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Cabaret Script

Cabaret takes place from 1929-1930, a time when Berlin, in the midst of a Post-World War I economic depression, is transitioning from an underground, avant-garde cultural epicenter to the beginnings of Hitler's totalitarian regime and the rise of the Nazi Party. Into this world enters Clifford Bradshaw (Liam Jeon '17), a struggling American writer looking for inspiration for his next novel. On his first night in Berlin, Cliff wanders into the Kit Kat Klub, a seedy nightclub overseen by the strange, omniscient and gender-bending Master of Ceremonies, "the Emcee" (Abigail Lupi '18). Here, Cliff meets Sally Bowles (Lucy Binswanger '17), a vivacious, talented cabaret performer, and an utterly lost soul. As Cliff and Sally fall further into an unconventional romantic relationship, the world around them begins to change, and all are confronted with the looming horror that the Nazi Party will bring to their city.

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Queen Valdo Navarro
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41K views97 pages

Cabaret Script

Cabaret takes place from 1929-1930, a time when Berlin, in the midst of a Post-World War I economic depression, is transitioning from an underground, avant-garde cultural epicenter to the beginnings of Hitler's totalitarian regime and the rise of the Nazi Party. Into this world enters Clifford Bradshaw (Liam Jeon '17), a struggling American writer looking for inspiration for his next novel. On his first night in Berlin, Cliff wanders into the Kit Kat Klub, a seedy nightclub overseen by the strange, omniscient and gender-bending Master of Ceremonies, "the Emcee" (Abigail Lupi '18). Here, Cliff meets Sally Bowles (Lucy Binswanger '17), a vivacious, talented cabaret performer, and an utterly lost soul. As Cliff and Sally fall further into an unconventional romantic relationship, the world around them begins to change, and all are confronted with the looming horror that the Nazi Party will bring to their city.

Uploaded by

Queen Valdo Navarro
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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CABARET (1998 Version) BOOK © 1967 by Joe Masteroff & Fred Ebb MUSIC AND LYRICS “Maybe This Time” Copyright © 1962, 1972 by Alley Music Corp. and Trio Music Co., Inc. Copyright Renewed International Copyright Secured All Rights Reserved Used by Permission “Mein Herr” Copyright © 1972 by Alley Music Corp. and Trio Music Co., Ine. International Copyright Secured All Rights Reserved Used by Permission “Money, Money” Copyright © 1962, 1972 by Alley Music Corp. and Trio Music Co.. Inc. Copyright Renewed International Copyright Secured All Rights Reserved Used by Permission “1Don"t Care Much” Copyright © 1963, 1966 by Alley Music Corp. and Trio Music Co.,Inc. Copyright Renewed International Copyright Secured All Rights Reserved Used by Permission All Other Songs: Copyright © 1966, 1967, 1968 by Alley Music Corp. and Trio Music Co., Inc. Copyrights Renewed Intemational Copyright Secured All Rights Reserved Used by Permission MUSICAL NUMBERS ACT ONE ‘ No.1 “Willkommen” 2.2.2.0... eee e eee eee eee M.C. & Girls No.2 Playoff: Willkommen - Orchestra No. 3 Train Music aun o* * =f Orchestra No.4 “Welcome to Berlin”... . . 3 +. MAC. NO. 450. What ni2:99 46-0 +n resus seen a reeeet cesses Schneider No.6 Klub Transition » Orchestra No.7 “Don’t Tell Mama” ................. - Sally & Girls No.8 Playoff: Don't Tell Mama .......... _ Orchestra No.9 Underscore: Don't Tell Mama ........ «+. Orchestra No. 10 “Mein Herr” ... . Sally & Girls No. 11 Playoff: Mein Herr Orchestra No. 12 “Perfectly Marvelous” . sledmtaacntels . Sally & Cliff No. 13 “Two Ladies”............ . M.C. & Two Girls No. 14 Playoff: Two Ladies 72.0.2... 00.0.0 eee Orchestra No. 15 “It Couldn’t Please Me More’ «Schneider, Schultz & M.C No. 16 Into Tomorrow ais Orchestra No. 16a “Tomorrow Belongs to Me” .......... .Boy’s voice [pre-recorded] No. 17 Scene Change: After Tomorrow ..... eh gear =» Orchestra No. 18 “Maybe This Time” Yue... Sally No. 19 “Money” .... Es MC. & Girls No. 20 Playoff & Underscore: Money .. 02... “. Ofchestra No. 21 “Married” epee naae “Schultz, Kost '& Schneider No. 22 Fruit Shop Dance . eee Orchestra No. 23. Reprise: Tomorrow Belongs to Me ........ +. Kost, Ernst & Guests ACT TWO No. 24 Entr’acte .... eg eerer ne ere seees++ Orchestra No. 25 Kick Line Number .............-- _ Girls No. 26 Reprise: Married ...........+ aeasnayny ee nes SOMMIES No. 27 “If You Could See Her”. Eres arate a0 eMC. No. 28 Playoff: If You Could See Her 5 ‘Eee Orchestra No. 29 “What Would You Do?” pie asrelnas Schneider No. 30 “Don't Care Much”... te Hak wee MC. No. 31 Incidental: The Fight ..... 0.2.02... ce eee ees seuss Orchestra No. 32 “Cabaret” .... 5 eee vee Sally No. 33. Underscore: After Cabaret ...... id ce - Orchestra No. 34 Finale [recorded] ............ Cliff & M.C. No. 35 End of Show cbs Ae plata elec oder eee eT: Act I- Scene 1; Act I- Scene 2: Act I - Scene 3: Act I- Scene 4: Act I - Scene 5: Act I- Scene 6: Act I - Scene 7: Act I - Scene 8: Act I - Scene 9: Act I - Scene 10: Act I - Scene 11: Act I - Scene 12; ped pe. 4 pg. 8 pg. 15 pg. 18 pg. 27 pe. 37 pg. 42 pg. 48 pg. 49 pg. 60 pe. 65 Scene Breakdown/Musical #s as of 4/14/98 Kit Kat Klub A Railroad Carriage A Room at Schneider's Apt. ‘The Kit Kat Klub The Kit Kat Klub Dressing Room The Kit Kat Klub Cliff's Room The Kit Kat Klub Living Room at Schneider's Apt. ‘The Kit Kat Klub In a Void Cliff's Room ‘The Kit Kat Klub Living Room at Schneider's Apt. Fruit Shop Willkommen ‘So What? Don’t Tell Mama Mein Herr Perfectly Marvelous Two Ladies It Couldn’t Please Me More (The Pineapple Song) Tomorrow Belongs to Me Recording) Maybe This Time The Money Song Married Tomorrow Belongs to Me

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