Violin II

Lord of the Rings

Tone poem in 5 movements
Arr: Nikolaï Clavier
I Introduction Howard Shore

 
Andante q = 52

 

       
       
               mf
mp

9


      
mf

 
16



 
       
24 Poco piú mosso q = 70


     
  
mf f

  
33 Piú mosso q = 104

      
pp

39
   
     
 
2 Violin II
46
              
                       
  
f

                
50

     
   
3
56
 
 
 
              
              



f
cresc.

     
 



 
q= h Vivace q = 190 gliss.

  
61

 
     
sf mf ff
ff
76 

       

    
pp cresc.
84

     

  

  
 
 

    mf cresc.

  
91

         
 
   
f cresc. ff

  
 
98

       
         

107

Sul G, sul pont

                     
                    
112

                     
ord.

                    
 
rit.

  
117

           
           
 Violin II 3

II The ring goes south

123 Andante q = 65

        
 
sim. p
mp

129

  
  
    

Un poco piú mosso

             
135


mf cresc.

            
Same pulse q = 160
 
142

            
f marcato 

        
149

                 
    

  
155
    
           

          
 
163

 
  
               
       p

171
rit.
            
    
4 Violin II

180 Maestoso h = 60

    
      
  
pp
pp

187  
  
  
 
mf


196

      
      
f   mf


         
   
204

      
    
f
    f     

212
 
   
3 3 3 3 3 3 3 3
3 3
            
      
 ff   3 3

       
215 3 3

          
3 3 3 3 3 3

    
 3 3 3


  
218

 
  
  
 
pp
 Violin II 5

 
III The War of Helms Deep

Furious q = 190
   
224

         
mf ff      


229

               
      
ff
  
mf
234
 
                            

237
 
         
 
sul G   

       
       
  
    
ff

      
240

       
       
           
very marcato

 
      
245

    
  
  

    
    

250
    
                        

   
      
254
  
            

      
   
260 Slower, unnoticably q = 154

                               
   
f
264
   
                                 
sim.     V.S.
6 Violin II
269


broader
 
 
  
   
     
mf 


 
277

      
          

mf

285
Moderato q = 88

   
    
cresc.
     
p
292

  
   

  
    
mf

     
298 Slow q = 60
 
                  
  
             
mp

         
    
305

     
           

     

ff p
 Violin II 7
IV The battle for Middle Earth

           
313

 
 
Andante e = 102
    

   
p mp

   

319 Piú mosso

    

p
      
mp mf
Faster pulse q = 140

 
325

    

    
 
       
 
335 ff

  
      
344      
         
sub.mf

         


poco a poco cresc.

    
354

Brightly q = 168 sul tasto

    
mp mp


365


ord.
   

mf
 
   

     
374 March q = 148
           
           
    f
   
381

          
     
  
   
   
     
386
   
            
     
    
   

 

       
   mf   

391

       
          
           
cresc.
397  
      
mf  cresc. 

    
   
 
404 rall.

   
      
   ff
 V.S.
8 Violin II

 
411 Slower q = 120

 
sul tasto
  

  
mp
419 Broader 

  
ord.
     
3
      
3

  
ff

       
427
  
March q = 70
       
          
                    
   
431

    
                                     
433 mf poco a poco cresc.



                                        


       
        
435
  

   
    
ff f

   
441

    
 
f


A little bit slower q = 63

445


arco

                          
450 p


                                   

                  
 
   
454
 
 
   



      sul tasto
mf ff

            
460

      
 
469 p

  

  
       
 Violin II 9
V The Return of the King
477 Slowly q = 60



     
  accel.
p mp accel poco a poco


483 Faster q = 88 poco rit.

    
pizz
                  
  


 


  









  
mf

  
      
490 Tempo I q = 60

       

  
    
arco

mp mf p mp
496
 
  
 

  
 mf
     
mp

    
502
 
    
      
pp cresc.
 
 
510

    
     
      
f tenuto mp


516

                
    
mf cresc. mp


         

522

      
f 
pp

530
    
    
 pp  
mp

538 
    


  
    
   
10 Violin II
544

    

       

  
mp

    

  
548 Slightly faster q = 72 Vl.1

 

557

 
 
   
mp sotto voce

    
 
565
   
 
     

 
       
mp

        
570
 
    
           
pizz

 
577 p

    

arco
   
     
   
        
   
 
584

     

trem.


     
    f 
  
590 pizz

           

           
p  

595

  
arco
   
         


603 p



mp
          
p p

mf f


612 Faster q = 112

            
   
 
 




  
 
 


619

                                
       

624 f

            
630
 
    
   
mp p