FLORA, the Red Menace (1988 Version) Music by John Kander Lyrics by Fred Ebb Book by David Thompson Based on the novel “love Is Juat Around the Comer” by lester Atwell1 Ma 2 12a 1b 3 “4 Ma 1b 15 15a 6 16a 16> 16¢ 7 Wa 18 AT END: TABLE OF CONTENTS Act One Prologue... Opening (Unatraid). “"Mtr.Job” (Soene Change Last Namen Secretary Underscore ‘The Kid Herself... “Kid” Playoff/Apple One Good Break Not Every Day of the Week. Mr. Job in D (TO). Sign Here Winds of Chang “Mr. Job” (into Stanley Scene) Mr. Stanley's Vers A Quiet Thing... Communist Vamp The Flame... Flame” Exit. “Flame” with Marbles... “*Not Every Day” Reprise. Not Every Day Tag. Now It's February. Dear Love .. Act Two. Entcacte Keepin’ iti, “Hot” Dance. “Hot” Playot. ; See Express Yourself... svonmnmnd 7] & miSSing py: !74 Where Did Everybody Got wn “Mr, Job” Golf/Perfume Winds with Chant, You Are You. : Winds" into Rally. The Joke “The Joke” Playoff. “Winds” with Chant os Montez Que Thing Reps Sing Happy... 7 “Unafraid” Underscore.. Bows. 2 “He\lo Waves” Key of C “Signs HEee” Koy of BFLORA, the Red Menace (1988 version) was presented by the Vineyard Theatre, 309 East 26th St, New York City, Doug Aibel, Artistic Director, Barbara Zinn Krieger, Executive Director, Gary P, Steuer, Managing Director, for a limited run (November 20, 1987 to January 23, 1988) with the following cast: FLORA MESZAROS., HARRY TOUKARIAN ‘eanne Cox -Peter Frechette CHARLOTTE.. Lyn Green WILLY. Eddie Korbich MR. WEISS. Ray DeMattis ) ELSA, Jefferson KENNY... MAGGIE MR. STANLEY... Directed by Scott Ellis Choreographed by Susan Stroman Music Direction by David Pogue Scenic Design by Michael J. Hotopp + Lighting by Phil Monat, Costumes by Lindsay W. Davis Sound by Phil Lee Production Stage Manager Mary Fran Loftus1. Prologue cus: Lights dim after Willy's monologue, On-ly a nickel, Mis- ter, Pen-cils,_ nickel, Mis-ter,_ aIDIALOG} Brightly (add Banjo) I don’twant your =e sis - ter,| 1 don’twant your 3 = ————— Bu- ick, the glo-ry of your life, Mis-ter, just give meMAN: Billy Rose, Sally ran, 7 SAFETY I don’t need your sweep -er to keep my cast-le clean, Trio He — Oo ta ba dowah 00 clean, oh, Mis-tet, just give me just give meF F SSE Si SS = = Can-cel my sub -scrip-tion {© -For- tune ma- ga - zine, tyig ban tyne bung oe eS t= T 7 Borg bung Bung bang = = — Mister, just. give. me just give_me a jobt[DIALOG] STOP ON CUE: Don't worry. ‘There'll never be Safety ‘another crash, Mel - lon pulled the whis - tle, Hoo- ver rang the bell, 10oes Wall street gave the sig - nal, ! |. coun - try went to hell, | Slowly, "Miss Flora Meszaros.” J \ | i i d 42. Opening (Unafraid) CUE: FLORA: Inthe words of ‘our great president: Flora noth-ing to fear; and clear, we will join the great ly march-ing a= long, Blah peT ward a sun-ni - er day, fierce, de PPT Oe ter-mined and strong, e-ver rea - dy, come what — may. * FORE F 7 1G Bruised - butwe willbe un ~ Clouds may ga-ther and swarm, foie pe um = \yet this! " pro:mise ” is made;! PO brT a rite We will PREF FLORA: Will you all rise. wea-ther the storm, un-i- form- ly un - a - fraid, it ££ STR mp 4 + Graduates -sofly.aifirst FLORA: ..not be afraid, We '- have’ :*" fia-thing; to fear. We will not be a-fraid; PERE fF TEE F #F THF ‘Boch a poco bresc. oo TTTP PT Trt rrr rr ft= cloud-ed and clear, we will join All (strong) == 6 = S53 a - long, march -ing i _Hatfehorus: fierce, do sun-ni - er day, fierce, ter-mined and strong, e-ver read - y, come what, may.Men: (bruised and bat - tered) he T bat Butwe — will be Broader ga-ther and swarm, 7 poco rail: iweather, the storm, i Un - con ~ di-tion-al ly raid. ‘Maestoso, 12a. "Mr. Job" (Scene Change) Applause segue from "Unafraid.” Bright simile 1 don't need yourchauf - feur just give me Don’t need your di - plo - ma, 19or your cap and + Applicants just give me > “20" 2b. Last Name CUE: FLORA: Gee! “Last name, M-E-S-Z-A-R-O-S, “First name, ‘That means es please print plain - ly,"' "Home ad-dress* Three -O-Sev-en West Get off at Sher-i-dan sempre staccato + per -i-ence” “"Rea-son for ap-ply -ing for 22 Ey tate - 7 a SS this po - si - tion" Rea-son for ap-ply-ing for this posi - tion?! et SSS SSS z = | Well, it got so bor-ing in the pent - house, with <= no-one but the ser-vants a - round._ 1 thought I'd take a job a-mong the SSS —F = 3. Se peo = ple; they're al-ways so a-mus-ing T have found, (Phone rings) Saree b: 23 SEGUE2c. Secretary Underscore (SAFETY ‘Ad lib; very gently {SAFETY} CUE 10 proceed: Do you know who Iam? ? SEGUE{ { Step right up,— and meet the kid —her-selh"_ the most im- =F = pres - sive sight in all of New York Cit - y; she can do what ve-ryfew: can do;..She'e-ven- talks Hun-gay -i-an! — Step and you will = eight, not se - ven!" S the list be-side the py - ra-mid,— you got-ta put the kid’ her ~Oo cat - tle. Look at the__ form, Now don’t they make. your, back teeth rat - tle? On top of _ which,e she’s filth-y_ rich She sells her to show. whatyou’vebeen mis - sing, Joo——_ if you have missed MissShe has got. what ve-ry few have got. (You ought-a a, D9, * e+ vapgae © Y tng oe? see her st” -di-of) Step right up_. and you will cast your vote; Out-side in Hiry - ant Park. they ought to put a sta - tue, Here she is,30 o yourlid, in hon-or of the Oe self Artists took her 1. Petes heer] kid took her L_ Q=round-ed? ‘That gor-geous. thing Plus she can cook. x Is brai- ny,— 100! ‘That gor-geous thing rT Don't o0-ver -look,+ ther gou - lash Yes, she’s a - ple threat, you ain’t seen you've met 32.so much_. poise ‘Who can that be? ‘They must mean mel ‘The Prince of _. Wales.whom she de T knock him dead! A = way out. West. Ca-blel > A+ wy out West You heard of them?a Flora To hol - ler, on “Flo the phonelTa Ja ta ta ta dad Jada a a “Ya deta aed ny la la la Ja la lad She was a la de da— de da de la de da de! On = the list be side the to py - ra-mid,_ Be-side the Hang - ing Gar -dens, And the C'los-sus of Rhodes... Flora And the 0 - therfour, you got-ta the kid her - self! Artists38 has, so much. class; and such an feel theirPro - ceed.at__ will. Her look can. Kili You mustn't Al-though you re - ply, "What bet - ter. way40 Flora The kid her - Artists The kid her - And that’swho [amt3a. "Kid" Playoff/Apples cuz: FLORA: I wouldn't wear ittga shipweck! On-ly a nick-el,42 Dialogue}cuE: FLORA: We're en odd bunch... Safety ——break just Know what? We lost 45watch my— Oné “sub stan = tial 46stan - tial break > stan ~ tial make them all stand_ a748Gim-me, gim-me a Kenn chance, Gim-me, gim-mea chance. Idon'twant an-y handout Gim-me, gim-mea 2 hy 5 And I'll ne-ver be fanned out Gim-me, gim-me a £ Maggie And re-port-ers will standthe chance to clu - sive, bestan - tial52 ELSA: Hi I'm Else. and wrote ‘em a song. Which, thank God, is just my lock.«don't get anywhere iby standing sil, Gim-me, gim-me a yal willy chance, Gim-me, gim-me a chance. And Pmoff to the big time7_ Gim-me, gim-me a boost And Til niake: i in oS a a | |And Vilwag-er a fig Time Mag - a= tine will oo + to be the face —dn—the cov - sa + Willy | one good. break, then Mis - ter, Watch = my_Clarinet Solo IMr. Weiss’ speect)except ine Depression. Sofety «Poor deluded fools, you say? P and build z Wl w a All except Mr. Weiss Gim-me, gim-me a chance, ‘And I know I can 37Gim-me, gim-me # boost, and I'mgon- na see 2 £ Win, Gim-me, gim-me a lift ‘and I'll buy me some - fume. and strike a and Mom and? Dad would-n’t IP need, Kenny + Maggie One — subneed, Me. Welss Clarinet solo All (whi red) One! 62cue: FLORA: It's aceall Haye = = >= ES + eee wy ee | You're ver= §7Bg'- gres - sive, _____in the nie“ebr Way — = = == 7 oe a a aed 1 mean War you're pash-y.— hat Is tb Say, bold. I've a feel-ing F'vebeen run 0- ver, in the nic-est way simile sempre stacedioAnd be-lieve me, what - ev - er you're sell-ing, I'm f mo-ment I saw T knew like {a youwere ver - y dis - | tit + tine - tive. And I have to ack - now - ledge it'sthe fate Sb =f f some - one so spe-cial, so if I’mtongue-tied, do you blame me?Ss How should. a = per - sone - act Tous fact Sa = and cer = tain-ly == 4FLORA: Well, Harry. ev = ‘ry week of the year. You're ver=# “PE - cus liar, ______ in the siferetrwly pos-si-ble, strange, You're ahorse of an-oth- er col - oraa * in the nic~ et way pos-si- ble ‘Though I grant you ap ap.- docs-n'tseem likesome - one whose charms could be some - what great - er meetsone wh toher, ."Have an_ap-ple; see you la-ter.” some-one who says to n_8p-P yi help but” feel good? tac - tive knock wood mo - ment that’s here, on ac-count of it's not How cai. Iof the week and cer - tain-ly not 807 "ty week of the 1should two the _ fab + lous! fact must make the - most of the mo - ment that's here, on ac-count of it’s,Both: of the and cer = tain-lyMr. Job in D (Trio) (on applause) Keep you blind am - bi-tion, go. and make your mark; 4Mis-ter, just give me a- dove the . park, Mis-ter, just give _me “Three days later..." > Mis-ter, just give me 156. Sign Here CUE: HARRY: And I took the liberty.join the Communist Party. Ar you in fa-vor of de- must be in fa-vor of de - mo - cra-cyl_ Well, since you'rein fa-vor of de - mo - cra-c)How do you feel a-bout the rights of man?_ Are you a sup-por-ter of the rights of man? You must be in fa-vor of the rights of man;— The rights of man? —~ + = = * Where indicated, Flora ad libs protests or exclaims her agreement with Harry's ideals, nmu-nist; Do you be-lieve.in ever - last. ing peace?Bot 10 be-lieve in e-ver - last ~ ing peace! And since you be-lleve in e-ver= ast = ing peac: SSS * fl —= — 2 i G ae —_—,, Sign here! How —a-boutmilk ’n'cook-ies for . the kids? _ You * = = = v T os Fo wan - "a" conk-ieg fat the kids? Well,if you want milk ‘n' cook-ies for the kids, Here, sign; iD) sign here! Freemilk___ for kids? A last — = ing peace? Therights__ of man? De-mo - cra-cy?Com mu-nist! 81cur it-y?_ Well, since you're in fa-vor of se - cur - i-ty,_Hor, sign; sign herel Would you make can-non fod-der 5 of ouryouth?__ You could - n’tmake can-non fod-der of ouryouthl. Who'd want to make can-non fod-der of our youth? sign herel Pro-tect__ our youth? be OXSe-cur - it-y? Free milk for kids? co ast - ing peace? ‘The rights of man? De-mo - cra-cy? You're a Com - mu-nisttWhat do you think*of jobs for ev -ty-one? Of ‘egurse you would like a job for cv - ry-onel_ Well; if you would like a job for ev - ry-one,_ How do you féel_a-bout the filth - y rich? I know how you fecl a-bout the filth - y rich!i) filth - y rich, Here, sign; sign here! Nofilth - y rich? = = No un - em-ployed? Pro-tect_—; our youth? 7 = — — = ity’ Free milk for kids?A last Com + ~ ing peace? mu-nist! ‘The rights of man? De-mo ~ cra -cy?FLORA: But Hamy, just because I belicve in all those things...we've a tip - er fresh worldHow would you like to do a - way with slums? Of course you would like to do a- way with slums!_ Well, if you would like to do a - way with slums,_ sign here! Would - n't you want to save A- mer - i-ca?__ Of course you would want to save A - mer - i-ca?_sign here! — A-way— with slums! No filth -y rich? No un -em-ployed? Pro-tect..ouryouth? Se-cur -it-y? Free milk forkids? A last ~ing peace?dot. -Applause segue from "Sign Here." ——_ —~ ee i ; i 6a. Winds of Change BOP EPR RRS 5 5 ’ 5 TERE BEE6b. "Mr. Job" (into Stanley Scene) CUE: WILLY: Flom-the Red Menace! x = (Clar. Sola) I don'tneed tm - for an-y fan-cy Mis-ter, just give me a job. 7Fold the green brel - la be - side the swim - ming ‘Mis - ter, just give me6c. Mr. Stanley's Verse CUE: STANLEY: one thing, {you must understand, Mr, Stanley (ist tine) SSS Ee # SS 3 cS = 7 When I say nineovclock then I mean ane) nine of clock; I don't mean _nine-o- five or ten or nine-fif - teen. ‘When I say When I saythen I mean up know what 0-ther meth-od you'vépre - ferred. Don'twant to If Tsay up a third, then put it up a say Chi - nese Red,SSS tt then I mean Chi - nese Red, 1 fe SEC'Y: Mr, Stanley! | ine; you'llfind 1 al- ways say ex-act-ly what I mean, 101STANLEY: I'm coming. For example: 102scene, be-cause I al-ways say ex-act-ly what I SEC'Y: Mr, Stanley! STANLEY: Ill be right there es tne | mean, = Be ac - cu-rate, de - pend - a-ble, be = - gin. = ning Mon’ = day - at 103: Fate ===s and we'll get a-long just fine, U Miss Mes - za-ros, fine, Miss’ Mes-za- ros, CUETO PRoceED: Welcome to Garret and Mellick's, [VAMP for dialog} = 7 ES a petj= : : p ¥- pS ¥ r ¥ SS = r ¥ a Segue7. A Quiet Thing Liistesso [VAMP] Blora: 2 Seas Wha-da-ya call a job at Gar-ret and a t t (a == ° 7 ease iar) Mel -lick’s? Wha-da-yacall a ent — SSS fash-ion il-lus-tra-tor?_ be = + + 3 i ¥ ¥ jt = mF =¥ rr‘Thir-ty, thirty, thir-ty, thirty, thir-ty! mp Twan-na run yf i ie BPE F 7 BIR BR BR aR 2 aa Iwan-na_ soream, NoI don't, 7 PR e RT Bea Re Dev 7I wan-na sit down, cae tL a2 \ poeo ral gta Re BFF 7 Sofery don't hear an-y-thing. ‘Yot'restip-posed to hear 1 bells, drums, trum-pets. I don’t hear an-y-thing. Do you hear an- y-thing? No? wha-da- ya know?funny, but the bells don't ring eee When you , hold in your wem-bling hand, you'd think you'd hear a — choir 108 When it all comes true, just the ‘way you planned,eS eee Its a qui-et thing, i + aS z = There are no ex-plo - ding fi- re-works; Where's the roar-ing of the crowds’? May-be it's the strange new at-mos-phere way up here a-mong the cloudsT don’t hear the drums, Ti don't hear the sounds I'm told such mo - ments poco rail Hap - pi- ness comes in poce rail. |" 2 tempo wha-da-ya know, Ws a qui-et thing,2 2 Per miecsal ss What do youcall a job at Gar-ret and Mel-lick's? Whatdo youcall a it, fashion il-lns-tra-tor? What do you call thir-ty dol-lars a week? —‘Thir-ty!Communist Vamp Slowly; poco a poco accel. > LTT temottongeen >) 7cue: GALKA: ..a eport fom (Comrade Gharote! STowiy ard Russian twen-ty Alt-man's, Saks, and Klein's; 8. The Flame se-ven lines, Charlotte On L 1 + Mon-day I put pick-ets al - so stat-ed ri- ots at broke three Wool-worth win - dows, B. de- 113Aus to = mat You'd think I'd be en - ti-tled to a (Exclamations ad Ub) t Slower poco a poco accel simile A Tempo to light my way! Al-though my glow ~ ing torch &shoul - ders droop and I was plen = ty poop T heard pce = do much =z —— for ev = er play-ing your i yt tg 1 = eats ee + f us og= { nor, You must do ' Eee par} You must do mor, un - til you've fit the {Applause & cheers until ‘Charloue's cutoff] ev'- ry sin gle heart! > ‘Tempo I (slow! ies-day in the sub-way, ja 16* threw a rot-ten egg, 1 called a man a fas-cist, and 1 bit his daugh-ter’s leg: spat w-pon a land-lord, night court, when the judge said, “Char-lote, stopl” A - gain 17Slower poco a poco accel. felt the amg simile glow ing tors. to light my i fb 4 a 118you must do -much more! You must go for - ev - er play - ing your part! You must do you must do much more,_______ un til_-you'veef Communists lit the flame in ev'= ry sin= gle heart We must do 4 A ry MO we mst do much morel play-ing our part! We must do more, we must do &the flame in [Appiause uni Charlote’s ewotf} Chartotte Just yes ter-day on Wall Street, made a lit tle fuss: short - cir-cuit-ed a Du- sen-berg, and i 121wrecked & cross-town bas. ‘The Is -land fer - ry was = ee =e == — Sta - ten = eT oS Ja - ter scored; youll ne - ver guess what suet | =~ ae= = SSS 7 ca eect | = b ip z HARRY: Linow, lknow! . Slowly CHORUS: Fett! wit MY STORY!to light your A Tempo Your mouth was filled with foam, but back home, you heard { You must== SSS f ——— you must do more, for - ev - er é ‘You must do 14 much — more, play - ing. much lit the flame in ev'- ry sin gle ee ‘You, must go un - til you've +lit the flame in ev'ery sin- gle heart 125,1278a. "Flame" Exit CUE: GALKA: Meeting is adjourned. Communists We must do more, we must do | Posies We must go play-ing our part! We must do more wwe must do much more, + 128un + til we've lit the flame in, ev’ ry sin- gle vt In be es ! f "8b. "Flame" with: Marbles cue: IFLORA Kisses and exits] ==] Ffelt the flame, I felt it Deliberaely ‘poco a poco accel (de spits the marbles} bebum —in-side___me like a glow - ing torch__ to light my,132 cus: FLORA: Font? HARRY: Dancing! Very Gent! bccn ull Aue nf poco rllschunchback of Nowe Dare? oto ral Harry fad ib) How should two peo = ple re - act? When Brora How should two peo - ple 133must make the most of the =~ mo - ment that’s here... must make the most of the = mo - ment that's here... poco piu mosso Rushed and florid (ey kiss) And cer-tain-ly not eve of the Slowly And certainly not ev. 2 Slowly 134Tighity Applause segue 135sign some - one will be ask = ing Bo my Val-on - 13811. Dear Love cuE: FLORA: ..swantto disappoint Comrade Charlotte. Char-lotte, Char-lotte, Char-lotte, Char-lotte, VAMP under talk 139are you may-be my va - Jen- tine?142 FLORA: I'l'go over his apenment.. Pilshow you how to foxtrot. [fete iknow how you feel on the ve-ty first day of May, Har-ry?_ When you are, getting rea-dy'to march in your pa - rade? You know, ex~ ty)! Ft Fe = cited and hap-py and warm all O- ver, Harry? Well, the |—~> | way that you feel on the first day of May is the way youcould fee! on this 143four-teenth day of | Feb-ru-a-ry,__Imean hap - py, will you are you omy - be my 1va Jen - tine? 145Flora 146 Faster, with a Viennese lilt itd that room were mine,that says 447This day. could for - \sam your va- len - tine, eae Well, the way that you — feel. t t fe 14g— on the first day of + May, this four - teenth 150138 The snow begins to fal. : 152Entr’acte A Tenn ci TERE tay FE 1535 7 PRR hy F ==‘ 12. Keepin’ It Hot cur: WILLY: Here goes nothin’ Though it may sound more than drastic, 1 can't wax en ~ thu - si- as - tic o-ver agirl____ who does - n't see things my156 So my pet, in 1 had bet - ter Pimkeep - in’ it that con - nec tion, men-tion. Tve rail a cer-tain Tmiet vin’ it pre - di - lec - tionIf you want to IF hot you are dance a-long_ with me T'mkeep -in' it hot. not, We'recer -tain to fiz - ale SSS Ses 6 =| You can on-ly get inswong_ with me by keep -in’ it hot Z fe A. re = =] ie &that old fash-foned three -quar - ter 158un-less the riff is swing -y and spif - fy. Tike youa low Youcould be my partner. But if you're dis in - clined to tag_ a-loag “, gold or to truck on down and shag a-long, please don’t waste my time; I'mkeep -in’it _— 159160 “Maggle 1 have heard each word you've told me, I feel the But it’s pre-ma - ture 10 scold me, 'spec-ial - ly since. = You will meet with no de - fi- ance;That same bug has Vmlet tin’ it mis - al ~ Ti - ance, bit siz - ale, You won'thave to quit me. ‘Tempo I'mkeep - in’ it hot, Tell that clar-i - net toblare_ forme. Jes 161T'meer -tain 10 bykeep =n’ it 162 If hot. you are not, fiz zie; Ask the band to show they care_ for me Tans hot,and that’ old - fash-ioned unless the riff is swing sy and spif - fy. 163Tike you a Jon. Youcould__ be my part - ner. SSS = poe may I tag a-long? Yes in-deed, we'll truck and shag__ along, Je) tip ipl : (Taps) a ee = As we make it clear we'rckcep -in' it hot! Hi _ MY = =SS—= SSS] je 2 : pot = : — = —— ne } : = t nt SEGUE TO DANCE12a. "Hot" Dance Clarinet (Will) = Map breat)(Optional 8va from here o Beguine)(Batter (Dueling Spies")Kenny + Maggie 1 like. you a Youcould_. be my Part -Bun-ny Hug a-long? As we make it fel iy Par - doh me, but may T chug _ ies 4 along, clear: Lin.- dy Hop and We'rekeep - in’ it12b. "Hot" Playoff Applause segue from "Keepin’ it Hot” (WILLY: Later that evening in Harry's eparimeat pa > ma 170cue: CHARLOTTE: ..tell me the news. From ie font. a nf Charlotte ing &-lone. like if you would on - 13. Express Yourself this, y let Think of the sparks we'd loose; = If you. would steal 2 ~ kiss, let loose oo ATLm2 None of thenews would teak - out + press your-selfl Ws ther~ a = peu ce, you will find Gf you know what I meant). when one is willing 10 un - wind if you know what I meaniy-Think i'ssimp - ly bliss Tell me, what'syour o - pin - ion? Get off of that lo - cal A here in yoursmall do - min - ion; Ex - press yourself it'sslow— as can i 13Why not be’ mcr ci less with me? (if you know what I meaty. ‘Yours is the kind Gf smile Pmwil - ling to ste - cumb to; * So would-n’tyou be dumb 10 re - press your-self? Pullin -t0 that park - ing place Fighthere_- on my knee, and ex; A, 175Dance "Hire, whee ae you?” “are you playing Soldier & Spy?” rte “Thave wh important secret." SS * awling through the jungle ” 176Loos-en- the-ti¢s that «bind; fan,ev’ - ry flame in - side you. nf Let Len -in’s spi rit guide you: Un - dress yourself! 177Whatever 0¢ to feel per fect-ly 4, free, and ex ~ press——______ your - If you, know what I meant13. Where Did Everybody Go? (CUB: Flora storms out. Heavily f 4 simile did ev’ - ry-bo - dy go? You look’ ss though you: know. So won't youkind - ly 179180 Don'tsit there look - ing do you sup-pose I be-side him on the Isright be-fore your eyesthat made him teat me this Charlotte. This So won't you please ex - plain, Why did they weat me this i let there be’ 181When-ev-er an ac-ci-dent hap-pens, it happens to.hap-pon Out of his mind, hes gone 189‘out of his mind... You’ vegotto won-der Dam-mit, if on-ly he wer-en'tso cute, mind, 1’ go out ofmy mind. Why? di 4d oF oF Thought he was 50 This whole m-mess is a b-b-b ~ beaut,184 rf& a == —— TS Ap-ples turn out to be trea-cher-ous hit Sj fee + Tnetd to know the | SS Lneed to know the ———= S f need to know the Com-rade Char-loute1851G br18714a."Mr. Job" Golf/Perfume On applause for #14, Brightly winy I don’tneed your golf clubs, 1 don'tneed your links; 188Mis-ter, Keep your just give fan - cy just give me just give me14b. Winds with Chant cuz: ‘ (CHARLOTTE: We'll see about that, Crowd in ~ fait) (Gar-set and Mel-lick'sl Gar-ret and Mel-lick'st| Un - fairl (Ut WILLY: The next day. Gar-ret and Mel-lick’s! Gar-ret and Mel-lick’sl_ Un = fairl (Un = fair!) (ete.) aa 19015. You Are You ‘ou can only be one person, Moderately Mr. Weiss some-one else, Some-one { else is some-one else, You are you, Fix your 1 191black your teeth, but the par-ty un-der-neath stil is you Youare youYou are not Mis-ter Weiss, Mis-ter Weiss is Mis-ter Weiss; you are bleat, they can bray, but they can-not take a-way what's you, 193Mr. Weiss Elsa tell you what is good, what is nit, What is cold, whats, hot Who to love, who to hate, when to hit, When to; via Mees Rl fates | time they un-der-stood they can rave, they can rant, But they ‘can't get a purse made of FLORA: Thank you very much. Mir, Weise Bisa silk from the ear of a sow. ‘That's cor - rect. Ver-y Bisa Mr, Weis Both Mr. Weiss _ = ‘Think it ov-er. Who are you? ;Whoare you? Who are 195‘not Snap it here, snap it there, take a pic-ture an-y-where, it isMere-ly me, 1 am sick of all the strain and the walks in the rain and the pain of re-tain - ing those damn rev-o-ln-tion-a-ry rhymes, 0 Oe mov-ies that they show where they force you to go, ‘like who +else do-you know who has seen "Po-tem-kin" thir-ty sev-en mes? Mr, Weiss Flora ‘What a task! Tsk-tsk'- tsk Wsk-tsk-tsk. -* tk -tsk- =FASTER gree! Tam’ “not” Myr-na Loy, Myr-na eee yee et eet eet, Loy is Myr-na Loy: I am me. ‘They can bleat, they can bray, but they can-not take a-way what is me.hain ia sutive fe == f: =j ie 1. am what 1 an! ‘poco rall. 1 am : cae {ee j 4 pe 6 IE cera | | i : is in | Da =a = = | ie We 3 Z z 2 2 jem _ Te : | | a — : SS me. Lamme. Iam not some-one ‘else. Some-one lsc is some-one else; Tam A Sa SS pe 4 MeWelss Fla Bsn ' S55 f =S == 4 a Paint it green, Paint it red. Stick a és _Alltnes a Z a. = = 7 7 Ze = it is me! Not o rotNot them, not» they, "not poco allargando It may not be a lot, but what else have I got? > Elsa ANThree a 20115a. "Winds" into Rally: CUE: [Repeat unit ights wp} MB. WEISS:..use a litle luck herself right now. Be —— qo16. The Joke 1 don’t blame you for laugh - ing; when I speak, I’m a joke, 1 don’t blame you for Me Javgh - ing. Td laugh too; but while you're laugh - ing, j———————— 203ATempo find shel-ter in with no door - ways, : shoes on their feet,snow and the sleet, ‘And they Search through the gar - bage_ F oe deteet gu ae [dime tT ? find | some-thing to no. 205people out bodies are ere bent; they could give up for who Lent must live in a tent,While Van-der-bilts drink (cham - pagne in their fan - cy 207some peo-ple still live high on the hog, while so man-y live like tall, & crese;= — - } ~~~ wecan u - nite, make our-selves strong, If we're wil-ling to fight,We can right what is wrong if t i Tr fr T pres - sors will know___. from the words of our song that theWoman i ‘There are ° +2 Others peo-ple out. there with no shoes on their feet ee ee ee ee yg = snow and the and they root through the gar - bage,—some-thing’ to While plu-to-crats sit 2ui' round on their cush - ioned — butts some people live | like ped-i-greed pets, while All Slower % SS = 2 E 4 some peo-ple live like mutts! But if 212Poco meno mosso (poco apoco accel.) nite, make our-selves If we're what is wrpng, pres - sors will know from the T wil - ling to fight, words of our song. 213On epplause for "The Joke.” 16a. "The Joke" Playoff 21516b. "Winds" with Chant cus: (FLORA breaks through the line) Gar-tet and Mel-lick! Gar-ret and Mel-lickl Un ~ Gat-tel and Mel-lick! Gar-ret and Mel-lick! Un-fairl Un-fast_ Gar-ret and Mel-lickt Gar-ret and Mel lick! . Un = fai) Un = aril Un fait Un fai a a 216PPh iss 16. Montage/ "Quiet Thing" Reprise cue: FLORA: Goodbye, Mr Stanley. (She sit.) Crowd (out of tempo) : ‘Wa-ges upt Ho-urs down! Make New York a Un-ion town! Wa-ges up! Ho-urs down! (ete) Allargando 27Willy 218 (Chanting ends) all comes true, it's fun - ny, but the bellsqui-et thing, you ff = = — 7 When hold the — world you'd hear ases 17. Sing Happy AUB: Hany exits, Flora ims slowly. VAMP (siow'y) Sing me a hap - pysong a-bout rob - ins in spritg—~ maiSing me a hap - py song. with a ° hap Spy. Some cheer-ful ron-de-lay_a-Bout catch-ing the ring | | ™Sing me a © son-netall_a-bout rol- ling in’ gol Some pop-py mel - 0-dy_a-bout rain - bows_. blend - ing__ Slightly faster —— hap - py—___' Tell me to - mor-row’sgon- nabe peach-es and cred Lightly As-sure me clouds arelined_ witha sil - ver_ o ¥ - Say how you re - aclize— anim - pos - si - ble dream + Brighter sitsome old bal - lad all a-bout two shin = ing. 3 > can't be [loud en-ough_ ora moment 100 soot 225rey fr ft RonF ~ at ~ al] | SF ly = tics sing’ - ing of I ares t rtpee.s is OO weath-ther. ‘There’squite © - nough a-round_ me that’s break-ing my heatGive me a hal-le-lu. -jahand getup and shout the sun isshin -ing'a. - Who-ev-er's in - ter-est -ed in 2 Sora v ane econ: y help - ing me outAf Solo; very strong ¢ ly in the mar- ket for SSH Gy cuuststoniente eodawn comes a a - ‘loag.17a. "Unafraid" Underscore CUE: FLORA: OK yes. WILLY: OK yes. Slowly Remember us. Good night. a18. Bows On applause from 17a. 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