XR1001

XR2001
XR4001
Electronic Crossover

Operating Manual

Channel 1 Channel 2
XR1001 4
U
6 4
U 6
6 1K 4
U 6 4
U
6 4
U
6 6 1K
4
U 6
Stereo 3 7 3 7 3 7 3 7 3 7 3 7
2K 2K
Two-Way 9 Norm Mode 2 9 Norm
2 8 8 ÷1 0 8 8 8 ÷1 0 8
Mono Mute 2 Mute 3 500 2 Mute 2 Mute 3 500
2
3-Way 9 9 4K 9 9 9 4K 9
El ec tr. 1 1 1 Peak 1 1 1
0 Lo w 10 0 H ig h 10 12 2 400 8K 0 10 0 Lo w 10 0 H igh 10 12 2 400 8K 0 10
Crossover dB 40 Hz 800 dB Hz 800
40 Peak
24 dB/ Oc tave Lo w Mid
Crossover Ste reo 2- way H igh Crossover Input Level
Power Output Level Response Frequency Range Input Level Mono 3-way Output Level Response Frequency Range Mono 3-Way Input Level

Channel 1 Channel 2
U U 6 1K U U U 6 1K U
4 6 4 6 4 6 4 6 4 6 4 6
3 7 3 7 2K 3 7 3 7 3 7 2K 3 7
9 Norm Mode 2 9 Norm
2 8 2 8 ÷10 2 8 2 8 ÷1 0 2 8
Mute Mute 3 500 Mute Mute 3 500
1 9 1 9 4K 1 9 Peak 1 9 1 9 4K 1 9
XR2001 400 8K 400 8K
0 Low 10 0 H igh 10 12 2 Hz 800 0 10 0 Lo w 10 0 H igh 10 12 2 Hz 800 0 10
Four Channel Two Way dB 40 dB 40
Peak
Low Mid H igh Input Level
Stereo Thre e Way Output Level Response Crossover Range Input Level Stereo 2-way
Output Level Response Crossover Range
Ele ctroni c Frequency Frequency
Crossover
Mono 3-way Mono 3-Way Input Level
24 dB/ Oc tave Channel 3 Channel 4
U U 6 1K U U U 6 1K U
4 6 4 6 4 6 4 6 4 6 4 6
3 7 3 7 2K 3 7 3 7 3 7 2K 3 7
9 Norm Mode 2 9 Norm
2 8 2 8 ÷1 0 2 8 2 8 ÷1 0 2 8
Mute Mute 3 500 Mute Mute 3 500
4K 1 9 Peak 4K 1 9
1 9 1 9 1 9 1 9
400 8K 400 8K
0 Lo w 10 0 High 10 12 2 Hz 800 0 10 0 Lo w 10 0 H igh 10 12 2 Hz 800 0 10
dB 40 dB 40 Peak
Lo w Mid H igh Input Level
Power Output Level Response Crossover Range Input Level Stereo 2-way
Output Level Response Crossover Range
Frequency Mono 3-way Frequency Mono 3-Way Input Level

Channel 1
U U U U 6 1K 6 1K 6 4K U
4 6 4 6 4 6 4 6 4 6
3 7 3 7 3 7 3 7 2K 2K 3 7
9 Norm 9 Norm 9 Norm
÷1 0 ÷1 0 2K 8K
2 8 2 8 2 8 2 8 3 500 3 500 3 ÷1 0 2 8
4K 4K
1 9 1 9 1 9 1 9 16K 1 9 Peak
XR4001 12 2 400 8K 12 2 400 8K 12 2 1.2K 24K
0 10 0 10 0 10 0 10 Hz 800 Hz 800 Hz 0 10
dB 40 Range dB 40 dB 120 2 .4 K
Stereo Lo w Mute Low-Mid Mute High-Mid Mute H igh Mute
F our Way Output Level Respons e Low/Low-Mid Respons e Low-Mid/Hi-Mid Range Respons e Hi-Mid/High Range Input Level
El ectronic Crossover
24 dB/ Oc tave
Channel 2
U 6 U 6 U 6 U 6 6 1K 6 1K 6 4K U 6
4 4 4 4 4
3 7 3 7 3 7 3 7 2K 2K 3 7
9 Norm 9 Norm 9 Norm
÷1 0 ÷1 0 2K 8K
2 8 2 8 2 8 2 8 3 500 3 500 3 ÷1 0 2 8
1 9 1 9 1 9 1 9 4K 4K 1 9
16K Peak
0 10 0 10 0 10 0 10 12 2 400 8K 12 2 400 8K 12 2 1.2K 24K 0 10
dB 40 Hz 800 dB 40 Hz 800 dB 120 Hz 2 .4 K
Lo w Mute Low-Mid Mute High-Mid Mute H igh Mute
Range
Power Output Level Respons e Low/Low-Mid Respons e Low-Mid/Hi-Mid Range Respons e Hi-Mid/High Range Input Level

ASHLY AUDIO INC.

847 Holt Road Webster, NY 14580-9103 Phone: (716) 872-0010
Toll-Free: (800) 828-6308 Fax: (716) 872-0739 Internet: http://www.ashly.com/

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 Operating Manual - XR1001, XR2001, and XR4001 Electronic Crossovers

Table Of Contents

1 INTRODUCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

2 UNPACKING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

3 AC POWER REQUIREMENTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

4 SECURITY COVERS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

5 CONTROLS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
5.1 Power Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
5.2 Input Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
5.3 Crossover Frequency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
5.4 Response . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
5.5 Output Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
5.6 Clip Indicator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

6 AUDIO CONNECTIONS AND CABLES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

6.1 Balanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
6.2 Unbalanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
6.3 Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
6.4 Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
6.5 Mono Low Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
6.6 System Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

7 TYPICAL APPLICATIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
7.1 Connecting Into a Sound System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
7.2 Speaker Placement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
7.3 XR1001 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
7.4 XR2001 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.5 XR4001 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

8 TROUBLESHOOTING TIPS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

9 DIMENSIONAL DIAGRAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

10 SPECIFICATIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

11 WARRANTY INFORMATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

12 SCHEMATICS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11-15

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 Operating Manual - XR1001, XR2001, and XR4001 Electronic Crossovers

1. INTRODUCTION transportation damage should the unit again require pack-

ing and shipping. In the event that damage has occurred,
Your ASHLY crossover is the product of an in- immediately notify your dealer so that a written claim to
tensive research effort which combined a reexamination cover the damages can be initiated.
of traditional crossover theory with practical field use.
Over the years, a number of refinements and new models The right to any claim against a public carrier
have been added to our crossover series, but the original can be forfeited if the carrier is not notified promptly and
design goals have remained the same: to produce a cross- if the shipping carton and packing materials are not avail-
over which is sonically accurate, is flexible enough to able for inspection by the carrier. Save all packing mate-
suit a wide variety of systems, and affords maximum pro- rials until the claim has been settled.
tection for speakers and drivers.
3. AC POWER REQUIREMENTS
All Ashly crossovers are based upon the same
powerful state-variable filter circuit, which guarantees that Unless otherwise indicated on the back of the
two adjacent frequency band outputs always remain in unit, all crossovers should be connected to a 3-wire
phase. Our crossovers offer a number of useful and un- grounded outlet supplying 120 Volts, 50-60 Hz. Some
usual features, including continuous tuning, a response export models are 240 volts, and are labeled accordingly.
control, and a unique output stage which maintains low
noise at any level setting. These models also include a This unit will perform normally from 92 to 130
200:1 tuning range, output mute switches, and both TRS volts AC. A “brownout” condition occurs when avail-
and XLR connectors. Like other Ashly products, your able AC power falls low enough to take the unit’s DC
crossover features low noise and distortion, active bal- power supply out of regulation, increasing noise and low-
anced inputs, a peak level indicator, a precision regulated ering signal headroom. In general, avoid powering your
power supply, protection against abnormal input or out- audio system with AC circuits that additionally run large
put conditions, and rugged mechanical construction. refrigeration compressors, air conditioners, electric heat-
Conservative design and an unusually thorough procedure ers, lighting systems, etc.
for quality control have earned Ashly a reputation for
dependability in the recording, sound reinforcement, and This unit has an internal line fuse. In the un-
broadcast fields. likely event that the fuse should blow, refer the product
to a qualified service technician. Power consumption is
Due to the similarity of the operating controls on 15 watts.
our various models, we have prepared this one manual to
cover our complete crossover line. Specific notes on each 4. SECURITY COVERS
model will be found in separate application notes. Many
owners are unaware of the ease with which you can For installations where it is desirable to protect
reconfigure your crossover for nonstandard operation. For the front panel controls from tampering or accidental
example, a 4-way crossover can easily be used as a mono misadjustment, use the Ashly security cover, which is
2-way with tunable subsonic and ultrasonic cutoff filters, available in both single and double rack space sizes. In-
and a stereo 3-way can function as a mono 5-way cross- stallation is simple and does not require removal of the
over. No internal modifications are necessary, and audio equipment from your rack. See your Ashly dealer for de-
performance is not compromised. In addition, this manual tails.
covers normal setup and operation and offers troubleshoot-
ing tips. Please take time to read it before
operating your crossover.

2. UNPACKING

As a part of our system of quality

control, every Ashly product is carefully
inspected before leaving the factory to en-
sure flawless appearance. After unpacking,
please inspect for any physical damage.
Save the shipping carton and all packing
materials , as they were carefully designed Ashly Security Cover Installation
to reduce to minimum the possibility of

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 Operating Manual - XR1001, XR2001, and XR4001 Electronic Crossovers

5. CONTROLS To allow a wider tuning range, our crossovers use

a recessed range switch for each frequency control. LED
Every Ashly crossover has the following controls: indicators provide range status as soon as the unit is pow-
a Power Switch, an Input Level control, a Crossover Fre- ered on. The range switch divides the frequency indi-
quency (Hz) control and Range Switch for each dividing cated on the frequency control by 10 and gives a total
point, a Response (dB) control, Output Level controls range of 200:1 for each control. Avoid accidental dam-
with Mute Switches, and a Peak Indicator LED. The age to speakers by muting the outputs before changing
XR1001 and XR2001 also have a Mode Switch for se- the range switch. Carefully plan and check the frequency
lecting between 2-way and 3-way operation. range selected to each driver before sending audio sig-
nals to your speakers.
5.1 Power Switch
This switch connects AC power to the rest of the The choice of crossover frequencies depends on
unit. You will know power is on when one of the cross- the type of speakers being used, personal taste, room
over frequency range LED indicators is lit. If there is no acoustics, and many other factors. Experiment to see what
light, check to see if the unit is plugged in to a live out- works best for you.
let. If there is still no light, the internal AC line fuse may
have blown. Refer the unit to a qualified service techni- CAUTION: High frequency compression driv-
cian for fuse replacement. ers may be destroyed by the use of too low a crossover
frequency. Follow the driver manufacturer’s recommen-
5.2 Input Level dations carefully. Make sure the range switch is properly
This control can boost incoming signal up to set. You may want to install a security cover if the unit is
+8dB before it reaches the filters, or attenuate the signal accessible to untrained people.
so that it is fully off. Maximum input level is +23dBu.
The “U” shown at the 12:00 position indicates “unity gain”
of the input section. We recommend setting this control 5.4 Response
at unity and controlling system levels either prior to the This control, found adjacent to the crossover fre-
crossover or at the output level controls. quency control, adjusts the damping of the filter affecting
the response shape of the filters at the crossover point (see
5.3 Crossover Frequency drawing). The dial calibrations refer to the amount of at-
This infinitely variable control allows you to se- tenuation effected by the filter at the crossover frequency,
lect an appropriate crossover point for your speakers. i.e., a setting of 3dB means that the filter’s high-pass and
Turning the knob clockwise moves the crossover point to low-pass outputs are each “rolled off 3dB at the crossover
a higher frequency, while turning it counterclockwise point”. This describes Butterworth filter response, or a
moves it to a lower frequency. Crossover frequencies are gentle 3dB peak at the crossover point when the two filter
marked on standard ISO 1/3 octave center frequencies output signals overlap. To obtain a flat signal, or
with each octave calibrated. Calibration accuracy is very “Linkowitz-Riley” response through the crossover region,
good, typically within 1/3 octave or better. If greater set the Response control to “6”. This attenuates each out-
accuracy than this is necessary, measure the actual cross- put of the filter by 6dB at the crossover point (two identi-
over frequency with an accurate oscillator/frequency cal signals added together yield a +6dB increase). To ob-
counter. tain a notch at the crossover point, turn down the response
control past “6” to best suit your needs.

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 Operating Manual - XR1001, XR2001, and XR4001 Electronic Crossovers

The purpose of this control is to help offset the in mind that in any multi-amplified system, the higher fre-
inaccuracies inherent in typical loudspeakers, thereby quency speakers tend to be more efficient. Expect to run
helping you to achieve a flat system response. If you use the higher frequency level controls at a somewhat lower
a spectrum analyzer to set up your system, adjust the re- setting than the low frequency level controls to obtain
sponse control to obtain the flattest response through the proper frequency response. Note that horn and compres-
crossover region before any equalization is applied to the sion driver combinations are much more efficient than cone
system. If adjusting by ear, we recommend an initial set- speakers, often by 12 to 20dB! When cones and compres-
ting of 6dB. Adjust from this point if the system appears sion drivers are used together, you should expect a much
to have an excess or deficiency of level at the crossover lower level setting for the horns (all other factors being
point. equal) to compensate for this difference and obtain proper
NOTE: The Response control is not a “slope” balance.
control. A 12dB/octave crossover will always have a slope
of 12dB/octave regardless of the setting of this control. Output Mute switches allow you to isolate indi-
Likewise, a 24dB/octave crossover will always have a vidual or grouped outputs for listening tests without af-
slope of 24dB/octave. The Response control only affects fecting the settings of any other outputs.
filter response shape in the immediate vicinity of the cross-
over frequency; the ultimate crossover slope is a fixed 5.6 Clip Indicator
parameter. Ashly crossovers feature a peak detection circuit
which monitors signal level at several critical points in
5.5 Output Level the crossover: input, filters, and outputs. The LED will
The crossover’s output stage operates at unity flash when signal levels of +20dBu are reached anywhere
gain with the output level controls set at “U”. Max gain in the crossover. Since our crossovers have a nominal
of the output stage is +15dB. In a typical setup, power 23dB of headroom referenced to a standard operating level
amplifier input level controls should be run “full-on”, with of 0dBu (.77 Volts), a flashing LED warns you that you
level control being accomplished at the crossover. Adjust are only 3dB from clipping.
the crossover level controls for best system balance. Keep
Since peak levels are monitored at several key
circuit points, the clip LED can be used to isolate the
source of any overload. If the LED flashes even though
all input and output levels are turned down, the signal
being fed to the crossover is excessive. If the LED flashes
when you turn the Input level control up (with the out-
puts still turned down), the overload is occurring in the
filter sections, and you should back the Input level down
a bit. If the LED first flashes when you turn the output
level controls up, then the overload is occurring in the
output stage. In this case, if your power amplifier con-
trols are at full gain, you are probably severely overdriving
your amplifier.

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 Operating Manual - XR1001, XR2001, and XR4001 Electronic Crossovers

6. AUDIO CONNECTIONS AND CABLES 6.3 Inputs

Inputs are 20KΩ active balanced, or 10KΩ un-
6.1 Balanced balanced.
Your crossover is provided with two different
connector types, wired in parallel. 1/4 inch stereo phone 6.4 Outputs
jacks and three pin XLR type connectors will allow inter- The outputs on Ashly crossovers are low imped-
facing to most professional audio products, with pin 2 hot ance (200 ohms typical) pseudo-balanced type using both
(+) and pin 3 (-). The inputs and outputs can be used ei- a 3-pin male XLR connector and standard 1/4" phone jack.
ther balanced or unbalanced. We recommend balanced Pseudo-balanced lines, while not carrying a truly differ-
connections between all components in your system, as ential signal, have an equivalent line impedance on both
this minimizes ground-loop or induced hum and noise. (+) and (-) lines. This allows for long cable runs from the
crossover into balanced inputs without compromising
common mode rejection of unwanted noise. To realize
Tip (+)
maximum headroom, terminate outputs into loads of 600
Ring (-)
Sleeve (Ground) ohms or greater.
Stereo Phone Plug
used for balanced 6.5 Mono Low Output
Ashly models XR2001 and XR4001 have an ad-
Pins are ditional jack labeled MONO LOW OUT. This output rep-
numbered 2 = (+)
in the 3 = (-) XLR Male resents the sum of low frequency outputs of both chan-
connector 1 = (gnd) nels, and is a function of BOTH low level controls. It is
insert.
typically used for driving mono sub-woofers in a stereo
Balanced Audio Connectors system, reducing the number of power amps needed. Con-
nectors and wiring are the same as the other outputs. If
you are using a mono low output, you may also use the
6.2 Unbalanced normal low frequency outputs to drive other speaker sys-
If either inputs or outputs are used unbalanced, tems; any or all of the low frequency outputs may be
the signal is on the (+) connection and the (-) connection used at any given time without interaction between out-
must be tied to ground. A mono phone plug used as an puts.
unbalanced connection will automatically ground the ring
of the jack which is the (-) connection. When using a ste- 6.6 System Phase
reo plug or XLR connector for unbalanced input or output The outputs of all Ashly crossovers are in phase
connections, the signal (-) MUST be tied to ground, or with the input. Assuming that your power amplifiers do
loss of signal level may result. not invert phase (most do not), the signals from all your
amps should be in phase. If all speakers are the same
brand, it is easy to keep them in phase. With different
Tip (+)
Sleeve (Ground)
brands of speakers used together, phasing becomes a little
more confusing. It is important to keep all the speakers
Mono Phone Plug
used for unbalanced
within each band in phase with each other, and equally
important to keep all bands of the system in phase as well.
Pins are
If this is not done, loss of level and pattern control at the
numbered 2 = (+) crossover frequency will result.
in the 3 = (gnd) XLR Male
connector 1 = (gnd)
insert. Phase of CONE speakers can be checked by con-
Unbalanced Audio Connectors necting a 1.5 volt battery to the speaker and observing
which way the cone moves. Don’t try this with compres-
sion drivers! The most common convention is that (+)
voltage on the (+) terminal moves the cone forward. A
notable exception to this convention is JBL. A (+) volt-
age on the red terminal of a JBL speaker moves the cone
backward. If all your speakers are the same brand, just
connect them all the same way; if not, it’s best to test.
Unfortunately, compression drivers cannot be tested this
way. Ask the driver manufacturer.

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 Operating Manual - XR1001, XR2001, and XR4001 Electronic Crossovers

8. TROUBLESHOOTING TIPS 8.4 Excessive hum or noise

Hum will usually be caused by a “ground loop”
8.1 No Output between components. Try using the suggested
Check AC power - are LED indicators on? Check balanced input and output hookups if the other
in/out connections, are they reversed? Are you pieces of equipment used in conjunction with your
sure you have input signal? crossover have balanced inputs and outputs.
Noise can be caused by insufficient drive signal.
8.2 Peak light flashes frequently Ashly crossovers provide the best noise and head-
The level is too high somewhere in the cross- room performance when the input signal is 0 to
over. Try turning down individual output levels +4dBu level and power amplifier sensitivity is
and then the input until the peak LED stays off. higher than 1 volt. Unshielded cables, improperly
If the peak LED continues to flash when all of wired connections, and cable with broken strands
the crossover level controls are turned down, then (shorts, etc.) are the most common problems.
the crossover is being fed excessively high lev- Please properly maintain and inspect your wiring
els from a previous piece of equipment. Turn first.
down your driving source!
If you still need help, get in touch with your Ashly
8.3 Distorted sound dealer or call Ashly direct - (800) 828-6308. In
Is the peak light flashing? If it is, an overload is New York State dial (716) 872-0010.
occurring within the crossover, and may also be
occurring in other parts of the system. If the peak
light is not flashing, the distortion is occurring
somewhere outside the crossover.

9. DIMENSIONAL DIAGRAM

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 Operating Manual - XR1001, XR2001, and XR4001 Electronic Crossovers

10. SPECIFICATIONS 11. WARRANTY INFORMATION

We thank you for expression of confidence in
10.1 Input Level Control Ashly products. The unit you have just purchased is pro-
-∞ to +8.5dB tected by a limited five year warranty. To establish the
warranty, you must first complete and mail the warranty
10.2 Damping/Response card attached to your product.
2dB - 12dB
Fill out the information below for your records.
10.3 Output Level Control
-∞ to +15dB Model Number ______________________

10.4 Input Impedance Serial Number _______________________

20KΩ Balanced
Dealer _____________________________
10.5 Output Impedance
200Ω Quasi-Balanced Date of Purchase _____________________

10.6 Maximum Input Level Dealer’s Address _____________________

+23dBu
___________________________________
10.7 Maximum Output Level
+23dBu ___________________________________

10.8 Frequency Response Dealer’s Phone ______________________

±.5dB 20Hz-20KHz
Salesperson _________________________
10.9 Distortion
<.05% THD (+10dBu
20Hz-20KHz) OTHER INFORMATION:

10.10 Slew Rate

6V/µS

10.11 Hum and Noise

<-90dBu unweighted
20Hz-20KHz

10.12 Power Requirements

120VAC 50-60Hz
92VAC Minimum
240VAC Available
15 Watts Max

10.13 Shipping Weight

XR1001: 8 lbs.
XR2001: 10 lbs.
XR4001: 10 lbs.

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13. SCHEMATICS:

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Block Diagram: XR-1001, XR-2001

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Schematic Diagram: XR-1001, XR-2001

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Block Diagram: XR-4001

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Schematic Diagram: XR-4001

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 Operating Manual - XR1001, XR2001, and XR4001 Electronic Crossovers

ASHLY AUDIO INC. 847 Holt Road Webster, NY 14580-9103

Phone: (716) 872-0010 Fax: (716) 872-0739
Toll Free (800) 828-6308 Internet: http://www.ashly.com/
 1997 by Ashly Audio Corporation. All rights reserved worldwide.

Printed in USA 1/97 XR Rev 4

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