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Carol of The Bells - Saxophone

The document is a musical score for "Carol of the Bells" arranged for alto saxophone and chamber music. It contains musical notation across multiple pages, including notes, tempo markings, dynamics, and other performance instructions. The score was arranged by Rodrigo Marques and is based on the original composition by Mykola Dmytrovych Leontovych.

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Rodrigo Marques
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© © All Rights Reserved
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100% found this document useful (1 vote)
126 views2 pages

Carol of The Bells - Saxophone

The document is a musical score for "Carol of the Bells" arranged for alto saxophone and chamber music. It contains musical notation across multiple pages, including notes, tempo markings, dynamics, and other performance instructions. The score was arranged by Rodrigo Marques and is based on the original composition by Mykola Dmytrovych Leontovych.

Uploaded by

Rodrigo Marques
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Saxofone

Alto 1 Carol Of The Bells


Musica de Câmera

           
Arr: Rodrigo Marques Mykola Dmytrovych Leontovych


         
               

 = 170

             

     
   
      
 
         
     


   

11

                                     


23

 
                    
  
36

                 
             
      




48

   
                                  
  

 
58

                  
           
    



67

                  
         
 
         




82

   
    
                
               
  
96


                  
   



  
112


            
                 
128

 

 
                             
 
137

                           

        
148


 
   
                             
156

 

                    
              
165

  
              

175 Rall.



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