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Script

Yolanda feels unattractive and unhappy with her appearance after comparing herself to models on social media. She decides to get cosmetic surgery done, including lip fillers and a nose job, to feel more confident about her looks. The video shows Yolanda's journey from initially feeling self-conscious to being happy with her results after her procedure.

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0% found this document useful (0 votes)
99 views7 pages

Script

Yolanda feels unattractive and unhappy with her appearance after comparing herself to models on social media. She decides to get cosmetic surgery done, including lip fillers and a nose job, to feel more confident about her looks. The video shows Yolanda's journey from initially feeling self-conscious to being happy with her results after her procedure.

Uploaded by

api-439692262
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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Cosmetic Surgery

Written by Raul Tolentino


Yolanda Miramontes

RWS 1301
Professor Vierra
The University of Texas at El Paso
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SHOT VIDEO/IMAGES AUDIO/NARRATION


1 THERE WILL BE A GIRL WALKING AND WHAT IS THE AUDIENCE HEARING?
0:06 SHE IS SAD (THE GIRL WILL BE YOLI.
SHE IS SAD BECAUSE SHE IS Yolanda: “why am I so ugly?!” “I wish there
UNATTRACTIVE AND UNAPPEALING. was a way to change the way I look.”

2 THE GIRL BEGINS TO LOOK THROUGH Yolanda: “Wow! She has a perfect physique,
0:12 SOCIAL MEDIA AND SEES ATTRACTIVE I bet she’s happy with herself.”
MODELS, WHICH BEGINS TO LOWER
HER SELF-ESTEEM.

3 THE GIRL BEGINS TO LOOK AT Yolanda: “I am so ugly, I feel like no one will
0:18 HERSELF IN THE BATHROOM MIRROR. ever love me.”
SHE STILL IS VERY UPSET BECAUSE
SHE IS UNATTRACTIVE AND DOESN’T
FEEL SATISFIED WITH HERSELF.

4 THE GIRL THEN BEGINS TO CRY AND Yolanda: “I can’t be feeling this way every
0:24 STATES SHE WANTS TO MAKE A time I look at myself, I must make a change!”
CHANGE.

5 THE GIRL THEN GETS IN HER CAR AND Yolanda: “Hello Dr. Tolentino, I am calling to
0:30 CALLS A PLASTIC SURGEON TO SEE IF see if you take walk-ins, so I can speak to
HE IS AVAILABLE. you? Yes? Ok I am on my way!”

6 THE GIRL ARRIVES TO THE CLINIC AND Yolanda: *sigh* “Here goes nothing”
0:36 WALKS IN ORDER TO TALK WITH THE
DOCTOR.

7 THE GIRL FINALLY MEETS THE Yolanda: “Hello, I am Yoli”


0:42 SURGEON AND THEY BEGIN TO TALK
ABOUT THE PROCEDURE. Raul: “Hi I’m Dr. Tolentino let’s get started,
have a seat.”

8 THE SURGEON BEGINS TO EXAMINE Raul: “What would you like to change about
0:48 THE GIRLS FACE AND ASKS HER WHAT yourself?”
SHE WANTS TO CHANGE.
Yolanda: “I want to get lip fillers and a nose
job.”

9 THE SURGEON MAKES THE MARKS ON Raul: “I am marking where the changes on
0:54 THE GIRLS FACE AND BEGINS THE your face will be made.”
PROCEDURE.
-3-

SHOT VIDEO/IMAGES AUDIO/NARRATION


10 THE PROCEDURE SCENE CONTINUES, Raul: Is everything okay?
1:00 AND THE SURGEON ASKS THE GIRL IF
EVERYTHING IS OKAY. Yolanda: Yes

11 THE NEXT SLIDE STATES THE TIME “Three months later”


1:06 PASSED SINCE THE SURGERY.

12 THE PATIENT IS NOW HAPPY AS SHE


1:12 BEGINS TO SEE THE RESULTS MADE.

13 THE GIRL NOW FEELS COMFORTABLE


1:18 WITH HER APPEARANCE

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Film Nomenclature
Here are some scriptwriting terms you can use. You need to use at least one term in every
scene.

ANGLE: Directs the camera to focus on a person or thing.


AD LIB: Instructs actors to make up and fill in dialogue in the scene.
CUT TO: To go from one scene, or element in a scene, to another very quickly.
DISSOLVE: A film editing technique where one scene "melts" or fades into another scene.
ESTABLISHING SHOT: Use to be used to give an overall perspective of a scene.
EXT. Short for exterior, or outside.
FADE IN: This is the start of the screenplay.
FADE OUT: This is the end.
Fg: Stands for Foreground. Used to place an object or person in front of the scene.
FREEZE FRAME: The image freezes on the screen and becomes a still shot.
INT.: Short for interior, or indoors.
INTERCUT: To go back and forth between to locations, scenes, or elements in a scene.
INSERT: An item that is inserted into the camera view. Usually a note, or picture is inserted so
the audience can either read what is on the note, or see the picture.
Master scene heading: Begins each new scene. It consists of three parts: The LOCATION,
PLACE, and TIME of the scene. For example:
* EXT. PLAYGROUND - NIGHT or
* INT. BEDROOM - DAY
MONTAGE or SERIES OF SHOTS: A number of different scenes shown one after the other.
Used to show a number of events passing in a short period of time.
OS or OC: OFF SCREEN or OFF CAMERA. A character talks, or something happens out of
view of the camera.
OVER THE SHOULDER: A camera shot over the shoulder of a character.
PAN: A camera shot that pivots up and down, or side to side.
PLOT POINT: A turning point, or transition in the screenplay that propels the screenplay forward.
POV: POINT OF VIEW. The perspective view of one character as they look at another character
or thing in the scene.
REVERSE SHOT: When two characters are talking to each other and the camera shifts for one
character to the other.
SLOW MOTION: Self-explanatory.
SPLIT SCREEN: The location of the scene is divided in to two, or more sections.
SUBLIM: A shot lasting less than a second. (The brief flashbacks scenes usually done when a
character is dying and their live flash before their eyes)
-7-

SUPER: A SUPERIMPOSITION. One image merged into another image.


VO: VOICE OVER. Usually used by a narrator of a scene. The character doing the VO is usually
not in the same location as the scene.
ZOOM: A camera focus upon something in the scene.

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