by DANNY BEGELMAN and ‘ALEX HOUTON 1G SHOT 10 CLOSE TO THE BORDERLINE 22 «DON'T ASK ME WHY 26 THE ENTERTAINER 17“ EVERYBODY LOVES YOU NOW 32 11'S STILL ROCK AND ROLL TO ME 48 A MATTER OF TRUST 40 MOVIN’ OUT [ANTHONY'S SONG) 53 ONLY THE GOOD DIE YOUNG 60 STATE OF GRACE THE STRANGER THIS IS THE TIME 73 WE DIDN'T START THE FIRE 94 YOU MAY BE RIGHT 104 Notation Legend EMI MUSIC PUBLISHING HE Leonard Publishing Corporation iemound Road PO. Box 13819 mate,Intro ‘Moderate Rock ¢ Gem" Fa Big Shot Words and Music by Billy Joel G) (Em) ‘Yeah, (2ndume) Copytight © 1978, 1983 IMPULSIVE MUSIC ‘his arvangemert Copyright © 1992 IMPULSIVE MUSIC Al Righta Controied and Admiistored by EMI APRIL MUSIC INC, [AI Fights Reserved. Inleratonal Copysht Secured Used by Permission @ 1, Well___ you went 2. And__ they wereup - town rid-ing in your lim-ou-sine with your fine Park Av = e = nue clothes, _ you had the all im~ pressed__with your Hal-stondress, and the people that you know at Elaine's, and the Ry Fig Rhy. Fig. 1A em), © © Per- ig-non in your hand__ and the spoon up yournose.. 00. ‘when you of your lat- est success, it Kept "em so. en -ter - tained, ‘Abh, but _now you (cd Rhy. Fig. 1) (od Rhy. Fig. 1A)Ry, Figs 1 IA Em) © em @ ‘go on and, wake up in the mom ing with yourhead on fire and your eyes too blood-y to see just don’t re-mem- ber all the thingsyou said, and you're not sure that you want to know. I'll give you Em) © © ery inyour coffee but don't__ come bitch-in’ to me. Be-cause you had 10 be fone hint hon-ey, but you sure did put on a show. Yes, yes, you had to be 2 S% *Chorus © | big shot, didn"t___ you? You had to © = pen up____ your mouth. _ You had 10 be a | big shot, didn’t___ you? You had_— to Prove it to___ the crowd. _ You had to be a Gus ‘hy. Fy + Sing topline of yes 3d time @ big shot, didn't___ you? All your friends were so___knocked out. You had to have the | big shot, didn’t___ you? All your friends were so___ knocked out. You had to have the night; you know what ev - “ry-thing’s_ a - bout._ You had to havea night; (you're) so much fun to be___a-round. _ You had to have the last word ‘ast. last word asDouble-time © © © o © © G white hotspot light, you had tobe from page, you had to be Gu. No Ne (end Rhy. Fig. 2) fll rrr (ead Rhy. Fig 2) Alloese xh Interlude To Coda ® tempo Oy Em @ Em) @(Em) © © © © © o ty Fig,s Ohvob, oh, Whoa _ Ob, oh, Whoa@ oy = a Oh oh oh, whoa, Oh, oh, whoa, _ 3.Well i's {end Rhy. Fig. 3) = “es 7 3 Se ae ] : 4 = =a ee we (end Ry. Fi. 3) c = = — a a = oe ay — aw, — = = = = — = = Verse ee G (Em) (G) = SS “oes a == = SSS fo stick your two cents in__ if you know__ when 10 ea it astone._ But you went (Em) o o DS. al Coda =. F a == the line. _ youcould-nt see it was time to go home No.0, no, no, no, no, youhad to be a iF © © © eh, whoa, — Oh, oh, whoa.Chorus WR. Fig 2 (ill end) ® POY @ © Double time a tem © © o © oe” Oh, big shot, hey,@ © Double-time F c F © Fade out oh,Close To The Borderline Words and Music by Billy Joel cs CES FS ChiGt rte |B clm, tm rive Tao Moderate J = 188 j rites Ded 3 ee “ eiT 10 TIM Fou.1 Ry. Fg. Minis Minn moss | a = = lec cing 4 letring levring == leting ——4 writ cs. fT ja> FT]. > The When you for-ty- four cal-i- ber hom - i cide, _ 1. Blackout, heat - wave won't buy you much fate -Iy on the street these days. —_ 2.buck three - eight - y Copyright© 1979, 1980 IMPULSIVE MUSIC ‘This arrangement Copytight © 1992 IMPULSIVE MUSIC All Righis Contolied and Administered by EMI APRIL MUSIC INC. AI Fights Reserved Intemational Copyright Secured Used by Permission 10wy. Fil | cs bs os bs | hy FUIp+ FT3a+ IT Ibs bat ————— ee == 7 = x Ss —S—S 3 bums drop dead, andthe dogs go mad in packs on the west side. Oo can get ga5, you know, you can't drive fastan-y- more on the park ways AS cs Tim Wim sfT4>+ TI), young gitl stand-ing ona ledge looks like an-oth-er su = i She wants to "Rich man, poor man," either way A - mer-i-can shoved in - to the lost and found. _ The why. Fl Gs, Gs FIdb+ FT 4d > FT Jb db bs hit those bricks ‘cause the news at six got-ta_ stick to @ dead - line. While the no nukes yell,"We're gon-na all go to hell with the next big melt down.” I got re- w/Ry.Fl2 Ove ES Ds CHAS ie = fhy ‘wiRhy. Fill Ot fly 3 2 Fir » Fs tacked by a kid with ste-re-o sound. 1 don't want to hear it, but he won't tum down, real close friends that are get- tin’ me high, ‘They don’t know how to talkand they ain’t gon - na try, Ry. il? Rhy. Fl Geeciict Fim Fix 2 Fiv 2 J J o Life is tough but it’s just © - nough__ to hold. back the tears un - til it's I should-n't bitch, I should -n't_ ery. Td sat arev-o- lu tion, but 1 wit. Fld Om DS 4 a ss = bs = —_” clos - ing time, 1 sur- vived, I'm still a-live, but I'm get- ting don’t have time. 1 don'tknow why_ I'm stil a nice guy.but I'm get- ting (cod Ry. Fig 3) why Fes 118 doy 2 AS Ds cs os close to the bor-der line, Uh huh, close to the bor- der line._ Bridge AS Ds GS DS bom Cim ad Uh huh, 2. Ob, a T thought Pd sac- ri-fice__ so__ D ctm —— man y____ things. ___ 1 thought I'd throw them all__ ae cim FAS FASE way. I did-n't think I need - ed an-y~ thing. ‘Ab, but you can’t Rhy. FL ‘Gi? 12Ds ES a —— af ford__ to squan - der what you're not pre-pared__ 10 pay, Guitar Solo why, Fig. 2 AS cs A wo, wo, wo, wo, wo, wa, WO, WO: Gu | os 1a bs os NADRADR ADARDAD AN hee <— git seep op —————— ee oe SSS SS we 2 ag VW la fa fl 13Gs Ds Gs bs by ans 2 om om aN I need a doc tor for my pres-sure pills. I need a law-yer for my med- i- cal bills ES Fis D AS = —— I need a bank-er to fi- nance my home, But I need se-cur-i- ty to back my loan. 14ES cHiGt Fim Eg It is n't new what I'm go- in” through, but ev "ty - bod - y knows you got: Ds AS Ds ES break some time. An-oth- er night I fought the good fight, but I'm get- ting Rhy, Figs 1 & 18 substitte why. Fils as Ds Gs Ds fer 10 the bor -der line Close to the bor - der tine. | fall Uh huh, Close to the bor-der- line. _ fun ‘ut Ry. Fils 15“ Ds G D oD Closer to the bor-der tine, — Gx, 2 Rhy. Fig. da Teri “w Ds GbpG Db Ww why. Fig. 4 4 (un fae) ed Ry Fi 8) leering ---4 let rng = (cod Rhy. Fig 4a) ano letring — 4 Ftring Ds G DG DO —— huh. Clos- er 0 the —bor- der ine To the bor- der line, ps GpoG DO Ds G DGD to the bor- der line Ant Ooh! 16Everybody Loves You Now ‘Words 'and Music by Billy Joel c FIC, Dm? F Em Dm cre = fe he D7 Fim) . a er Stet Rock J=132 Passe € Bic Be ic} Verse 2 Dm? 1 Ba = by, all the lights are turned on _ you, 2. You can. walk a-way from your mis - takes, F c FIC ic FIC cl now you're in the cen-ter—of___ the stage, you can tum your back on what__ you do. Dm? Ev = ry-thing_re- volves on what you. do, ah, Just alittle smile is all it takes, yeah, © PIC FIC > (end Rhy. Fig. 1) moss soos you are in___ your prime you've come of age, _ And jyoutcaa) navel your!cake 21 and | Test 1 uvool And Conyioht 197,190) MPULSIVE MUSIC TH 121892 IMPULSIVE MUSIC stared by EMI APRIL MUSIC INC. nal Copyright Secured Used by PermissionChorus F Em Dm Catype2) Re J J J J DCASCHSIAs you can al - ways have your way__ some - how, “cause lone = li-ness_ will get. to you some how, but Faype2) THs SA FAST: 1. Ah, they all want your white bod -y- 2. Ab, you know that nothing lasts for : ever. Bb FA c ‘And they a - wait your re - ply. And it's all been done be - fore, Bb Em Im Tm 6 hm: Ah, but be - tween you and me and the Sia ten Is - land Ah, but you ain't got the time to got Cold Spring _ 18Am Caype2) D7 Fin(maj7) LVI) FT . . (after nd Brg Verse c 3.All the peo - ple want to know your name, 4,Close your eyes when you don't want_ 10 see, c soon there will___ be lines out - side your door. stay athome_ when you don’t’ want to 20, Feel- ings do.—not_—mat- ter in your game, yeah ‘cause on-ly speak to those who will a= gree, yeah, andic So your Ah, 5 4 PACA and but DS. al Coda pce Fe 0c) in Sma Foype2) Sp. mo mor ‘ry bod - y loves you now. = try bod = y lov no Coda Verse § See how all the peo-ple gath - er "round, ahc it__ a thrill to see them crawl? sae SS oe Keep your eyes ‘ahead and don't_ look down, yeah, and PST Pm Jock your - self in - side your sa - cred CATA I Ts I WOT s y - bod y. loves you cnc oc re oc Fe oc) OF OC Fc oc) FIC OC riceaeC > Rn Sn iDon’t Ask Me Why Words and Music by Billy Joe! BS Eb = m7 BHD. c FC, o Gm, BHF Emmis ESF G com gy Rm Intro. Moderate J=98 Guitar Capo 3 fet Bb, EWBS + phe a 2 Eup) Bi : Bp ar TTT AST be ITT ISI DS? 6% Verse cm? % mp 5 a i, ¢ io i. Lal the wait ers in your grand ca fe 2.All your life you had to stand in line. 3d. See addtional iris Catype2) mi nm n.ewsT od: leave Still their ta bles when! you're ing on you your stand Copyright ©1980 IMPULSIVE MUSIC ‘his arrangement Copyright ©1992 IMPULSIVE MUSIC ‘Rights Adminsered and Contoied by EMI APRIL MUSIC INC. Al Righis eserved Intemational Copyright Secured Used by Permission 22Amos Tr nT. blink. Ob, vo. dog feet. Oh, at your choie~ Bhoocmz BD FIC Catype2) SI) Js I773 Jd—~SI J FD: Ems ToCodolT® py EAB} By Foo who, don’t ask me why, To Coda l ® Es B Eps B wh B Savi hs TW bs ITT MMCoda L F Gutype2) Gutype2) Coda 1 © BE EBs Bb EyB) Bs ITIL] 1—JT] 1 $1 J7]: Piano Solo JDIISD by 2 1 2 —_) ITT eee Se D.S.S. to 4th Verse al Coda II EMS lenin a7 d 4 J Iij + EvB)__Bb Evy} Bb ENB y STILT) + STILT] STTLSTI: Don't ask me why” ERS BS ESB) Bo IT1+ ITTLITI+ SITWTI: 2 Verse 3 All the servants in your new hotel throw their roses at your feet. ‘Oh, foo! them all, but, baby ean tell you're no stranger tothe street. Don’t ask for favors, Don't tlk to strangers. Don’t ask me why Verse 4 Yesterday you were an only child. Now your ghosts have gone away ‘You can kill hem in the classic style Now you "parlez vous Frangais™ Don’t look for answers. You took your chances. Don’t ask me whyThe Entertainer Words and Music by Billy Joel ae Ee an eT Intro Moda Rock J = 104 (Pay 3 mes) Sta, TRATIT fOTLITT SRS TL Verse ‘w/il 2 (2d ime ony) DTT RS LAT TTT SLT LI am the en - ter - tin - er and 1 am the en- ter - win - er and I've 3. See aditional lyrics + Gu. 2 Grd ime ony) Rhy Fig. 1A mmf isle snd Nangee * pedal tel ga. org Tea IFS au I an- oth- er ser- e - mad - er and an - know just where I____ stand, I did not know at first I ‘wilde and Manger ad. slide = pedal wee gr er orn Copyright® 1974, 1975 JOEL SONGS. This arrangement Copyrght © 1982 JOEL SONGS [Al Rights Contoled and Administered by EMI BLACKWOOD MUSIC INC. 26 AIRighis Reserves. Intemational Copyrght Secured. Used by PermissionGust SITS] 7 ITD = FIST oth er long - haired_ band. To-day 1 am__ your cham- pi - on; 1 learned by doin’ twice. (ah) But still they come to haunt me, Csus2€ Cmaj7 TSBscrsam bes oA a may have won_ your__ hears But I know the game you'll for-get__ myname, and I still they want their say. So I've leamed to dance with a hand in my pants and I Am c maj? D (end Rhy. Fig. 1) FITS START OTT OPT OFT won't be here in an- oth - er year if 1 don’t stay onthe charts. rub my neck —and-I write ‘em a check and they go their. merry way’1 Fit (ste only) earaanee Ooh, 21 3.1 why. Fig. 2.2 times) SF slostise am the en - — ter-tain er; 1 bring t0 you__my___ songs. ra am the en = ter- twin + er 1 come 0 do__my___— show. You ide and anger pedal eel gar for,like to spend__ a day___ or two; T can't stay that Tong. No, I've heard = my Tat - est re - cond it’s been on the radio. Ah, it G Gust c Csus2 oc got to meet_ex - pen__ ses, Tye got to stay in line, Got-ta took me yearsto write it; they were the best years of my life, Tt was a cmaj7 Cmaj7 get those fees to the a - gen-cies_ and I'd love tostay,_ but there's bills to pay, so. T beau-ti - ful song, but it ran too long: if you're gonna have a hit, you gotta make it fit so they ‘wikhy. Fig. 2& WiFi’ D G Jjust_ don't have the time, ___ 5.1 cut it down to 3:05, 2, wiRiy. Fig 22 times) G Rw 32 umes) Verse wR, Figs 1A E c G fam the en - ter-tain - er, the i- dol of my age. I make all kinds_ of mon- ey when Gsust c cus ¢ 1 go on the stage. Ah, you've seen me in__ the pa - pers, I've been in the ma - ga-zines;_ but if. SF wio slideCmaj7 D Am © Cmaj7 1 go cold Iwon't__ get sold I'll get put inthe back in the dis- count rack___like an D 6 oth - er can of _ beans. 71 Verse wiRy, Fig 1 1A G : FI J 4 EBEPD am the en - ter- tain - er, and know just where I__ stand. An oth er ser-e - mad - er and an- 1 SB = 2—~F J t Ts ATA a may have won your hearts. But I know the game;_ you'll for- get my mname._ I Cmaj7 won't be here in an-oth - er year if 1 don't stay on the charts, _ keri Gse ft «# _ 2 — oo a= S rt wo hie 9 FRA FP 1 Cae a eee ee Verse 3 Tam the entertainer; been all around the world, I played all kinds of palaces and laid all kinds of girls, [can't remember faces. I don't remember names, ‘Ah, but what the hell, you know. it's just as well, “cause after a while and a thousand miles, it all becomes the same. 31It’s Still Rock And Roll To Me Words and Music by Billy Joel Intro Moderately Fast ShutMe Feel (JJ = J ort NCO mf PM. Verse NCO, © 0) | 1, What's the mat - ter with the clothes I'm wear = ing? Can't you tell that your tie’s too wide?_ Rhy. Fig lox [Fr © oO © May = be I should buy some old tab col = lars. Wel- come Copyright ©1980 IMPULSIVE MUSIC ‘This arangement Copyright ©1992 IMPULSIVE MUSIC Al Fights Controled and Agranistered by EMI APRIL MUSIC INC, AIRights eserved Intemational Copyright Secured Used by Permission© wy oer 2. the age Rhy. Fig ta Fai I~ DA JJ emer Where have you been hid - in’ out late - lyhon- ey? You can't dress—trash - yy till you Rhy. Fig.20(end Rhy. Fig. 1) aM be pe spend a lot ofmon - ey. Ev - ‘ry bod- y's talk - in’ ‘bout the new sound. Fun - ny, but it’s aL aN. ~ (end Rhy Fig. 1) (end Rhy. Fig. 2)Verse SS wrty. Fie ic q Bb ose Fyre peor Tire peor Jrkt pe 2, What's the mat - ter with the car I'm driv - ing? Can't you tell that it’s out of style? 3. How —a-bout a pair of pink side - wind - ers anda bright or - ange pair of pants? Rhy.Fig.3 ©, G e Fie deo Sdvr peor Sire he Should 1 get a set of white - wall tires? __ Are you Well you could real - ly be a Beau Brum - mel ba - by, if you wR. Fill (end Rhy. Fig. 3) F. Soar De e Dov pe mene nan Em Am gon - nacruise the Mir - a-cle Mile? Now - a-days youcan’t be jut give it half a chance. Don't waste yourmon-ey on a Substte w/hy ill 2 (Gi.2) Em D c c too sen ti-ment- al Your best bet's a true ba - by blue Con - ti-men - tal, new set’ of: speak - ers. You get more mile-age from a cheap pair of sneak - ers me Hot funk, cool punk, © - ven if it’sold junk, it's still rock androll, = tom Next phase, new wave, dance craze; an -y-ways it's still rock and roll, = tome. _ hy. Fl Rhy. Fl? Gur2 Gu2_Bridge Rhy, Fig. 4a GS c o2 et Sr pe pe dh To Coda ® it does = n't mat - ter what they Gite Rhy. Fig. ee ee eh Lh UL he Sh the pa - _ pers,"cause = waysbeen the same | ‘There's new band in town but youz pe D2 f et the sound, Ab Eb > s s= s soe a i =—S aimed at ~=syour av -er- age teen. Gitype2) DS. al Coda cee Cad Rhy. Fig. 4 F6 (end Ry. Fig =Coda Sax Solo © wnhy. Figs 44a F 7 nat Gs Verse ‘Why. Fig. 1 (1st 16bars ony) N.C(C) @) (Bb) 4. What's the mat- ter with the crowd I'm see ~ ing? Don’t you know that they're out of touch? _ iy. Fig 3 © ic s = Well, should I try to bea straight «= "A" stu - dent? Ifyou wy. Fl why, Figs, ta & 2s (1st 8 arson) Bb F Em Am are, then you think too much. Don't you know a-bout the Em D G new fash - ion, hon- ey? All you need are looks anda whole lot - ta -mon- ey. It's the c Em Bh F Am G next phase, new = wave, dance. craze; amy ways it's still rock and roll, © tome,{tT Ev = ‘ry-bod - y's talk = in "bout the NCB) @ co new sound, Fun - ny, but it's still rock ‘nw roll = to meMovin’ Out (Anthony’s Song) Words and Music by Billy Joel Ag a Rg a ee a Be ela iH Intro ‘Moderately slow J = 67 = (end Rift A) (© 1977, 1981 IMPULSIVE MUSIC This arangement Copyright © 1902 IMPULSIVE MUSIC All Fights Administered ard Contalled by EMI APRIL MUSIC INC, AI Righis Reserved. Intoraional Copynght Secured Use by PermissionwRy. Fig 1 RATA Dm Bb LAn - tho ny works inthe go y store Geer geet 0 Court tny tiv walk the beat, c ce & = = = = = ee sv > i” is pen = nies for some - day night. he becomes, «8a = ten der Dm Bb fe — pp py pe —- =—— Ma - ma Le - 0 - me Ieft & —noteon——the door she said Mis - ter Cac - cio = tor = i's down on Sul - ‘i - van Sweet, c ct F = = =e = = = ———S Son - ny move out tothe coun = ty Ah, but ‘ross from the med pee een tet ear Yeah, and he's Ry, 1 & Dm or = = —_ = SS work - in’ too hard can give you =a heart. at - tack, ack, ack, ack, ack, ack ad - in’ his chev - y for =a cad = sil = sta, a, a, ae, wc, wae Rhy Fil=~ Whoneedsa house _out in Hack-en- sack? Is that all you get for your mon - ey? _ | And it If he can't drive with a bro-ken back, fat Teast he can pol -ish the fen ders Gr Ri weer ~~ seems sucha waste of time, if that's what it’s all about. Ma- ma if that’s. mov in’ up than I'm. Gn A a a ee ere ren ses en rrr cea etre leering 4 letsing -=-+ letrngChorus WRty. Fig 1 & RITA & Ful? ATE, AT Dm BS c ce F = ov «in out. Mmm, I'm__ mov - in’ out (end RUT) (ond Rhy. Fig. 2) Dm Bb c c+ F ae = os — > =: = = SSS q — oh, mmm. - f= + 2 - SS ——— You should nev - er ar - gue with a cra - zy Ma ma- ma- ma- ma- ma Bb c es a = - ne 2+ $e fe ———=— em ees aap ore om You can pay_ You ought - ta know by rill2Rhy. Fig. 2. RTD Dm BS c ct F _——__ Un - cle Sam___with your o- ver time. Is that all you get for your mon -ey?__ And if BS c A Dm FIC that’s what you have in mind, yeah, if that’s whatyou’re all a bout, good _ luck _ Chorus Woy Fig. 1 RITA, & il 2 BS ATE aT Dm Bb — mov - in’ up ‘cause I'm mov - in’ out Mmm, 'm___ mov- in’ out._ subtiate wiFill 3 (Ge. 2) c ce F Dm Bb c oc F Mmm Ooh, th, mm. Das! Ds Gust. DA Aswst AS Duust_D Dsus? D ox. Sino TL Ta ry PL e ip’ forte) Dest DS Gust GG Asus AS DsustD J FW TT ASA TA I'm mov-in’ out Fila Gn? NNNwrits D Dsust DS Gut DA Asust AS Deust D — Dsust D (end Ru) (ens RC Gy. 2 Riel ae wikis C & CL (wo ade) Dsust DS Gut GD A Asust AS Dsus4 D Dsus? D D Dsus DS Gust G D A Asusd AS Dsus D Dw iD oS D Dsust DS Gsust GD A Asust AS Deus D Dsus —D irsA Matter Of Trust Words and Music by Billy Joe! ps Bm, Fim A Fim? Em, ee See _ Intro Moderate Rock J = 108 NC. — Verse writ cistime) (end Rhy. FD Ry, DS WF? nd time) Ds yo) oo POET OTS ae Bs ddd 1 Some love is just a lie of the hear, 2.Now I know you're ane - mo- tion-al girl, Ry. Fig. 2A ‘Gr Both a noes Sy PL Gu. Wee Fil Gea Wee Both ates vib Copyright® 1996 JOEL SONGS ‘This arangamon! Copyright © 1882 JOEL SONGS. ‘ni Rights Contoled and Administered by EMI BLACKWOOD MUSIC INC. AI EGNS Reserved” Intemational Copynght Secured Used by PermissionFim Jodo order Bs fo ade Boy fo vase the cold re-mainsof what be- gan with a pas - sion-ate start, And they it took a lot for you to not lose your faith inthis world, But A (end Rhy. Fig 2) DS JoJo order dst Lo rbr bd Jorba may not want it tend, but it will, it's just. a ques-tion of when. 1 can't of - fer you proof, ___ but you're gon-na face a mo-ment of truth. (end Rhy. Fig. 2A) wiRby. Figs. 2 & 2A, T've fived long e - nough to have leamed the clos -er you get to the It's hard when you're al- ways a- fraid: you just re- cov - er when an - Fim A fire the more you get burned, But that won't ap- pen tous, __ other be- lief is be- trayed.___ So break my — heart if you must: pF DS_wrty.Fig.1 Bm “cause it’s al- ways been a mat- ter of trust. Dore 47SS Bridge (nd Rhy. Fi ~_ (end Rhy Fig. 3) B)oprde dd 2 Tato PM, thoughout _ its a mat-ter of tut You can't g0 the 2. sure you’ fe G3 Rhy Fig. 3A (end Rhy. Fig. 3A) Gud Fim" mmo an ny dis tance with 00 ‘much ware, love, we both had our share of letring -----4letring- Snow hoo oh know you have doubts, but for God's sake, don't shut me out lev - ing too long, when the whole sit u- a- tion was wrong Ry, Fld ‘Verse a in DS wikhy. Fig’s. 24 24 (times) Bm Ds 3.This time - you've got noth - ing to lose. 4.Some love is just a lie of the soul, Bm Fim You can take, if you can, Leave it, what-ev - er you choose. I a constant bat- tle for the ul - ti- mate state__ of con - trol, AL- ter A bs won't hold back an - y ~ thing and TH walk a- way a fool or a king. you've heard lie up - on lie, there can hard ly bea ques -tion of why. _ Ray. Filt 5 By. Fil2 Gu? Gt oes DS mt— Some love is just, a lie of-the-art, Bm Fim ite make be - lieve un- til it’s on ty a mat = ter of time. the cold re - mains of what be - gan. with a pas. -_— sion - ate start, _ A _ ‘And some might have learned to ad = just but that it _ But that can't____ ap = pen tous, cause it's To Coda ® Guitar Solo Ds. Rhy it's 2 & 2A (st 6 bas only) Bm al - ways been letrng == letring fatA wihy. Fig's 334 DS. al Coda ° sw/Rhy. Fig (uni end) Bm iio | al - ways been a mat - ter oof trust.ps Bm Ds “Cause it's al- ways been a mat-ter of trust. _ = us Bm ps Fade out usOnly The Good Die Young Words and Music by Billy Joel Hol MM ontera GC Gonna ‘pe Feet: Poot iw si ow 7 Verse Rhy. Fig 18 (2nd time only) wap oe Koo oo: you Cath-o- lie girls stan much _ Come out Vir= gin ia, don’t let me wait heard 1 run with a dan ger- ous crowd, We ain't. too pretty. We Ry Fl Sn a oe Gum c Oh, but soonser or lat - er it comes___down toate. We might be laugh - ing a bit too loud, but Rhy. Fill G Copyright© 1977, 1978 IMPULSIVE MUSIC ‘This arrangement Copyright © 1992 IMPULSIVE MUSIC At Rights Controlled and Admanitored by EM APRIL MUSIC INC. AURights Reserved. Inlomational Copyright Secured Used by Permission 53Ry, Fil2 Cd ime only) hy. Fi. Frogs Ge (ead Rhy. Fig.) F G Well they showed you asia, told _ show might aswell be the one. nev er hur noone, Come on. Vir gin ~ ia Gwe Rhy: Fig. ta St jon a pays they built’ you. a tem-ple and locked you~ way. Ah, but me a sign, send up. a sig- nal Tl throw___ you a line. The things that you might have done. _ they never told you the price that you pay. for stained glass.-—=scur- tain you're hid - ing be~ hind __ ne -ver lets in the sun. (end Rhy. Fis Rhy. Fld Gu.SS Chorus Ry. a2 stile w/Rhy, Fill 3 G Well, on- ly the good young, Darling, on = ly the good young. —________ Gu. 3 ——————— Rift 2a Foon Goon ia Tami m7: kw) TT 3 On -ly the good That's__ what T said To Codal ® Fo rio Aan: _————__ ly the good die young. __ die young. on hy. Fills SS ——————————— G7 IP (end Ry. F2) Gon mmnT’ name: Tk: - | 2. You___might of heard __ You gota nice white dress and a Fore Toe. Imo: on. got a brand __ party on your con - fir- ma - tion. D Fons TITAS TTT ASTI tito new soul Mm and a cross of gold, Gop Fos Ray. Fig. 3) z = J t= ~ = ~ Well, Vir - gin -ia, they did- n't give you quite enough in - for- ma - ift3ation, You did n't count on me man nm TTT T when you were count-ing on your 10 - sa- Ty. 3,.Whoa, whoa, whoa, and they say__ (end Ri SESE Verses 3&4 . W/Rhy. Figs. 1 & Ta (It 7 bars only) F G c F there's a hea ven for those who will wait And some say i's bet- ter but T__ 4, See addtional Ieries say it ain't Td rath- er laugh with the sinners than cry with the saints; the wy. Fl 3 Gus. 1&2) To Coda ll @® F G DS. al Coda sinners are much more - fun, You know that on - ly the good___ die‘Saxophone Solo G oom Fon ITTI To ws = Te Coda e (simile) F “Said your Bridge 2 why. Fig 3 RIES G F —~ tion, Oh, she nev - er cared forme. Does she ev - er say @ prayer for ___ me? 4.Whoa, whoa, whoa, come out__Coda I! Chorus @@ wmRhy. Fig. 24 Rif 25 ul fade) c F G young. Tell you ba - by. you know that on - ly the good die 0G € ~: good die young. On- ty the good ___ ooh G c ae ——_ ie ‘young. ‘Ooh ooh, ooh, ooh, ooh, ooh, ooh. ‘ooh. On- ly the good de young on- ly the ‘good die young. __ Ooh, Verse 4 Come out, Virginia, don't make me wait You Catholic girls start much too late. But sooner or later it comes down to fate T might as well be the one.State of Grace vest hy Em do A Gt oF Dm Bb Bm7S —E_ Amaj9 DFE Fém aa fe Ee OT 56 Daj? Efsust E7 EUR dim? AE BIDE Intro Moderate Rock J = 188 ae Joos Too. ino Ings * piano ar. for gu. Bm7ks Amaj9 Amajo DIFE (cod Rhy. Fig. 1) 5A Toh Poe TT 5S Verse Ray. Fig 1A. A w/Rhy. Fig 12 cies) Gt orp eS 2 vs 1. There you go, slipping a~ way in- t0@ state of grace,_ 2.there you go, slipping a- way in- to 2 state of grace,_ Oopen Dm Bb Bmib5 E : . i J T know the look thatcomes a - cross your face, its so fa mil - iar me, Granted, this world it, not a per ~ fect place: __ still, i’s the world that I'm in, (end Rhy. Fig. 1A) wry, Fig. 1A Amajo A Ama A bu hy Copyright © 1989 JOEL SONGS: ‘This arrangement Copyright © 1962 JOEL SONGS [A Rights Controliad and Reminstared by EMI BLACKWOOD MUSIC INC. 6 AVRights Reserved. Iniematonal Copyright Secured Used by Permissionzr = SS —— f= —— SSS uy = ing to keep you in my ine of sight, talk = ing while you don’t hear = a word Tay. Bs ee neve ert te cer aetna yon ttre me right Know - ing you're watch ing me from—far a= way, Bmrs E Amajg A Amajg Dirt To Codal® why, Fill some-times you don't__ want to see Here we are, some where that I've nev - er been. Don't you 56% Bridge wy. Fil 2G times) Fim 6 Dmaj7 sol SISIJ 1 STS 2 JI S73 — >> both of us know we're in love, but — ‘get you to state where you are, letcng Ry-FL Gag Ri Fi? 61i on Tons i nn: i that isn't al - ways e~ nough, 1 ne- ver could__ ise keep you from go - ing too far. Hold-ing you here__ isso Ry, Fi3 To Coda 1 ® Dmaj7 E7sust E DS.al Coda I d Ii F713 1 3 Td] Bridge 2 eo" 57 * Tons J ons J ons see, youlived a diff - ‘Tent life from me. Ry. FINS 624 J2I391i 3 FIT) 4 Ji sa. fraid of + = =] a = = + = . Guitar Soto E7sust E? A : a] . . a . not the same: don't leave me now. But dar- ling there you go, ons pct F DmBy Bm75 wor gE 12, Se, Amaj9 A Amaj9 DIFt D.S.S. $9 al Coda Interlude Coda Il with. Fe 1 oo in Gt F Dm Bb Bm7b5 E Amjo A Amajg prt Verse 3 Ry, Figs. 1 & 1A ines) A EGE F There you go, slip- ping a- way in- toa state of grace, __ drift - ing a = way in = to your sa - ered Bmrs E Amajg A Amaj9 some - place that I've ne ver been.‘State mrs State Gt slip = Bmrs ping of grace. prt = way race. that Rhy. Fila Gu.2 ‘There F d you 20. slip- ping Amajo way. of Outro A slip - ping a wy, Figs 1 1A lend) ‘There you 20. substitute wy Fl 4 F state of Amajo race. __ birt way. Repeat and fade State of grace.The Stranger Em Dadd6 ae B DiFt GP7 Am.) AwG = AmE. a ByDt BL ACE BA Em? Am. Amaddtt) Cade”) 1, Gn? Opis? ger in. your fF o Ent o xen (end Rhy. Fig. 4) ae “a ST BIA STA cine : on. 2.Well we all _ Rhy. Fig Gus clean) Bridge 23. Em7. Em7(typell) Gmaj? GmMaj7 -DFe Aman Paes aS Gis t&s(acous)Gmaj7 GmMaj7 “DiFH | _ ev “ry - one_goes south ev - "ty -now_ and =D7(sus4yvA_DT Gmaj7 Gm? *DIF# *p7c *Gmaj7B ‘You'vedone it, why can't some-oneelse?, You should know_ by bf To Coda ® DS. al Coda °K pats) faa Fr bd. Gm7Bh+ now, you've been there_ your - self. 3.0nce 1 by * Denotes bass part 70Coda “Wt. Fe3 a2 B7(¥) Em? Am? Em? FAA. 1! self, 4. You may ne-ver un - der-stand_ how the stran- ger is in - spired, but he J J J » a SSS = = SS —— n't al- ways e-vill and he is____—not_ al’ ways wrong, Though you Em7 *amT drown in good in. - ten-Tions, you will -ne-ver quench the fire You'll give in- Riffs A& AI (bth Ist 2 bars only ‘peat unt crosade & Rhy Figs da cept unl erssfase . *AmT D B Em7 4 d J - to your_ de-sires__— when the stran - ger comes a - lon: cr Em? co oo ne Ohh Onn. Crossfade (1=74) Em7 a (ete..) D6 B7De 2 71Em? Dadd6 Cmaj7 B Drs Ame BDH Ace B BA Pano pays melody Rey Fg ant fade Em Dadd6 ‘Cmaj7 B = Cmaj7 E DFHGE?7 Am G Dire Ame, Verse 3 ‘Once I used to believe Iwas such a great romancer. ‘Then I came home to a woman that I could not recognize. ‘When I pressed her for a reason, she refused to even answer. twas then I felt the stranger kick me right between the eyes.We Didn’t Start The Fire Words and Music by Billy Joel osm ck em gs 2 OR FE ci sn. i a i a oe" i He Intro Moderate Rock J=144 Gui NC mt {snot stuck only (Notes in parentheses are fom repeating eco effet) RUA N, i od slight PM, slight PM. wy fa Copyright ©1989 JOEL SONGS ‘Ths arrangement ©1992 JOEL SONGS All Rights Controied and Administered by EM BLACKWOOD MUSIC INC. AAI Rights Reserved Intemational Copyright Secured Used by Permissionwnt A co bs aay cs tyre d a an wee a eit slight PM. 3 4. DJ 4. DJ J 4. dt 2 rhe 4. J letting ---~ Jetring “so-so 4 ad. bend (note fades in wifeedback) ‘a 74aes cs (end Rhy. Fig. 1 Dsttype 2) J. a) wet ti Sm “Fn 7d (x1 teoughow) | Har- ry Tru-man, Dor- is Day, Red_——Chi- na, John- nie Ray, arr Csitype 2) (od Rhy. Fig. 2) South Pa- cif ic, Wal-ter Win-chell, Joe Di-Mag- gi - 0. Joe Me-Car-thy, Rich-ard Nix -on, Dsitype2) ES cs Stud- e bak- er, Tel - € - vis-ion, North Ko - re - a, South Ko-re- a, Mar wy. Fill Em c G rth vdtood BY Lo DB Rhy. Ft 75% (Nene Rhy Fig 202 imes) & FL? cs ps ES 2. Rosen - bergs, H- Bomb, Su - gar Ray Pan-mun-jom, Bran - do, The King and 1, 2 Bud-dy Hol- ly, Ben Hur, Space Mon-Key, Maf- i - a Hu - la hoops, Cas- 0, and the Catch-er In The Rye. Eis- en-how-er, Vac - cine, Eng-land’s got. anew queen, Ed-sel is a mo- go. ui. 2 Syng-man Rhee, pay - 0 - la and Ken-ne- dy, ‘wit 31s time only) ES cs Ma - ci - an - 0, Lib- er - a = cy San - wy - an - a, good - bye. Chub - by Check - er, Psy == cho, Bel - gians in the © Con - go. Chorus Ry. Fig. & Rhy. Fill |(2ines) 2od ume subsite wiRhy. Fig. 32 times) cop Ds > We —did- n't start. the fire, it’ was al - ways bum___ ing since the Ny —<—<—————_, (Note fades in wiecdback) wer fallworld’s been tum = ing. We did n't stant the fie, no we eae es To Coda ® did = ont Hight it but we. ied to fight it Verse why. Fig. 2 (4 ies) & Fils Gs ps ES 3. Joseph Stal- in, Mal-en-kov,__Nas~ ser and Pro- ko - fi- ev, Rock fel- ler, Camp- a - nel - la, writs Com -mun = ist Bloe. Roy Cohn, Juan Pe - ron, Tos - ca - ni - ni, Da - cron, Dien Bien Phu Falls, Rock A - round The Clock. Fin - stein, James Dean, Brook -Iyn’s got a win-ning team, Da- vy Crockett, Pet- er Pan, El- vis. Pres- ley, Dis -ney-land.Bar - dot Bud - a - pest, AL + a + bam - a, Khrush - chev, wine Prin - cess Grace, Pey - ton Place oe Glee nc eet Chorus Rhy. Fig. (1st 7 bas only) a) ps We did - n't stat the fire, it was al - ways bum - ing since the Rhy. Fig. 3 world’s been tum = ing. We did n't start the fire. No, we (ead Rhy. Fig. 3) why. Fig. 3 78Bridge Am C5ttype 2) Em 4. Dt mm TT TI SIT I (PM, toughen) did - n't Tight it but_ we tried to fight__ it. Lit - tle Rock, Past er~ nak, Gea Dscaype 2) (ond Rhy Fie As ks : : Mick- ey Mantle, Ker- ou- ac, Sput - nik, Chou = En-Lai, Bridge On The Riv- er Kwai why. Fig Leb-a- non, Charles de Gaulle, Cal - i= for- nia base - ball, Stark wea: ther Hom -i- cide, fering = 73DS. al 4th Verse al Coda Ne. slight Pa, Coda ° Verse wy. Fig, 202 times) & Fit 2 Gs bs ES 5. Hem-ming- way, Eich - mann, Strang-er In A Strange Land, Dy - lan, Ber ~ lin, writs Bay of Pigs In- va- sion Lawsence of A-ra- bi- Brit- ish Beat-le- man why. Fig. 2 (st 3 bars only) & Fal2 ES cs GS a le Miss, John Glenn, Lis- ton beats Pat - ter son, Pope Paul, Mal-colm X,cs Ds ES ei em Brit-ish pol - i - tie~ ian sex, IF K. blown a- way, what else do I have to say? Chorus wiRy, Fig 1 & Rhy. Fig 3 cD Ds Em We —did- n't stat the fire, it was al - ways burn - ing since the cs. cD bs =a world’s been tum - ing We — did- n't stat the fire, no we Verse wikhy. Fig. 2 times) EmB cs. Gs n't light__ it but we o fight it Chi Minh, Rich- ard Nix- on back a gain, Moon - shot, Wood - stock, Wat-er-gate, Punk Rock.in, Rea- gan, Pal - e- stine, ter-ror on the air - Aya. tol-lah's in I~ ran, Rus-sians in Af- ghan - Wheel of For-tune, Sal ly Ride, Heav-y Met- al Su - i- cide, wR. Fig 2 (182 bars ony) y ES cs Gs For-eign debts, Home-less Vets, Crack, Ber-nie Hy- po- der- mies on the shore, Sun der Mar-tial Law, Rock and Roller Co - la Wars, 1 can'ttake itChorus wR. Fig. & Rhy. Fig. 3 (2 ties) co bs a 7 We did - n't stat the fire,__ it’ was al - ways bum - ing since the cs cD Ds world’s been tum - ing on us. We id= n't start. the fire, but when why, Fig, 1 (1st bars only) & Rhy, Fig. 3 EmB cs cD Ds we are gone will it’ still burn on, and on, and on, and on, __ and on, and on, and on, and on? why. Fig | (bas 5-8) & Rhy. Fig. 3 oD ps EmB We did - n't start the fire, it was al - ways bum - ing since the why. Fig. 1 (bars 1) & Rhy. Fig. 3 cs GD bs world’s been tum = ing. We did - n't start the fire No, we Repeat and Fade Em cs did = ont ight it but we tried: to fight itThis Is The Time Words and Music by Billy Joel BS aay, Bama? gO" BEN D7 ELE BA Ab6 Guus G7 Bed “HRD FRR TEE TR” fie ERE GRR TD AR” ids) BME Dm Am C™” AICHE Calg Gm7 Em. _A7. Bhs? Gb6 Fay FST RST Intro Moderate Rock J = 126 Ou Ow . : Bb Bb c Bbmaj7 BY ‘Bb ec c™ By'™"C Bbmaj7 me dt ob obs Ok ODS DI TIT s * plano ar for at On Ow vn Ba Bb c Bbmaj7 Bb Boc o 2 odd dL dd 30 SST TTI 1 5 Bc BH cm meet OOO Js on jinn ow.2 ™ TF vex nots vi both nots vi, eee (end Rhy. Fig 1) wR. Fig 23D ® both notes si, Copyright© 1986 JOEL SONGS ‘This arangament Copyrighi © 1992 JOEL SONGS ‘Al Fights Convoled and Acmiistared by EMI BLACKWOOD MUSIC INC. [AU Rights Reserved. Intemational Copyright Secured Used by PermissionVerse Why. Fig. 1 (times) F Dm? —— We walked on the NS —, ~~ | a a eu EB F beach be - side that old ho- tel sa a Dm? BB F down now, as well ‘ft Dm? Bb 1 have-n't shown you ev = “ry thing__ a PF Dm? ones) nn: 5, ons noo see *& Chorus (Half-time feel) 4 eel FIIs Fons tan: to re-mem - ber “cause it will not last for - ev- 1nns fons 3 nn:ANG 4 f1 773 but time is gon - na ais 2 F351 3 best of you, substtte wil 1 2nd time) To Coda ® ad (end Rhy. Fig. 3) wo my life Jono: change ckés) Ge 4 pd od and now I need the Double time Verse 2 wy, Fig. 1 times) Dm? Did you know that be - Inns You've giv-en me the BF F 4. > J-—_— rest of ___ you, B fore you came __ it was some Had of ___| — mir -a- dle that sor Some-day we will both look back and have to laugh. f ‘a Ry. Fig. 2 Dm? gb We lived through a life-time andthe af - ter ~ math, This isthe timeLLL LLL LL LL OLD A A LO AO A A Chorus (half-time feel) wiRy, Fig 3 FIA Bb B to re-mem = ber, ‘cause it will not last___ for = ev = F FIA Bb er. These are the days___________ to hold on =, “cause we won't BB F Bb al = though we'll want 1. This is the time, Ab GsusT a _ but time is gon- na change. T know we've got - 1a Ge ows) chs BE F move some - how, but 1 don't wan = ma lose you___ now. Bridge Dm: Am 31327 333 1 FF035 — Some - times it's so ea- sy to let a NCE, 390m) Fis FT mNn: —— day slip on with -out > venBut this isthe time you'll tum back © and so will > Jon, Tnns Sons s— —————— and these will Be days you can nev - er re - Interlude Bosus2, Dm? ee Rhy. Fig 1 (2 tines)Verse 3 why. Fig. 1 6 ies) Dm? EB F Dm? BS af = ter = noons. Ah, but hold ig yeu x =e Ss 91—j— close is like hold - ing the — wRhy. Fig? Dm? BS DS. al Coda T'mwarm from the mem - or =y__ of days ‘This is the time _ 92 Coda withy. Fig. 1 (util end) ° Dm? Rn = ‘ult EB F YOY NNN Rew full fh yh Dm? ‘a full NNN Ao 0 falfutt ful —s Dm? Eb both motes vi, ‘oth notes i F Dm? A bon motes vib, ot both notes > aw ~~ ~ Dm? BS Fade out 93You May Be Right Words and Music by Billy Joel mR RRR” ORF D Fm ES, Asus4 4 Bm? Em/G EB a me i ae ee tne Ast a8 Moderately Fast Rock J=148 ee G2 Rhy. Fg ~d. “‘b 1, hom letsing wel QW Oo ont ur = day said __ 7 ford = Sty 1 crashed____ your par = ty Sat - tbat zone, walked through Bed day night __ ed in 3.4. See addtional Iyries the com Copyright ®1960 IMPULSIVE MUSIC “Ths arangemant Copyright ©1962 IMPULSIVE MUSIC AlRights Administored ar Contolled by EMI APRIL MUSIC INC. ‘Ainighis Reserved. Intemational Copyngh Secured Used by PermissionJ te J Jo J ti “J zy a JI SITG eS oe = == =, ; ——: Tm sor y Sun day came __ and washed me out — a = Tone, even rode my mo ~~ tor-cy ele in ‘Rhy. Fl 1 (1st Verse only) Fill 12nd Verse only) Rhy. Fill3 (4h Verse only) PM. nas Pat — Twas on = ly hav = ing fun, And you told me not to drive,And we all So you said To Coda ® (after 4h Verse) [TS wmwhetSOCSC~S~S«~ STII bs 2 3 SITTIN, SI STTI — end for change. 2. T've been strand- — that Tm in- sane. FE Ry. FN er o2 J J ) Jew 2 J z z 7 PM. scenes TT You — may be right__ hy. FLD GetChorus Rhy. Fig.2 Eqtype?) J SI SITTI jut or Rhy. Fig. 20 a Ps, J ma» wa Both Gr. w> 1 but it just (end Rhy. Fig 23) Fim eras ES J Fa se oe JJiij S374 looking for. Tum out the light, Gul Roy. Fig. 2as at JIJISJI7TI TT oe PPT q PM PM. don't try to save me. You maybe wrong_ (cod Rhy. Fig. 20) eldest J yo ose for all 1 towel bon you cay eee boirlghas D.S. al Coda (oo Rhy. Fg. 19) AS Asusd (type?) JI; 1—SJT71 IT73 3. Well, re- mem Chorus wd DSTI 1 - ae1 may be cameras: Ob, but it just__ — my be. ao mn - a= tie you're Took-ing for. wy. Tse too ee late ett oe fig it’s too late to change _ — me. You maybe wrong,__ forall T know my. Fig. 1 (st 2 bars only) : ona Tm TTT J TT — but you may____beSIT I 3s bb bs os & be Nm 5 @at 6 Saxophone Solo HGH Bm? Bm Jd) sovki 133.7 mm Bm? (ype2) Env a J OTT) os) IN oomom. wy. Fil2 FE Gt E(type3) oer rrr rns Chorus Jo? a why, Fig. 2 28 You may be right, 1 may be cra - = oy. Oh, but it just may be. a iun- D Fim AS a- tic you're Took- ing for. Tum out__ the _lights_ ‘WIR Fig. 2 BS AS Oh don't’ uy to save me. a =< = = —: ; ee be rem 101ssRhy. Fig (ont fade) AS G2 oe e e You may be wrong but you AS_AS(ype2) AS : Ti1 db? oP You may be wrong but you may be right may be right. AS(type2) AS_AS(type2) AS AS(type2) : J 2 J 71 dJ72 TJ x dso bd Poth ny Hey you may__ be _may be right Ob, You may be wrong but you may be right. You may be wrong but you 71 SSI? J or dd a SSID bdr? poh you may be be may be ones sion) be be by. Hey, may be right. You may be wrong but you may be ‘right. t+ JI 1b J FAI 2 TTI 7d NE right Outen ch ob, You may be wrong but you may be right. You may be wrong but you 102J JAII? oh, oh, you may be right. ow, may be right. 7 ITI 4 TITTI : 7h > kK a may__ be ba You may be wrong but you may be right __ Fade do dbo J SPS]? You may be wrong. =—stbut_ you. may. be right. Verse 3 Verse 4 Remember how I found you there alone in your electric chair. told you dirty jokes until you smiled, You were lonely for a man Isaid, "Take me as Iam" “cause you might enjoy some madness for a while. ‘Now think ofall the years you tied t0 find someone to satisfy you. I might be as crazy as they say. If 'm crazy then it’s true that it's all because of you. and you wouldn't want me any other way. 103NOTATION LEGEND 1 8 Pty Biteonn Bae Bend Bend end Bead Bend Bendand Rete Tesbend Compound Tend snd Reemee aif sep) (whole step) (whole and (wo whole (srng bent (only frst ne pluck) hal steps) Sep) before picking) Nn ‘Compound Bend and Release ‘Slight Bend Unison Bend Vibrato Wide ‘Rake Vibro Barbro Bar Scooping (every note peked) (eeroxne) Vibrato Stings Dive and Return ‘Vibrso Bar Dips Taio Sige ‘Sain Side Pao ammecOn teat Ping Chet Nae (frst ot picked ony) ‘Staccato Prasng Choppy Prasing FretHand Moting Pek Hand Mutng “Tremolo Pking Trill (exwemestaceao) (percussive one) ast harimer on pl eombinston) i Pick Scrapes Open Pioch Harp Harmonic Tap Aifcal Harmonie Tap On Teciique ——_ Bendand Tap-On Techique Harmonie Harmonie (thick) Aovenone of Sth generated) 104PU eC R Ca LL