I - VI - flat-VI -V - I
Cm Fm11
GREAT THREAD ON JAZZ - 5O LESSONS:
https://www.youtube.com/watch?v=Tl5Nwvdzcbs&index=1&list=RDTl5Nwvdzcbs
-------------
https://www.youtube.com/watch?v=gHul0UyOPMk
George Benson - Softly As In A Morning Sunrise -- HQ Audio
-----------------------
Nice jazz tune to play over. The A and C sections are the same vamp: Cm7, D7b5, G7
alt. Use a C natural minor scale for both section or you can use the C melodic
minor, (jazz minor). When using the natural minor think of Form 4 in the key of Eb.
That would start on C, the 8th fret, on the E string. It'll give you a chance to
explore a different key with the forms and to use more than one form like I
explained in my video on the natural minor.
https://www.youtube.com/watch?v=ly6qsEmZ_Dk
Softly As In A Morning Sunrise- lesson - mark cote
natural minor is the relative minor
=========
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Softly, As In A Morning Sunrise- Sigmund Romberg
-------------------------------------------------------------------------------
Tabbed by: Gabe Rubs You
Original was by Sigmund Romberg for a play, but this song has been covered by many
jazz legends!
It's a standard
Tuning: Standard
e|---------------------------------------------------------------------------|
B|---------------------------------------------------------------------------|
G|---------------------------------------------------------------------------|
D|--8/10------------------10-------------------------------------------------|
A|-------10---8-10-8-10-8-----------------------10----6-6-6-6-5--------------|
E|---------------------------11--10-11-10-11-10----8------------8------------|
================================
�Softly, As In A Morning Sunrise� is a tune written by Sigmund Romberg with lyrics
by Oscar Hammerstein II.
It was written for the 1928 operetta �The New Moon�. The lyrics are bitter and talk
of yearning for a lost love. It was originally written as a tango but many
different versions of the tune have been performed since.
In the jazz realm, this is a very common jam session tune and is important to know.
This tune is most commonly played in the key of C minor.
Note: We see in this tune a lot of minor ii V7 i�s. You should be aware that jazz
musicians will use all kinds of substitutions to get back to the i chord. A very
common substitution would be the tri-tone.
Example: Ab7/G7/Cm7 instead of Dm7(b5)/G7/Cm7.
You can also add the vi(b5) chord before the ii and so on.
Note: During the bridge we find a series of diatonic chords connected by diminished
passing chords(Ebmaj7/Edim7/Fm7/Gbdim7/G7). We can also substitute minor ii V7�s to
get into the chord they are resolving to, replacing the diminished chords.
Example: Ebmaj7/ /Gm7(b5) C7/ Fm7 / Am7(b5) D7/ G7
==============
https://www.youtube.com/watch?v=Tl5Nwvdzcbs - comping lesson
==============
E|------------3----|-----4---------------3--------|-7---8----7---8----10--11--|-
15--16---14--15--------|
B|-----------------|-6-------3---4---6------------|-7---8----7---8------------|-
12--13---11--12---8----|
G|-----------------|-------------------------4----|-7---8----7---8----11--
12--|-------------------8----|
D|-----------------|------------------------------|---------------------------|----
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A|-----------------|------------------------------|---------------------------|----
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E|-----------------|------------------------------|---------------------------|----
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===============
===============
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