24/10/2017
Conservatorium Maastricht
Maastricht Academy of Music
THE SPIRIT OF
PARTIMENTO PLAYING II
CADENCES
HRM 2A
2017-2018
24/10/2017 HRM2A - Partimento 2
1
24/10/2017
Embellishment of a cadenza composta
24/10/2017 HRM2A - Partimento 3
Cadenza semplice (literally 'simple', 'easy' cadence).
The upper voices could be exchanged. The melodic
patterns (3-)2-1 (or 3-2-3) and 1-7-1 are always called
tenor and soprano cadence, regardless the actual voice
that sings one of these patterns.
24/10/2017 HRM2A - Partimento 4
2
24/10/2017
Cadenza composta (literally 'compound' cadence). A
suspension is always added above n in the bass. The
most typical note to suspend is the leading tone. The
result is a 4-3 suspension against the bass.
24/10/2017 HRM2A - Partimento 5
Cadenza composta
=> find several embellishments of the bass
24/10/2017 HRM2A - Partimento 6
3
24/10/2017
Cadenza composta
several possible embellishments, based on and inspired
by student realizations during the lecture
24/10/2017 HRM2A - Partimento 7
Cadenza composta
several possible embellishments, based on and inspired
by student realizations during the lecture
24/10/2017 HRM2A - Partimento 8
4
24/10/2017
Embellishment of a cadenza composta
Examples from the master: the 6/5 chord on m
24/10/2017 HRM2A - Partimento 9
Corelli, op. 1 no. 1
24/10/2017 HRM2A - Partimento 10
5
24/10/2017
24/10/2017 HRM2A - Partimento 11
24/10/2017 HRM2A - Partimento 12