0% found this document useful (0 votes)
353 views2 pages

Fluegelhorn-Solo by Ack Van Rooyen As Played On "More Bebop" by Peter Herbolzheimer RC&B

This document is a musical transcription of the jazz standard "Straight, No Chaser" by Thelonious Monk. It transcribes the fluegelhorn solo played by Ack van Rooyen on Peter Herbolzheimer's recording of "More Bebop". The transcription shows the solo's melody and chord progression over 47 measures using standard musical notation.

Uploaded by

Tobias Weber
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
353 views2 pages

Fluegelhorn-Solo by Ack Van Rooyen As Played On "More Bebop" by Peter Herbolzheimer RC&B

This document is a musical transcription of the jazz standard "Straight, No Chaser" by Thelonious Monk. It transcribes the fluegelhorn solo played by Ack van Rooyen on Peter Herbolzheimer's recording of "More Bebop". The transcription shows the solo's melody and chord progression over 47 measures using standard musical notation.

Uploaded by

Tobias Weber
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 2

Straight No Chaser Thelonius Monk

Fluegelhorn-Solo by Ack van Rooyen as played on "More Bebop" by Peter Herbolzheimer RC&B
q=200
G7 C7 G7 G7 C7
                 
    
C7 G7 Bm7 E7 Am7
6
       
3

3

        
            

     
10 D7
3 3
G7
 
G7 C7
                      
  
15 G7 G7
 C7

  
                    
3
C7 G7 Bm7 E7
  
18
  
3
         
  
       
Am7
21         D7 G7
         
      
  
          
24 G7 C7 G7
            
  
laid back C7 G7
28
        
G7 C7     
       

Bm7 E7 Am7
32 D7
          
              

35
                
G7
 
G7 C7
   
     

C7 G7
39 
G7  3
G7
    3 C7
 
               

transcribed by Tobias Weber


2 Bm7 E7 Am7
44 D7

            
       
47 G7
  
            

transcribed by Tobias Weber

You might also like