0% found this document useful (0 votes)
315 views1 page

Cadences: What Is A Cadence?

Cadences are the final pair of chords that conclude a musical phrase. There are four main types of cadences in classical music: 1) The perfect cadence uses a V to I progression and brings closure to a piece. 2) The plagal cadence uses a IV to I progression and also signals closure but with less finality. 3) The imperfect cadence uses a I to V progression and leaves the phrase unfinished, ready for a response. 4) The interrupted cadence is a subversion of the perfect cadence, diverting from V to another chord other than I to create tension.

Uploaded by

janelleivers
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
315 views1 page

Cadences: What Is A Cadence?

Cadences are the final pair of chords that conclude a musical phrase. There are four main types of cadences in classical music: 1) The perfect cadence uses a V to I progression and brings closure to a piece. 2) The plagal cadence uses a IV to I progression and also signals closure but with less finality. 3) The imperfect cadence uses a I to V progression and leaves the phrase unfinished, ready for a response. 4) The interrupted cadence is a subversion of the perfect cadence, diverting from V to another chord other than I to create tension.

Uploaded by

janelleivers
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 1

Cadences

What is a cadence?
In simple terms, a “cadence” is the pair of chords that harmonise the end of a phrase - that is to say, the final two
chords that underpin the conclusion of a melody, or a section of melody.
The majority of music phrases, at least in classical music, choose from a surprisingly limited range of chord-pairs, and
even music which modulates (changes to a different key), will usually pick from the same small set based around the
notes in the new (temporary) key.
This short article defines the principal sorts of cadence, at the level normally found in the Aural section of Classical
Guitar Graded Exams, and doesn’t cover the more exotic cadences that can be constructed.
Naming the chords
In order to name the chords, we traditionally use the key-independent names such as Dominant, or key-independent
degrees of the scale, such as V. My “Degrees of the Scale” article defines these families of names.
Seeing inside the chords
In Classical Guitar, chord names are not written in the music, and so there is an element of detective work to tie
together the notes on the page and the chords they make up. My “Three Chord Trick” article includes a list of the
notes in the common chords for the common guitar keys, and sure enough, the principal contenders for the chords in
a cadence are the same chords as in the three chord trick.
⁄ † '' ''
The perfect cadence
The perfect cadence is the cadence that brings closure to a piece, and is V to I. ⁄⁄ †† ''' ''
Here is an example in the key of C that has been tailored to fit on guitar. '
The plagal cadence ⁄⁄ †† ''' ''
Often called “the amen cadence”, this also brings closure but does not have the finality of
the leading note rising to the tonic. The progression is IV to I and often the melody stays
on the tonic, as in the example here. † '
⁄⁄ † ''' ''''
⁄ †† '' '''
The imperfect cadence
Not so much imperfect musically, but rather simply the opposite of the perfect cadence - ⁄⁄ † '' ''
'''
one that moves the phrase to the dominant (without a clear modulation involving a
change of key and an accidental), and leaves the phrase there, ready for an answering
phrase that returns the music home. The progression is I to V. †
⁄⁄ † ''' '
The interrupted cadence
'
Strictly speaking, the interrupted cadence is a perfect cadence that is diverted from V to
anywhere other than I, often II or VI (which are minor chords). It generates a feeling of
⁄⁄ †† '' ''
tension, where the expected resolution doesn’t come. ' '

You might also like