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Output in Video Editing Software

The document discusses video editing and post-production. It covers topics like specifying project settings, frame rates, timecodes, frame sizes, aspect ratios, codecs, and popular output file formats. Project settings require understanding input resources and output goals.

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64 views15 pages

Output in Video Editing Software

The document discusses video editing and post-production. It covers topics like specifying project settings, frame rates, timecodes, frame sizes, aspect ratios, codecs, and popular output file formats. Project settings require understanding input resources and output goals.

Uploaded by

Shoevice
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPSX, PDF, TXT or read online on Scribd
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Output in VIDEO

EDITING
VIDEO POST-PRODUCTION

• Creating an animation using a program is often


just a part of a total video production process.
• Video editing software (such as Adobe
Premiere, Wondershare Filmora) offers the
opportunity to enhance animation productions
with sound, still images, and scene transitions.
Specifying Project Settings

• Selecting settings can be a complex task


requiring an understanding of input resources
and output goals.
• The ability to make good decisions regarding
capture, edit, and output settings require an
understanding of topics such as frame rates,
compression, and audio.
• Timebase specifies time divisions used to
calculate the time position of each edit,
expressed in frames per second (fps).
• 24 is used for editing motion- picture film
• 25 for editing PAL (European standard)
• 29.97 for editing NTSC (North American standard) video
(television)
• Frame rate indicates to the number of frames
per second contained in the source or the
exported video. Whenever possible, the
timebase and frame rate agree. The frame
rate does not affect the speed of the video,
only how smoothly it displays.
• Timecode is a way of specifying
time.Timecode is displayed in hours, minutes,
second and frames (00;00;00;00). The
timecode number gives each frame a unique
address.
• Frame size specifies the dimensions (in pixels)
for frames. Choose the frame size that matches
your source video. Common frames sizes include:
640 x 480–standard for low-end video cards
720 x 486–standard-resolution professional video
720 x 480–DV standard
720 x 576–PAL video standard (Used in Europe.)
Rendering and Output 
• Video Resolution: Either 1920 x 1080p or 1280 x 720p (16:9 aspect ratio) 
• Render Format: H.264 
• Video Frame Rate: 30fps (29.97) or 24fps (23.976)  25fps
• Aspect: Square Pixels 
• Audio Codec: AAC 
• Sample Rate: 48000 kHz 
• Channels: 16-bit Stereo 
• Audio Quality: High 
• Bitrate [kbps]: 192 
• Render Quality: Maximum 
• Aspect ratio is the ratio of width to height of the video
display.
 Pixel aspect ratio is the ratio for a pixel while the frame
aspect ratio is the width to height relationship for an
image.
 4:3 is the standard for conventional television and
analog video.
 16:9 is the motion picture standard.
 Distortion can occur when a source image has a
different pixel aspect ratio from the one used by your
display monitor. Some software may correct for the
distortion.
• CODECs (compressor/decompressor) specify the
compression system used for reducing the size of
digital files. Digital video and audio files are very large
and must be reduced for use on anything other than
powerful computer systems. Some common CODECS
include systems for QuickTime or Windows.
POPULAR VIDEO OUTPUT
FILE

• Output may be to display on a television or to


a digital file to display through a computer
output device.
• Output may be put into other presentation
programs such popular social medias.

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