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As Played by Kenny Garrett and Woody Shaw On "Introducing Kenny Garrett"

This document contains a musical transcription of the jazz standard "Blues in the Afternoon" as performed by Kenny Garrett and Woody Shaw. The transcription includes two choruses of solos by Kenny Garrett on trumpet and two choruses of solos by Woody Shaw on alto saxophone. It is a transcription of the performance found on Kenny Garrett's album "Introducing Kenny Garrett".

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Tobias Weber
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415 views6 pages

As Played by Kenny Garrett and Woody Shaw On "Introducing Kenny Garrett"

This document contains a musical transcription of the jazz standard "Blues in the Afternoon" as performed by Kenny Garrett and Woody Shaw. The transcription includes two choruses of solos by Kenny Garrett on trumpet and two choruses of solos by Woody Shaw on alto saxophone. It is a transcription of the performance found on Kenny Garrett's album "Introducing Kenny Garrett".

Uploaded by

Tobias Weber
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Blues in the Afternoon Mulgrew Miller

q=240 as played by Kenny Garrett and Woody Shaw on "Introducing Kenny Garrett"
  
Trumpet in Bb              
 
    

                   
Alto Saxophone    


5
   
           
     

            
       

9
         
          
 
                 
    

13 Kenny's Solo ( 2 CHorusses)

      

                         
 


18
   
             
         

22
                  
 
    

27
                 
          
 
31
            
   
       
     

transcribed by Tobias Weber


2
35
        
             
     

               
 
39
       

43
                 
    
        
3

47 Woody's Solo (2 Chorusses)


   
       

          
 
     

53

       

           

    

57
        3            
    


    

61
               
       
   

      

transcribed by Tobias Weber


3
66
 
                     
 

    

   
           
70

       

      

75        
 
    
           


    

         
79 3
 
                   


    
Kenny's Solo (1 Chorus)
83
                
  
   
 
           

87
            
              
  

91
                      
         

transcribed by Tobias Weber


4 Woody's Solo (1 Chorus)

       
95
     
      
 
       
 
   

99
                      
      

    

103           

           
 

    

Kenny's Solo (1 Chorus)


  
107
        
  
    

        
    

110
                         
      

           
114
         
 

117
          
            

transcribed by Tobias Weber


Woody's Solo (1 Chorus) 5
121
           
               

      

    
            
126
   
 

131 Kenny and Woody trading Fours


            
   
               
    

       
135

        
    
       
       

139
         
     
 

                
      

143   
            

      
       

147
        
           
              
     

transcribed by Tobias Weber


6
151  
 
   
                  
    
3
154               
     
   

    

transcribed by Tobias Weber

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