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William Byrd Suite Errata Sheet

The summary identifies numerous errors in the score and parts of William Byrd Suite across its six movements. Errors include incorrect notes, missing accidentals, articulation and phrasing markings, meter signatures and more. Corrections are provided for each identified error.

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202 views2 pages

William Byrd Suite Errata Sheet

The summary identifies numerous errors in the score and parts of William Byrd Suite across its six movements. Errors include incorrect notes, missing accidentals, articulation and phrasing markings, meter signatures and more. Corrections are provided for each identified error.

Uploaded by

agumbrecht9604
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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William Byrd Suite Errata

The following errors are in the SCORE:

Movement One

■ m.26, Euphonium, the 6th 16th-note should be a B-natural (add accidental).


■ m.59, Alto Clarinet, last 16th-note should be a G (not a B).
■ m.59, Alto Saxophone, last 16th-note should be a G (not a B).
■ m.98, Euphonium, add accent to the first note and a slur to the first two 8th notes (to match up with what trombones
are doing).
■ m.103-104, Snare Drum, add slurs to show the continuing roll.
■ m.105 Tuba, change all three notes to C.
■ m.114-115, Piccolo, Flutes, and Eb Clarinet, the flourish should come before the beat.
Movement Two

■ m.12, Cornet II, correct to read as it is in the score.


■ m.21, Eb Alto Clarinet and Alto Saxophone, change trill on D-sharp to one on F-sharp.
■ m.23, Cornet I, add 16th flag (part is correct).
Movement Three

■ m.6, Eb Soprano Clarinet, the last note should be an E-natural (the part is correct).
■ m.8, Baritone, articulations should be the same as the basses, bassoons, and clarinets.
■ m.36, All parts from 2nd clarinet down, key signatures are missing.
■ m.39, Bb Clarinet I, Cornet II, the fifth 8th note should be an E-flat, the rest of the notes after that are natural.
■ m.48, Bass Drum and Cymbals, add ties to the upbeat of beat two and the downbeat of beat four.
Movement Four

■ m.65, Bb Cornet II, add an accent.


■ m.81, Eb Soprano Clarinet, add an accent on the first note.
■ m.82, Solo Bb Clarinet, dot missing from first 8th note.
Movement Five

■ m.8, Snare Drum, the first three notes should be 8th notes (part is correct).
■ m.20, Bb Cornet II, slur missing.
Movement Six

■ m.50-56, Timpani, add slurs to rolls.


■ m.56, Timpani, remove extra 8th rest (part is correct).
■ m.57, Trumpets, add 9/8 meter signature.
The following errors are in the PARTS:

Movement One

■ Piccolo, m.114-115, the flourish should come before the beat.


■ Flutes, m.114-115, the flourish should come before the beat.
■ Oboe, m.69, the two 8th notes should be a dotted 8th note and a 16th (score is correct).
■ Eb Soprano Clarinet, m.64, 2nd 16th-note should be a B / m.114-115, the flourish should come before the beat.
■ Bb Soprano Clarinet, m.91-92, add a slur that covers both bars (score is correct).
■ Eb Alto Clarinet, m.55-56, slur is missing (score is correct) / m.21, change trill on D-sharp to one on F-sharp.
■ Alto Saxophone, m.55-56, slur is missing (score is correct) / m.21, change trill on D-sharp to one on F-sharp.
■ Cornet I, add a third flag to the 16th note figure (thus making it 32nd notes, score is correct).
■ Euphonium, m.26, the 6th 16th-note should be a B-flat / m.98, add accent to the first note and a slur to the first two
8th notes (to match up with what trombones are doing).
■ Tuba, m.57, add ​piano​ to the first beat / m.105, change all three notes to C.
■ Snare Drum, m.104, add flags to half note.
Movement Two

■ Flute, m. 6, add the 16th flag on the first pair of notes (score is correct).
■ Eb Alto Clarinet, m.21, change trill on D-sharp to one on F-sharp.
■ Alto Saxophone, m.21, change trill on D-sharp to one on F-sharp.
Movement Three

■ Eb Soprano Clarinet, m.81, add an accent on the first note.


■ Bb Clarinet I, m.39, the fifth 8th note should be an E-flat, the rest of the notes after that are natural.
■ Bb Clarinet II, m.59, change the first note to C (score is correct).
■ Eb Alto Clarinet, m.9-10, slur is missing (score is correct).
■ Alto Saxophones, m.9-10, slur is missing (score is correct).
■ Cornet II, m.39, the fifth 8th note should be an E-flat, the rest of the notes after that are natural.
■ Baritone, m.8, articulations should be the same as the basses, bassoons, and clarinets.
■ Bass Drum and Cymbals, m.48, add ties to the upbeat of beat two and the downbeat of beat four.
Movement Four

■ Flutes & Piccolo, m.43, the second beat should be two 8th notes (score is correct).
■ Solo Bb Clarinet, m.82, dot missing from the first 8th note.
■ Eb Soprano Clarinet, m.86-87, add a slur on the third beat (score is correct).
■ Bb Clarinet II, m.16, there should be two quarter-note rests.
■ Bb Cornet I, m.19, add a 16th flag following the dotted 8th note (the score is correct) / m.63, remove the 16th flag
from the last note in the measure (score is correct).
■ Bb Cornet II, m.65, add an accent / m.97-98, the fortissimo and diminuendo should be moved from m.97 to m.98.
■ Trombone III, m. 63, remove the diminuendo and insert a crescendo (score is correct).
Movement Five

■ Piccolo, m.6, add a slur (score is correct).


■ Solo Bb Clarinet, m.2, add a slur (score is correct) / m.30, last note should be a quarter note (score is correct).
■ Eb Alto Clarinet, m.1, add a ​piano​ on the fourth beat (score is correct) / m.31, the first two notes should be 8th notes
(score is correct).
■ Eb Alto Saxophone, m.1, add a ​piano​ on the fourth beat (score is correct) / m.31, the first two notes should be 8th
notes (score is correct).
■ Bb Cornet II, m.20, slur missing.
Movement Six

■ Flute, m.61, add 16th flags (score is correct).


■ Bb Cornet I, m.59, add slur to the first two beats (score is correct) / m.69, 70, 81, add 16th flags (score is correct).
■ Trumpets, m.75-79, dots are missing from all half and quarter notes (score is correct).
■ Trombone I-II, m.85, the accents and articulations in the parts should be the same as in the score.
■ Timpani, m.50-56, add slurs to rolls.

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