Contents About This Book, 1 Some Expression Marks Commonly Used In Music, 18 Reprise: Bossa Nova/Modern Pop Style Miscellaneous Symbols, 15 (Using Baion Bass), 4 Rock Style (2), 18 New Chords: Bbmaj7, Eb6, D, 4 Rock Style (3), 20 Right Hand Double Notes New Chord: Fim7, 20 (“3rds” and “6ths”), 6 Tango, 22 Bossa Nova/Modern Pop Style (2), 8 Key Of G Minor, 22 Key Of AMinor, 10 New Chords, Gm, Gmaj7, 22 New Chords: Am, Am (majZ), Am6, Bb7, 10 Key OfE Minor, 26 Key Of G Major, 14 New Chord: Emé, 26 New Chords: G, As?, 4 Quickstep, 30 Rock Style (1), 18 March, 38 Songs By The Time I Get To Phoenix, 4 Pablo The Dreamer, 28 Feelings, 2 Power Of Love (The), 8 Hard Day's Night, (A) 18 Spanish Eyes, 6 If My Friends Could See Me Now, 36 Spinning Wheel, 15 Jealousy, 22 Sunny, 11 Light My Fire, 20 Taboo, 26 Marching Strings, 42 Take Me Home Country Roads, 30 Ob La Di, Ob La Da, 82 ¥ Viva Espana, 38 Reference Section Dictionary Of Musical Terms (4), 44 Chord Charts, 48, 47 Keyboard/Pedalboard Chart, 48Reprise: Bossa Nova/Modern Pop Style (Using Baion Bass) Basic Rhytim oe Foprelk of 2 | ees Comt 12&3 4 12 &3 ¢ New Chords: Bbmaj7, Eb6, D Bnei? op Esé Es6 EFlat 1 BFlat 1 Mid C 3 A be B flat | Watton F Written c ———— BFlat : a BFE | Tengen Pedal BEET gens Pedal Middie C Middle c D written- 3° 3@)_ 1 Fingering) t Middle By The Time I Get To Phoenix Words & Music by Jim Webb Upper: vibes (with sustain) Lower: flutes (sith tremolo) Pedal: 8° Drums: bossa nova #= 92 Ne. Gm cr Fmaj? Upper Bythe || time 1 get to — |Phoe-nix she'll be [ri - sin’ time 1 make Ok-la|-ho - ma she'll be |sleep- in’ Lower ¥ - root F6 Gm? or Freaj? find the note I left [hang ~ in’ on her | door turn soft-ly and | call my nameout | low r of Fvess Mose, Hollywood, Cavern, USA BCopyeighe er (2 Corp. Lancer WI 4 ‘alinciisdeeeaeees wren Corecictst SecerouFT ‘Bbmaj7 Bb6 Am? she'll laugh when she readsthe | part___ that says I'm |leav - in’ she'll) cry just a think I'd real- ly fleave her eT 3S] ‘cause I've | left that girl so a time and time I've SS. Vf Eb6 or Bo to tell her did- nt 1 would real ~ ly rout rRight Hand Double Notes (“3rds” and “6ths”) In the next piece your right hand plays ‘double notes’ more or less throughout. This type of playing is often called "Duet Style”. The most effective double notes are “ards (notes which lie 3 scale notes apart), and “Gihs" (notes which lie 6 scale notes apart). "Spanish Eyes" is a study in “rds”, Follow the fingering carefully, and tty to keep the melody as legato (smooth, joined) as possible. Spanish Eyes ‘Words by Charles Singléfon and Eddie Snyder. Music by Bert Kaempfert ‘Upper: marimba, or mandolin (or flutes 16’, 8’, 2” — 80 8600 008 — with tremolo) Lower: flutes (with tremolo} Pedal. Ler + 8 Drums: bossa nova d= 92 ce Blue — os mo PGR oP gre wager Fer Upper teardrops are fall- ing |fromyour Span - ish Port F ir? # please don’t = z 2 2 Py) } © Release the 3rd finger first, leaving the Sth finger playing. Then cross over,with fingers Band | onto the next pair of notes. By this means the melody is kept joined. {© Copmght 1065 by Edinon Doma Xeempfoxt, Gorman. ‘Copy for ie Wri oulskte of Germeny Auslea ana Surteanians sewtsned to Reosevel Mune Co ine, New York USA Ingrnanenal Copyright Secured Al Rights Rese:voa. Carin Music Cor, Lonact W1 fos une om of Grest Pavan ated Nortern rlan, v= and ine beineh Demian Celoates, ‘Dvstseas Teentones and Dependencies (ex Canad, Avetalis ane New Zealand) 6 “All Rights Reserved tniernational Copynghi Secursd.7 this is just oa - and love your heart can hold Poppe poppe PET ET ST you and yourSpan-ish eyes will wait forBossa Nova/Modern Pop Style(2) Basic Rhythm Chore: | oT Te | «ete Pedal | pe - ye ete ror or or 6 Count. ) Zand 34¢and 1 2amd3 4and This pedal rhythm is sometimes called: The DOUBLE BAION bass. The Power of Love Words & Music by C. de Rouge, G. Mende, J. Rush and S. Applegate Upper: piano (with sustain) Lower: flutes (with tremolo) Pedal: 16'+ 8" Drums: rock # = 94 No. Fimaj7 Upper The whis-pers in the [| mom—ing of lov - ers sleep- ing bo - dy, and_fecl each move you Lower Pedal i = Dm? Fmaj7 are roll-ing by like |than “der now, your voice is” warm and oo | ———— SSS rPopPr FP GF b Gm7 co I look in your | eyes. T hold on to your b r (© Copinaht 1895 Lraptace Monereriag (BE Songs Musikveriag Gm Sons led, 3/9 Rathbone Place, London WI ad laternational Capyrighe Secured.Upper: add string Bbé F6(on A) Gm7 a ‘ensemble n]_——__¢ F a lovethat | I could not for |- sake. "Cause Tam your Ja- Te and you are my man.) —___""— When-ev-er you reach, === fo Gm7 a BHG(ON CV CF T — for me, YW do all that 1 can. We're head-ing for rf or Ff Fmaj7 F6 Bbmaj? 3 some - thing, some-where I've nev -er | been. Some-times 1 am fright- Gm? co Bes 6 + 5g + ened, but I’m read-y to lear, ‘bout the power of love.|— * high CKey of A Minor ‘The Key of A Minor is related to the Key of C Major: no sharps or flats appear in either Key Signature, AG SHARP may be needed from time to time, however, in the Key of A Minor, since the scale usually requires it- Scale of A Minor (Harmonic Version) ra + G Sharp The next piece: ‘Sunny’ is written in the Key of A Minor. Notice the frequent appearance of G SHARP in the left hand chords. New Chords: Am, Am(majZ), Am6, Bb7 Am mg - 2 Mid C ‘Written: eS A ‘A Pedal 4 2 1 (Fingering) Amtmaj?) Am(maj7) _ E Oana eS ° ‘| | ‘A Pedal — ¢ 2 1 (Fingering) Am6 E Am6 1 Mid Cc OT 2a | : ‘Written: ae | lol ' ‘A Pedal 54 2 1 (Fingering) D BT BbT7 BFlat i jag SS . F | ‘Written: >So B Flat Pedal 1 Fingering)Sunny Words & Music by Bobby Hebb Upper: jazz guitar (with sustain) Lower: ‘string ensemble Pedal: bass guitar 8” Drums: rock 4 = 92 Am __Am(maj7)__c7on @ F6 ET Upper 7 sun- ny — yes-tor-day my |life was filled with j—— Lower Ss Pedal “tT F Am Ara(maj7) C7(on @) Fs BY _ Upper: add tute z = smiledat me and |real ~ ly eased the , ror F Am Am(maj7)_ Am7 Amé Fmaj7 Bb? darkdays are done and the bright daysare here my |Sun-ny one shines) so sin- cere. oh ie Upper: cut fute FQ Dm6(on B) ET an Er NSe Sun- ny oneso | true — I love | you mort - op p ft © Copyrisih 1988 and 1868 by Pxtzble Mus Co. Toe Ccampbal Conner & Go ed. 3/9 Frith Soe Leeda WIV STZ ht "ail Riots Reserved internatooal Copyright SecuredFeelings (Dime) English Words & Music by Morris Albert Spanish Lyric: Thomas Fundora Upper: flute 16’, 8’, 2’ (with tremolo and full sustain) (88 8004 006) Lower: string ensemble Pedal: 16'+8" Drums: bossa nova d= 100 Am Am(maj7Xor GBD Amon G) } ‘Upper a a = = a St — BeelIngs, — nothing more than | feel-mngs, — Tear drops, — roll» ing down on [my fae —eeSSeet aa, g EE ing SO hg Lower & ae == = = os = Pedal F y #f of t 6 Amé6 (on F#) maj? ore of, of for feel for ngs try - ing to feel fee wy = ing to = +) get my — get my A 2. Cmaj7 co Bm? 7 Craj7 cae. B G7(on F) - oF ‘Upper: add strings Fmaj7 se Er for all my life feel vn Poor © Copyright 1924 Esto Auguste Late, $90 Paulo Been Por the trols Wore except me Amerean Cominent International Moledies Geneve, 8 Fue de este, Ciclz04, Geneve, Swicetlrs [Assigned for the trticry afte Usted Kingdom so ize (9 Bcks Muss Lad, e Par Place. London WE Ah Shanes Senteved teaendicnal Comniata tacos. i $ ¥ **CH° on pedal E I Al? on pedalDm? met you, girl, ror oF Fmaj7 6 «po you'll nev-er come a - Prop GI(on F) 6 ~ y 7Rock Style (2) This basic rhythm is really a combination of Foxtrot (2) and Bossa Nova (clipped chords on beats 2 and 4, together with a Baion Bass) Chord | t J ca Pedal: | ». z Count: f 2 b, f 4 ‘To get the true feeling of this style clip your left hand chords short and hit them hard! Basic Rhythm: (ete) A Hard Day’s Night Words & Music by John Gennon & Paul McCartney Upper: jazz guitar Lower: flutes (with tremolo) Pedal: bass guitar 8° Drums: rock d= 12 Ne. % cmaj7 F7 maj? Upper Lower Pedal Bbmaj? Cmmaj7 work - ing 7 cmsi7 Borngj7 I should be | sleep - ing —— 7 ae oxthorn Sones bamited, hondon WtCmaj7 Upper: edd Piano GT things that you do Em? F6 home to Cmaj7 FT a me | feet Am? you, To Coda ® CT Uoper add Tuts (with tremolo) ev -"ty- thing seems tobe Pr GF PST Am7 D7 SS — gS 28 SSS Pa When I'm home, | fecl-ing you hold - ing me orese. : 4 . t pixel, ¢ , gl, £ 2 # = 1 = é rtf Te OF DS. al Cod cop. re Peart “ ‘ 8 I's been a geRock Style (3) This is similar to ROCK STYLE (2), except that the "Double Baion Bass" is used: Chora: | 2 J ed oe wen lege g Count 1 2&3 44 New Chord: F#m7 Fem? Fara? fe) |) le Wonens = — 54 2 1 (Fingering) Upper: jazz organ (with chorus) Light My Fire Lower: flutes (with tremolo) Pedal: bass guitar 8° Words & Music by The Doors Drums: rock # = 112 *VERSE N.C. Am7 Fim? Upper You || know that it would be mp : Lower Pedat Am? Fem? Am? know that [ would be a liar, or we could - n't get much higher *That part of the song containing the narrative © Sepynat 98 Doers Masts Co, USA aie (enon) Li, 3 Pees0ae Green, onde free E CSharp A F sharp, F Sharp Pedal was to say to*CHORUS. tremolo on G6 ay D 66 AT 23 = Come on, ba - by, light my af ‘ Come on, ba - by, light my fire. D G6 D BD tremolo off ‘Try to set the night on erese, You mp gr gr ~ a vo VERSE Am? Fém7 Am7 Fam? Know thatit would be un - trte.| | You know thatT would be a tar TE Tags to say to you sil we could-n't get much, higher / z CHORUS G6 Al D G6 aq D tromole on Come on, ba - by, light t : 2 Come on, ba~ by, light my fire} — FG ce D 6 co fire the night on Try to set the night on = I. fire| —__. Try to set I~. FEM Pe FP OF OF “That part of the song where everybody joins in.Tango ‘Two main types 1. Spanish (or European) Tango- - . . . Basic Rhythm Chore: | ddd | ew Peat | p Count, 1 2 and 3 4 2. Argentinian Tango- += (accent optional) Basic Rhythm:. Chord I? : ; J (eto) ox. Chora 111 | ew Pedal r | Count 1 2 3 4 Count f f f te Inthe examples which follow, “Jealousy” has been arranged as a Spanish ‘Tango (Type 1); "Taboo" and "Pablo The Dreamer" have been arranged as Argentinian Tangos (Type 2). Key of G Minor ‘The Verse of “Jealousy” is wnitten in the key of G Minor. This key requires two flats: B flat, and E flat (see Key Signature). New Chords: Gm, Gmaj7 Gm D Gm ll l 3 Bat Written: SG ei | tls G Pedal 5 3 1” (Fingering) Gmaj? cima) mT Shay * D el I . ee] le Lhe Written G 34 2 1iFingering) ° GPedal Upper: accordion Lower: Qutes (with tremolo) Jealousy Pedal: 8" Words by Winilred May. Music by Jacob Gade Drums: tango é= 116 VERSE Gm oo Upper Ff Jeal~ ousy! "twas on-ly through Jeal-ous-y! our hearts were Lower Pedal “tT smnght 1942 by Lawsonce Wright Music Co.Lid. Leadon Wl, eats emi Colonies (exchising Canada and Auswalases bor iacaucing a Latin eountriss ana Swstceian eeeneceres 22cmé DT cm Dt and an-gry words were spo Ken - Nowall 1 have is mem - o- ry—~—L— tg che-rishso | ten you have gi- ven to Port? Tt loved too 1 |doubt- ed you in my heart roti? tt life was | hell ev~ ‘ry | mo- ment we were a-|part TOT Te TT FR FOF EE 23Cm6(on A) big mis - |take? Gm. mé(on A) DT Upper: add strings I wrong'dyou rightfrom the CHORUS G6 Dr rorreF TE a a Gé(on By Bho” Am7 br heart was a -) firewith de-sirefor | you. ~~ tie. CHO on a B flat pedal 24Am? Db? G6 Dr 7 we jnev- er thoughtthatyourlove was see _ ev gr the qurleve Ww pb? G6 DTKey of E Minor This is the Relative Minor Key of G Major. An F SHARP will therefore appear in the Key Signature. New Chord: Em6 Emé Emé $ 3 2 1 Gingering) Upper: clarinet (vibrato off) Taboo PORRE gates Cth tremolo) Words & Music by Margarita Lecuona, “eda Er sh lyric SK. af Drums: tango d = 108 ington lyric by SH. Russe! Em6 Upper Slow - ly the East-ern moon as |cend - e mp. ee ot . se 1: \ Lower 5 mau Trrr tr? fr rrr trrr Am6é BT Emé 1 | andfound her close be |~ side 4 rrrt tre 2 Vib on BT Amé 387 Leslie: Trem. I knew this was! mad py 194 ane 1941 hy Peer Irternancnsl Cote. fusic Pushsring Co.Ltd. § Denmark Stes, Ldon WC2 ‘Reserved inlersacaal Copyright Secured.