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Waltz No. 2: Quinteto de Sopros

This document is a musical score for a wind quintet arrangement of Shostakovich's Waltz No. 2. It contains musical notation for flute, oboe, clarinet, horn, and bassoon throughout the piece.

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Marcos Lima
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0% found this document useful (0 votes)
245 views22 pages

Waltz No. 2: Quinteto de Sopros

This document is a musical score for a wind quintet arrangement of Shostakovich's Waltz No. 2. It contains musical notation for flute, oboe, clarinet, horn, and bassoon throughout the piece.

Uploaded by

Marcos Lima
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Waltz

No. 2
quinteto de sopros Shostakovich
letrista: Juan Stefano Arr. Spencer Dean

           
 
  = 60

Flauta Transversal


Oboé                               

                             
 

Clarinete em B♭

 
        
  
  
 


Trompa em F

        
      
 

Fagote 

          

10

Fl.

                               
Ob. 

Cl. em B♭                         


 
 

 

 

  

 
         
Trom. F

         
Fgt
 
  
            
 
20

                               
Fl.

 

      
Ob.

                   

Cl. em B♭

                       
 


  
       
Trom. F

         

Fgt 


       

30

              
Fl.

                 

                          
Ob.

Cl. em B♭ 


 













                      
Trom. F

     
Fgt 

2
      
    
37

      
Fl.

                   
             


                    
Ob.

  
   

Cl. em B♭

       
 


  
  
  
 

          
      
Trom. F

        


Fgt

 

      
                 
46

Fl.


                                
    
Ob.

               
Cl. em B♭ 
                         
     
                      
Trom. F

           
Fgt 

3
                 
 
56

 
Fl.

         
          
   
     
Ob.

Cl. em B♭               


                           
  
               
     
Trom. F

  
Fgt 


    
                
66

                
Fl.

                


                         
Ob.

   
 

Cl. em B♭


   
   
 

  
 


                         
Trom. F

  
 

Fgt   
 

4
                        

73

              
Fl.

      


Ob.

               
        



  
Cl. em B♭


 
   


      
 

     

Trom. F

                   
 

 
    


Fgt

 

          

82

Fl.


Ob.         

         

 















 


Cl. em B♭


             
         
   
Trom. F

           
Fgt 

5
             
 
92

Fl.

 
                 


Ob.

          

         
Cl. em B♭

              



       
Trom. F

           
      


Fgt 

       
    
102

Fl.

       
        
       
Ob.

         
   
Cl. em B♭

          

         
                  
Trom. F

   
Fgt 

6
        

112

Fl.

        


Ob.

           
Cl. em B♭       


                       

Trom. F

  
                 
Fgt 

        
 
120

Fl.

        
 

           
Ob.

   
         

Cl. em B♭


   
              
     
Trom. F

           
  
Fgt 

7
    
     
  
128

Fl.

    
     
  

      
Ob.

   
Cl. em B♭        

  
     
      
       
   
 
Trom. F

   
Fgt 

       
        
133

Fl.

       
        
  
             
Ob.

     
Cl. em B♭    

      

            
      
Trom. F

      
Fgt 

8
         
  
139 rit.

Fl.

         
  

     
Ob.

   
 
Cl. em B♭               

   
 


     
               
Trom. F

     



Fgt

            

146

Fl.


           
   
Solo

Ob.

                  
     
 
           

espressivo

Cl. em B♭


Trom. F   
   
   
   
   
  

            



Fgt

9
           
  


157

Fl.

     
  
       
      
Ob.

Cl. em B♭  
 
                    
           

   
       
 
   
   
   


     
Trom. F

         
Fgt 

     
      
169

    
      
Fl.

        
  
  
                   
Ob.

Cl. em B♭      

     
    
                      
Trom. F

    
Fgt 

10
   
         
177

        
Fl.

   
   
       



Ob.

                      


Cl. em B♭
  
      
  


    
Trom. F

                     
     
Fgt 

 
   
        
186

Fl.


                   
 
    
Ob.

      
Cl. em B♭ 

                          
    
Trom. F

 
           
 
Fgt 

11
                     
  
196


Fl.

    
        
    
     
Ob.

     
Cl. em B♭             


                              
  
Trom. F

                  
    
Fgt 

 

                 
206

         
Fl.

                     


                    
Ob.


       

Cl. em B♭


         
   
 



                    
Trom. F

     

Fgt    

12
                             

214

           
Fl.

              


                      
Ob.

      


Cl. em B♭

       
       


         
       
             
Trom. F

 


Fgt     


13
Flauta Transversal Waltz No. 2
quinteto de sopros Shostakovich

 
Arr. Spencer Dean

      
letrista: Juan Stefano


            
    
  = 60

        


            
      
  
49

       

                                    
64

             
 

         
  
78

                  
            
127

                   

          

141 rit.

                                       

 
187

      
 
                                   
202

 

            

218
Fagote Waltz No. 2

         
quinteto de sopros Shostakovich

          
Arr. Spencer Dean

 
letrista: Juan Stefano

  

  = 60

  
                      

    

17

                           
 


    
33

                          
 

          
44

                     
        

55

                           
 
 

    
67

                          
    
 

  
75

              
           



87

                               
   


101

                        
   


113
       
                
        

125


                
       
           

134

                         
   

rit.
142

                           
     

173

                 
 
    

181

                          
 
   
195

                           
     

209




           
   

217

2
Oboé Waltz No. 2
quinteto de sopros Shostakovich
Arr. Spencer Dean

                                     
letrista: Juan Stefano


 
  = 60

       
 

                           
13

                                      

25

        

                             
37

     

                                
49

                                     
 
62

       
  

                            

76

 
                            



90


                     

  
    
105


  
         

           
136 rit. Solo


espressivo
     
                      

      
154


                     
              
174


              
            
188

                                      

205

 

     
   
218

2
Clarinete em B♭ Waltz No. 2
quinteto de sopros Shostakovich
letrista: Juan Stefano Arr. Spencer Dean

                                      
  = 60

 

                           
13

                             

          
26

                                  



   
37

            
   
 

          
50

                             

          
64

           
  

     
      
      
75



               
      
86

   


                 

97

              
                  

109


             
         
   
  

    
    
123


          
 
                  
      
   
133

                                       
142 rit.



                                     

155

                           
         
169

          
             
        

180

     
 
     
              
195

                                  

     
208

 

          

218

2
Trompa em F Waltz No. 2
quinteto de sopros Shostakovich
Arr. Spencer Dean


letrista: Juan Stefano

                             

  = 60


 

                                   
 
17

      

                                  
    
31

      
 

                                        
46


                                 
     
59


 

                   

        
73

   

 

            


     
86

     

           


    
    
98

      

 
                      
111



        

                   
121
               
         
  
134 rit.

 


                                 
      
151


                        
  
167

   


                                  
    
191


             

        
       
  
203


       

  
217



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