Aurora Pioneers Memorial College
Aurora, Zamboanga del Sur
Contemporary Arts in the Region
3rd Quarter Final exam
Name:_________________________________ Yr. & Sec. :________________________ Date:__________________
i.. Matching type. Match Column A works to Column B places to be found. Choose only the LETTER of the
correct answer.
A B
1. Graffiti in the streets a. Bacolod
2. Traditional Ivatan houses b Baguio
3. Cutting Onions Always Makes Me Cry c. Batanes
4. The Talaanding artists d. Betis, Pampanga
5. The red paper-mache sculptures of hope or taka e. Bukidnon
6. A matecanan mandukit or a master sculptor of santos f. Cavite
7. Bencab Museum has a big collection of Bulul . g. Cubao
8. Alternatives were seen in Gallery 7, Sanctuary,
Gallery Indigo and short- lived Shop 6 h. Laguna
9. Orange Gallery i. Iligan City
10. Project Space Filipinas j. Lucban, Quezon
II. Multiple Choice. Choose the LETTER of correct answer. Place your answer on the space provided before each
number.
11. The National Artist of 1972 who has painted landscapes as romantic pictures, as capturing the warm glow
of the sun or verdant land or clear waters.
a. Fernando Amorsolo b. Nelfa Querubin-Tompkins c. Roy Lagarde d. Veejay Villafranca
12. His art was a black and white photographs documenting the effects of typhoon Yolanda(Haiyan) one year
after it struck the Visayan region 2013, show melancholic images suggesting absence or loss caused by natural
disaster.
a. Fernando Amorsolo b. Nelfa Querubin-Tompkins c. Roy Lagarde d. Veejay Villafranca
13. A photographer who alerted the public about the alarming effects of the climate change, and how it
forces people to become “refugees” in their own land.
a. Fernando Amorsolo b. Nelfa Querubin-Tompkins c. Roy Lagarde d. Veejay Villafranca
14. A ceramist has experimental with iron-rich San Dioniso clay source from her native Iloilo.
a. Fernando Amorsolo b. Nelfa Querubin-Tompkins c. Roy Lagarde d. Veejay Villafranca
15. His study in the United States in the early 20th century was said to have a profound impact on his
artistic vision and style. Travels training and professional development broaden the artist’s horizons.
a. Abdulmari Asi Imao b. Julie Lluch c. Leandro Locsin d. Victorio Edades
16. An artist who hails from IIigan City, would often emphasize her female identity and personal
experiences in many of her female identity and personal experience in many terracotta works.
a. Abdulmari Asi Imao b. Julie Lluch c. Leandro Locsin d. Victorio Edades
17. The Tausug National Artist (awarded in 2006) integrated motifs from the culture of Mindanao, like the
mythical sarimanok, a rooster carrying a fish on its beak; and other okir designs in his paintings and sculptures using
modernist style of figuration.
a. Abdulmari Asi Imao b. Julie Lluch c. Leandro Locsin d. Victorio Edades
18. He was a chief architect of Imelda Marcos, design the modernist cantilevered building described as a cross
between the vernacular bahay kubo and art brut minimalist structures.
a. Abdulmari Asi Imao b. Julie Lluch c. Leandro Locsin d. Victorio Edades
19. He made a gigantic metal work Pieta, 1969, evoked a strong feeling of anguish and loss through the
expressive poses of Mary the Mother and the oversized body of Christ which she supports.
a. Eduardo Castrillo b. Norberto Roldan c. Purita Kalaw Ledesma d. Thirteen Moderns
20. He is now based in Manila, and heads and runs the long running Green Papaya Art Projects.
a. Eduardo Castrillo b. Norberto Roldan c. Purita Kalaw Ledesma d. Thirteen Moderns
21. It became the venue of the first Miss Universe in the Philippines in 1974.
a. Coconut Palace b. Folk Arts Theater c. Manila Film Center d. PICC
22. It housed the 1976 IMF-World Bank Conference.
a. Coconut Palace b. Folk Arts Theater c. Manila Film Center d. PICC
23. It was built in anticipation of a Papal visit.
a. Coconut Palace b. Folk Arts Theater c. Manila Film Center d. PICC
24. It was known for its ambitiously rival Canes.
a. Coconut Palace b. Folk Arts Theater c. Manila Film Center d. PICC
25. It was called to the group of UP Fine Arts Students was influenced as a collective reached organization by
the Kaisahan Group
a. GAMABA b. KAISAHAN c. SALINGPUSA d. Triumvirate
26. The group constantly discussed their social and political orientation which strengthened the foundation of
their art practice.
a. GAMABA b. KAISAHAN c. SALINGPUSA d. Triumvirate
27. Human-like figure made of hardwood that is used to believe a granary god that assures the community of
bountiful harvest.
a. Hagabi b. Sarimanok c. Bulul d. Torogan
28. The mythical figure rooster carrying a fish on its beak; and other okir designs in his paintings and
sculptures using modernist style of figuration.
a. Hagabi b. Sarimanok c. Bulul d. Torogan
29. The local bird that tries to escape the field traps set by farmers.
a. Paniki b. Sarimanok c Tikling d. Kalapati
30. It was a fulfilled documentary and artistic functions, serving as an alternative to painting as a
reproducible and inexpensive form of portraiture.
a. Sculpture b. Weaving c. Etching d. Photography
III. Artist style of works. Below are descriptions on how the artists done his/her works. Choose from the box the
correct answer.
a. Context f. Mitigation
b. Folk scene g. Mode of Production
c. Wood to alabaster h. Talaanding Artist
d. Installation arts i. Tearing into pieces
e Magistral Murals j. Varied form of expression
31. It provides the artist with a different set of material conditions and relations of production, thus affecting
his/her artistic disposition
32. They express their affinities with their land by using soil instead of pigments and by painting subject matter that
are grounded on their present concerns as a people.
33. It encompasses the kind of materials accessible to the artists as well as the conditions surrounding labor, also
hope the work produced by the artist.
34. It refers to settings, conditions, circumstances, and occurrence affecting production and reception or
audience response to an artwork.
35. It was a work that was seen as a scandalous critique of the conventions of the art world.
36. It was an example of Junyee’s Wood Things, 1981, made of kapok or cotton pods, installed on the walls and floor
of the CCP’s white cube spaces to make these look like crawlers encroaching on the museum space.
37. It explored in Ethnicity, Identity and Historical narrative in the inter media works
38. It conveyed emotional qualities or states as in the Dogfight painting of National Artist Ang Kiukok.
39. Napoleon Abueva was a sculptor who has worked with a wide variety of mediums from -
40. Carlos “Botong” Francisco was known for his - .
Enumeration
41 – 42 The husband and wife experience as Filipino migrant artists eking out a living in Australia and in other parts
of the world, has been central to their body of works.
43 – 44 Artists who used abstraction using solid geometric shapes and color.
45 – 46 They both employed concrete as primary material and experimented with rounded forms.
47 – 48 They won the award on Art production that tilted to fulfill the agenda and demands of the new colonial order.
49 – 50 The optimism toward a new beginning was articulated for example in New Society titled Bagong
Pagsilang composed by ---
