ life had | just be- gun, Bat | now I've gone and thrown it all a= Good-bye, evry -bod-y.. Ive | got to go, Gotta | now I've gone and thrown it all a~ to make you cry, fm not back a- gain this time to- dont want to die, some times wish ['d never been born at Fm gain this time to- Tm not back a- some~ times wish Td never mean to make you ery, P don't want “to been born at am Be Abb mat ters, — BBP Gh as if noth ingreal-ly morrow, car-ry on, carry o Ebdim Fm7 BP abo gb pbdim BP ah ogP Bbdim = EP ab eb him his life from this | 4 from y poor fam-i- ly, | Spare just_a poor boy will you let me go, * we | will not let you go, (Let him go!) B BP B Bis- mil- lah! We | will not let you go, (Let him go!) Bis- mil- tah! We will not Iet you go, (Let me go.) | Will not let you go. (Let me go) | Will not let you go, (Let me go.) cm aA DD cB no, mo, 0, (Oh ma~ ma he devil put aside for se ob BT B Pe you. think~you-—cah | love me — and leave me — to 10 BP Fm7 B Fm7 B Just got ta get-out, just got ta get right outa & fastrumental Soto BT B » Cm = GCm G7 cmB?7 EP D Gm ab EP cm Gm cm Gm Cm Am Noth = ing really mat 16, Noth ing real = fy matters, BIL eB ab BP Bhim BP Bhm Nothing eal ly matters to | me. C7 cr9 CTF AbdinGm7 BOF Abdim Gm? F bl An-y way the wind DAMN, I WISH I WAS YOUR LOVER aAIce DIG Bn F#m? Play 4 ties W Words and Music by SOPHIE B. HAWKINS DIG That old dog This mon- key 1 sat has can't chained stand the Give you ev- ‘ty thing _ you need give you some thing sweet _ cach time 1 laid by the > cean mak sleep be side an is with emp it, no What walked for days hada say you'll Tre deeam 1 then chained stay _ ‘cause tn as jst = your — you'll and bound _ _ abe you side you to up see tain right. black and with peace DIG to you ing live ine ome in love to side a side my — jun her with “vi ty rage. too good? he = 10 gO a> way. to DIG SF blue of mind = And ——__— sions clear, — SE DIG D Alc# Bm rock you ‘til the day » light comes, _ make sure you are smil = ing and _ D Fem To- | night Ill be _ your math - do. such things to ease _ your pait free your mind and you _ won't feel _ a> shamed, ~ side, gonna fill you up, gon =na make you cey, Uh huh, Shucks, for | me there is _ no oth - er, — 13 Youre the on* ly shoe _ that fits. D Fem7 Bm Ta turn on the Roll = ing Stones, _ We could | groove a- long _ amd feel _ much bet~ ter, I could do it for~ ev~er and ever and ev- er and ev ~ er. 14 Walk trough heaven's door _ I'm sure. _ Don't | need no doe ~ tor to feel much bet - ter. ev er and ev~ er and ev- er and ev er, copa Fem7 =a = wish I was _ your lov - er Tm gonna |o- pen up, _ F wan-na comein~ si Tm gon-na = TRE == meg se I D Alce Damn, Iwish 1 | was your low Ro ap hi i yo cy. Damn, Iwish 1 | was your lov mon _ a sub + way gettin’ on _ my cam - el and T'm |eom in’ up town, and I'm | rid in’ up town, 15 Alc# Bm D AIc® waiting for _ my life _ to change. _ wish | [was your liv - er and I'm feel -ing like _ a school _ boy too | shy and too young. _ F8m7 Bm 1 was _ your lov _ Tryin’ to |o- pen up, _ 1 wan= na come in side, _ gon ma DON’T CRY (ORIGINAL) ‘Words and Music by Izy Stradlin’ and W. Axl Rose Am Dm GS Dmsus? F Amsus4 Am7 cs GIB AS PS DS ES & & & Ee EF & Am Dm G ‘Csus2, GIB te so Am Dm G Cadd2 GIB 2 Si a A Talk to me soft - ty. ss something in your eyes, ___ Am Dm G c GIB Don't hang your head _ in sor - ow, and please don't cry. 17 Am? Dm G @ 1 know how you feel inv side. Am Dm G e Something is chang in'in and don't you Gs Am d TF Don't you _ F ‘4 #y “4 c cry to night. \ = 18 And don't you y to night, Give me a Whis- per, and give me @ sigh, _ Give me a kiss be fore __ you fell me good- bys A Am D Dm Dmsus? Dm GS c Don't you __take it so hard __ now, and please don't take it so bad. A Am D Dm Dmsus2 Dm G TH still be think - and the times we had, ing of _ you 19 c G Am G F + a 7 > oa ee Se ee fe And don't you cry to night A Am Amsus4 Am? Am Fa G A 2 + # te 20G to* night, Am Amsusd Am Gs _— There's: a heay- en a- bove _ you, ba~ by, ‘And dont you ery _ __to- night. __ 20 FS 6s AS Gs F ‘And please re-mem Cad GIB. Am Dm G that 1 ney= er + AiT i. " ft: how I feltin~ side, _ You _got-ta__ make _ it your own way, ck gis Am ¢ * J3 1 ‘fl but you'll beal~ right, _ now, sug~ ar, light, - now come the mom - ing a There's a heav-ena-bove you, ba- by. ts Din You' feel _ bet- terto-mor- row And don't you ery to-night. you ery $3 to- sight And don't you oy 22 Don't you ewer may~ be some day. And dont you ery. ie R 8 DON’T LET THE SUN GO DOWN ON ME ‘Words and Music by FLTON JOHN and BERNIE TAUPIN OB FIA CGF Dm G FC CTE BF FG DIIRe G7 "22 # = ESE ERE FSS 3 cle? FIA CIG F Dm no more of your dark = All my pictures _ seem to fae _ to black _ and white, clG . 4 = —" SS and time stands still be- fore 24 Fro- zea here, c FIC c cle OF BF F G cle G cs and changed your way _ of life. But_you mis - read my mean > ing when 1 Closed — the doo and left me blind ~ 25 by the Hight. | _ Don't let the sti —— 20 down ciBt am? pq Fe i Al-though I _ searchmy self, _itsal- ways |some-one else I see, cIG FIG G7 c = Vd just al -Jow a frag~ ment of your | life _ to wan - der free. ci Bb FIA Dm iE F CIG FIG 7 h . al : wn o But |los- ing ev-‘ry- thing is like the | “8° ®. ihe down on c cre? FIA IG F G clG GT c CTIE ohthe right roman -tic i-ne,_ 26 and see the way _ I. feel. G7 clG CIE F But these cuts _ 1 have, _ iG ie G7 PS 41 Coda &. CODA to help _ them | heal, EVEN BETTER THAN THE REAL THING Words and Music by U2 more chane- You wont be de- nied, Give me two} _ si Give me half} _ a chance _ to ide on the waves that you 28 Bm7 =" ways been, ly | head is some - where in | _ be- Give me one | swarm of bees. Gan = na | blow right trough _ you ike | — ~ Give me one Let [me be yourlov- er to Well | slide down the sur- face of _ (Spoken:) Chek it out. Youte the real | _ thing, AS GS DS AS G5 yeah, the real | _ thing. You'e the real fe ven better than the | real _ thing, AS fed ns. Were free | _ to fly _ sun wont melt our wings }~__ to night, 30 her | she comes, _ Take me high | Take me hogh Roe eo DS DS. al Code er real _ thing, e> ven bet~ ter than the | real thing, e+ ven better than the HEAL THE WORLD at ‘Written and composed by MICHABL JACKSON Dmaj7 AIC® = Dmaj7 ACR AIG. FRmB AIGA Dmaj7 Amaj7ic® 4 4 Bm7 Aladd B) AID > AID A A DIA Amaj7 DIA A DIA Amaj7 Bm7IE Ss in your heat sad 1 know z to know why - there's a love = so - hich > tet our soir DE} cém7 BmTIE = ~ = : =a that itis owe ai es that cannot, tis a 2 its nev > tie _ » ~ . oe z= 32 A Bm7 chm7 Bm7IE — : no need _ to ery. In this place rel ly ty, you'll find there's we shall see _ in this bliss we can = not fool _ fear or reac with no fear, — to- geth- er we ery hap = py tears — See the na A Bm? chm7 Bm7/ - you'll feel ther’s _ no hurt _ or sor Weston ex- ist’ > ing and _ start tions turn their. _ swords in > to plow + row. ‘There are liv- ing ‘Then it > shares. We could Bm7 ctm7 D cém7 ways to get _ there if you | care e+ nowgh _ for the liv ~~ ing. feels that al > ways loves e- nough _ for us grow - ing. eal- ly gel there, if you | cared e~ nough ~ for the liy - ing Bm7 Bm7iE * bet- ter place. Heal the world, bet= ter worl bet- ter Jit tle space, _ make a better world, — make a Hit tle space, _ fo make a A Bm7 33 race. Fem cmt D cém7 peo" ple dy 7 ing, if you | care e- nowgh _ for the liv - ing make a Bm7 Bm7/E bs A DIA Amaj7 Bm7IE 2 A dream we were _ con ceived _ in will _re~ veal a | joy~ ful face, _ worl! we once _ be- livied _ inwill _ shine a- | gain in grace _ Fem Gem? D chm? who do we _ keep strang-ling life, wound this | earth, _ cru -ci-fy its soul? Bm7 Bm7IE Plain to see _ this world is heav = en ly, _ fs _ glow. _ We could fly C#m7 CEm7IF* B De m7/At Gem Dém7 E DEm7 chm? CE m7ire care @- nough _ for the liv - ing, make a | bet- ter place _ for you and _ ct E#m7iBe Agm £m Tire hum= an race, peo> ple_dy - ing, if you Fe Em? bem? pém7c# care enough _ for the Tv ct pe m7iBe Agm EBm7 Fe ee pém7 pe m7iG# care e- nough _ for the TW - ing make a | bet- ter place _ for ce Eem7B+ Atm Em? peo ple dy - ing if you re Em? Dém7 Dé m7IG# I are e~ nough _ for the fv - ing, make a | bet- ter place _ for yor ct bém7ic* ct Dém7/G# You ant _ for _ | me, Make a | bet* tor place, _ ce Dém7ic# cH Dém7ic* me, bet ter place, = - ra Dé mic ea] G =o SS for | he you and _ for _ save it for _ our chil ~ dren, a 3 — . - save it for — our chil ~ dren, = HIGHWAY TO HELL a Words and Music by Ronald Scott / Agnus Young./ Malcolm Young i DF G DIF G DIF aA Dre OG DIF* G Liv - in’ eas- oy liv- in’ free, No _ stop signs, speed lim- it; DIFF OG DIF* A DIF® G Season tick- et on a one way ride. _ Ask- in’ noth~ in’, No-bod- y's gon-na slow me down. ~ Like a wheel, G DIFe G DIF* G DIF® A leave me be. Tak- in’ ev-'ry- thin’ in my stride. _ gon- na spin it No- bod~ y's gon- na mess me a- round. DIFF G DiF# G DIFR G DIFE A Don't need rea~ son, don't, need rhyme. Ain't noth in’ fd _ Hey, Sa> tan, pay'n’ omy — dues, play in’ in a DFR G rath- er do. Go- in’ down, par- ty time. _ rock in’ band. Hey, mom- ma, look at me. ~ DFE GIFE ES — My friends are go- na be there too. I'm on the I'monmy — way to the prom- ised land. ————~ A DIA G DFR A DIA G DIre high- way to hell, _ on the high- way to hell, _ I'm on thy A DIA G DF A DIA. | high- way to hell, _ I'm on the high- way to hell DsusiA DIA DIA I'm on the Codal DS: Xal Code = © Free time high- way to... high- way to hell And I'm goin’ down all _ the way id the high way to hell" LIVE AND LET DIE Words and Musichy Paul McCartney and Linda McCartney C3 GS) GSV GSES FS BPS. c D ‘DXb9) When you were young was an o> pen book, ah G Bm i D D9) you used to say live and let you know you But if this ov-er-chang- in’ world in which we live in _ makes you give in . say, live and let 40 ches) GS D D (b9) But if this ev - er-chang~ in! world |___ in which we live in__—_makes you give in and ery, say live “and — 43 NOTHING ELSE MATTERS ‘Words and Music by James Hetfield and Lars Ulrich BS Dsus4 Dsus? from the fearl, G BT And noth ing else _ mat~ ters Nev= e-o* pened my - Dsus Cadd2 Em Dd Cadd2 Ss S self this. way. _ Life is ours, we live TM our way. 58 G — 44 Em D Dsus4Cadd2 G B All _ these words I don't just say. _ ‘And nothing else _ mat ~ ters. D Dsus4 — Cadd2 Em Trust 1 seek and | find in you. _ Evs try day for us D Cadd2 Em D — Dsus4 Cadd2, some thing new, _ _ ‘O- pen mind _ for a dif- frent view. _ G B7 Em D &é —=— = : es (ee ——s ——— And noth ing else mat> ters. _ ws Nev- er cared for what _ they Cc D C A D do Nev er cared for what they know. oh, but I Em Em D know, So close, no matt ter how Could- n't be much more _ from the heart For ev er trust ing D G BT Em co; whowe are, And noth ing else _ — mat~ ters, D c A D Never cared for what they do. A 2 es Nev er cared for what they D Em know, 2 2 LL oh, but I know. Em D Em I nev- er o- pened my self this way. Life is ours, we live All _ these words 1 don't just say, Em And _ noth ~ ing else mat ters. _ Trust 1 seek and I D — Dsus4 Cad. Em D Cadd2 D Dsus¢ Cadd2 GG B7 Em in _ you _ Ev- ry day _ for _ as some» thing new. O-pen mind _ for a dif rent view. _ And _ noth ~ ing else mat -ters. _ Dd A D c a ‘Nev -er cared for what they oe Never cared for games they DDsu; D ply. Neyer cared for what they do, Nev “er eared for what they c= A D Em EES oo. kifow. _ - - Yeah, yeah. Em D Dsus4 Cad@2 Em — — So close, mo mat- ter how _ how far. Could nt’ be much more D Cadd2 Em D — Dsust — Cadd2 from the heat, For-ev- er trust- ing who we a G BT Em Em = No noth ing else mat- ters. —_— Repeat and fede “2 46 NOVEMBER RAIN Words and Music by Axl Rose GS Dm ee Slovly J = ‘clean tone Dm9 c Fmaj7 Dm9 - = PF tetring AmIE, Dm9 1% sing: Dm9 Cc Fmaj7 When I took in- 10 _ your eyes, _ T can see a love __ re strained, Dm © Cust C Pmaj7 But, da in’ when = 1 hol = You. don't you know I feel the same? 47 Noth in’ lasts _ for: ev = er, and we both know hearts can change. Dm G And it’s hard to hotd. aca dle fin the cold No- —vem= ber rain c Fmaj7 = We've been trough this sucha Jong Cc) Csusd, C = Yong time just try in’ to kill the pain, Oh yeh But Fmaj7 Dm lov- ers alr ways come and Jov- ers alt ways go an mo one’s real ly sure who's lettin! it go- —to- day, cy) Csust c as walking ay way, we could take the time to _ lay it on the Tine, 1 could rest my head just know~ in’ that you were mine, Dm c Cush) € all mine. So if you want _ to love _ = me then, dar lin’, don't refrain _ Dm G e just end __ up walk- jin the cold No ~ vem: ber rain, __ Do you need — _ some time fon your own? _ Do you need G F — some time all atone? — ev'ry-bod- y needs some time fon their own, G F G ES 5. Ooh, —__ don't you know you need some time alle Tone? 1 know its fare to keep _ an oe pen hart when © ven friends seem out 7 fo harm — you, ES FS ce ES FS . = But if you could heal _ a bro= ken heart, would: alt time _ be out — to charm GS 2 GesOLO need some time G = = Ooh, _ = ind shad= ows. still _ on my own, — don't you know you Dm know that you re main, _ san love ‘Some- F bods y needs need some time: e times _ 1 Some: times _ need some time some time on their own, all a Tone? yoo Csust And when your fears The when there's mo one. left ‘sub side maj? to blame. nev: er mind _ the ddark~ ness. We still can find a way. __ Noth: in’ lasts _ for-ev- G cS) GIB AS |GS FS GS 919 Q * er, © ven cold Nor vem- ber rain, c Gi 5 Gy FS GS cs $16) Gir. SOLO Elecwidist Se Se Abs BPS cs ‘You're not the on = ly one, __ GS You're not the on > ly one, _ Dont ya think that you need some- bod y? 51 FS BS Ans BPS Dont ya think that you need some- one? Ev> ‘ry bod- y needs _ some bod- y. You're not the on- ly one _ You're not the on ly one, GS FS BS Don't ya think that you need some- bod: y? Don't ya think that you need some- one? Abs BPS 5 Ey- ty bod> y needs ' some body. You're mot the on ~ ly one _ GS Don't ya think FS BPS abs BS that you meed some bod- y? Don't ya think that you need some- one. Don't ya think that you need some- bod- y? cs Youre mot the on ~ ly one, You're not the on> = ly one _ G5 FS BS Don't ya think that you néed some- bod- y? Dont ya think that you need some- one? On geo cs esterases Ev-ry-bod: y needs _ some-bod y. 62 ONE Words and Music by U2 Dino3) Fmaj? GC Is it geting bet= Did 1 dis- ap poim you Have you come hee for for give Fmaj7_ G feel the same? in your mouth raise ‘the dead? —, Am ‘Dino3rd) Will it make it eae You act like you ne ver Have you come here to got _ some one to me to go. with lep- es in your one love, too late ask too much? i in the night. past in = to the fight. roth ~ it all 1 got. TOCoda § [)Am G One love, 23) Were one, Te leves_ you, baby, Fmaj? c not the same. Weget _ to car-ry _ each oth ~ each other, one. _ car-ty am D F © ps. atCoda Fmaj7 e not the Same Well, we hurt each other, then we do it a- gain, _ You _ say Am c — love is atem-ple. Love _ a high er Taw. _ Love = _ is a tem= ple. Love Am the high ~er Faw. _ ‘Then you make _ me crawl, Fmaj7 1 cant _ behold- ing on what _ you got when all — you got is hurt, c Am Fmaj7 One Tove, _ fone blood, _ one life, _ you got to do what you should, _ One tife _ with each oth F maj? c sis~ ters, = broth -ers, One life _ but were Am Fmaj7 Cc not the same, _ We get _ to car-ry Leach-oth=_ er, car-ry—_eachoth-er. One Am Fmaj7 c 55 SAMBA PA TI Music by Carlos Santana, o e ae Am? Am7 G Bm Em Dd Am7 Bm Em Am7_, G Bm Em Am7 D Am7 D 56 87 58 59 SMELLS LIKE TEEN SPIRIT By KURT COBAIN, (CHRIS NOVOSELIC and DAVID GROHL, Fm abos DP rs Bbs abs pbs hs gE a F 8 e b. Fm BY Asus DP Bai a abuso FS BPS Abs pes FS BPS _ Your friends. do best 1 test Its fun _ to lose and for _ this gift ‘Oh yeah, T guess bring _ 1 just why abs DS BE abs She's 0 - ver ~ bored, Our lit = te _ group 1 found _ it — hard, V And all know | are dir- = ty words — and al ways will un- tl the end. Ob well, what ev | > erynev- > er mind, abs pbs FS BPs, Abs Ds hel- lo, _ how _ low? FS BPs ADS Ds Fm Be S > hel- to, | _ hel= lo _ how _ tow? | _ Io, _ hel Io, Absus DPS. Fm Absus DPS Pla * oS hello, _ With the fights | it’s less dang ~| _ Fm absus DPS Fm * pa? “8h pe bE 1 feel stu- | - pid and con ta Absus pes Fm B oi ys 2 en- ter- tain Absus = DPS Fm B Absus DPS 3.23 dt absus DPS PS ESFS GPS * eT my ti bi | = do. BS BS AMS FS ESS GPS PS BPS AS Absus b Fm B & SMOKE ON THE WATER ‘Words and Music DEEP PURPLE abs cs es c5 Gs We | all came out va shore | _ line to make rec- ords with the . But Frank Zap- pa and the |Moth: ers were | at the best place But some stu- pid with a | flare gun a far re in the sky. _ es abs (WRIA cs (aa-varse way i = They burned down the gam bling house, _ it died wih an aw- full sound ~~ FS A Fun- ky Claude was run- ning in and out, _ pul ing kids out the ground, _ _ When it all was o- - we FS Gs had to find an- other place. _ _ But Swiss time was run-ning out; _ it Fs & 8 [horus wiRitt 8) seemed that we would lose the race. — ‘Smoke on. the as Gs 5 water, @ fire _ in the sky. ‘Smoke on the abs os (neck pickup) cs sos Gs eereeee GE We end- ed up at the Grand Gs cold and bare _ “Buy with the FS cs bah, mak: ing eur mu- sic few old beds, _ huh, __No mat ter what we | get ss ney er for get . oa as In the sky. Ho- tel, Roll- ing truck Stones there, With a we madea place to out of this, os. thing it was emp- Just out side, few red lights, — sweat yy, 66 TEARS IN HEAVEN Words and Music by ERIC CLAPTON: and WILL JENNINGS: A, GG rHm ME pee BET Efous FRmiE Em Chie Ene HER F & F BER e A FIG? Pm AIE pis Eyus E7 A EIG# Fem Would you know my name FemvE Dire AIE E if 1 saw you in heav- en? A FiGt Fm FemiE DIF# AIE Would it be * the same _ if 1 saw you in heav = E Fem c#iEe en? 1 must be. strong = s ==, 6" 2 we SS and car~ ry on ny ‘cause 1 know __ 1 don't be -long _ E7sus ToCoda OA Elc# Fm AIE _ here in heav- en, 68 [. DIFF E7sus EF A [2 DIF®E7sus £7 Am DIFe G DIF* —Em_ DIF# G time can bend you bes gin! pease 69 G DIRE E A BIG? Fem beg: gin’ please. FEmIE Dire AIE E A EIG* F#m FRm/E DIFR AE E Pm Bret Em6 Ber yond the door __ there's peace; I'm sure, 70 Fe Bm ETsus there'll be A BIG Fm AIB DIF* Bsus? B7 4 DS.alCoda CODA —EIG# “Al DIF* = E7sus ET A 7 THUNDERSTRUCK ‘Agnus Young / Maleolm Young Rhythm figure 1 Se ~ [end Rhythm figure|i) [with R. fig. 7 {with R. fig. 2 (39 times) 72 ‘Thun ~ der. ‘Thun der. Twas caught . jin the mid- dle of a rail ~ road track, (Thun - der!) 1 looked’ round, _ and T” knew = there was no turn = i back. (Thun ~ der!) My mind raced and T” thought - what vould 1 do, (Thun der!) and 1 knew 73 pat. You've been. thun= der- struck! limi we hit the town, __ Went trough to Tex sas yeah Tex - as _ we had some fun, We met some girls, some dancers who gave a good time, = __ Broke all the rules, played all the fools, yeah, _ yeah, they, they, they blew our minds. __ AS ES AS BS AS ES come a~ gain please? _ Ab, 74 Ow! Ooh, hail dar- struck, Tin der « BS AS ES AS ES BS AS E5 struck. _ Yeah, yeah, yeah, n= der struck, AS ES BS AS ES AS ES Thin= der struck. Yeah, yeah, yeah, said BS ES BS Yeah, al- righ, Were do- in’ fine fine, fine, thun= dr struck, ‘Yeah, yeah, aeyhy thin der ~ BS AS ES AS ES BS AS ES (tome struck. _ Thun -der~ struck, thier - struck, Whoa, ES BS AS ES AS ES bas by ba> by, thin der struck. _ You' been thun- der ~ BS AS AS ES BS AS ES ’ winds ‘Thi der struck, ‘Thun- der~ struck _ tise - struck, You've been thun- der- struck. 75 TO BE WITH YOU By Bric Martin and David Grahame Hold on, fit- tle girl, Show me what _ he’s done | Build up — your con: fi-den-ce | you can be on top Stand up, _ fit tle — gin ‘A | bro- ken heart can't be | that bad. Wake up. Who cares a- bout itr tle boys — that talk — too much? Afadd9) E Atadd9) E. Fale will twist the both game of love was all of you _ rained. out ee comeon, ba- by, comeon o - ver. | Letmebe_ the one_ to show you.| I'm theoneyhowants to T with you. Deep in- side I hope you'll 76 Wait- ted on a tine just to be the next to LB E fp B E Aladd9) be _ with you _ Why be a lone You can make _ my life _ worth while _ I can make _ you start to A(add9) E A E tS trou -gh, _ its trou gh. And | fate will twist _ the both | of you. Let me be _ the one, to show you. G € BD G c | | : fone who wants to in side 1 hope you'll — feel _ it, too, jaity ed on a line _ of greens G c D. G E A a jist to be the next to | be with you. _ Tm the ome who wants to in-side 1 hope youll E A B chm E A Waited on a line _ of | greens and blues — with you, just to bethenext to _ | be with you. 78 UNCHANIED MELODY Words by HY ZARET Music by ALEX NORTH 7 DT Gai? Am7 B&R “hm ie Pp = gic aug time can do so G D6 Em7 Gmaj7 need your love, Lone- ly riv- es | flow Lone- ly moun- tains | gaze = "Wait for | me, at stars, c D ae, & é* tt Dream ~ ing ae G Em Cmaj7 D7

You might also like