150 SERIES
AUDIO CONSOLES
YANUARY, 1985 IMINO. 597-6011IMPORTANT INFORMATION
EQUIPMENT LOST OR DAMAGED IN TRANSIT.
When delivering the equipment to you, the truck driver or cartier's agent will present a receipt for your signature.
‘Do not sign it until you have: 1) inspected the containers for visible signs of damage and 2) counted the containers
‘and compared with the amount shown on the shipping papers. Ifa shortage or evidence of damage is noted, insist
that notation to that effect be made on the shipping papers before you sign them.
Further, after receiving the equipment, unpack it and inspect thoroughly for concealed damage. I concealed dam-
‘age is discovered, immediately natty the carrier, confirming the notification in writing, and secure an inspection re-
port! This item should be unpacked and inspected for damage WITHIN 15 DAYS after receipt. Claims for loss or
‘damage will not be honored without proper notification of inspection by the sarter.
RF PRODUCT TECHNICAL ASSISTANCE - REPAIR SERVICE - REPLACEMENT PARTS.
‘Technical assistance is available from Broadcast Electronics by letter, prepaid telephone, fax, or E-mail, Equip-
“ment requiring repair or overhaul should be sent by common carrier, prepaid, insured, and well protected. If proper
shipping materials are not available, contact the Customer Service Departrient for a shipping container. Do not the
‘mail equipment. We can assume no liability for inbound damage, and necessary repairs become the obligation of
the shipper. Prior arrangement is necessary. Contact the Customer Service Department for a Return Authoriza-
tion oe : 7 :
Emergency and warranty replacement parts may be ordered trom the following address. Be sure to include the
‘equipment model number, serial number, part description, and part number. Non-emergency repkacement parts
may be ordered directly from the Broadeast Electronics stock room by fax at the number shown. below.
FACILITY CONTACTS -
Broadcast Electronics, Inc. - Quincy Facility
4100 N. 2ath St. P.O. BOX 3608
“Quincy, Ilinois 62805
‘Telephone: (217) 224-9600
Fax: (217) 224-9607
E-Mail: General -
[email protected]
‘Web Site: winw.bdeast.com
RF PRODUCT TECHNICAL ASSISTANCE - REPAIR - EMERGENCY/WARRANTY REPLACEMENT PARTS ~
Telephone: (217) 224-9617 (8 AM to 5 PM Central Time)
(217) 224-9600 (During Non-Business Hours)
“E-Mail:
[email protected] -
Fax: (217) 224-9607
NON-EMERGENCY REPLACEMENT PARTS ~
Fax: (217) 224-9609
RETURN, REPAIR, AND EXCHANGES.
‘Do not return any merchandise without our written approval and Retum Auhorization. We will provide special ship-
ping instructions and a code number that will assure proper handling and prompt issuance of credit. Please furnish
complete details as to circumstances and reasons when requesting return af merchandise. All returned merchan-
_dise must be sent freight prepaid and properly insured by the customer.
WARRANTY ADJUSTMENT.
“Broadcast Electronics, Inc. warranty is included in the Terms and Conditiors of Sale. In'the event of a warramy
claim, replacement or repair parts will be supplied F.O.B. factory. At the discretion of Broadcast Electronics, the
customer may be required to return the defective part or equipment to Brozdcast Electronics, Inc. F.0.B, Quincy,
inois. Warranty replacements of defective merchandise will be biled to your account. This bling will be cleared
by a credit issued upon return of the defective iter.
PROPRIETARY NOTICE.
This document contains proprietary data of Broadcast Electronics, Inc. No disclosure, reproduction, or use of any
part thereof may be made except by prior written permission,
MODIFICATIONS.
‘Broadcast Electronics, Inc. reserves the right to modify the design and spesifications of the equipment in this
manual without notice. Any modifications shail not adversely affect performance of the equipment so modified.AUTHORIZED SERVICE CENTERS
© Equipped to serve you with Broadcast Electronics
parts and ropalrs—both In and out of warranty,
‘¢ Regional depots reduce parts delivery time and
ropair turn-around time
QUINCY
UNITED STATES
1. Riggins Electronic
SABE Witton Greet
ng Benen, CA 90615,
PRe(eis) s80-7007
‘States Covered:
Nasa
‘tzona,
Caltorria
Hawa
Nevada
Wathngton
* OantreetS
Bow 1598,
Los Lunas, NM 87031
Pr (608) 867-6700,
States Covered:
Calorase
Now ttexico
‘Oldahoma
Foxes
Ua
3. Radio Systems Desi
5131 West Chester
snort, PA 10028
Ph (218) 956-4700
Sites Coverod:
Gonnecteat
Mane
Mastachusets
Now Hampshire
Now de
New Yor
Bode stand
Vermont
4. Brogdeast Services
Ststee Covered:
‘Aebama
Flora
Georgia
Nonht Carolina
Soh Carona
Vioinia
West Virginia
‘CANADA
5. Allied Broadeasting Equipment 8.
‘635 South &. Steet
Fichmond, i 47374
Nortec West, Ltd.
£335 West Fit Avenue
Vancouver VB 158,
Ph: (917) 962-8596 BC, Canada
pailatia Ph: (e04) 872-2525
ase Provinces Covered:
ee Brtan Courbia
Kenticky Yukon Forttory
Mehigan
‘One 8. Nortec West, Lid.
"708 6 Farrel Rose
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Pare 10. J-Mar Electronics, Lid.
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‘Wyoming ‘Ontario, Canada
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Lanham (Wash, B.C) MO 20801
Phe (201) 677-4008
States Covered
Distt of Courbia
Bolaware
Marland
Ba BROADCAST
ELECTRONICS ING
4100 N. 24th ST, P.O. BOX 2608, QUINCY, I 62305 U.S.A, TELEX: 25-0142, CABLE: BROADCAST, PHONE: (217) 204-0600
‘Now Bronewice
Nova Scotia
‘Ontario
GuedeINSTRUCTION MANUAL
150 SERIES
AUDIO CONSOLES
88150
108150
597-0011CONSOLE MODEL IDENTIFICATION
5
MODEL PART NO. DESCRIPTION
5M150 938-0531 S-MIXER MONOPHONIC CONSOLE, DUAL CHANNEL
58150 938-0530 5-MIXER STEREOPHONIC CONSOLE, DUAL
CHANNEL
ems 938-0831 8-MIXER MONOPHONIC CONSOLE, DUAL CHANNEL
88150 938-0830 S-MIXER STEREOPHONIC CONSOLE, DUAL
CHANNEL
1OM1E0 901-1030-600 10-MIXER MONOPHONIC CONSOLE, DUAL CHANNEL
10150 901-1031-000 10-NIXER: STEREOPHONTC CONSOLE, DUAL
CHANNEL
OPTIONS
270-0007
918-3602
918-3604
SECOND MUTING RELAY
MONO MATRIX CIRCUIT BOARD
(FOR 5S150, 85150 AND 10S150 CONSOLES)
MIXER/LINE DRIVER AMPLIFIER CIRCUIT BOARD
FOR STEREO AUDITION CHANNEL -
2 REQUIRED (FOR 5S150, 8S150 AND
108180 CONSOLES)TABLE OF CONTENTS
PARAGRAPH PAGE NO.
SECTION I GENERAL DESCRIPTION
LL Scope of Manual a
1-3 Description and Features 1-1
1-ll Specifications 1-2
SECTION 11 INSTALLATION
2-1 Introduction 21
2-3 Unpacking a
2-6 Installation 2-1
27 Mounting 2-1
2-9 Assignment of Inputs and Outputs 2-1
2-15 Wiring 2-2
2-16 General 242
2-18 Grounding 2-2
2-21 Terminations 2-5
2-22 Inputs to Stereophonic Consoles 2-5
2-23 Input Level Sensitivity 2-5
2-25 Input Wiring 2-5
2-29 Program Outputs 2-13
2-31 Monitor Speaker Outputs 2-13
2-33 External Cue Speaker 2-13
2-34 External Headphones Connection/Front 2-14
Panel Headphones Jack
2-36 Vuting Relays 2-14
2-38 AC Power 2-14
2-41 Installation Adjustments 2-14
2-42 WU Meter Calibration 2-14
2-43 Nono Matrix Circuit Adjustment 2-16
SECTION IIT OPERATION
3-1 Introduction 3-1
343 Operation 3-1
3-4 Input Selection 3-1
3-7 Level Control 3-1
3-10 WU Meters 3-1
3-12 Monitoring 32
3-13 Cue System 32
3415 Headphones 3-2
3-17 Monitor Speakers 3-2
3-19 Talkback 3-2PARAGRAPH
SECTION IV
pepepeseepepeseess
Sronbhhibhadrgetebal
SSSSSESSSBSNSED
4-65
4-67
4-74
4-81
SECTION V
5e1
3
5
8
4
1
1
1
2
Sexes
SECTION VI
6-1
SECTION VII
71
PAGE NO.
THEORY OF OPERATION
Introduction
Overall Monophonic System Description
Program and Audition Channels
Cue Circuitry
Monitor Circuitry
Muting Relays
Power Supply
Overall Stereophonic System Description
Program and Audition Channels
Cue Circuitry
Monitor Circuitry
Muting Relays
Power Supply
Detailed Circuit Operation
Monophonic Preamplifier
Stereophonic Preamplifier
Mixer/Line Driver Amplifier Circuit Board
Mono Matrix Amplifier (Optional-Stereo
Units Only
Cue/Headphones Amplifier
5M150/8M150 Cue/Headphones Amplifier/
Stereophonic Monitor
5$150/8S150 Stereophonic Cue/Headphones
Amplifier,
10 Channel Console Cue/Headphones Amplifier
With Talkback Feature
Monitor Amplifier
WU Meter Rectifier
MAINTENANCE
Introduction
General Maintenance
Cleaning
Visual Inspection
Specification Measurements
Adjustments
Line Driver Amplifier Level Balance
Troubleshooting
Component Replacement On Circuit Boards
PARTS LIST
Introduction
ORAWINGS.
Introduction
6-1
7-1LIST OF TABLES
TABLE NO. DESCRIPTION PAGE NO.
Ll Electrical and Physical Specifications 1-2
6-1 Replaceable Parts Index 6-1
LIST OF ILLUSTRATIONS
FIGURE _NO. DESCRIPTION PAGE NO.
21 Representative Studio Employing a 263
Monophonic Audio Console
2-2 Representative Studio Employing a 24
Stereophonic Audio Console
3 58150 Console Chassis 2
4 M150 Console Chassis 2.
5 58150 Console Chassis 2
6 85150 Console Chassis 2.
7 10S150 Console Chassis 2
8 Preamplifier Circuit Board Jumper Plug 2
Programming
9 Muting Relay Wiring 10 Channel Consoles 2
1 5 and 8 Channel Monophonic Block Diagram 4
2 5 and 8 Channel Stereaphonic Block Diagram 4
3 10M150 Monophonic Console Block Diagram 4
a 10S150 Stereophonic Console Block Diagram 4
5 10 Channei Console Talkback System 4
itisivSECTION I
GENERAL DESCRIPTION
al. SCOPE OF MANUAL.
1-2. This manual provides installation, operation, and maintenance
information of the Broadcast Electronics 150 Series Audio Consoles.
1-3. DESCRIPTION AND FEATURES.
1-4, The Broadcast Electronics 150 Series Audio Consoles are 5, 8,
and 10 mixer devices available in monophonic and stereophonic configura
tions. Each console is designed to switch and mix multiple audio
sources in AM, FM, television broadcast installations, CATV systems, re-
cording studios, and other facilities. All of the consoles provide the
features that are most needed for operating flexibility, installation
simplicity, and service convenience.
1-5. All consoles are designed for dual channel operation. The
program and audition channels share identical operating specifications.
The switching of signals to the program or audition channel is accom
plished electronically with field-effect transistors. A third output, a
monophonic signal derived from both stereophonic program channels, is
available as an option on all stereo models.
1-6. In stereophonic consoles, both the left and right channels
are fed to the cue system. All stereophonic consoles will accept mon-
aural inputs to the left channel, and can be feed a monaural signal to
both the left and right channels.
1-7, For ease in installation and interconnection most connections
are made to screw terminals. All terminals are labeled for quick iden-
tification. Since all connections are made inside the cabinet, wiring
is protected from dirt, tampering, or accidental damage.
1-8. Al] amplifiers are mounted on plug-in circuit boards. All
pre-amplifiers are identical, and each may be preset to accept either
balanced or unbalanced, line or microphone level inputs.
1-9, Built-in amplifiers are provided for additional monitor
speakers. These outputs are connected through relays which can be
activated to mute the monitor speaker when used next to a live micro-
phone. Separate contacts are provided on the relay for controlling a
studio on-the-air light.
1-10. Separate amplifiers drive a cue speaker and headphone system,
An internal cue speaker and connections for an external speaker are pro-
vided. Both the front panel headphones jack and a parallel external
phones connection are incorporated.
1-11-l. SPECIFICATIONS.
L-l2. Electrical and physical specifications for the 150 Series
audio consoles are presented in Table 1-1.
TABLE 1-1, ELECTRICAL AND PHYSICAL SPECIFICATIONS
NOMENCLATURE SPECIFICATIONS
+
PROGRAM AND AUDITION CHANNELS
Number of Inputs and Mixers
5M150/5S150 10 inputs into 5 mixers.
8M150/8S150 16 inputs into 8 mixers.
10M150/10S150 20 inputs into 10 mixers.
INPUT_IMPEDANCES/LEVELS
(Selectable):
Microphone Mode (Low) 150 Ohms balanced: -65 dBm minimum,
=38 dBm maximum.
Line Level Mode (High) 54 k Ohms balanced, bridging: -20 dBm
minimum, +20 dim maximum.
FREQUENCY RESPONSE 40.5 dB, 30 Hz to 20 kHz (P dBm in,
+8 dBm out at 1 kHz, line level).
DISTORTION 0.05% IM and THD at +18 dBm output,
30 Hz to 20 kHz.
NOISE (Unweighted) 70 dB below +18 d8m output with -50
‘dBm signal into any low-level input,
20 kHz bandwidth.
OUTPUT IMPEDANCE/LEVEL 600 Ohms, balanced. 48 dBm for @ VU
meter reading, +18 dBm output
capability.
MONITOR CHANNEL
FREQUENCY RESPONSE 40.75 dB, 50 Hz ~ 20 kHz (1kHz ref.).
DISTORTION 0.75% or less, 30 Hz - 20 kHz @ rated
RMS. output load.
QUTPUT_POWER/ IMPEDANCE
5,8, & 1OMI50 8u RMS, 8 Ohms.
5,8, & 108150 1.5W RMS per channel, 8 Ohms.
1-2TABLE 1-1.
ELECTRICAL AND PHYSICAL SPECIFICATION
NOMENCLATURE
‘SPECIFICATIONS
HEADPHONE AMPLIFIER
CUE AMPLIFIER
MUTING RELAYS
POWER REQUIREMENTS
DIMENSIONS
SMI50 & 5S150
8M150 & 85150
10M150 & 105150
WEIGHT (Packed)
5M150
5$150
‘8M150/8S150
10M150/10S150
1.0 Watt RMS per channel. Front
panel jack input select switching.
1.0 Watt into built-in 8 Ohm speaker.
1 relay standard, second relay
optionally available.
105 - 125V, 50/60 Hz, Standard,
210 - 230V, 50/60 Hz, Optional.
29 inches WX 15.75 inches D X 8.25
‘inches H (73.7 X 40 X 21 cm),
33 inches WX 15.75 inches D X 8.25
inches H (83.8 X 40 X 21 cm).
39 inches WX 15.75 inches D X 8.25
inches H (89 X 40 X 21 cm).
49 pounds (22.2 kg).
54 pounds (24.5 kg).
55 pounds (25 kg).
65 pounds (29.4 kg).
1-3/1-4SECTION II
INSTALLATION
2-1. INTRODUCTION.
2-2. This section contains information required for installation
and preliminary checkout of the Broadcast Electronics 160 Series Audio
Consoles.
2-3. UNPACKING.
2-4, The equipment becomes the property of the customer when the
equipment is delivered to the carrier, Carefully unpack the console.
Perform a visual inspection to determine that no apparent damage has
been incurred during shipment. All shipping materials should be re-
tained until it is determined that the unit has not been damaged.
Claims for damaged equipment must be filed promptly or the carrier may
not accept the claim.
2-5. The contents of the shipment include a warranty card, a test
certification card, and an instruction manual in addition to the con-
sole. If the contents are incomplete, or if the unit is damaged elec-
trically or mechanically, notify both the carrier and Broadcast
Electronics, Inc.
2-6, INSTALLATION.
2-7. MOUNTING.
2-8. The console should be placed within convenient access of the
operator and within easy access of power and audio cabling. All
Broadcast Electronics 150 Series Audio Consoles are intended for desk-
top mounting. Cable access is provided through cut-outs located in the
bottom of the cabinet. If mounted flush on a table top, matching open-
ings are required in the surface beneath the console.
2-9, ASSIGNMENT OF INPUTS AND OUTPUTS.
2-10. The most important electrical consideration is assigning the
mixer inputs is the level of the source signal. Both inputs to a mixer
must be the same level class (microphone or line).
2-11. In stereophonic consoles, the inputs may be monophonic or
stereophonic, however both inputs to a single mixer must be either
stereophonic or monophonic. One input to a mixer cannot be monophonic
and the other input stereophonic.
2-12-12, Operationally, input sources used simultaneously (mixed) ,
cross faded, or used in rapid sequence should be on separate mixers.
Conversely, two inputs rarely or never used in conjunction with each
other may be assigned to the same mixer.
2-13. Examples are provided in Figures 2-1 and 2-2. Each turntable
is assigned to a separate mixer so that records sequed or mixed easily.
Likewise it is unlikely the reel-to-reel playback will be required while
the network line is in use, therefore those two items may be assigned to
the same mixer. This arrangement also prevents reverberation being ac-
cidentally introduced when recording the network on the reel-to-reel re-
corder.
2-14, The program and audition output lines are identical in per-
formance and may be used as required.
2-15, WIRING.
WARNING DO NOT CONNECT AC POWER UNTIL INSTALLATION
IS COMPLETE.
2-16. GENERAL. Audio connections to the console should be made
with a 2-conductor shielded cable such as Belden 8441, Alpha 2400, etc.
Separate the cables carrying different signal levels as far as possible.
Separate microphone cables from high level cabling, and keep all input
cables away from speaker wiring.
2-17, Similarly, run audio and power cables as far apart as pos-
sible. Use the appropriate type wire for power cables. If practical,
wire the power connections with shielded cables to prevent ac coupling
to the audio cables.
2-18. GROUNDING. The most important consideration in ensuring low
noise performance from the unit is the grounding and shielding of the
various interconnections.
2-19. First, it is necessary to achieve a good ground for the con-
sole itself. This should be central earth ground. If possible, connect
the console to the transmitter RF ground. Alternately, connect it to a
power line earth ground. The console ground terminal (located on the
bottom panel inside the console cabinet) should be connected to ground
with a braided strap (such as Alpha 1235 or Belden 8657) or solid copper
strap.
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2-42-20. Secondly, signal shields should be grounded to avoid ground
Joops (unintended signal paths through shields and grounds). To prevent
ground loops, shields should be grounded at only one end of the cable.
Generally this is done at the console. However, it may be best to
ground the shield at the source equipment or even at a point between the
console and the source. Particular care must be exercised to avoid
unintended grounds at patch panels, at external switching arrangements,
through uninsulated (case grounded) jacks on associated equipment, or
from grounded racks or cabinets.
221, TERMINATIONS. Proper load or termination of transformer-
coupled equipment is essential to ensure specified frequency response.
The program output of the console requires 600 Ohm termination. This
may be installed at the console. Proper terminations should be provided
for other transformer-coupled equipment connected to the console.
NOTE REFER TO FIGURES 2-3 THROUGH 2-7 AS NECESSARY
FOR THE FOLLOWING PROCEDURES.
2-22, INPUTS TO STEREOPHONIC CONSOLES. Normally, consoles are
shipped from the factory with the inputs wired to accept stereophonic
programming. Any input to a 150 Series stereophonic console may be
wired to accept a monophonic input by changing the jumper configuration
on the preamplifier circuit board (refer to Figure Beye
2-23. INPUT LEVEL SENSITIVITY, Any mixer will accept low-level
(microphone) or high-level (line) inputs. This is determined by the
selection of jumpers on each preamplifier circuit board located within
the console. One preamplifier is included for each mixer. As shipped
from the factory, the first two preamplifiers (mixers 1 and 2) are nor-
mally preset for low-level use and the remaining preamplifiers are pre-
set for high-level use (refer to Figure 2-8),
2-24, While a mixer may be set for either high-level or low-level
‘inputs, both inputs to that mixer must be either high or low level.
2-25, INPUT WIRING, The input connections are made to the marked
terminal strips located inside the console cabinet.
2-26, Balanced Inputs. Connect the high side to the plus (+) ter-
minal and the Tow side to the minus (-) terminal. Connect the shield to
the ground terminal common to the 2 mixer inputs.
2-27, Unbalanced Inputs. Connect the high side to the plus (+)
terminal and the Tow side to the minus (-) terminal. Connect the shield
to the ground terminal and strap the minus (-) terminal to the ground
terminal,
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(* ITEMS USED ON STEREOPHONIC BOARD ONLY) 597-0011-8
INPUT LEVEL
STEREOPHONIC BOARD
MONOPHONIC BOARD
HIGH (LINE)
REMOVE J1, J2, J4,AND J5
REMOVE J1 AND J2
INSTALL J4 AND J5
LOW (MICROPHONE)
REMOVE J3 AND J6
REMOVE J3
INSTALL J6
INPUT MODE INSTALL JUMPERS REMOVE JUMPERS
MONOPHONTC v9 97, 38, AND J10
STEREOPHONIC 38 AND J10 7 AND 39
FIGURE 2-8, - PREAMPLIFIER CIRCUIT BOARD JUMPER PLUG PROGRAMMING
2-10* MASTER AUDITION CONTROL,
** MASTER PROGRAM CONTROL
10M150 CONSOLE CHASSIS
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10S150 CONSOLE CHASSIS
2-11/2-122-28. External Monitor Input. The input to the monitor amplifier.
is intended to accept the output of a modulation monitor or other auxil-
jary audio monitor source. The input is unbalanced with an impedance of
approximately 10 k Ohms. The input level should be externally adjusted
so that the monitor level remains constant when switching between audi-
tion, program, or the external monitor input.
2-29, PROGRAM OUTPUTS. Program and audition channel outputs are
provided in the consoles. Additionally, a monophonic sum output derived
from the left and right program channels is available in all stereo-
phonic consoles as an option.
2-30, The program output is balanced, 600 Ohm, transformer-coupled.
Connect the high side to the plus (+) terminal, the low side to the
minus (-) terminal and the shield to the ground terminal. If the output
is not connected to an external 600 Ohm load, a 620 Ohm, half-watt re~
sistor should be provided at the console as a termination for proper
Tevel and frequency response.
2-31, MONITOR SPEAKER OUTPUTS. Monitor speaker outputs are pro-
vided for the console location in the control room and other studios.
These speaker outputs are connected through the muting relays for opera-
tion with live microphones. The control room speaker is controlled by
relay Kl, and other studios by optional relays K2 and K3.
CAUTION TO AVOID DAMAGE TO THE MONITOR AMPLIFIER,
DO NOT EXCEED THE POWER CAPABILITIES OF THE
CAUTION AMPLIFIER BY OVERORIVING THE SOURCE INPUT
Sane LEVEL. DO NOT OPERATE THE ANPLIFIER INTO
CAUTION SPEAKER LOADS BELOW EIGHT OHMS.
2-32. The monitor circuitry is designed to drive eight-Ohm speak
ers. For multiple speaker installations, use 16-Ohm speakers or in=
pedance matching transformers as required to maintain the overall im
pedance above eight Ohms.
2-33. EXTERNAL CUE SPEAKER. An internal cue speaker is provided in
the console base, however an external cue speaker may be connected if
desired. This speaker should be a high-efficiency device of eight or
sixteen Ohms impedance. When an external cue speaker is connected, the
external speaker should be disconnected. The external cue speaker will
be muted by relay Kl in a manner similar to the internal cue speaker.
CAUTION DO NOT USE A LOAD LESS THAN EIGHT OHMS WITH
THE HEADPHONE AMPLIFIER. 00 NOT USE THE FRONT
CAUTION PANEL HEADPHONES JACK AND THE INTERNAL HEAD-
PHONES OUTPUT SIMULTANEOUSLY.
2-132-34, EXTERNAL HEADPHONES CONNECTION/FRONT PANEL HEADPHONES JACK,
Terminals are provided to connect an external headphone jack should this
be required. However, both outputs may not be used simultaneously.
2-35. The headphone jack on monophonic consoles is wired tip-to-
sleeve to accommodate a stereophonic headset without modification.
2-36. NUTING RELAYS. Al1 150 series consoles are equipped with one
muting relay with two additional relays optionally available. As wired
from the factory, relay Kl activates when the mixer number 1 A/P SELECT
switch is operated to the A or P position. Relay contact voltage is 24V
dc, only.
2-37. In 10M150 and 10S150 consoles wiring is provided so that mut~
‘ing may be controlled by any of the channels following a simple jumper-
ing procedure (refer to Figure 2-9).
2-38, AC POWER.
2-39, The standard 150 series console operates at 117V ac at either
50 or 60 Hz. Units for 220 volt ac operation are available. Operating
voltage requirements are indicated on the unit's identification plate,
located on the rear panel inside the machine.
2-40. Ensure the power switch is operated to the OFF position and
connect the console to the proper ac input source. Operate the power
switch to ON and make the following adjustments.
2-41, INSTALLATION ADJUSTMENTS.
2-42. VU NETER CALIBRATION. The console VU meters are calibrated
at the factory to indicate 9 VU (100) when the output level is +8 dBm.
If the console is to be operated at a different level, the VU meters may
be recalibrated as follows:
A. Connect a 1kHz sine wave signal to any input for use as
a test signal.
B. Connect an external VU meter to an output of the console.
C. Provide a 600 Ohm termination for the output.
D, Adjust the console output level to the desired level
(410 dBm maximum) as indicated by the external meter.
£. Adjust the VU meter calibration control, R3, on each
meter rectifier circuit board so that the console VU
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2-18,NOTE THE FOLLOWING PROCEDURE IS REQUIRED ONLY IN
STEREOPHONIC CONSOLES WITH THE MONO MATRIX
NOTE OPTION.
2-43, MONO MATRIX CIRCUIT ADJUSTMENT. The controls on the mono
matrix circuit board adjust the input signal so that the left and right
channel signal are mixed 50/50 in the mono matrix output.
AL
Connect a 1kHz sine wave to the right input of any mixer,
Connect an external meter to the monaural output with a
600 Ohm terminating resistance,
Operate the A/P SELECT switch for that mixer to the P
position and adjust the fader for that mixer to obtain
an indication of M VU on the console YU meters.
Adjust R2, right channel control, on the mono matrix
circuit board to obtain a monophonic output indication
of 42 dBm on the external meter.
Connect the input signal to the left input of the same
mixer. Repeat the above procedure with R1, the left
channel control on the mono matrix circuit board.
2-44, The monaural output will track the program signal, where WU
on both left and right VU meters corresponds to @ VU on monaural output.
2-16SECTION III
OPERATION
Bel. INTRODUCTION.
3-2. This section provides operating procedures for the Broadcast
Electronics 150 Series Consoles.
3-3, OPERATION.
3-4, INPUT SELECTION.
3-5. Two inputs may be connected to each channel mixer. Operate
the INPUT SELECT switch to either the 1 or 2 position to feed the de-
sired input to the mixer.
3-6. Operate the A/P selection switch to the P position to feed
the input through the fader to the program output. Operate the switch
to the A position to feed the input to the audition output. In the
center position the input signal is disconnected. When the A/P selec-
tion switch is operated to the A or P position the fader is live. If a
channel is wired to a muting relay, the relay is activated when the A/P
selection switch is activated.
3-7. LEVEL CONTROL.
NOTE BEST PERFORMANCE WILL BE OBTAINED WITH THE
MASTER PGM AND AUD CONTROLS ADJUSTED TO A
NOTE POSITION BETWEEN 12 O'CLOCK AND 2 O'CLOCK.
NOTE DO_NOT ADJUST THE MASTER CONTROLS DURING
NORMAL OPERATION.
3-8. The mixer faders can be used to control level in two ways:
A. To keep each input at approximately the same level.
B. To combine signals from two or more inputs in a desired
relationship.
3-9, The YU meters and monitor circuits are an aid in determining
the proper levels or volumes.
3-10. YU METERS. Monophonic 150 series consoles are equipped with
separate VU meters for the program output and the audition output. The
stereophonic 150 series consoles have separate VU meters for the left
and right channels. On stereophonic consoles equipped with an audition
output, a VU meter switch determines which output (either the program or
audition) the YU meters will display. Operate the YU meter switch to
‘the PGM or AUD position to observe the desired output.
3-13-11, Adjust the fader(s) of active sources for a peak level in-
dication of f WU (100). When mixing two or more inputs, adjust the
faders to yield the desired sound while maintaining a peak level indica-
tion of @ W (100).
3-12. MONITORING.
3-13. CUE SYSTEM. The console cue system allows previewing or
monitoring of a source prior to mixing. All fader controls have a cue
position at the extreme counterclockwise stop. Rotate the fader to this
position to connect the input to the cue system.
3-14, An internal amplifier and speaker are provided for listening
to signal source in the cue system. The volume of the cue speaker is
determined by the setting of the CUE control located on the right side
of the front panel. The cue speaker is muted by the control room muting
relay.
3-15, HEADPHONES. The front panel headphones jack accepts a wide
variety of headsets including low impedance stereophonic headphones.
The headphones jack on monophonic consoles is wired tip-to-sleeve to
accommodate a stereophonic headset without modification.
CAUTION DO NOT USE LESS THAN EIGHT OHMS WITH THE HEAD-
PHONES AMPLIFIER.
3-16, Depress either the PGM, AUD, or CUE PHONES switch to select
program output, audition output, or cue audio headphones monitoring.
Headphones volume is controlled by the setting of the control knob lo-
cated beneath the PHONES switches. The headphones output is never
muted.
3-17. NONITOR SPEAKERS, An internal amplifier provides audio for
the control room speaker as well as separate speakers in other studios.
These speakers may be muted for use with a live microphone.
3-18. Depress either the PGM, AUD, or CUE MONITOR switch to select
program output, audition output, or cue audio monitoring. Monitor chan-
nel audio level is controlled by the setting of the control knob located
beneath the monitor switches.
3-19, TALKBACK. Intercom operation is possible on the 10 channel
consoles through the use of the TALKBACK switches. This operation con-
nects the studia to the operator through the cue system and allows the
operator to listen and talk while disabling cue operation.
3-20. Depress TALKBACK SELECT switch 1, 2, or 3 to connect the
operator to one of the three studios. To speak to the studio selected,
depress the TALK switch and speak. Release the TALK switch to listen.
The TALKBACK SELECT OFF switch must be depressed in order to connect the
cue signal to the cue speaker output.
3-2SECTION IV
THEORY OF OPERATION
al. INTRODUCTION.
4-2, This section provides theory of operation for the Broadcast
Electronics 150 Series Audio Consoles. Refer to Figures 4-1 through 4-4
and the schematics in Section VII as required for the following discus-
sion,
4-3, OVERALL MONOPHONIC SYSTEM DESCRIPTION.
4-4, PROGRAM AND AUDITION CHANNELS.
4-5. Two inputs may be connected to operate through each mixer.
The input signal is routed to the front panel INPUT SELECT switches.
Here, either the number 1 or 2 source will be applied to the pream-
plifier circuit board (P/N 918-3600). The signal from the INPUT SELECT
switches is adjusted by the level sensitivity pad on the preamplifier
circuit board.
4-6. Following preamplification, the signal is routed from the
preamplifier to the front panel fader. A 10k Ohm potentiometer is used.
A cue switch is installed on all faders to enable routing of the signal
to the cue system instead of to the program and audition busses, when
required.
4-7. From the fader the signal is returned to field-effect tran-
sistors, located on the preamplifier circuit board, which are controlled
by the front panel A/P (audition/program) switches. Following applica~
tion to the FET's, separate outputs are obtained for the program and
audition busses.
4-8. The program outputs of all the preamplifiers are bussed to-
ether and applied to the input of a mixer/line driver circuit board
(on 918-3608), The mixed signal {s amplified, applied to the MASTER
PGM gain control, and returned to the mixer/line driver amplifier. The
signal enters a final stage of amplification through gain balance poten-
tiometer R17, This amplifier is directly coupled to the 600 Ohm/600 Ohm
output transformer. An output for the MONITOR selection switches is
bridged from the amplifier output.
4-9. From the output transformer, the line level signal is output
from the line-driver amplifier circuit board and is applied to the pro-
gram output terminal strips. At the output of the line-driver amplifi-
er, a sample for the program VU meter is bridged from the transformer
primary and applied to the VU rectifier circuit board, mounted on the
rear of the VU meter.
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597-0011-11
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ua sane4-10. The audition channel is identical in operation to the program
channel. The audition outputs of all the preamplifiers are bussed to-
gether and fed to a separate mixer/line driver amplifier. The amplified
Signal. is routed through the MASTER AUD gain control and is returned to
the line-driver amplifier circuit board for final amplification. Fol-
lowing this, the audition monitor signal is bridged from the output.
The line signal is routed through the output transformer to the audition
output. The audition channel VU meter signal is bridged from the line
level signal and applied to the WU meter rectifier circuit board.
4-11. CUE CIRCUITRY.
4-12. The outputs of all the CUE switches (on the front panel
faders) are bussed together to provide a signal for the PHONES selector
switch and the cue speaker amplifier. The signal from the cue bus is
routed to the front panel CUE level control. The signal is then applied
to the cue speaker amplifier on the cue/headphones amplifier circuit
board. Following amplification, the cue signal is routed through a set
of normatly closed contacts on the control room muting relay, located on
the relay and power supply circuit board.
4-13. The signal is split at the relay, with a connection made
directly to the external cue speaker screw terminals on the sub-chassis.
The built-in speaker should be disconnected if an external cue speaker
is connected.
4-14, MONITOR CIRCUITRY.
4-15. The monitor outputs of the program and audition channel
mixer/line driver amplifiers are connected to separate sections of the
MONITOR selector switch on the front panel. A third position is pro~
vided on this switch for connection of an on-air signal or other ex-
ternal signal source which is connected directly from input terminals on
‘the sub-chassis to the selector switch.
4-16. The output of the selector switch is connected through the
MONITOR level control to the monitor amplifier circuit board. Following
amplification, the signal is routed through normally closed contacts of
the muting relays. The monitor output from each relay is taken to sep-
arate terminals on the sub-chassis barrier strip.
NOTE DO NOT USE A LOAD LESS THAN EIGHT OHMS WITH
THE HEADPHONE AMPLIFIER.
4-17. The monitor busses from the program and audition mixer/1ine
driver amplifiers are also connected to separate sections of the front
panel PHONES selector switch. A third position on this switch is con-
nected to the cue bus. From the selector switch, the signal passes
through the front panel PHONES level control to the headphones amplifi-
er, located on the cue/headphones amplifier circuit board. Following
amplification, the signal is applied to the front pane} headphones jack
and to terminals on the sub-chassis. An external headphones jack may be
connected to these terminals.4-18. MUTING RELAYS.
4-19. Muting relays control any speakers and energize a warning/on-
the-air light ina studio with a live microphone. Speaker connections
are made through normally closed contacts which open when a relay is
energized, The warning light (external and not. supplied with the con-
sole) 4s connected through an interface relay controlled by normally
open contacts which close when the relays energize. Relay KI, any op-
tional relays, and the relay driver circuits are located on the power
supply circuit board (P/N 918-4003). The relays are controlled by the
front panel A/P switches. A relay is energized by supplying a ground to
the mute control bus.
4-20. When the microphone is switched on, a ground is applied to
the junction of resistors R10 and R11 on the power supply circuit board.
This ground will turn off QL as there will be no voltage drop across
R12, Q2 turns on and energizes relay Kl.
4-21, When the microphone is switched off, the ground to the junc-
tion of resistors R10 and R11 is removed. Current through R10 and R11
is applied to the base of Ql, turning Qi on. The voltage across R12
will turn Q2 off and deenergize the relay.
4-22, POWER SUPPLY.
4-23. The Broadcast Electronics 150 Series Audio Consoles operate
from a primary input potential of 115V ac +10% or 230V ac +10% at 50 or
60 Hz. The high side of the ac line is connected through the fuse to
the primary of the power transformer, The low side of the ac line is
connected through the power ON/OFF switch to the transformer primary.
The ground line is connected to the transformer frame and chassis at the
point where the station ground is located.
4.24, Voltage from the secondary winding of the power transformer
is bridge rectified and filtered to produce an unregulated potential of
+#30V de to power the meter lamps, monitor amplifiers, and contro] relay.
4-25, The unregulated +30V de potential _is applied to voltage reg-
ulators on the power supply circuit board. The output voltage from the
regulators (+26 dc) is used to power the preamplifiers, the line am-
plifiers, and the cue/headphones amplifiers.
4-26. Al] muting relays, the muting relay drivers, and the associa-
ted Components are mounted on the power supply circuit board.
4-27. OVERALL STEREOPHONIC SYSTEM DESCRIPTION.
4-28, PROGRAM AND AUDITION CHANNELS.
4-29. Terminals are provided to connect two stereophonic input
sources to each channel. The signals are routed from the input ter-
minals on the sub-chassis to the front panel INPUT SELECT switch. From
the INPUT SELECT switch either input number 1 or 2 will be applied to
the preamplifier circuit board through the level sensitivity pads.
474-30, The output of the right channel preamplifier is connected to
the mono/stereo jumper on the preamplifier circuit board. When the
Jumper is in the mono position, the output of the right channel pream-
plifier is disconnected and the left channel preamplifier output is con-
nected to both the left and right channels. In the stereo position, the
two channels remain separate.
4-31, Following amplification, the two stereophonic signals are
taken from the circuit board to the front panel fader. A 10k Ohm po~
tentiometer is used. Cue switches, located at the extreme counterclock~
wise stop of the fader, route both of these signals to the monophonic
cue system instead of to the fader, when required.
4-32. From the fader, the stereophonic signal is returned to field-
effect transistors located on the preamplifier circuit board. These
FETs are: controlled by the front panel A/P switches. Separate outputs
are obtained from each preamplifier for the left and right program and
audition busses.
4-33. The left program outputs from each preamplifier are bussed
together and connected to the input of a line-driver amplifier. The
right program outputs are similarly bussed to a second line driver am-
plifier. Dual PGM MASTER gain control adjusts the amplitude of the
signal between the first and second stages of the line amplifier.
4-34, The line driver amplifiers are directly coupled through out-
put transformers to the left and right program outputs on the internal
terminal strip, An output to the MONITOR selection switch, the VU meter
signal, and the optional mono matrix inputs are bridged from the output
of each line-driver amplifier prior to application of the signal to the
output transformers. A front panel selection switch allows either the
audition or program output channels to be displayed on the VU meters.
4-35. The left and right program output is connected directly to
separate inputs on the mono matrix amplifier circuit board (optional).
The signals enter through separate level balancing potentiometers, and
then are combined and amplified. The amplified monophonic signal is
coupled through a 600 Ohn/600 Ohm output transformer to the monophonic
output terminals. No metering is provided for this derived monophonic
output, however, the program VU meters provide a true indication of the
input levels to the mono matrix amplifier.
4-36. The audition channel is identical in operation to the program
channel. The left and right audition outputs from all preamplifiers are
applied to separate line-driver amplifiers. The amplified signals are
applied to the dual AUD MASTER gain control and are returned to the Tine
amplifier, Left and right audition monitor signals are bridged from the
output of the line amplifier. The line signal is applied to the audi-
tion right and left output terminals through the output transformer. No
provision is made for a monophonic signal to be derived from the audi-
tion channel. A meter connection is bridged from the line signal and
applied to the VU meter selection switch.4-37. CUE CIRCUITRY.
4-38. The outputs from the cue switches (on the front panel faders)
are combined into a single cue bus to provide a signal for the head-
phones selection switch and the cue speaker amplifier. The signal from
the cue bus is routed to the front panel CUE level control. The signal
is then applied to the cue amplifier and the cue/headphones amplifier
circuit board. Following amplification, the cue signal is routed to the
power supply Circuit board, where the control room muting relay is
located.
4-39. The cue output signal is applied to a set of normally closed
contacts on Kl. The signal is then split and a connection is made to
the external cue speaker screw terminals on the sub-chassis. If an ex-
ternal cue speaker is connected, disconnect the built-in speaker.
4-40. MONITOR CIRCUITRY.
4-41, The monitor outputs from the left and right program and audi-
tion channel mixer/line driver circuit board are connected to separate
sections of the MONITOR selector switch on the frant panel. A third
position is provided for connection of a stereo on-air monitor or other
external signal source.
4-82. The left and right program and audition monitor busses from
the mixer/line driver amplifiers are also connected to a separate sec~
tion of the front panel PHONES selector switch. A third position is
connected to the monophonic cue bus. From the selection switch, the
signals are routed through the PHONES level control to the headphones
amplifier, located on the cue/headphones circuit board. The stereo~
phonic signal is connected to both the front panel headphones jack and
to terminals on the sub-chassis. An external headphones jack may be
connected to these terminals, however the front panel jack should not be
used at the same time.
4-43, MUTING RELAYS.
4-44, The muting relay system in stereophonic consoles is identical
to the monophonic muting relay system described in paragraph 4-18.
4-45, POWER SUPPLY.
4-46. The power supply in stereophonic consoles is identical to the
power supply used in monophonic consoles and described in paragraph
4-22,
4-47, DETAILED CIRCUIT OPERATION.
4-48, MONOPHONIC PREAMPLIFIER.
4-94-49, The input level selection can be preset by jumper selection
to accept low-level (microphone) or high-level (Tine) signals. Proper
jumper selection (refer to drawing 906-7112 in Section VII) must be made
Prior to operation. The first two preamplifiers of all 150 series con-
soles are preset at the factory for a low-level signal (microphone).
The remaining preamplifiers are preset for high-level signals.
4-50. The left input signal is input to the preamplifier circuit
board on pins 16 and 17, The right channel input is not used. The
signal is input through the jumper progranmable attenuator pad consis~
ting of R1, R2, and R3. Ferrite bead choke L1 in combination with ca-
pacitors Ci and C4 provide RFI protection. The signal is then applied
to differential amplifier Ql and Q2. Ql and Q2 provide conmon mode re-
jection and initial amplification, The base of Ql and Q2 is maintained
at approximately +14V dc, which is one-half the supply voltage. The
one-half voltage regulator system consists of Q15, R41, R44, R42, (24,
C23, R43, and C25.
4-51. The signal from the collectors of Ql and Q2 is applied to IC1
for further amplification. The output of IC1 will drive complimentary
transistor pair Q3 and Q5. These transistors provide the output signal
for this stage. Capacitor C7 and resistor R12 are feedback elements
which set and limit the gain of this stage.
4-52. The output signal is coupled through C10 to the front panel
fader and then returned to the circuit board through pin 12. From pin
12 the signal is applied to FET's Q6 and 7. The FET switches appear
off when the front panel A/P switch is in the center/off position.
Audio leaves the circuit board through pin 13 or pin 11 when the FET is
held at an epproxinately ground posit fon (the A/P switch operated to A
or P),
4-53. STEREOPHONIC PREAMPLIFIER.
4-54, Input level selection for the stereophonic preamplifier is
identical to that for the monophonic preamplifier. Refer to drawing
0906-7112 in Section VII for input level selection. The stereophonic
preamplifier may also be preset for mono or stereo operation by jumper
selection. All stereo amplifiers shipped from the factory are preset
for stereo operation.
4-55. The preamplifier circuit board accepts the left input signal
on pins 16 and 17 and the right channel input signal on pins 2 and 3.
Right and left channel amplifier circuitry are identical. Refer to the
description of left channel amplifier circuitry provided in paragraph
4-49,
4-56. MIXER/LINE DRIVER AMPLIFIER CIRCUIT BOARD.
4-57. The mixer/line driver amplifier contains two multiple-stage
amplifiers and isolation transformers to supply the console output. In
monophonic consoles two mixer/line driver amplifiers are used to provide
program and audition outputs. In stereophonic consoles four amplifier
circuit boards are required to provide the left and right channel pro-
gram and audition outputs.4-58. Audio is applied through L1 and Cl, the RFI filter, to the
input of the first stage amplifier ICL, The one-half voltage supply for
IC1 is established by Q9 and the associated resistors and capacitors.
The output of ICI drives the power amplifier comprising Ql, Q2, 03, CRI,
CR2, and CR3. Feedback to establish the gain of this stage is provided
by Components C5 and R3.
4-59, The output of this amplifier is coupled through C7 to pin 3
and a front panel MASTER gain control. The signal is then returned
through pin 5 for final amplification. The signal is fed to differen-
tial pair Q4 and Q5 and operational amplifier IC2 which drives the
second power amplifier (Q6, Q7, Q8, CR4, CR5, and CR6). Gain for this
Final stage is determined by Ri6 and R18 in conjunction with gain bal-
ance control R17. R17 permits the matching of the gain of the two or
four mixer/line driver amplifiers. The output is coupled through C13 to
transformer Tl. The pin 17 output signal is bridged from the primary of
TL to drive meters, headphones, and monitor amplifiers.
4-60. MONO MATRIX AMPLIFIER (OPTIONAL-STEREO UNITS ONLY).
4-61. The left and right program signal from the mixer/line driver
amplifiers enters the mono matrix circuit board through pins 1 and 3
(refer to drawing (906-3602 in Section VII). The signal is applied to
level balancing controls R1 and R2. L1 and Cl provide RF protection.
ICL is the first stage amplifier and drives transistor 3. Q2 and the
associated circuitry provides the one-half voltage supply for ICl.
Transistors Ql, Q3, and Q4, diodes D1, D2, and 03, and the associated
components act as the line driver for the circuit board. The output
signal from the emitter of Ql is coupled through C7 to 1:1 audio output
transformer Tl.
4-62. CUE/HEADPHONES AMPLIFIER.
4-63. 5M150/8M150 CUE/HEADPHONES AMPLIFIER/STEREOPHONIC MONITOR
AMPLIFIER. Refer to schematic C906-7111 in Section VII for the follow-
ing description. The circuit board is made up of two identical amplifi-
ers, one for cue audio and one for headphones audio. Only one amplifier
will be described.
4-64. Ic2 is a self-contained +18V regulator providing power for
dual audio power amplifier IC1. The audio signal is coupled through L1,
R1, and C4 to the input of IC1. LI, R1, and C3 forma low-pass filter
providing RFI protection. R3, R9, and C9 are used to help establish the
required one-half voltage for IC. Pin 7 of IC1, R4, R5, and C5 provide
feedback to establish amplifier gain, The output of IC1'is coupled
through de blocking capacitor C6 to the monitoring function output (cue
or phones).
4-65, 5S150/8S150 STEREOPHONIC CUE/HEADPHONES AMPLIFIER. Refer to
schematic €906-3606 in Section VII for the following description. There
are three identical sections to this amplifier circuit board: left head-
phones, right headphones, and cue, therefore only one section of the am-
plifier will be discussed.
4-14-66. Voltage regulator YR1 supplies +18V de to IC1 and IC2. The
audio input is coupled through RF filter L2, R2, C4, and attenuator R3
to the input of IC2. R9, R10, and C3 help establish the required one-
half voltage for IC2. Gain is set by R11, R12, and C9. The output of
1C2 is coupled through C7 to pin 3 of the circuit board. One-half of
ICL is not used.
4-67. 10 CHANNEL CONSOLE CUE/HEADPHONES AMPLIFIER WITH TALKBACK
FEATURE. This amplifier is used only in the 10M150 and 105150 audio
consoles. Refer to schematic C906-3706 in Section VII as required for
the following discussion.
4-68. Headphones Amplifier. The left and right channel headphones
Cireuttry ave Tdentical, therefore only the left channel will be dise
cussed. The selected signal from the PHONES selection switch is applied
to circuit board pin 14 through the PHONES level control. The input.
signal is coupled through RF filtering and attenuation components L2,
R2, C4, and R3 to the input of U2. Gain is determined by R11, R12, and
C9. ‘The output of U2 is coupled through C7 to pin 3 of the circuit
board and the front panel headphones jack. VRl is a self-contained +18V
dc regulator providing power for U2. R9, R10, and C3 connect a half-
voltage bias reference to U2.
4-69. Cue Amplifier. The remaining amplifiers on the circuit board
provide amplification for the cue and talkback systems. When the TALK
BACK SELECT switch is in the OFF position, the cueing function is
enabled.
4-70. The output of the CUE level control is applied to the circuit
board at pin 7. The signal is coupled through RF filtering components
14 and C23 to the non-inverting input of operational amplifier UIA. The
output of UIA drives a current booster consisting of complimentary tran-
sistors Ql and Q2. The output of the current booster is routed to the
console cue speaker through pin 1 on the circuit board.
4-71. Talkback Feature. When any of the TALKBACK select station
switches (1, 2, or 3) are depressed, that studio speaker becomes a mi-
crophone and is heard on the console cue speaker (refer to Figure 4-5A).
When the TALKBACK/TALK switch on the console is depressed, the console
cue speaker becomes a microphone and the console operator may speak to
the selected studio (refer to Figure 4-58).
4-72. In the listen configuration (refer to Figure 4-5A and the 10
channel schematics in Section VII as required), the output of the studio
speaker is routed through the TALKBACK SELECT switch and the TALKBACK/
TALK switch*(not in TALK) to pin 16 of the cue/headphones amplifier cir-
cuit board. The signal is applied to the non-inverting input of ampli-
fier UIB through RF filter L1/C6. A signal gain of 100 dB, established
by R22, C17, R23 and C21, is applied to the inverting input of the am
plifier. The output of U1B is returned to the TALKBACK SELECT switch
via pin 12. The signal is routed from the TALKBACK SELECT switch to the
front panel CUE level control and is then returned to the cue/headphones
amplifier circuit board through pin 7. The signal is applied to UIA and
QL and Q2 and is output from pin 1 to the contacts of the K1 muting re-
lay. The signal is again returned to the TALKBACK/TALK switch and is
then routed to the console cue speaker.
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PRODUCT WARRANTY
UMITED TWO YEAR
‘While this wansanty gives Purchaser epocific legal ghis, which torminatetwo 2} years (one yee’ oncartidge
and blower metors) trom the date of shipment, Purchaser may also have other rights which vary state to state,
Broadcast Electronics, ine, (Seller) hereby warrants cartridge machines, consoles, and other naw
Equipment manufactured oy Seller against any defects n matoria or workmanship at tho tine of dslivery
therocf, that develop Under normal use win a period of two (2} years (one year for cartridge and blower
motors} fromthedate of shipment, as euch termis detined herein, Other manufacturer's and suppliers’ Equig-
‘ment and services, i any, including alactronic tubo, solid state devices, transmission ing, antennas, towars,
related equipment and ‘stallion and erection carvices, shall carry only such manutacturer's or suppliers’
‘andard warranty, Thie warranty sxionds ta the original see anc any subsequent purchaser during the war-
ranty paviod. Sella’s cola responsiblity wilh respect fe any equipment orparts not conforming to this warranty
isto replace such equipment or paris upon the raturn theraol FO.B. Sollr'e factory of authorized repair depot
within ho poriod sicrosstd.
In the event of replacement purevant to the foregoing warrenty, only the unexpired portion ofthe war-
ranty fern the time af she orginal purchase will ramain in effect for any auch replacement. Howavar, the wat-
ranty patiod willbe oxtandiad forthe length of ime that Purchasers without the services a! the Equipman: duo
{fo fe being serviced pursuant to this watranly. The fers ofthe foregoing warranty shail be null and void ftho
Equipment has bean aitored or repaired without specie written authorization! Sali, ort Equipmentis oper-
ated under environmental conditions or ctcumstences cther than those specifically descriuedin Sellar’spros-
Uc Iterature or instruction manual which accompany he Equipment, Sellar shall natba liable for any axpanse
of amy nature whatsoever incurted by the original user withcut price witlen consent of Soller.
‘Selia shall not be lable to Purchaser for any and ail incidental or coneaquertial damages fer breach cf
elther expressed cr implied warranties, However, some stailes do not allow the exclusion or limitation of iro
‘onta! or consequential damages, 60 the above limtation or exclusion may not apply to Purchaser. Al ex-
press and implied warranties shallterminate atthe conclusion ofthe pariod sat fortinerein. Any cardwhich is
‘enclosed with the equipment will bo used by Sailer for survey purposes only.
ifthe Equipment is dascrined as used, sold as sand whareis, f the contract covers equipment net
‘owned by Sellar at this date, iti sold subject to Seller's acquiskion of paseession and tits,
EXCEPT AS SET FORTH HEREIN, AND EXCEPT AS TO TITLE, THERE ARE NO WARRANTIES, OR
ANY AFFIRMATIONS OF FACT OR PROMISES BY SELLER, WITH REFERENCE TO THE EQUIPMENT,
OR TO MERCHANTABILITY, FITNESS FOR & PARTICULAR APPLICATION, SIGNAL COVERAGE, IN-
FRINGEMENT, OR OTHERWISE, WHICH EXTEND BEYOND THE DESCRIPTION OF THE EQUIPMENT
‘ON THE FACE HEREOF.
BROADCAST ELECTRONICS, INC.
4100 Nosh 24th Street, P.O, Box 9608, Quincy, tNinals 62805
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