solo piano # Octaves and Tone ‘recent recived an ema om a Keyboard reader that posed 2 oumter of tehicl questions, among them an inguiryabou plying caves. ‘thought take a break tom our werk on various tunes and deve a bit int some basic approaches to octaves. 1 past rns, ¥e teed abot pan tne an where 2 TE frm physic seabg E my cateton that he bestia sun cane ent gee ete esl eed 4th dant etn you can get toy wat ge Steg alls tha yo get nate nnd wih ess ite al your bey save you wat fo some "Rng heey yu ont st se yo tars an st Yo woh the aaah | adhe, bowers, oles saya ‘arte wpe am along he ger aes eth ays ed pases The ges Soy ane ese ita {oind with 2 hrd asd amin eft a {Wk of lis bow arm whan py sage rb ates wth a gle lage atin Ts pte as ers by Abby Whee (195), the pwdry pore pea ove Anas Pes (00 327s) has vce pid Ie seminal oaks ndspensbes of Rave Plyg it Mos the hop de Whe oot fave the Space hee 10 atin 9 came trersve dsc ot poe teniue, hee an aipet that common leads fo inry when aye ness fctaves ie may tb eta the pete wees fd sing ths ppoif traf the ges ve et ‘te than Be pate overt notes yo want yo ‘hej un or ee nebo Becae yar ig 1 he poof coma wth th ky de. ‘mes aso da the wr ‘Zettai owed sething behing eds for__ anoles deseoe te popes hand pen () he dls ‘Settee theese oy tal gealy, itor fo ee tnom the oat that Yous ih tke at GREE "thee ae varies Scola pana fond Toye gl cncgh eget foed oer SSERSRSE fetes some: that stress dager ty ayy they haves cea spingel, meee nei sag andes ergo af YeUrhan Sa beer yt ot eve, ete yet Tas Spe, sd or ag Rape ‘ut the a fort ya wth ou Se ered gh oe it fs ctv: make wea are hang {thon ond pe ance Yo. "igh ws Yet ak hab bu el ke 3 ‘alee nt Row se yt and palyour am ba owt you ang the {tate dang the way The este pyre (tare wes Yor mand "rr fe Siow blag with ges a sg urs Hy ce, ep at ages thing your a tea on fong Bone died nt, fom he eb ts of {tetas ad pity You pay acne: by say puting yur elbow een on ene the te ote a ance erg er samc tome you sing bth kes oe they Yu con tos tet yun fou thd yuma sin ote ‘th th sone, ter pein oe ‘Re ate want ly Ten np pl You cow nba sf you mre akg {Thson mot. wot alsin hope Sonal move, becate hat woud esp {pono an a {arn atay A an the eli oto {Sethe ings ort bt er yor that 9m ace wy ee ened Se'yu wil fet eto ome bak tlw au we to este at the pant scoa wie yor end ap gt agen a pains mop evra oy cn of owe a et od fenbe tena allege m many cts. Irv et youn a0 te Oe ‘el ase pny ad wah 3 ge ‘ned oun ueeceeenentnenads one pyenenmegerane Seperate mam mera Poee ine eeinsmetnremmaacs SiSpirnanicesmramimisataancnannemee ts L ‘aks 4a me eansolo piano + ‘My Romance Aig penser mont th we hein Honk hugh we shelget bck toa stand fro whe Th sons wel sands ‘Wee ate cle om eo fegten Btn shes aed were tel Intended tbe wed vies rz npratin (is mot cm pose, Rad Reyes, was exten aeruscaou a inter: peas hiscmpostos et her i semethig aot he gets sl hs tunes hat contin gimp this day aoe wn eat gt | eh he ihcen gay el ema | Gives tna mkt ae bm sot sie en cect rc iho cg |, Hikes ee Sao csc ‘ates ei eg up Scr ek onde ero aie gard el at oon. | Revthepvene ends geutoned lee een {uy tnt soy hss | Baie ce te cy | Senay te | ANE britain winston mone site oe pst ha oe {im tn te eanng ome of emt ere Serta be do neo ea ‘Ferme Sacre cay ta at eet ‘lew ee Say tact eon, 2 Sn Sne ge 2 ta ERLE eet stnecatomertty ae See Seteimae SSldait’s tmay caer Seas Santon ete” pene ‘ete ena et the We ad the melody ae completely i ye. tne om Seen i my em elt Wt al oe os a Vert leery stand you pay. Not ely des ge 9, ‘ih 2 1 oo phase bu can state yout ct with an usu srngeent of ain trp ‘pes pking up aap todas a songs fa, tion leary 3 ane saand hand even fora arte sch The Be! cals et gp oh sor ad wee ou amon nepetten ef argent eats Fane Iisa srano'so rece ata aco way doer nes ‘hat tees no oom fr pther apne Dts win oe In tem becoming eid {ets leat so materia (xa 1) the et gh ss a the melo, he motion sala bas 912 rors aes oars, and is, nd ats 36 fet tae ‘Movemi (sss slew bate ypc) 7724 cp he tet et ba, and the hal oh seh te {ns eiht wth fret harmonies ea ae Thnk ot te harmonic pogtesien tora "est The fs fou Bo ae nal ace bas 58 sat wh mn an ‘th bck sod to | as 92 we aca ba 19 ‘ove trina aed then batt Te 9 gest wa ‘eaten 25 oe you drow he melody ee "ik ofa te hamy a5 onctoal mn una, poston a snap ana eating 2 une om the gad we wht ‘atthe 23 Aponte we and sees tt secon oti and atte seul themed Beare Wis yon wg thr aw py Ing ive made some rnd ones taboo make he ptsing mace aul hss you tees an eo fy Pay hin see es and wih yout and nah ‘one youve mated he ney a3 Scand voce inno fret bm Eber om?Fa oo thse thee ves, emerbetng yor xaoge sarpis 2"8né'3 abo Ue voces, nd i's beste master cach stp nd To bal ong fur fut shew? Chay baron? ch or ee 7 u ra wat shea Chau ey On? car TB Bh? rgan By Mak ait Explores: The 8.3 and other ‘great Hammond «The Lele speaker The Hammond's [Control Your MIDI] Studio ea sususts997 [acrnons BS.solo piano My Romance, Patt 2 last month, we started to apply my “125" approach to Rodgers and Harts asc standard “My Romance” Applicable to the leaning of any tne, his fustep meted ives: (1 learning the imelody inmate by analyng its intenvalic and phrase tute, leaning the hs, tronspesingit to other kes, and gener ining with it unit’ ful interaized, (2) playing the tue repeated Ip ata camfotable tempo a5 you develop a sigle-nte et hand bas pat stating wih halk notes and gradually developing a move independent and contrapuntal ne whe maintaining the bass line harmonic function, 2) ading a third “ato™ pat inthe righthand beneath the melody, pet- haps simplifying the bass pa, and (4) adding 2 “tenor” part above the bass ine inthe lft hand Teauprout the foc Your snd gt. Me mee Aeable you ae, he less robe sc he ey rd the ess YOU en told es and pt yu st, abo beste matin he haze fe = yy F f 12 weveoanea bike earn age Yo a ot tt tt Irdependent ves, you mus be rele 3 You tan gt ten oot» sts yoo ott check ot the ble ae eg, aol I yauie not 2 grea swede, byte spon pt sone then oan a6 tas then tee wie totes fraly 65. or even Beer eartaiig, pay thee ois ag the fourth. Tos math we cover the tet tes sts of my rocess. and amples and 2 Sow two ways of appeang the fut DC When You wat on ve leading, he ow he ema a poe, Resin ih tind that you watt each wae f be as alec a psi and foe easy under Your an whet to mah hoping une Ts ate the way 2 tens See st the tone 9 pont. hain f play wih ‘tgs tom becoming to md by sad ing r an aing te om ret ofthe pinnoinceran spots you aid mare vies, Try te veataye it paced theo. te ‘tre toe, bit remember prepa both YOU ‘ps ane your eas By gma metho {ai tough tps» thang 3 blo face 2g, dr dep Beat! eth fo, Tas wil help you eae experience ft the ines bo boos that pp ne! py ing statins. you cn et Beng hoe rough su witeet pachag of geting oan on youl ata gat cori ‘en Pgh ete. Tough eepng ack ta et bater with concerted pate — 1 Pome. td mastery vie leg 29 Important cere of goed 0 pe, ‘ceonying, and sian 9 mater EVERY Mason Baaxo Diotta, BuscrRoNic AND HOW Panos MIDI CovrRous INTERFACES # Santas + Souno Linzanis * SouxD Mooutes SwTusizens » Macivrost ComPUTERS« SOPTwARE « SoUND SYSTEMS ‘Pro Auoio & RECORDING EquiseNr + Daun © GuTTans jREATEST STAFF To Serve You! Cau Now!solo piano + Bach, Suite Bach Have you eve noticed that when you Tsten to certain pais you ae only aware “ype ot yh tyes oy mind ot tere thems ng nd what messing? Tet actin ade te is hi ot othe playing tat tancends te finger ~ the mass popeled bya (OM! at. ar Mae ‘omplte internal hth rather than simply being 9 clection ‘re erin or pit Hb 2 cernoane | erence susr"| neat ooh cme an Aad oma i fan aaa, 3icTonny Fmoganalhae fal seca {iy commana teegh the sme by aang ha ana fsa, tr rhythm att ey ay bg” {ous taught playing he cate! of he ‘rosie 6 what emo ia her pet aes rl the ech alae as he a a a sa win fem an atin though they ay ‘thnk of i that way The chord changes Conbaton with the mek mse po ce v wth he baste to whch then a ou perorl ees, hi st tue hae tts ore tine sve award 093 ata, sa eran ames vk the sqnpate the sae tree cempared mi Fy want ve Yeu lin Fay ssa ect ound ave you mee ts eo hey a {either nthe pce. One fh rere that may peor al pana Sent ne at hy sat yt or the wang lot by eunag 3 pice pole y net soy at WS and cy agg ote pestoanc. itt pogo ew Woy al eing 2 pee tombe begining Ts proche wit» sak cu tho I i te eats 9 en wy hat wil help au sedertané mie of whl Yuta aaa wil abo ep yo beng et ou nest 9 to eet ths 9 You Ieom pce you al be Brey eae on ‘nan let Thebes compe ow ota the ‘onagt ating 5 Boch Hines wi ing fe ra ee of pi cuter fen ough tere onan a eee {wey cote nen ino of 9 al and epost” tehonUstn 10 ha ses fr loco o wat lem more ba hom he cents ao ete musa wad ‘hase vce ote acs mos sian keane muse atte sir: hey ae the gr Ing Sotes ac tay te saline no athe Geman sles 36, ve the Weltempered Ce, the coldbers Voratons areal the bl | pee the Pats becae, inte reto e Suto, ‘ech movement bed en ne yh Wanye rates dances fas coutues (he aemande is Geman, the a ard sore wre pp cut dances tf be Gay (he ge, mre. ans bn. Seas of these ace og, Be ‘ait moran of enth stehve 9 ‘hme tnt at nets Poy frames 2 rough blr yoo poy the eae (Bare) hon you pay ese Basic outs. 5 eet at you mone ety stent do ge sick ihe Fees. hep tine daring the ety ee ian ace sop esata yt Speak Feet been bien eh beat you est tap by sath ying “tet” ech sabi eespandng Sethe vtin Yh, yoo may el 2 isd ft bt tay does wal nee ye plies twaigh the ovine eagles ay he fl excep (ape See how much beter yu'e arg tard foes lat he age! A word out he at ha Een hgh you as i eg at ane te prt Ke ar act 2 it tee ep yo ot it it lpg ng, Sw yea soe ‘he ht mas be ster Hy a pod ou Tigo the ky you wo mate yor teay enough andthe ots wl have no shape oe These fe ta few ofthe macy ways ou can etine pees af Dis ype Ty fo {oe pth ame of your own. and go Uyeugh the tet af ths veer the same sho alo Peps 2 ih log ures, nspose Ths psvage fe one of two ater toy Th wl et youre ne the 2c aed il me things Yond reser hen you es athe agin key The ew ‘nats you sped iennng a es am he Desig by outing wl po dividends Imani wa our apn sd in geting af te page ad the mol ot nd yh, sa fe Now you can get On Stage without sleeping with anybody. = en = = BE ss. sistas ae Lt progannable sou eee os hy ea V8REMAGICS, orcckon I /horappied go. yoot sa eps youre a he mori, APPLIED MAGIC INC. wssolo piano * Bach Again lust manth we began fing how to ceine apiece of wien hope youtad a chance to epaimen wih Bis cnet on yur own, UHH Memo om}s xe Fon a_aRe Bayou wl ota edo aie a Wa EDN Lar aes am et ea i ta tewere suodued (Bach wh thee le Dees Grbaty everate has ployed be fistone cma ba asin the cael Se rosin re mee an ‘ffl he eens ke psa Ty, at and used in sequence or sven as the Almost all of us were introduced to Bach with these litle pieces, but as in the case af all great com- postions, there is more than meets the eye (and ea. they sen se gos cos Taking toate he ely stages of err’ 2 es wa we Uroestanding of what te canpciion Fealy abot a ore wl be mae ay Engoeed, otha wl ep you 90 rg ‘wih 3 binge ae an tial agen) 9 Bigh h weple y Vall wo aces ten dae te et Rand ‘ra ih ithe woe ce th 9 sane toe ee atures etme ot hang raw sande ke ce nd (erst nyo its 2) ty bosng etn of wot foy bo 9 te. how af you ho nt 9 gest e94aing expres ylang th anda ‘eet oye ce yr ands bg fn, ‘maemo ny yay eed and ment aed whenere! yeu pacts Sov you get he mt oa ee Yo ‘pendat he fons AEN | MECN Breath abo WN Porro Naat edraed sovewaee sont [saveouns 18solo piano + Looking Back, Looking Forward Season geting: tom S Papa nbepng thie ly pit eet ed se bts betwen nl Ramey and je chong yang “Geesees” soko 25"wha cid Ths we _cprang soe fhe Sse meted my Slo ls ow or hrf ema fm tay shgy utara TTFEvery MAsor Brann! 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Educational More Ane Sequencers Digieal Audio 1-800-767-6161 Academic & Theological Computed Muie Send for our Pring avalabie pesca Free Catalog HTTP WWW.COMPUTERSANDMUSIC.COM Email Compmus@ well com ccewaen s447 jarvaoane 138solo piano Very Early Now at weno anew ye Me toda wih an sue that key- gd Jat compos coin staigowad ses of 1 pose torsos ace wth atensing requeny nics ow oimpovse Son and analy sed one fey Yee mye oy ‘ver canes hat dr cnt tates pens, Wes Sacdas tartrate, nek nm Coane’ “Si Syed ser ect ne "vy a tn you hye at oh ay Mo omar oho cha abs ohne on | eramypaeneearen merase ones nanny iemevaite mora Sunasumnreae eS 1. 1 ot L ° / L ——F‘ont he cys ove By So guy ard eal af ong er We'Ttacs e Fan sch uespece tes at 53a! fetal fe ne ths on, Pee ‘balege oo oe Toe tak he concpt On bl wat arth vente i Cursum” wih Takes Test ete tne, make a bys, a the at toad proesin of Te Ua ey adda vo asf Example ee yo Ses Davis a4 ads “Gant stepse lew the meted at impaeg {ces Wome Shor jako” "Ws" "SA" nen sgyaue tee posession at tah and “Nee” a abo geat examples of elie ovcon “url te het ia "uns with noon steal ingle mero levees and vag, sce ape 2. ‘roe anther wih ay degre ol uen. Men pace rig Ihe wegen te has teal ante them, pace gleithn ov ten (rmpee abd 9. ‘em, rive with ha fr ge of tne may und mare mean fs Su Ce Dat ty il py big Gidends rte eats tuly yoo wil get ne flaw Cont son, te yu put fren you sew yp — it may led yeu "mont exangle are wih same vconvenional oe hoc ond yo fee tit "Wey Et by Bf fans cts your sae te pees ake 9 au fons was ote lteter atc bbiee of Sardi chord pogesns, but he watt hpe out take you tie wih exh of Si» tne eros As wh “Ga Sep? thee stp 9s you lea stan O oe, tstnes meade lesan ovine afar can ty ths eopoath over Dy Set the mogesin Hore the melody ds age stad be hel for tangy fon sone unewpced chad notes rang st Sy Et progesions you ensue een noe pe es a Sri haa omar oh na Abate tess perry the mooa™ | Precial Edition Gf Set von 90 Multi-Effects and Modular Synthesis Plug-in from BIAS rks wih any Pwerie & BIAS Peak” » Peck LE» Deck” Premio” «Dig! Pefomer™ Visor” = logic doe Geant je ool demet_—p cow web eat 7 Swbiorocconiie SFsolo piano VERY EARLY, PART IL ‘eG tina ing "ety ay” 2 Deal an wat by al ans. telco proving oe its charges at nth ne sate wih Re sasrot canned atinewihsone rahe iyhamitwiss~ thes Teta te tren ope pane gate sea tne ‘elon ut wilt bc extn wock We emale rdw» Some oH mal coun Glo ne Seah era eh sgheter! tray om, eet ey ya ey wh ea mnt ‘aes AB a Ab fores—Abtabo ofa? smarts clr Phe? take ora awa} m7 Em? Fou? oma?) | Simmer et res fc ap a hv ‘sei ate sy Ca par ase a so i ae am abishe bmi? ho a Poma7 taboos mgrlo or Em? maim rash 150 © Jrennuany seat a en tet ‘‘stmentone lst month the fest tep is _buding better Ath, geting your ine to ply the melody foe bee yeu ac#_visey How gin, and an yor eas oles (are 1 Then get to know te to pla wih the cds Youte ae, Tas, ‘anges by tindiag the common tones w by psig anyother vets sy pts ‘eatng melodie movemest withthe ep sway a great nay to rnke ste tht youve sie (ample 2) Fall play cntiosts fea earned the tne Take you tie ste “ighhond es in pric yen (ee enay extn hee steps ou wort wih mle) th or any tone he gel inpanse you slay a note you dont ae white tor Ie 0 tes compeing sry whence pesining ths last step (1 guarantee You you sna Th Bete you know fou see ‘ai, of you mis a change, fst keep and The roe conforable you ae eh (eg Dov ey over sed mk Hy yl get the nen tie mound or the yr hve ta soy = nd yout ay tim 3 Time ate that W's abo a eatexere forte prsen! way | qj pana Sanne hopes imgonsag a narative fen, the ete Ashe chewy lta on omy bs £ r pe ers oe one nar parle roa nad ei Cpr sie pirate, taeda oye sunscurnion sevice Feeatntarpsn use ig Your mag ol ae hd ‘ging Canr Sse ronnie Tonos "Nr Cone sey phe ari “he owing ecg ‘ira rvs cijeguetégit: Reeve Sats Eterna 7 ‘om sin in wee ou baci Sie peacanatcet Ted daoegg 7 onesetucrns fowu heat Reendate reeronnr sous |neveouso 181solo piano DIGGING IN One of the mast satisfying things in my musical lite, n adition to laying the piano in variety of context, is composing. Writing ‘sic whetherit be a jaz tune, a seting ofa poem, some music foc a fim, or some other typeof composition — provides a perfect ‘complement tothe arts of avanging, interpreting, and improvising, Yo te o et aange, you hve be able o get nie and ale the aposton ae waking aswel 3 kro ‘he egal haony asic a te pee. You a ed | tbesies ange a inane span fe Inow someting | sett orhesvaton —andyou reed the ably w nase nat devant way mgr i 9 Sache oma, rover se ocd canes ay te sae ss {Geno gy ~ ert fue te wet put Ara e bs eens ‘rs hoveve bang» gone compe cesat mate yo 8 Go impose | rel nn epring my ae jou ah cee ates ey | Socio oe teow estes oe pai an | (inti ecw cen ean compos a bebo gan Sh hw tye pate ‘ony fo $88 how they ae consisted but Iencerape yous eer mote sd eras a5 pot ot Yau imgovnont (erry ay eed ye 77 ees | Tekin "ae nna ‘Mea att owt | shoud vt {hs ees wth ee perl ought | amen {o'paaphase ue sean F£ was ened with ule te nd Heer ewe where | whe ul peat ead peg ate Dict: tao as Iubos | old feo sed and quite tae to eae” aaa et her ene fd soe ime ih hgh no stan tcheatedy ape ts {Ssesiment. A an enpreet | dn Te! esc by te teal son frst cere Ive tken te eo {tee em on iy dy level a pe te pong ‘Seameting tat ey dog teens detent indo ‘halenge ~ tn sortareany rates 2 wel acters, td a cmgose aa wekame can the nds (sa 3 deine) Inthe te 7s wasp of» quart ed by the gies tuo ne eid wey ao, Tomas ss wel or wonder aed ni Jetome Wen, aed Geog Geb, teed me ne coy ‘hse ai tate a eo "ate ad {ok na wold ae tne ee iy encase tn ot ae reg frees ws snp omaha Ita being com postion stew yf rte nes feet Sige oer 3KEYBOARDS } WORLDWIDE DELIvery @ | The Largest Selection Of The Best Products In The Business > DIGITAL PIANOS » KEYBOARDS » | » RECORDINGS » MUCH MORE » Tae ‘os Jim Laabs Music SuperStore 1-800-657-5125 joel)solo piano EVIDENCE nyc, mace as teal of spendng some tinea Ing ts es yo ply ape youve dca ane» ee loar sen the ts sung ahve spear une being bat ony ener et sta epost ta gee oops, be bats yo know your mea he mele your aang ‘inpovting on tat tunel A gang aight mae ono ‘Suna pees shear you composts aii 5 wel ny res recat sb pane poet 2 CO tthe omtins of eins Most, aed hes ed Mesh ys Mant (ts ot sud ft se Yu Wao Sppert yout a lum) el ruse uss tacraing a spr to prom, aon the ity fo wee musk at ar era see of wey he You cert ange ane nte wort ihg a tune ee. A, ugh ns mse ay seem splat es 2 ak bea he ue reed inv opiate et ert ss gh of sng hs month et tte 8 oto oe ts any masts, “een” ns arpasin staan tased en te hages 0 ‘heTinPo Ale sang, You it Me Tey spat, 38 ouan ae in aap cones ofthe tp we sn ach cir ‘teed cer, athe A secon yu may ste 2 fe tgs nt ey) ect Fe rs sl rin ef don” and 12th ok ave 0 hei ed He Pas Mak Jee a o a 132 sersouto [any vane ines Sounds he 3 pis tne ow ut ts oi. (2) he fst. he Tout a Second, hand 3 asec sare ete tea te, epee with ear) The seletin pices rete ote chard cages a contain ol esanaet {nd comanoat hes (2) amt Host ples oso phe on Son bea, sree disnan pes eon sto eas. The fhm eet 3 hs amet nk op dee. he (nya eby get ene who mak na, ent he eau dean tay Saigo Chae, whch happens o Indu some acess tetage of hm ing hi ras “dc awl bing neo he jets ar ns ee of eat sa cts wah a suprise wile step. 69 9 apr rah ‘own, and youre bk at Be ep. MG comple, yl simple othe ‘Seine an hs swing! ‘ow play Pou y ost) Sie eaten he ane hen earn hs ea, be sue tat ue cooing cet andl ie hon te proper pa of he br the keane ae 103 lige ta year Rand, you a ny gi he atm nate pan aca. iva indied a basset of ion cage yous corn. 1 ges rt peo the had anger whe ein esi Io he melo ying wider ntl dle ea an to ‘pheno py o's nt ongenion nt a eee a oor 87solo piano “SARABANDE” last ons clan, a ana of hts Monks Eien,” focasing on ings ise of meds nd ym poe tment ate sable balan jee The meh Re {hed same it on my own compost paces by Taking dot Sabange" tue tote fro 586 tra carding wth ast Chat aden ard umes Jey 008s hve mento my eis chr ve ade oe ng Say fh ma a} Sach In pri thet ars masterecs a tebaragie cance fe Tom fr Keyboard. tach of the Pas catans on segue Slow (1 eile pe sangeet Sad Se” cos oie ane, (wn con ‘movment n3/4 cea abode | dade teeth the is {on tne besiewane owe toe m3 hoe feelIhe wate whiet cer cant darn abe wit ont te et Wonk (be hres tok fay composer wt ws 1 dW flo te pines of good canpastan Wt haw fan om Sigh aa he set compra adm hor Botte jae an oss vada. ‘Sample 1 Sosy paw angen of “Sarabande.” You rote he slang changes ample 2) mpl the tr ae rece one ch ve at Mb, 31and elite wa ae — he make fr 3.228 with Br thice basa aged by ttre 9 en The “paar seemed hove mote paetala cae at onan jst plying vee om Be tae fife br vase sas ep te ered ba ad a ee the eps nd ight ate mone at ate toga the tute. 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