HORNINF Book? John O'Reilly PHIEVEMENT =. A comprehensive band method that develops creativity and musicianship Dear Band Student Congratulations on completing the first book of ACCENT on ACHIEVEMENT. You have already learned a great deal and are well on your way to becoming an accomplished musician. Book 2 will take you even further on this journey. You will play more great music by composers you've already studied, plus 14 new composers. In addition, you'll play rock, jazz, Latin and ragtime pieces, along with fantastic folk songs from around the world. Pra fascinating world of music. i OR LL at Withee diligently, and you are sure to do great things in the John O'Reilly Mark Williams ‘parent pcs eae and pi) a coureny of Vomahe Caran Ano, arg © MCMC ted Paling Co. ne Alaghte resened, PrintedAccent on review | Coe Moe | Hate Note Hate Rest Bb ja - ° | j ie o 12 1 Quarter Nore Quarter Rest | 1 thin @ TT.) TA) (TO) | J t Li Time Sicnatures Key SIGNATURE 12 Tempo Markincs Moderato Allegro Oats, Peas, BEANS Allegro Traditional Go Tet. Aunt RHopy (Duet) Moderato i Americen Folk Song 2 > Some Forks Do Stephen Foster Allegro (0828-1864) i > 2 3% - = suumaensone ARQ SID A Moderato Belgian Folk Song soto BAND solo BANDAlccent ow review Accent Rivarpanpo FERMAaTA > rit. > Stur Divis! Ist AND 2np Enpincs div, fh Fae Dorteo EicuTH Notes Hatr Note 4. roe Pick-up Note ol pM oe te Re 0 te 02 Bb tin: (12) YQ) (F2) (0) (12)T12) (HY Key Sicnatures f Tempo Markinc Andante P Ecuo Duet English Folk Son Andante : : a 5 > Yankee Doopie ‘American Folk Song Allegro = = \3 f THe Man on THE Fiyinc Trapeze Moderato Traditional : : f Pe \? f Merrity We Rout Atonc Traditional Moderato i oF ? ~ =ficcenr ON REVIEW | Dywanic Marxinos mp BARCAROLLE from Moderato “TaLes OF HOFFMAN” (Duet) Sinate EicHt# Nore Eicuta Rest d 1 | | Dorrep Quarter Muuripte Measure Note Rest i 2 | Tempo Markinc : | ae SYNCOPATION t | Ds Sraccaro | Jacques Offenbach (1819-1880) el i Th Deck THE Hats Vivace Buy Boy Allegro "More Syncopation a iq dd > Alccent on review CRrEscenDo © DimINUENDO Tempo MarkinG Se Largo | D.C. (Da Caro) at Fine D.S. (Dat Secno) aL FINE Aut THRouGH THE NicHT Welsh Folk Song DC. al Fine o Largo Fine 2 oe nos mp mf rit Oup Dan Tucker (Duet) peepee aire Allegro % Fine DS. al Fine lene | BS.al Fine Erie CANAL Amoican Folk Song Moderato ee 4 mp f mp America, THE BEAUTIFUL Samuel Ward Andante (1848-1903)Alccenr ON PERFORMANCE Marco Onward Allegro. Tempo MaRKinc Time Sicnarure @ Allegretto. Cut Time-same as Moderately fast tempo }} 2 = 2 beats in each measure 2 = half note receives 1 beat Hace Note Gets THE Beat Moderato 16 o Care eee are Sino Noet (round Allegretto ® Liberian Folk Song SCARBOROUGH Fair Andante English Folk Song Hic Scoot Capets John Philip Souss Allegro (1884-1932) 19 e fre o ‘Alccewr on FRewcH HORN 20 mf ee For more individual technique practice, see page 42, #1.Har Ster/Wuote Step On a piano keyboard, the 12 top distance between any two i a | ia adjacent keys is called a half step. Two half steps equal one whole step. whole step whole step 12 step DIFFERENT STEPS i its Yt Mie Moderato A x 21 — ae SP Up on THE Housetop Vivace Traditional Carol 22 5 mf =f Zum Gaui Gaui (Duet) Allegretto Israeli Folk Song e oe = Alccenr ON THEORY: Identifying Half Steps and Whole Steps Label all half steps with A. Label all whole steps with —Tenuto Hold the note for its full value. Tempo Markinc Maestoso o A TEMPO Return to the previous tempo ° “3 In a majestic style. STRETCHING HIGHER Andante Apvance, AUSTRALIA FAIR Maestoso 6 26 E : = = Down Home Buues (Duet) Allegro 27 o Se see in Accent ON CREATIVITY: Free Rhythmic Improvisation 28 Improvise about eight measures of thythms using any combination of hand claps. finger snaps and foot stomps. Try to maintain a steady tempo while varying the rhythms and sounds,7 —— ne A Suxreentn Notes : | Receive 1/4 be 2 i e Receive 174 beat in § nmi = | Sand § time. i 23) = oJ Four To THE Beat Moderato fe 29 = nf s Connie &o2 & 3k THE THUNDERER John Philip Sousa Allegro (1884-1932) 30 af © Harvest Sonc Allegretto Estonian Folk Song Simpte Girts Moderato American Folk Song Accent ON FRENCH HORN 3 GE SS ——— SS — mp Se ee For more individual technique practice, see page 42, #2Alccewt on PERFORMANCE Ho.ipay Fantasy Ananged by John O'Reilly and Mark Williams Allegro = SS == ote ee st tee eee es See seef | Arter-seats fadyd ; A sera ‘TRANSPOSING || Rewriting @ melody beginning on a different starting pitch, maintaining the same pattem of half steps and whole steps. Key Sionature AIL F's should be played as Fé throughout. Minor Episope Moderato i 34 © mp America/Gop Save THE QUEEN Andante Traditional 35 Z uf : =f as, THe Op Brass Wacon (buet) Allegro Felix Mendelssohn (1809-1847) Allegretto a eee 37 “9 op Count 1 eka 2 & Alccent on tHeory Transpose the first 6 measures of #35 (America/God Save the Queen) into these two keys, then playDynamic Markine An EicuTy Noe ano Two ce SUXTEENTHS Play f° the first time, E THAI | ene p te socond tine. 10k a Dele a Hich Note HapPeninc Moderato 39 ‘a mf SIXTEENTH AVENUE Allegretto 2 40 mp nf EL FLORON (Duet Allegro Se lee Mexican Folk Song oe 4 mf eS b E e mf Tue Pawpaw PatcH American Folk Song Moderato t ~ a | f P . Antonio Vial SPRING from “THE Four SEASONS” ‘ert (1878-1741) Allegretto 43 o 7 te ~ P a ne s fs Accent. ON CREATIVITY: Passing Tones and Neighbor Tones Wiite your own variation on this theme by adding passing tones (notes between pitches a third apart) and neighbor tones (above or bolow repeated pitches). pr Na.| Two SixteentHs : (Te meat 27 EicutH Note lL More SixteenTHs Moderato Tarta Hinpt Allegretto Arabic Folk Song IL EST NE Moderato French-Canadian Folk Song Pat-a-PAN Allegretto French Folk Song —— e ee, Alccenr on Frewcu Horn ividual technique practice, see page 42, #3 & 4.| Dortep ElcHTH Note Receives 3/4 beat in Bond f tie Dorrep EicHTHs Andante B bie of Richard Wagner (1813-1883) Bripat CHorus from “LOHENGRIN” Maestoso a 51 mf —~vs THEME from “UNFINISHED SYMPHONY” Franz Schubert Moderato ae 52 mp P Irauian STREET SONG Victor Herbert Allegro (1859-1824) 53 = = Alcceur ON THEORY MAJOR SCALE CONSTRUCTION: All major scales contain the same pattern of whole steps and half steps. Study this pattern in the example below. Now build your own major scale beginning on the note given, adding any sharps or flats as necessary. a ee a ee Note names must be in alphabetical order. AN AN, =. SSS SZ e oAlccent on perrormance + c £ veerspace Overture | (& i ma John OReilly and Mark Williams Allegro 5 oe CQ é ith repeats) nf i mpLooxinc SHARP Largo 2 co c © Canapa Maestoso. Canadian National Anthem f Aria trom “THE Marriace oF FicaRo a Allegretto (1755-1791) 57 = mp Alccent on CREATIVITY: Improvisation on Chord Changes Improvise your own melody using the notes contained in each triad (three-note chord) You may also use passing or neighbor tones as long as they are of short duration. F bm Gm © F bm om ¢, F